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20 partitions trouvées
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Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,S...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888395. Published by jmsgu3 (A0.550930). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Wachet auf for Oboe d'Amore & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Oboe d'Am
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554879. Published by jmsgu3 (A0.552247). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach-Gounod: Ave Maria for Oboe d'Amore & Piano
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Obo
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.549360 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Eas...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.549360 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 12 pages. Jmsgu3 #3490109. Published by jmsgu3 (A0.549360). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano - S0.661867. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria for Baritone Horn & Piano
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Bar
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jmsgu3
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SheetMusicPlus
Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 2 - SKU: A0.552852 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Co...
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Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 2 - SKU: A0.552852 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3491315. Published by jmsgu3 (A0.552852). Schwencke There are two popular versions of the Bach-Gounod Ave Maria to consider. Firstly, we have the version that exactly follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 27. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano, S0.661783. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Stan...
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Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468186. Published by jmsgu3 (A0.552847). J. S. Bach BWV 508  Score: 5 pages, Solo part: 1 page. Piano part: 2 pages. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo. He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Piccolo & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standa...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3469232. Published by jmsgu3 (A0.549238). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Bach: Bist du bei mir BWV 508 for Contrabassoon & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Contrabassoon,Instrumental Solo,Piano - Level 2 - SKU: A0.549233 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,...
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Contrabassoon,Instrumental Solo,Piano - Level 2 - SKU: A0.549233 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3468784. Published by jmsgu3 (A0.549233). J. S. Bach BWV 508. This arrangement features a specially revised custom accompaniment part that avoids unwanted collisions with the contrabassoon and revoices chords to avoid awkward doublings and other voice-leading problems. It accentuates the solo part very nicely. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Schubert: Moment Musicaux for Baritone Horn & Piano
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Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sac...
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Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447443. Published by jmsgu3 (A0.552841). Baritone Horn version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
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J
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James M
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Bach-Gonoud: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,...
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Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,Concert,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888307. Published by jmsgu3 (A0.550921). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
Bach: Wachet auf for Bass Flute & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Bass Flut
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Ea...
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Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554877. Published by jmsgu3 (A0.549846). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach-Gounod: Ave Maria for Piccolo & Piano
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Pic
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549362 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,W...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549362 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 12 pages. Jmsgu3 #3490121. Published by jmsgu3 (A0.549362). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Piccolo & Piano - S0.661869. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Two Almandes from Premier Livre de Danseries (Pierre Phalèse, 1571)
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Two Almandes from Premier Livr
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.1037867 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin ...
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String Ensemble - Level 2 - SKU: A0.1037867 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #642781. Published by Colin Kirkpatrick Publications (A0.1037867). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. Composers and publishers saw a commercial potential in collections of dance music and one of the earliest collections was that by composer and publisher Tielman (or Tylman) Susato, who published his Danserye in Antwerp in 1551. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. The two almands in this arrangement were well known popular melodies at the time of publication. They still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
Premier Bransle de la Guerre & Les Bouffons (Premier Livre de Danseries - Pierre Phalèse, 1571
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Premier Bransle de la Guerre &
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.1036189 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin ...
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String Ensemble - Level 2 - SKU: A0.1036189 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #641293. Published by Colin Kirkpatrick Publications (A0.1036189). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. The two dances in this arrangement (Premier Bransle de la Guerre and the lively Les Bouffons) were well known popular melodies at the time of publication. They still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
Two Rondes from Susato's Danserye (1551)
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Renaissance
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Tielman Susato
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Colin Kirkpatrick
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Two Rondes from Susato's Danse
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.1034006 Composed by Tielman Susato. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kir...
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String Ensemble - Level 2 - SKU: A0.1034006 Composed by Tielman Susato. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #639328. Published by Colin Kirkpatrick Publications (A0.1034006). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. Composers and publishers saw a commercial potential in collections of dance music and one of the earliest collections was that by composer and publisher Tielman (or Tylman) Susato, who published his Danserye in Antwerp in 1551. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone color. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambor or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
Pavane Lesquercarde, Pavane No 5, Premier Livre de Danseries (Pierre Phalèse, 1571)
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Pavane Lesquercarde, Pavane No
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.1038231 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin ...
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String Ensemble - Level 2 - SKU: A0.1038231 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #643162. Published by Colin Kirkpatrick Publications (A0.1038231). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. Composers and publishers saw a commercial potential in collections of dance music and one of the earliest collections was that by composer and publisher Tielman (or Tylman) Susato, who published his Danserye in Antwerp in 1551. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. The Pavane was a slow and dignified processional dance popular in Europe during the 16th century. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
Six Sonatas for Cello, Op. 40
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Aaron Sinnett
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Aaron Sinnett
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Six Sonatas for Cello, Op. 40
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Aaron Sinnett
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SheetMusicPlus
Cello Duet Cello - Level 2 - SKU: A0.1508659 By Aaron Sinnett. By Jean-Baptiste Bréval. Arranged by Aaron Sinnett. 19th Century,Baroque,Chamber,Classic...
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Cello Duet Cello - Level 2 - SKU: A0.1508659 By Aaron Sinnett. By Jean-Baptiste Bréval. Arranged by Aaron Sinnett. 19th Century,Baroque,Chamber,Classical. Score. 89 pages. Aaron Sinnett #1083923. Published by Aaron Sinnett (A0.1508659). Jean-Baptiste Bréval, Six Sonatas, Op. 40Score and parts included. (Minimal markings, no additional edits, i.e. no fingerings or bowing added)As per the tradition of the era, Bréval composed the Cello solo and the bass line, leaving the chord making up to the performer. This means that there is originally no piano accompaniment part by Bréval. (If you are familiar with any sonata by said composer, it is likley No. 1 in C major, as it appears in volume 4 of a popular method, which is supplied with a piano accompoaniment.) Even so, as many can attest, most sonatas of the Baroque/early Classical periods are beautiful performed with two cellos, or cello duet.In this edition, I have made the notation modern, the layout clean and clear, as well as providing the score of the two original parts and individual parts, labeled Cello 1 and Cello 2. (For those wishing for historical accuracy in part naming Cello 2 should more appropriately be labelled Basso.) I have elevated it to Cello 2 simply to encourage the performance of this excellent set of sonatas with two cellos. I believe they sound very good this way in spite of being traditionally expected to be performed with a chord making instrument like a keyboard in addition to the solo cello and bass instrument. Thus, making it a trio.The Table of contents is the following without being overly detailed (one of the preview pages will have incipits from all six sonatas as is the custom when printing a complete set of pieces in a single volume). Sonata No. 1 in C major Sonata No. 2 in F major Sonata No. 3 in G major Sonata No. 4 in Bb major Sonata No. 5 in A major Sonata No. 6 in D major Each sonata is two movements long. They all have first movements with the customary Sonata Allegro form. The seconds movements vary from RONDOs to Minuets to a set of variations.It is my sincere hope that more of these sonatas be learned and performed as they are not only great learning material, Bréval has crafted each one masterfully.
$14.99
Anna's Song -MP3 Accompaniment track
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Musique Sacrée
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Deborah Johnson
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Anna's Song -MP3 Accompaniment
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Deborah Johnson
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SheetMusicPlus
Level 2 - SKU: A0.1110614 By Deborah Johnson. By Deborah Johnson. Christian,Christmas,Contemporary,Holiday,Praise & Worship. Accompaniment. Duration 293...
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Level 2 - SKU: A0.1110614 By Deborah Johnson. By Deborah Johnson. Christian,Christmas,Contemporary,Holiday,Praise & Worship. Accompaniment. Duration 293. Deborah Johnson #712916. Published by Deborah Johnson (A0.1110614). Annas Song is a captivating contemporary inspirational piece written by Deborah Johnson. It features a solo vocalist, a chorus, and a string ensemble, resulting in a harmonious and emotionally resonant composition. This enchanting piece can be found on the album Merry Christmas Too, which is a collection of holiday-themed music. This MP3 accompaniment track is in the higher key of Bb-B only.The sheet music of the song is in 2 different keys for low and high versions:Â Bb-B (high), spanning from B below middle C to high B, and G-Ab (low) spanning from G below middle C to high G. These ranges allow for a wide vocal expression, making it suitable for various singers. Annas Song carries a powerful message, drawing inspiration from the biblical account found in Luke 2:36-38. It serves as a reminder that we are never beyond the reach of God's redemption, and He can work His miraculous ways in our lives, no matter how long we may have waited. This message of hope and redemption makes the song particularly meaningful for church and worship celebrations, where it can be used to inspire and uplift congregations. The arrangement of Annas Song includes a full score, encompassing the piano, chorus, strings, and rhythm parts, making it comprehensive and adaptable for different musical settings. Additionally, it provides separate vocal lead sheets, chorus parts, and string parts, allowing for flexibility in performance and accommodating a range of musical talents. Annas Song is a beautiful and spiritually moving composition that combines a contemporary sound with a profound message of redemption. Deborah Johnson's arrangement offers a versatile musical experience suitable for church and worship gatherings, helping to create a spiritually uplifting atmosphere for all who listen. The sheet music is also available for download. Full song download on Spotify: https://open.spotify.com/track/4l5svO76D7GLwaxPSA7gOF More information here: https://djworksmusic.com/annas-song/ https://djworksmusic.com/products/ for physical albums & info. Twitter: @DJWorksMusic; Instagram: Deborah_johnsonmusic Like our Facebook page: https://www.facebook.com/deborah.johnson For updates and weekly articles: https://goalsforyourlife.com/newsletter Anna's Song is written and arranged by Deborah Johnson and included on the full album called Merry Christmas Too. DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. She has also appeared with the headliner piano/vocal duo Double Grande. Also the author of multiple books, her music has been up for multiple Grammy Awards. Production, Music and Lyrics by Deborah Johnson. Keyboards: Deborah Johnson and Tom Keene; Bass Guitar: David Coy; Drums: Dave Spurr; Guitars: John Hunt; Flute: John Reilly; Strings: Living Strings. Recorded at: Tor-Wood-Lea Recording Studios, Engineered by Tom Keene. Bass/Strings Recorded at: A to Z Studios, Engineered by Tim Jaquette. Mixed at: ETC Studio A, Tim Jaquette; Album Mastering: Bernie Grundman.
$8.99
Have Yourself A Merry Little Christmas
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Barry Manilow
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Rogier Ijmker
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Have Yourself A Merry Little C
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BeeMaster Music
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SheetMusicPlus
Choral 5-Part Chorus,Choir,Choral - Level 2 - SKU: A0.1512785 By Barry Manilow. By Hugh Martin and Ralph Blane. Arranged by Rogier Ijmker. A Cappella,Ch...
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Choral 5-Part Chorus,Choir,Choral - Level 2 - SKU: A0.1512785 By Barry Manilow. By Hugh Martin and Ralph Blane. Arranged by Rogier Ijmker. A Cappella,Christmas,Jazz,Pop,Singer/Songwriter. 6 pages. BeeMaster Music #1087742. Published by BeeMaster Music (A0.1512785). Perfect for choirs that need a different sound for Christmas, this piece is sure to captivate both singers and audiences alike. Video Highlights: • Arrangement Name: Have Yourself A Merry Little Christmas • Composer/Arranger: inspired by Chase Holfelder / arrangement by Rogier IJmker• Difficulty Level: 3 (on a scale of 1 to 5) • Duration: 3:39 • Suitable For: SMATB (contact me if you need another voicing) ABOUT THE SONG: Have Yourself A Merry Little Christmas is a classic holiday song written by Hugh Martin and Ralph Blane. It was first introduced by Judy Garland in the 1944 MGM musical Meet Me in St. Louis. The song's original lyrics were quite melancholic, reflecting the somber mood of the wartime era. Over the years, it has been covered by numerous artists, each bringing their own unique touch to the song. Frank Sinatra famously requested a lyric change to make the song more uplifting, which led to the more familiar, hopeful version we often hear today. Chase Holfelder is known for his unique approach to music, often reimagining major key songs in a minor key. This technique gives the songs a more melancholic and haunting feel. His rendition of “Have Yourself A Merry Little Christmas” has been particularly well-received, resonating with listeners who appreciate the emotional depth and fresh perspective he brings to the song. ABOUT THIS ARRANGEMENT: Rogier IJmker's choral arrangement of Have Yourself A Merry Little Christmas offers a fresh and unique take on the beloved classic. This version is characterized by its close harmony, creating a rich and intricate sound that is both captivating and emotionally resonant. Rogier's arrangement stands out by being set in a minor key, which gives the song a melancholic and introspective feel, contrasting with the more traditional, cheerful renditions. This different sound brings out the song's original, wistful essence, making it a poignant and moving experience for listeners. PURCHASE AND LICENSING: Interested in performing this arrangement? Purchase includes an SMATB score CONNECT WITH ME: • Website: www.rogierijmker.nl • Facebook: https://www.facebook.com/RogiersArrangements/ • Instagram: https://www.instagram.com/rogiersarrangements SUBSCRIBE FOR MORE: Don’t forget to subscribe to my YouTube channel for more beautiful choir arrangements and performance tips. Hit the bell icon to stay updated with my latest uploads! CONTACT: For any inquiries or custom arrangement requests, please contact me at rogier@beemaster.nl.Arrangement written in Dorico Vocals by ACE Studio Video edited in DaVinci Resolve by Blackmagic Design Published through ArrangeMe
$3.49
NOEL: Bethlehem's Child -MP3 Accompanment track without BKG vocals
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Deborah Johnson
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NOEL: Bethlehem's Child -MP3 A
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Deborah Johnson
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SheetMusicPlus
Level 2 - SKU: A0.1110623 By Deborah Johnson. By Deborah Johnson. Christian,Christmas,Classical,Folk,Holiday. Accompaniment. Duration 273. Deborah Johns...
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Level 2 - SKU: A0.1110623 By Deborah Johnson. By Deborah Johnson. Christian,Christmas,Classical,Folk,Holiday. Accompaniment. Duration 273. Deborah Johnson #712925. Published by Deborah Johnson (A0.1110623). This arrangement presents a beautiful rendition of the song Noel: Bethlehem's Child, composed by Deborah Johnson. It features a combination of a solo and chorus, accompanied by a string trio and a flute, adding a rich and harmonious musical element to the song. The song is one of the tracks from the album Merry Christmas Too. This is the downloadable MP3 accompaniment track without background vocals.The lyrics of Noel: Bethlehem's Child narrates the story of the birth of the Christ child in Bethlehem, where He is born in a humble manger among animals, heralded by angels, and visited by kings. The song captures the essence of this significant biblical event and the profound meaning of Christmas. This versatile arrangement can be performed as a solo or as a duet, complemented by a 2-3 part chorus and a small instrumental ensemble. Its medium difficulty level ensures that it is accessible to a wide range of musicians, making it suitable for both seasoned performers and those looking to enhance their musical skills. This flexibility allows for a variety of performance options, making it adaptable to different musical settings and ensembles. The chorus part is designed to be easy to learn, making it an ideal choice for choirs or singers looking to incorporate a heartfelt and meaningful piece into their repertoire. Noel: Bethlehem's Child is not only a beautiful musical composition but also a powerful retelling of the Christmas story, making it a wonderful addition to any holiday performance or worship service. The fulll downloadable score is also available. Full song download on Spotify: https://open.spotify.com/track/18A2mEKJS5XXfGW7iPYuE9 More information here: https://djworksmusic.com/bethlehems-child https://djworksmusic.com/products/ for physical albums & info. Twitter: @DJWorksMusic; Instagram: Deborah_johnsonmusic Like our Facebook page: https://www.facebook.com/deborah.johnson Get weekly updates & articles here: https://goalsforyourlife.com/newsletter Noel: Bethlehem's Child is written, performed and arranged by Deborah Johnson, included on the album Merry Christmas Too. DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. She has also appeared with the headliner piano/vocal duo Double Grande. Also the author of multiple books, her music has been up for multiple Grammy Awards. Production, Music and Lyrics by Deborah Johnson. Keyboards: Deborah Johnson and Tom Keene; Bass Guitar: David Coy; Drums: Dave Spurr; Guitars: John Hunt; Flute: John Reilly; Strings: Living Strings. Recorded at: Tor-Wood-Lea Recording Studios, Engineered by Tom Keene. Bass/Strings Recorded at: A to Z Studios, Engineered by Tim Jaquette. Mixed at: ETC Studio A, Tim Jaquette; Album Mastering: Bernie Grundman.
$8.99
Merry Christmas Too
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Noël
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Deborah Johnson
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Merry Christmas Too
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Deborah Johnson
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SheetMusicPlus
Guitar,Piano,Violin,Voice - Level 2 - SKU: A0.877830 Composed by Deborah Johnson. Christmas,Pop. 14 pages. Deborah Johnson #6069699. Published by Debora...
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Guitar,Piano,Violin,Voice - Level 2 - SKU: A0.877830 Composed by Deborah Johnson. Christmas,Pop. 14 pages. Deborah Johnson #6069699. Published by Deborah Johnson (A0.877830). Merry Christmas Too is a heartwarming holiday song composed by Deborah Johnson, which features a beautiful vocal solo accompanied by a harmonious blend of piano, rhythmic elements, and strings and is featured on the album titled Merry Christmas Too. This song is an ideal choice for expressing your affection to a loved one during the holiday season, as both the lyrics and melody evoke a sense of warmth and togetherness. The sheet music not only contains the vocal lead sheet, allowing you to sing along, but it also includes a separate part for the strings, adding a lovely orchestral touch to your performance serving as a musical gem within the festive collection. The MP3 accompaniment track is also available for download. Full song download on Spotify: https://open.spotify.com/track/2YVuHLB8xDFUrA1AxoCO5Q More information here: https://djworksmusic.com/merry-christmas-too https://djworksmusic.com/products/ for physical albums & info. Twitter: @DJWorksMusic; Instagram: Deborah_johnsonmusic Like our Facebook page: https://www.facebook.com/deborah.johnsonGet our weekly updates and articles here: https://goalsforyourlife.com/newlsetter Merry Christmas Too is written and arranged by Deborah Johnson. DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. She has also appeared with the headliner piano/vocal duo Double Grande. Also the author of multiple books, her music has been up for multiple Grammy Awards. Production, Music and Lyrics by Deborah Johnson. Keyboards: Deborah Johnson and Tom Keene; Bass Guitar: David Coy; Drums: Dave Spurr; Guitars: John Hunt; Flute: John Reilly; Strings: Living Strings. Recorded at: Tor-Wood-Lea Recording Studios, Engineered by Tom Keene. Bass/Strings Recorded at: A to Z Studios, Engineered by Tim Jaquette. Mixed at: ETC Studio A, Tim Jaquette; Album Mastering: Bernie Grundman.
$6.99
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