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37
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32
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31
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27
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26
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26
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17
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14
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11
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19
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15
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Orchestre d'harmonie
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166
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2
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Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Ali Ben Sou Alle: Adieu, Valse de Concert for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533505 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533505 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 21 pages. Musik Fabrik Music Publishing #3001087. Published by Musik Fabrik Music Publishing (A0.533505). The concert waltz Adieu begins with an introduction in the style of a Bel Canto aria. The Valse which follows is divided into several sections of contrasting styles and tonalites. The coda brings the piece to a calm and quiet close which is broken by a final fortissimo outburst.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$12.95
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Adieu, Valse de Concert for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Dying of the Light : Musical Settings of the Poetry of Dylan Thomas (Downloadable Piano/Vocal Score)
Tenor voice solo with string quartet or piano - Moderately Easy - Digital Download SKU:…
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Tenor voice solo with string quartet or piano - Moderately Easy - Digital Download SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 pages. Duration 10 minutes, 10 seconds. E. C. Schirmer Music Company - Digital #8329-E. Published by E. C. Schirmer Music Company - Digital (MQ.8329-E). English.The poetry of Dylan Thomas (1914–1953) is characteristically Welsh and dark. Death is a common topic in his writings. Yet despite the somber imagery, there is often a strength and resilience. The journey of death is described, but not taken. Death is the adversary, not the ruler. The Hand that Signed the Paper speaks of the often cruel and deadly power of a signed document- a document of taxation, of treaty or of counting casualties. The five fingers mark the dead, but do not soothe. “Hands have no tears to flow.†And Death Shall Have No Dominion expresses the triumph of the human spirit over death. “Though lovers be lost love shall not.†Do Not Go Gentle into that Good Night represents the fight against death. “Rage, rage against the dying of the light.†The musical expression of these poems places the voice in the low (dark) range. Tempi are slow, and minor keys are prevalent. Only occasionally are major tonalities presented. These passages combine with particularly uplifting phrases such as “Though they sink through the sea, they shall rise again†and “Wild men, who caught and sang the sun in flight…†Near the end of the last song, the poet addresses his deceased father: “And you, my father, there on the sad height...†The voice stays on a constant pitch while the harmony lifts beneath (to the heights), in the Lydian (raised) mode. [One might hear the voice as “perched atop†the rising chords.] This is one of the most personal lines of Dylan Thomas' poetry. As the poet speaks to his father, the climax of the song comes with the rising phrases of “Rage, rage against the dying of the light.†The final chords are dissonant, marked “with determination and triumph.†Duration: 10:10.
$12.00
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Gwyneth W
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The Dying of the Light : Musical Settings of the Poetry of Dylan Thomas
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Valzer
Piano seul
Piano - advanced - Digital Download For piano. Composed by Nino Rota (1911-1979). Thi…
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Piano - advanced - Digital Download For piano. Composed by Nino Rota (1911-1979). This edition: single sheet. Downloadable. Duration 4 minutes. Schott Music - Digital #Q7097. Published by Schott Music - Digital
This little waltz .was not .discovered until recently. The manuscript .was passed from the dedicatee ('dedica: alla gentile Signora Giovanna Albano Sottomano per omaggio cordiale di Nino Rota Bari 12/7/1945') to her heirs and .has remained in their possession ever .since. This is why it has not been included in Rota's catalogue of works .until now.<br> Thus, .it is all the more delightful that we can now publish this lively piano work for the first time and .in doing so, add another piece to Rota's popular compositions for piano.
$7.99
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Piano seul
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Nino Rota
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Valzer
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Schott Music - Digital
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SheetMusicPlus
The Legend of Zelda(tm): Twilight Princess Hyrule Field Main Theme
Piano Facile
Easy Piano - Digital Download The Legend of Zeldaâ„¢: Twilight Princess - …
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Easy Piano - Digital Download The Legend of Zelda™: Twilight Princess - Hyrule Field Main Theme. By Nintendo®. By Toru Minegishi. Arranged by Shinobu Amayake. Pop/Rock. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015409. Published by Alfred Music - Digital Sheet Music
ISBN 9780739083246.<br> <br> After decades of anticipation, Alfred is proud to release the officially licensed, collectible sheet music companion folios to The Legend of Zeldaa,,C/ video game series. The 33 arrangements in this Easy Piano edition contain the instantly recognizable melodies beloved by generations of gamers around the globe. From Koji Kondo's iconic The Legend of Zeldaa,,C/ Main Theme to The Legend of Zeldaa,,C/: Spirit Tracks themes, the dozens of pieces in this book represent two and a half decades of NintendoA(r) video game favorites. Adding to the fun, graphics from the corresponding games grace each page of the sheet music. Impress friends, family, and audiences of all ages by playing from this magnificent collection, which makes a great gift for every pianist.<br> <br> Titles: * The Legend of Zeldaa,,C/ Title Theme * The Legend of Zeldaa,,C/ Main Theme * Zelda IIa,,C/ - The Adventure of Linka,,C/ Title Theme * Zelda IIa,,C/ - The Adventure of Linka,,C/ Palace Music * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Title Screen * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Hyrule Castle Music * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Main Theme * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ The Dark World * The Legend of Zeldaa,,C/: Link's Awakeninga,,C/ Main Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Title Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Princess Zelda's Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Hyrule Field * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Lost Woods (Saria's Song) * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Gerudo Valley * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Song of Storms * The Legend of Zeldaa,,C/: Majora's Maska,,C/ Prelude of Majora's Mask * The Legend of Zeldaa,,C/: Majora's Maska,,C/Termina Field * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Main Theme * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Dragon Roost Island * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Ocean Theme * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Molgera * The Legend of Zeldaa,,C/: Four Swords Adventures Village of the Blue Maiden Restored * The Legend of Ze.
$3.99
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Piano Facile
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Nintendo®
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Shinobu Amayake
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The Legend of Zelda(tm): Twilight Princess Hyrule Field Main Theme
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Legend of Zelda(tm): Twilight Princess Midnas Lament
Piano seul
Piano - Digital Download The Legend of Zeldaâ„¢: Twilight Princess - Midna…
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Piano - Digital Download The Legend of Zelda™: Twilight Princess - Midnas Lament. By Nintendo®. By Toru Minegishi. Arranged by Shinobu Amayake. Pop/Rock. 2 pages. Alfred Music - Digital Sheet Music #00-PS-0015312. Published by Alfred Music - Digital Sheet Music
ISBN 9780739082966.<br> <br> After decades of anticipation, Alfred is proud to release the officially licensed, collectible sheet music companion folios to The Legend of Zeldaa,,C/ video game series. The 33 arrangements in this intermediate-advanced piano edition are note-for-note transcriptions of instantly recognizable melodies beloved by generations of gamers around the globe. From Koji Kondo's iconic The Legend of Zeldaa,,C/ Main Theme to The Legend of Zeldaa,,C/: Spirit Tracks themes, the dozens of pieces in this book represent two and a half decades of NintendoA(r) video game favorites. Adding to the fun, graphics from the corresponding games grace each page of the sheet music. Impress friends, family, and audiences of all ages by playing from this magnificent collection, which makes a great gift for every pianist.<br> <br> Titles: * The Legend of Zeldaa,,C/ Title Theme * The Legend of Zeldaa,,C/ Main Theme * Zelda IIa,,C/ - The Adventure of Linka,,C/ Title Theme * Zelda IIa,,C/ - The Adventure of Linka,,C/ Palace Music * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Title Screen * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Hyrule Castle Music * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Main Theme * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ The Dark World * The Legend of Zeldaa,,C/: Link's Awakeninga,,C/ Main Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Title Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Princess Zelda's Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Hyrule Field * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Lost Woods (Saria's Song) * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Gerudo Valley * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Song of Storms * The Legend of Zeldaa,,C/: Majora's Maska,,C/ Prelude of Majora's Mask * The Legend of Zeldaa,,C/: Majora's Maska,,C/Termina Field * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Main Theme * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Dragon Roost Island * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Ocean Theme * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Molgera * The Legend of Zeldaa,,C/: Four Swords Adventures Village of th.
$3.99
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Piano seul
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Nintendo®
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Shinobu Amayake
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The Legend of Zelda(tm): Twilight Princess Midnas Lament
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Circus Cavalry (score)
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.866219 Composed by Jeffrey Ouper.…
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Concert Band - Level 3 - Digital Download SKU: A0.866219 Composed by Jeffrey Ouper. 20th Century,Children,Contemporary. Score and parts. 30 pages. Jeffrey Ouper #3684883. Published by Jeffrey Ouper (A0.866219). Note: This download is for the score formatted for legal size paper. Parts formatted for letter size paper are a separate download.The Circus Cavalry embodies the style of marches and descriptive light-music similar to Leroy Anderson. The Circus Cavalry follows the form of traditional marches, but ends with a descriptive coda in the original key. Listeners can imagine the opening parade of performers, clowns, and animals under the big top circus tent. After the main performance is finished, the coda portrays the clowns’ prolonged merriment, which results in a whip crack from the ringmaster to keep the show on schedule. The Circus Cavalry is perfect for any circus, carnival, or children’s themed band concert!Grade 4Duration: 3:40 Instrumentation:piccolo, flute 1,2, oboe 1,2, english horn (optional), e-flat clarinet, b-flat clarinet 1,2,3, alto clarinet (optional), bass clarinet, bassoon, alto sax 1,2, tenor sax, bari sax, trumpet 1,2,3, horn 1,2,3,4, trombone 1,2,3, euphonium, baritone TC, tuba, double bass (optional) percussion: glockenspiel, timpani, ratchet, vibraslap, bird whistle, bass drum, snare drum, slide whistle, wood block, slapstick, whizzer siren whistle, triangle If percussionists are limited, important slide whistle cues are given for wind players to help. Other percussion events may be given to players in the band not playing in the coda. Other cues for missing instruments are given in strategic areas.
$34.95
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Orchestre d'harmonie
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Jeffrey Ouper
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The Circus Cavalry
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Jeffrey Ouper
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SheetMusicPlus
The Circus Cavalry (parts)
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.866220 Composed by Jeffrey Ouper.…
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Concert Band - Level 3 - Digital Download SKU: A0.866220 Composed by Jeffrey Ouper. 20th Century,Children,Contemporary. Score and parts. 101 pages. Jeffrey Ouper #3684975. Published by Jeffrey Ouper (A0.866220). Note: This download is for the parts formatted for letter size paper. The score formatted for legal size paper is a separate download. The Circus Cavalry embodies the style of marches and descriptive light-music similar to Leroy Anderson. The Circus Cavalry follows the form of traditional marches, but ends with a descriptive coda in the original key. Listeners can imagine the opening parade of performers, clowns, and animals under the big top circus tent. After the main performance is finished, the coda portrays the clowns’ prolonged merriment, which results in a whip crack from the ringmaster to keep the show on schedule. The Circus Cavalry is perfect for any circus, carnival, or children’s themed band concert! Grade 4 Duration: 3:40 Instrumentation: piccolo, flute 1,2, oboe 1,2, english horn (optional), e-flat clarinet, b-flat clarinet 1,2,3, alto clarinet (optional), bass clarinet, bassoon, alto sax 1,2, tenor sax, bari sax, trumpet 1,2,3, horn 1,2,3,4, trombone 1,2,3, euphonium, baritone TC, tuba, double bass (optional) percussion: glockenspiel, timpani, ratchet, vibraslap, bird whistle, bass drum, snare drum, slide whistle, wood block, slapstick, whizzer siren whistle, triangle If percussionists are limited, important slide whistle cues are given for wind players to help. Other percussion events may be given to players in the band not playing in the coda. Other cues for missing instruments are given in strategic areas.
$34.95
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Orchestre d'harmonie
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Jeffrey Ouper
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The Circus Cavalry
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Jeffrey Ouper
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SheetMusicPlus
Killarney Carnivale
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1281978 Composed by John P.W. Hud…
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Concert Band - Level 4 - Digital Download SKU: A0.1281978 Composed by John P.W. Hudson. 20th Century,Contest,Festival. Score and Parts. 90 pages. 'Published by John P.W. Hudson #872903. Published by 'Published by John P.W. Hudson (A0.1281978). Premiered June 6th, 2023 by the Killarney Senior Wind Ensemble and Alumni directed by Meagan Lawson, 'Killarney Carnivale' is a programmatic piece describing a small town carnival in rural Manitoba in the early 1930's, spotlighting the family of the town dentist, Dr. Martin McLaren, his wife Irene, and their six girls. 'Killarney Carnivale' describes a fictitious event, but the family is that of the composer, John Hudson. His mother, (second in a family of six girls), as a young teen in Killarney Manitoba, loved playing piano and aspired to be a concert pianist playing her favourite composers in concert halls. Her dreams took a different turn when the family had to move west for Dr. McLaren's health, but she carried with her the melodies she composed and later played to her own children.Picture John Hudson listening to hours of his mother playing piano as a young boy in the early 1950's, immersed in his mother's beautiful music. After her passing in 2010, he longed to hear these beautiful, playful melodies again. His sister Jane Keyes had become a professional piano player and happily took up the task of recreating several of their mother's pieces, which John, now a retired band director, began to transcribe. Inspired by a photograph of the family that very much looked like a carnival booth style photograph, 'Killarney Carnivale' came to life. It opens as the youngest, probably under age two at the time, wakes up. The scene swiftly changes to arrival at the much - anticipated carnival, with all of its magical sights, sounds and heavenly smells of popcorn and treats. First is the carousel, with wooden horses flying about in endless circles with children regaling with laughter.The next is a sideshow tent featuring the exotic dancer Salome, who wiled King Herod, (and probably more than a few in the audience) as her thin, tantalizing veils hinted at her charms.The next tent is dim and displays the wierd and mysterious curiosities from around the world like bearded ladies, dwarfs and the like.The cakewalk is next, with children vying to be the last person sitting as chairs are removed and the music abruptly stops each time. (This section could host a real cakewalk with a few chairs and willing audience participation. Three chairs is suggested.)Finally, the exhausted family drives home in their antique (to us) automobile with the childrens' hair flying in the breeze.One by one, the excited children fall prey to dreamland, and at long last, the exhausted parents flop into bed too.Honouring his mother's short pieces has been a life long dream of Mr. Hudson, and to hear them played by the Killarney Wind Ensemble and Alumni Band was a poignant moment: the return of these melodies to the little town where they first came to life. Many, many thanks to Meagan Lawson, their director, and all of the members of the Killarney band who so very willingly took up the challenge of playing 'Killarney Carnivale'. Their hard work and dedication to this piece is deeply, deeply appreciated.
$60.00
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Orchestre d'harmonie
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John P
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Killarney Carnivale
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John P.W. Hudson #872903.
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SheetMusicPlus
Flights of Fancy
Small Ensemble Clarinet,Flute,Viola - Level 4 - Digital Download SKU: A0.987048 Com…
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Small Ensemble Clarinet,Flute,Viola - Level 4 - Digital Download SKU: A0.987048 Composed by Joe Clark. Contemporary. Score and parts. 11 pages. Joe Clark #2025787. Published by Joe Clark (A0.987048). Flights of Fancy came about in an unexpected way. At the beginning of my sophomore year of high school, my homeroom teacher Lisa Harris decided to host Talent Fridays in an effort to enliven the tedium and pointlessness of the ten-minute homeroom period. Various students solved Rubik’s Cubes, Moonwalked, and displayed all manner of skills. Three of us, however, were musicians. Emily Church, Cailley Culotta, and I (note the alphabetical closeness of our last names!) played flute, viola, and clarinet respectively. Now, at the time, I was unfamiliar with chamber music as a general concept and so rather than searching for a piece for us to play, I elected to write one myself. As we were rehearsing in the band room one morning before school began, my band director walked in and asked what we were playing, sounding surprised that I had written it myself. Later that year, he encouraged me to submit it to various composition contests. Thus, Flights of Fancy was a winner of the 2010 UMass Lowell CMENC Annual Youth Composition Festival. Light, burbling lines sparkle and weave throughout the piece, allowing the three musicians to engage in a lively dialogue. The piece is suitable for a variety of occasions, from a recital opener to light music at a reception. It is suitable for moderately advanced high school ensembles or any college ensemble.
$15.99
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Joe Clark
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Flights of Fancy
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Joe Clark
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SheetMusicPlus
Urlicht (Primeval Light), Fourth Movement, Symphony No. 2 (for Brass Quintet [Horn Solo] & Organ)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 3 - Digital Download SKU: A0.740203 Composed by Gustav Mahle…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.740203 Composed by Gustav Mahler. Arranged by Craig Garner. 20th Century. Score and parts. 14 pages. Dorm 40 Music #2917143. Published by Dorm 40 Music (A0.740203). This arrangement is part of the Chicago Gargoyle Brass and Organ Ensemble Signature Series.   This arrangement features the Horn which plays the part of the Alto solo throughout. The melody comes from Des Knaben Wunderhorn and it is one of Mahler's most beautiful songs. The entire movement is quiet, simple and hymn-like. Urlicht is a perfect prelude to the Finale of Symphony #2, which is also available through Dorm 40 Music and Sheet Music Plus. Scored in the lower key of B-flat. Performance time, 4:45. Published by Dorm 40 Music, www.dorm40music.com.  Do you know an Alto soloist? If so, we also have an arrangement for Alto solo (vocal), brass quintet and organ! You can find it at Dorm 40 Music or on Sheet Music Plus.
$15.00
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Gustav Mahler
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Craig Garner
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Urlicht
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Dorm 40 Music
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SheetMusicPlus
Highlights from Opera and Concert
1 Piano, 4 mains
Famous Pieces in Easy Arrangements. Arranged by Rainer Schrapers. This edition: Sheet m…
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Famous Pieces in Easy Arrangements. Arranged by Rainer Schrapers. This edition: Sheet music. Downloadable. Op. 1. Schott Music - Digital #Q42198. Published by Schott Music - Digital
This collection of classical 'highlights' arranged for piano duet fills a gap in the vast amount of teaching material avaliable in that it endeavours to combine the educational suitability of such arrangements with the artistic quality of the original works. What is new is not so much the selection of the pieces offered, but the reasons for which are obvious, but rather the attempt that has been made to provide material ranging from the very easy to the moderately difficult, without incurring the all too typical loss of structural complexity or richness of tonal quality, losses which can seriouly distort the original.
$16.99
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1 Piano, 4 mains
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Rainer Schrapers
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Highlights from Opera and Concert
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Schott Music - Digital
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SheetMusicPlus
Pippin: Choral Highlights
Chorale SATB
Chorus - Digital Download SKU: AX.00-PO-0001968 Pippin: Choral Highlights - SATB…
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Chorus - Digital Download SKU: AX.00-PO-0001968 Pippin: Choral Highlights - SATB. Composed by Stephen Schwartz. Arranged by Lisa DeSpain. Choral. 25 pages. Alfred Music - Digital Sheet Music #00-PO-0001968. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0001968). UPC: 038081468907.From the original Broadway opening in 1972 to the 2013 Tony for Best Musical Revival, the story of the young prince Pippin has delighted audiences around the world. Based on the recent revival, this five-minute medley captures all the joy, wonder, and excitement of the stage.Recorded Acc. Available.
$2.50
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Chorale SATB
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Stephen Schwartz
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Lisa DeSpain
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Pippin: Choral Highlights
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Christmas Festival, Highlights from: String Bass
Contrebasse (partie séparée)
By Leroy Anderson (1908-1975). Arranged by Michael Story. For Full Orchestra. Instructiona…
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By Leroy Anderson (1908-1975). Arranged by Michael Story. For Full Orchestra. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00
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Contrebasse (partie séparée)
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Leroy Anderson
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Michael Story
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A Christmas Festival, Highlights from: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Christmas Festival, Highlights from: Viola
Alto seul
By Leroy Anderson (1908-1975). Arranged by Michael Story. For Full Orchestra. Instructiona…
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By Leroy Anderson (1908-1975). Arranged by Michael Story. For Full Orchestra. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00
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Alto seul
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Leroy Anderson
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Michael Story
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A Christmas Festival, Highlights from: Viola
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Christmas Festival, Highlights from: 3rd Violin (Viola [TC])
Violon (partie séparée)
By Leroy Anderson (1908-1975). Arranged by Michael Story. For Full Orchestra. Instructiona…
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By Leroy Anderson (1908-1975). Arranged by Michael Story. For Full Orchestra. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00
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Violon (partie séparée)
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Leroy Anderson
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Michael Story
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A Christmas Festival, Highlights from: 3rd Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Christmas Festival, Highlights from: 2nd Violin
Violon (partie séparée)
By Leroy Anderson (1908-1975). Arranged by Michael Story. For Full Orchestra. Instructiona…
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By Leroy Anderson (1908-1975). Arranged by Michael Story. For Full Orchestra. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00
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Violon (partie séparée)
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Leroy Anderson
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Michael Story
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A Christmas Festival, Highlights from: 2nd Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Christmas Festival, Highlights from: Timpani
Timbales (partie séparée)
By Leroy Anderson (1908-1975). Arranged by Michael Story. For Full Orchestra. Instructiona…
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By Leroy Anderson (1908-1975). Arranged by Michael Story. For Full Orchestra. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$3.00
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Timbales (partie séparée)
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Leroy Anderson
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Michael Story
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A Christmas Festival, Highlights from: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Christmas Festival, Highlights from: 1st Percussion
Percussion (partie séparée)
By Leroy Anderson (1908-1975). Arranged by Michael Story. For Full Orchestra. Instructiona…
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By Leroy Anderson (1908-1975). Arranged by Michael Story. For Full Orchestra. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00
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Percussion (partie séparée)
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Leroy Anderson
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Michael Story
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A Christmas Festival, Highlights from: 1st Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Christmas Festival, Highlights from: Mallets
Percussion
By Leroy Anderson (1908-1975). Arranged by Michael Story. For Full Orchestra. Instructiona…
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By Leroy Anderson (1908-1975). Arranged by Michael Story. For Full Orchestra. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00
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Percussion
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Leroy Anderson
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Michael Story
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A Christmas Festival, Highlights from: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Christmas Festival, Highlights from: Tuba
Tuba (partie séparée)
By Leroy Anderson (1908-1975). Arranged by Michael Story. For Full Orchestra. Instructiona…
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By Leroy Anderson (1908-1975). Arranged by Michael Story. For Full Orchestra. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00
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Tuba (partie séparée)
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Leroy Anderson
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Michael Story
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A Christmas Festival, Highlights from: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Christmas Festival, Highlights from: 1st Trombone
Trombone (partie séparée)
By Leroy Anderson (1908-1975). Arranged by Michael Story. For Full Orchestra. Instructiona…
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By Leroy Anderson (1908-1975). Arranged by Michael Story. For Full Orchestra. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00
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Trombone (partie séparée)
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Leroy Anderson
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Michael Story
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A Christmas Festival, Highlights from: 1st Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Christmas Festival, Highlights from: 1st F Horn
Cor (partie séparée)
By Leroy Anderson (1908-1975). Arranged by Michael Story. For Full Orchestra. Instructiona…
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By Leroy Anderson (1908-1975). Arranged by Michael Story. For Full Orchestra. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00
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Cor (partie séparée)
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Leroy Anderson
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Michael Story
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A Christmas Festival, Highlights from: 1st F Horn
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Christmas Festival, Highlights from: 2nd B-flat Trumpet
Trombone (partie séparée)
By Leroy Anderson (1908-1975). Arranged by Michael Story. For Full Orchestra. Instructiona…
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By Leroy Anderson (1908-1975). Arranged by Michael Story. For Full Orchestra. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00
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Trombone (partie séparée)
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Leroy Anderson
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Michael Story
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A Christmas Festival, Highlights from: 2nd B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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