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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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OCARINA
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ORGUE
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To Find You
Non classifié
2 227
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1 008
Piano, Voix et Guitare
559
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505
Piano Facile
473
Piano, Voix
350
Accordéon
68
Orgue
30
1 Piano, 4 mains
13
Accompagnement Piano
13
Piano Trio: piano, violon, violoncelle
9
2 Pianos, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano grosses notes
1
Piano (partie séparée)
1
2 Pianos, 8 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
102
Guitare
79
Guitare notes et tablatures
63
Ukulele
44
Basse electrique
21
2 Guitares (duo)
18
Piano, Guitare (duo)
10
3 Guitares (trio)
7
4 Guitares (Quatuor)
7
Dulcimer
6
Banjo
5
Paroles et Accords
4
Mandoline
3
Guitare (partie séparée)
2
2 Dulcimers (duo)
2
Ukulele Baryton
1
+ 11 instrumentations
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Voix
Chorale SATB
344
Chorale 3 parties
114
Chorale 2 parties
65
Chorale TTBB
41
Chorale SSAA
40
Voix Baryton, Piano
30
Voix Alto, Piano
28
Voix Soprano, Piano
20
Voix Tenor, Piano
18
Chorale Unison
16
Voix basse, Piano
13
Voix seule
12
Voix duo, Piano
12
Voix duo
9
Voix haute
4
Voix Mezzo-Soprano, Piano
3
Voix moyenne, Piano
2
Chorale SSAATTBB
1
Soli, choeur mixte et accompagnement
1
Chorale SSATTB
1
+ 15 instrumentations
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Vents
2 Saxophones (duo)
438
Quintette de Saxophone: 5 saxophones
197
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
195
Saxophone, Clarinette (duo)
186
2 Flûtes traversières (duo)
167
2 Clarinettes (duo)
163
Clarinette, Violon (duo)
136
Flûte traversière et Piano
131
Clarinette et Piano
123
Flûte traversière
120
Clarinette, Trompette (duo)
116
Quatuor de Saxophones: 4 saxophones
116
Clarinette
108
Ensemble de saxophones
103
Hautbois, Piano (duo)
96
Saxophone Alto et Piano
94
2 Hautbois (duo)
87
Saxophone Alto
84
Flûte, Clarinette (duo)
83
Flûte, Hautbois, Clarinette, Basson
82
Saxophone Tenor et Piano
73
Hautbois, Clarinette (duo)
71
Saxophone Tenor
70
Hautbois (partie séparée)
70
Clarinette et Alto
69
Flûte, Violon
68
Saxophone Soprano et Piano
68
Hautbois, Basson (duo)
66
Flûte, Saxophone (duo)
64
Flûte, Alto (duo)
54
Hautbois, Flûte
54
Quintette de Flûte : 5 flûtes
50
Flûte, Trompette (duo)
49
Quatuor de Flûtes : 4 flûtes
48
Ensemble de Clarinettes
48
2 Flûte à bec (duo)
43
Saxophone (partie séparée)
43
Saxophone Baryton, Piano
40
Quatuor de Clarinettes: 4 clarinettes
35
Trio de Flûtes: 3 flûtes
29
Hautbois
29
Flûte à bec Soprano
28
Saxophone Soprano
27
Saxophone Baryton
25
Cor anglais, Piano
23
Quintette de Clarinettes: 5 clarinettes
22
Ensemble de Flûtes
22
3 Saxophones (trio)
20
Cor Anglais
15
Flûte, Hautbois (duo)
14
Clarinette, Trombone (duo)
12
Hautbois, violon (duo)
11
3 Clarinettes (trio)
9
Flûte et Guitare
8
Clarinette Basse, Piano
8
Flûte, Hautbois, Clarinette (trio)
8
Flute (partie séparée)
8
Flûte, Violon, Piano
7
2 Flûtes traversières, Piano
7
Flûte à bec Soprano, Piano
7
Flûte à Bec
7
Flûte, Clarinette, Piano (trio)
7
Quatuor de Flûtes à bec
6
Flûte, Clarinette et Basson
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Clarinette, Violoncelle (duo)
5
Flûte à bec Alto
5
2 Clarinettes, Piano
5
Clarinette, Guitare (duo)
4
5 Flûtes à bec
4
Flûte, trombone et piano
3
Flûte à bec Alto, Piano
3
Ocarina
3
2 Hautbois, Piano
3
Hautbois, Violoncelle
2
Flûte, Alto et Piano
2
Flûte à bec Tenor
2
Clarinette, Violoncelle, Piano (trio)
2
Cornemuse
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Hautbois, Basson
2
Flûte, Violoncelle
2
Hautbois, Guitare (duo)
1
Clarinette, trompette et piano
1
Saxophone
1
Flûte, Violon et Violoncelle
1
Flute, harpe et violon
1
Harmonica
1
Ensemble De Flûte à bec
1
Clarinette Basse
1
Flûte irlandaise
1
Piccolo
1
2 Cors Anglais Et Pianoforte
1
+ 88 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
139
Quatuor de Cuivres : 2 trompettes, trombone, tuba
137
Trompette, Saxophone (duo)
126
Trompette
96
Ensemble de Trompettes
90
2 Trombones (duo)
87
2 Trompettes (duo)
86
Trompette, Piano
85
Trombone et Piano
81
Trombone
80
Trompette, Trombone (duo)
76
Quatuor de Cuivres: 2 trompettes, Cor, trombone
72
Cor
72
Ensemble de Trombones
57
Cor et Piano
50
Tuba et Piano
46
Tuba
40
Quatuor de Cuivres
26
Cor anglais, Piano
23
Trompette (partie séparée)
19
2 Cors (duo)
16
Cor Anglais
15
Euphonium, Piano (duo)
15
2 Euphoniums (duo)
12
Quatuor de cuivres: 4 trombones
12
Trio de Cuivres
11
2 Tubas (duo)
9
Euphonium
9
Ensemble de Cors
7
Trombone (partie séparée)
6
Quatuor de cuivres: 4 trompettes
4
2 Cors, Piano
4
2 Trompettes, Clavier (piano ou orgue)
3
2 Euphoniums et 2 Tubas
2
Trompette, Cor (duo)
2
3 Trompettes (trio)
2
Cor, Tuba (duo)
2
Quatuor de cuivres: 4 cors
2
Trombone, Tuba (duo)
1
Euphonium, Tuba (duo)
1
3 Trombones (trio)
1
Cor (partie séparée)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Tuba (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
+ 40 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
646
Violon, Violoncelle (duo)
496
Violon
367
Trio à Cordes: violon, alto, violoncelle
348
Quintette à cordes: 2 violons, alto, violoncelle, basse
206
Violoncelle
175
Violon et Piano
142
2 Violons (duo)
125
Violon, Alto (duo)
115
Alto seul
112
2 Altos (duo)
103
Violoncelle, Piano
97
2 Violoncelles (duo)
90
Alto, Piano
88
Trio à Cordes: 2 violons, violoncelle
74
Harpe
45
Contre Basse
38
Contrebasse, Piano (duo)
34
Alto (partie séparée)
29
Ensemble d'Altos
27
Alto, Violoncelle (duo)
26
Ensemble de Violons
26
Violon (partie séparée)
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
2 Contrebasses (duo)
7
Quatuor à cordes: 4 violons
7
4 Violoncelles
6
Trio à Cordes: 3 violoncelles
6
Trio à cordes: 3 violins
5
Trio à cordes: 3 altos
4
Quatuor à cordes : 4 altos
4
Harpe, Violon, Violoncelle
3
Violoncelle, Orgue
3
2 Violoncelles, Piano
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Altos, Piano
2
2 Violons, Piano
2
Violon, Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
Harpe, Voix
2
Harpe et Piano
1
Contrebasse (partie séparée)
1
Ensemble de Violoncelles
1
Alto, Guitare (duo)
1
Violon, Tuba (duo)
1
Violon, Violoncelle, Clarinette
1
Trio à Cordes: 2 violons, alto
1
Alto et Harpe
1
2 Harpes (duo)
1
3 Contrebasses
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
301
Orchestre à Cordes
203
Orchestre
87
Ensemble Jazz
52
Orchestre de chambre
34
Cloches
27
Ensemble de cuivres
24
Jazz combo
13
Batterie
11
Ensemble de Percussions
8
Xylophone, Piano
5
Fanfare
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Marimba
2
Xylophone
2
Batterie (partie séparée)
2
Vibraphone
1
Caisse Claire
1
2 Xylophones
1
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FLUTE A BEC
FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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To Find You
Flute (partie séparée)
Partitions à imprimer
8 partitions trouvées
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1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Pub...
(+)
Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Pub...
(+)
Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Flute 1
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018874 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056055. Pub...
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Flute Solo - Level 5 - SKU: A0.1018874 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056055. Published by Benjamin Sajo (A0.1018874). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Flute 2
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018875 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056059. Pub...
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Flute Solo - Level 5 - SKU: A0.1018875 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056059. Published by Benjamin Sajo (A0.1018875). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Aubade: A Pairing with Beethoven's Symphony #1 - Flute 1
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Flute (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.1018902 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064735. Pub...
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Flute Solo - Level 4 - SKU: A0.1018902 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064735. Published by Benjamin Sajo (A0.1018902). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Aubade: A Pairing with Beethoven's Symphony #1 - Flute 2
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Flute (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.1018904 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064739. Pub...
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Flute Solo - Level 4 - SKU: A0.1018904 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064739. Published by Benjamin Sajo (A0.1018904). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Flute 2
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Flute (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.1018943 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078667. Pub...
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Flute Solo - Level 4 - SKU: A0.1018943 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078667. Published by Benjamin Sajo (A0.1018943). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Work in Progress: Flute
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Flute (partie séparée)
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Jazz
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Gordon Goodwin
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Work in Progress: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017195_F1 Flute. Composed by Gordon Goodwin. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-001719...
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Jazz Ensemble - SKU: AX.00-PC-0017195_F1 Flute. Composed by Gordon Goodwin. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017195_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017195_F1). UPC: 038081415529.If you want to play original Gordon Goodwin charts but find them too challenging, you have to try this chart! Lead trumpet range to written G on top of the staff with an open solo section and written-out solos provided for E-flat, B-flat instruments and trombone. It's the Gordon Goodwin Big Phat Band sound---but accessible for your band. This title is available in SmartMusic.
$3.00
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To Find You
