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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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Aria with 2 variations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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Crtitères actifs :
Aria with 2 variations
intermédiaire
Partitions à imprimer
16 partitions trouvées
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1
Arirang Variations (Downloadable)
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Stanley M
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Arirang Variations
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Galaxy Music Corporation - Digital
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SheetMusicPlus
2 flutes of the Same Kind - Medium - SKU: MQ.7.0663-E Composed by Stanley M. Hoffman. Score. 6 pages. Galaxy Music Corporation - Digital #7.0663-E. Publ...
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2 flutes of the Same Kind - Medium - SKU: MQ.7.0663-E Composed by Stanley M. Hoffman. Score. 6 pages. Galaxy Music Corporation - Digital #7.0663-E. Published by Galaxy Music Corporation - Digital (MQ.7.0663-E). This work, first scored for piano solo, was composed for the 2008 Sejong Music Composition Competition. Although it did not win a prize, having entered the competition left me with a neat little piano piece to show for it, as well as the present transcription which I created for flutist Peter Sheridan in 2015. The set of variations opens with the traditional Korean theme accompanied by arpeggios. This is followed by Variation 1, a sad waltz in the style of a Chopin waltz. Next comes Variation 2, a funeral march in the manner of Chopin’s Funeral March from the Piano Sonata in B-flat Minor, Op. 35. Variation 3 is a Tango written in tribute to one of my favorite composers, Astor Piazzolla. Variation 4 combined the Korean tune with motifs from the slow movement of Beethoven’s Symphony No. 6, The Pastoral. The set of variations closes with a repeat of the opening passage. -Stanley M. Hoffman.
$10.50
Variations in Db
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Joe Strachan
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Variations in Db
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Joseph Strachan
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1254186 Composed by Joe Strachan. 21st Century,Blues,Classical,Jazz,Traditional. Brass Band. 37 pages. Joseph Strachan #847781. Published by Joseph Strachan (A0.1254186). I intend to compose using the structure of theme and variations, scored for a brass band which consists of an Eb Soprano cornet, Bb cornets, Flugelhorn, Eb Tenor horns, Bb Baritones, Tenor Trombones, Bass trombone, Bb Euphonium, Bb Tuba, Eb tuba and percussion. I intend to convey multiple moods and brass band techniques throughout my piece by creating blended harmony, jazzy rhythm, and modulation. With the theme, I intend to make the band blend in harmony with the music. Into the first variation to create different rhythms and to create a jazz mood. To create the theme, I intend to establish the key of Db major in 4/4 time with a homophonic texture. For Example, to establish the key of Db in bb.1-8. I intend to use the primary and secondary chords Db, Eb, Db, Bb, Eb, Bb, Db, Bb, Eb, Fm, Gm, Bb, Eb, Fm, Ab, Db. To strengthen the chords, I use the root note in the bass lines (e.g. Bb bass).  With creating the theme I also take into consideration having a structured flowing catchy melody to show the audience a clear statement that this is the theme. The Rhymtic features in the theme are crotchets and quavers. But which are soon to be embellished in the variations. The dynamic in the theme is mf (mezzo-forte)  and mp (mezzo-piano)  in the higher instruments.  And forte in the lower voices for balancing. The tempo marking is crotchet equals 60 beats per minute. In variation 1, I intend to maintain the original melody from the theme (solo cornet)  whole creating contrast with the inclusion of jazz-styled rhythms and dissonant chords. For example, I use a jazz-styled drum ostinato (bb. 9-61) Featuring dotted quavers and semiquavers. In addition to this, I feature dissonance with the use of 7th chords which can be seen at bb.18-26, 31-39, and bars  54-62 For example, in bars 18-26 the cornets are playing the melody in a four-part harmony only using 7th chords. The rhythmic features are more embellished using crotchets and quavers. But also using dotted quavers and semiquavers to show that this melody this a variation. The dynamics in the variation are extended with more instruments having a forte dynamic to have a strong expressive dynamic. Inspiration of this variation comes from people like (Maynard Ferguson, and Gordon Goodwin).
$40.00
Maria durch ein Dornwald ging (Variations for saxophone and organ)
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Folklore
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Thomas Groh
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Maria durch ein Dornwald ging
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Thomas Groh
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SheetMusicPlus
Alto Saxophone,Instrumental Duet,Organ - Level 3 - SKU: A0.1268609 Composed by Folklore. Arranged by Thomas Groh. 21st Century,Advent,Christian,Contempo...
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Alto Saxophone,Instrumental Duet,Organ - Level 3 - SKU: A0.1268609 Composed by Folklore. Arranged by Thomas Groh. 21st Century,Advent,Christian,Contemporary. 24 pages. Thomas Groh #861129. Published by Thomas Groh (A0.1268609). „Maria durch ein Dornwald ging“ (Maria walks amid the thorns) is a wonderful German Advent hymn originating from the Eichsfeld region north of Eisenach in Thuringia. Its quite simple yet expressive melody thrills me already for a while. As my daughter learned to play the flute a few years ago, I decided to compose some variations for flute and piano on this hymn (with a quite easy part notably for the flute). The first sketch of the variations comprised the theme and simple versions of variations no. 1, 2, 5, 8 and 9. In summer 2016, I revised the initial variations and added the other ones; in autumn 2022, I adapted them to the instrumentation of alto saxophone and organ.
$15.00
Evening version 2 "Te lucis ante terminum" from Times and Seasons for solo violin (mp3)
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Daniel Mihai
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David Warin Solomons
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Evening version 2 "Te luc
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David Warin Solomons
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SheetMusicPlus
Violin - Level 3 - SKU: A0.1467005 By Daniel Mihai. By Traditional. Arranged by David Warin Solomons. Contemporary,Religious,Sacred. Full Performance. D...
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Violin - Level 3 - SKU: A0.1467005 By Daniel Mihai. By Traditional. Arranged by David Warin Solomons. Contemporary,Religious,Sacred. Full Performance. Duration 149. David Warin Solomons #1045570. Published by David Warin Solomons (A0.1467005). This is from four plainchants with variations (Times and Seasons) for solo violinPerformed by Daniel Mihai on a Léon Bernardel violin La Duchesse d'Angoulême.Recorded on 27 June 2024 in the Sergiu Celibidache Concert Hall of the National College of Arts Regina Maria Constanța.The chants are:Morning: Iam lucis orto sidere(Now that the daylight fills the sky)Noon: Rector potens, verax Deus(O Lord of might, O God of truth)Evening version 1 (for Sundays and Feast days)Te lucis ante terminum(Before the ending of the day)Evening version 2 (for weekdays)Te lucis ante terminum(Before the ending of the day).
$4.00
Nimrod, - duet: instruments in Eb and Bb
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Classique
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Edward Elgar
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Paul Burnell
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Nimrod, - duet: instruments in
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Paul Burnell
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SheetMusicPlus
Small Ensemble Alto Saxophone,Euphonium,Tenor Saxophone - Level 3 - SKU: A0.835851 Composed by Edward Elgar. Arranged by Paul Burnell. 20th Century. Sco...
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Small Ensemble Alto Saxophone,Euphonium,Tenor Saxophone - Level 3 - SKU: A0.835851 Composed by Edward Elgar. Arranged by Paul Burnell. 20th Century. Score and parts. 6 pages. Paul Burnell #5732511. Published by Paul Burnell (A0.835851). Nimrod (Variations on an Original Theme, Op. 36, Enigma: IX), Edward Elgar, arranged by Paul Burnell for Duet - instrument in Eb, instrument in Bb.Duration 2:40Part 1 in Eb (Alto Clarinet, Alto Saxophone, Tenor Horn)Part 2 in Bb (Bass Clarinet, Tenor Saxophone, Euphonium)The arrangement may be suitable for other instruments with the same transpositions.Score shows parts transposed.In this arrangement the melody is shared between the two instruments.The key of the original composition has been retained. Programme note:English composer Edward Elgar wrote the orchestral work‘ Variations on an Original Theme’, popularly known as the Enigma Variations, between 1898 and 1899. The work is dedicated to my friends pictured within, each variation being a musical representation of one of his close acquaintances. The name of the ninth variation Nimrod refers to Augustus Jaeger, Elgar’s music editor.
$1.99
Intermediate Music for Four, Volume 1 Part 3 for French Horn or English Horn - #72134
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Various
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Daniel Kelley
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Intermediate Music for Four, V
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Last Resort Music Publishing
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SheetMusicPlus
B-Flat Clarinet,Baritone Saxophone,Cello,Flute,Oboe/English Horn,Piano,Soprano Saxophone,Tenor Saxophone,Viola,Violin - Level 3 - SKU: A0.1255173 Compos...
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B-Flat Clarinet,Baritone Saxophone,Cello,Flute,Oboe/English Horn,Piano,Soprano Saxophone,Tenor Saxophone,Viola,Violin - Level 3 - SKU: A0.1255173 Composed by Various. Arranged by Daniel Kelley. 19th Century,Baroque,Classical,Instructional,Standards. 43 pages. Last Resort Music Publishing #848738. Published by Last Resort Music Publishing (A0.1255173). Intermediate Music for Four, Volume 1 Part 3 for French Horn or English Horn - #72134Fantastic arrangements for quartet with flexible instrumentation. Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Four series. Each part is sold separately.Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Table of ContentsTurkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer  Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Norse Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel) All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music PublishingÂ
$20.00
Saget, Saget mir Geschwinde, BWV 249 - Brass Quartet (Full Score) - Score Only
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Classique
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Johann Sebastian Bach
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César Madeira
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Saget, Saget mir Geschwinde, B
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Sheet Music To Play Editions
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SheetMusicPlus
Brass Quartet - Level 3 - SKU: A0.1404015 Composed by Johann Sebastian Bach. Arranged by César Madeira. Baroque,Chamber,Early Music,Easter,Sacred. 9 ...
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Brass Quartet - Level 3 - SKU: A0.1404015 Composed by Johann Sebastian Bach. Arranged by César Madeira. Baroque,Chamber,Early Music,Easter,Sacred. 9 pages. Sheet Music To Play Editions #987184. Published by Sheet Music To Play Editions (A0.1404015). Saget, Saget mir Geschwinde (Aria) from Oster-Oratorium, BWV249 (Oratorium Festo Pasquali). Arrangement for Brass Quartet - Bb Trumpet 1, 2, French Horn and Trombone. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Johann Sebastian Bach (1685 - 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been generally regarded as one of the greatest composers of all time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$9.99
Cielito Lindo (Duet, Accompanied)
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Quirino Mendoza y Cortés
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Sarah Martinez
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Cielito Lindo
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Sarah Martinez
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SheetMusicPlus
Voice Duet Voice - Level 3 - SKU: A0.1516670 Composed by Quirino Mendoza y Cortés. Arranged by Sarah Martinez. Children,Folk,Mariachi,Multicultural,Tra...
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Voice Duet Voice - Level 3 - SKU: A0.1516670 Composed by Quirino Mendoza y Cortés. Arranged by Sarah Martinez. Children,Folk,Mariachi,Multicultural,Traditional,World. 8 pages. Sarah Martinez #1090843. Published by Sarah Martinez (A0.1516670). “Cielito Lindo” was composed in 1882 by Quirino Mendoza y Cortés. It has become a popular traditional song of Mexico, with many popular variations and additional verses. Similar arrangements are available for SSA, TB, 2-part, TBB, SAB, and SATB chorus. English translation: Ay, ay, ay, ay, Sing and don't cry. From the Sierra Morena mountains, Pretty darling, they come down, A pair of little black eyes, Pretty darling, they're forbidden. Ay, ay, ay, ay, Sing and don't cry, For singing bring happiness, Pretty darling, to the hearts. That birthmark you have, Pretty darling, next to your mouth, Don't share with anyone, Pretty darling, it's for me. Ay, ay, ay, ay, Sing and don't cry, For singing bring happiness, Pretty darling, to the hearts.
$5.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #528866...
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Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Publishe...
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Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Sing We Now of Christmas
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Noël
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Cynthia Dobrinski
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Sing We Now of Christmas
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Hope Publishing - Digital
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SheetMusicPlus
(Flute) - Level 3 - SKU: H1.2576FDP Arranged by Cynthia Dobrinski. Christmas, Easter Sunday, General Worship. Flute Part. 2 pages. Hope Publishing - Dig...
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(Flute) - Level 3 - SKU: H1.2576FDP Arranged by Cynthia Dobrinski. Christmas, Easter Sunday, General Worship. Flute Part. 2 pages. Hope Publishing - Digital #2576FDP. Published by Hope Publishing - Digital (H1.2576FDP). Luke 2:1 - Luke 2:2 - Luke 2:3 - Luke 2:4 - Luke 2:5 - Luke 2:6 - Luke 2:7 - Luke 2:8 - Luke 2:9 - Luke 2:10 - Luke 2:11 - Luke 2:12 - Matthew 2:1 - Matthew 2:2 - Matthew 2:3 - Matthew 2:4 - Matthew 2:5 - Matthew 2:6 - Matthew 2:7 - .15th Century French Carol In this vivacious and harmonically interesting 3-7 octave setting, Cynthia Dobrinski makes use of the theme and variations form with optional 3-6 octaves handchimes, flute, and tambourine adding extra color. Contrast abounds with martellatos, martellato lifts, vibratos, echoes, mallets, mallet rolls, brush damps, plucks, shakes, and a swing used in a variety of moods from vivace to a lyrical andante. Though the theme is in a minor key, the lyrical variation is in the parallel major, and after the minor main theme returns, a rousing coda takes the piece back to the major key for a joyful conclusion.
$9.95
Noon "Rector potens, verax Deus" from Times and Seasons for solo violin (mp3)
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Daniel Mihai
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David Warin Solomons
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Noon "Rector potens, vera
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David Warin Solomons
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SheetMusicPlus
Violin - Level 3 - SKU: A0.1467002 By Daniel Mihai. By Traditional. Arranged by David Warin Solomons. Contemporary,Religious,Sacred. Full Performance. D...
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Violin - Level 3 - SKU: A0.1467002 By Daniel Mihai. By Traditional. Arranged by David Warin Solomons. Contemporary,Religious,Sacred. Full Performance. Duration 172. David Warin Solomons #1045567. Published by David Warin Solomons (A0.1467002). This from four plainchants with variations (Times and Seasons) for solo violin.Performed by Daniel Mihai on a Léon Bernardel violin La Duchesse d'Angoulême.Recorded on 27 June 2024 in the Sergiu Celibidache Concert Hall of the National College of Arts Regina Maria Constanța.The chants are:Morning: Iam lucis orto sidere(Now that the daylight fills the sky)Noon: Rector potens, verax Deus(O Lord of might, O God of truth)Evening version 1 (for Sundays and Feast days)Te lucis ante terminum(Before the ending of the day)Evening version 2 (for weekdays)Te lucis ante terminum(Before the ending of the day).
$4.00
Evening version 1 "Te lucis ante terminum" from Times and Seasons for solo violin (mp3)
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Daniel Mihai
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David Warin Solomons
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Evening version 1 "Te luc
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David Warin Solomons
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SheetMusicPlus
Violin - Level 3 - SKU: A0.1467004 By Daniel Mihai. By Traditional. Arranged by David Warin Solomons. Contemporary,Religious,Sacred. Full Performance. D...
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Violin - Level 3 - SKU: A0.1467004 By Daniel Mihai. By Traditional. Arranged by David Warin Solomons. Contemporary,Religious,Sacred. Full Performance. Duration 174. David Warin Solomons #1045569. Published by David Warin Solomons (A0.1467004). This is from four plainchants with variations (Times and Seasons) for solo violin.Performed by Daniel Mihai on a Léon Bernardel violin La Duchesse d'Angoulême.Recorded on 27 June 2024 in the Sergiu Celibidache Concert Hall of the National College of Arts Regina Maria Constanța.The chants are:Morning: Iam lucis orto sidere(Now that the daylight fills the sky)Noon: Rector potens, verax Deus(O Lord of might, O God of truth)Evening version 1 (for Sundays and Feast days)Te lucis ante terminum(Before the ending of the day)Evening version 2 (for weekdays)Te lucis ante terminum(Before the ending of the day).
$4.00
Morning "Iam lucis orto sidere" from Times and Seasons for solo violin (mp3)
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Daniel Mihai
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David Warin Solomons
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Morning "Iam lucis orto s
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David Warin Solomons
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SheetMusicPlus
Violin - Level 3 - SKU: A0.1467001 By Daniel Mihai. By Traditional. Arranged by David Warin Solomons. Contemporary,Religious,Sacred. Full Performance. D...
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Violin - Level 3 - SKU: A0.1467001 By Daniel Mihai. By Traditional. Arranged by David Warin Solomons. Contemporary,Religious,Sacred. Full Performance. Duration 268. David Warin Solomons #1045566. Published by David Warin Solomons (A0.1467001). This is from four plainchants with variations (Times and Seasons) for solo violin.Performed by Daniel Mihai on a Léon Bernardel violin La Duchesse d'Angoulême.Recorded on 27 June 2024 in the Sergiu Celibidache Concert Hall of the National College of Arts Regina Maria Constanța.The chants are:Morning: Iam lucis orto sidere(Now that the daylight fills the sky)Noon: Rector potens, verax Deus(O Lord of might, O God of truth)Evening version 1 (for Sundays and Feast days)Te lucis ante terminum(Before the ending of the day)Evening version 2 (for weekdays)Te lucis ante terminum(Before the ending of the day).
$4.00
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1
Aria with 2 variations