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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Cara a Cara
Non classifié
43
Piano & claviers
Piano seul
55
Piano, Voix
5
Orgue
2
Piano Trio: piano, violon, violoncelle
1
Clavecin
1
Piano, Voix et Guitare
1
Accompagnement Piano
1
+ 2 instrumentations
Retracter
Guitares
Guitare
5
Voix
Chorale SATB
14
Chorale SSAA
6
Chorale TTBB
4
Chorale 3 parties
1
Voix haute
1
Voix Soprano, Piano
1
+ 1 instrumentations
Retracter
Vents
Flûte traversière et Piano
6
Quatuor de Saxophones: 4 saxophones
4
Hautbois, Piano (duo)
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Flûte, Hautbois, Clarinette, Basson
2
Clarinette
2
Clarinette et Piano
2
Saxophone Alto et Piano
2
Flûte traversière
2
Quintette de Saxophone: 5 saxophones
1
Saxophone Tenor et Piano
1
Saxophone Tenor
1
2 Flûtes traversières, Piano
1
Saxophone
1
Saxophone Alto
1
Hautbois
1
Ensemble de Flûtes
1
Quatuor de Clarinettes: 4 clarinettes
1
Ensemble de Clarinettes
1
Ocarina
1
+ 15 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Trombone
1
Trompette (partie séparée)
1
Ensemble de Trompettes
1
2 Trombones (duo)
1
Trompette, Piano
1
+ 3 instrumentations
Retracter
Cordes
Violon et Piano
13
Quatuor à cordes: 2 violons, alto, violoncelle
10
Alto, Piano
8
Violoncelle, Piano
4
2 Violons, Piano
2
Harpe
2
Violon
2
2 Violons (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe et Piano
1
Trio à Cordes: violon, alto, violoncelle
1
+ 6 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
28
Orchestre d'harmonie
5
Orchestre à Cordes
5
Ensemble Jazz
4
Orchestre
2
Percussion (partie séparée)
2
Batterie
1
Ensemble de cuivres
1
+ 3 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIELLE A RO…
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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CONTEMPORAIN - NEW A…
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ENFANTS : EVEIL - IN…
FILM - TV
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FUNK
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Crtitères actifs :
Cara a Cara
avancé
Partitions à imprimer
43 partitions trouvées
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1
26
Puccini - La Bohème (Act2) Una cuffietta a pizzi tutta rosa - Solo voices and Piano
#
Opera
#
Classique
#
Puccini Giacomo
#
Santino Cara
#
Puccini - La Bohème
#
Santino Cara
#
SheetMusicPlus
Small Ensemble High Voice,Low Voice,Medium Voice,Piano - Level 4 - SKU: A0.516471 Composed by Puccini Giacomo. Arranged by Santino Cara. Opera. Score an...
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Small Ensemble High Voice,Low Voice,Medium Voice,Piano - Level 4 - SKU: A0.516471 Composed by Puccini Giacomo. Arranged by Santino Cara. Opera. Score and parts. 7 pages. Santino Cara #2033149. Published by Santino Cara (A0.516471). Una cuffietta a pizzi tutta rosa is the transcription for solo voices and piano of Santino Cara, from the second act of the Bohème by Giacomo Puccini. Soprano (Mimì) Bass (Colline) Baritone (Schaunard and Marcello) Tenor (Rodolfo). In the download, there is a single pdf file, the full score and the separate part for solo voice.
$7.20
Caramel Corn
#
Whitmore Lake High School
#
Darla Hand
#
Caramel Corn
#
Darla Hand
#
SheetMusicPlus
Percussion Ensemble Cymbals,Percussion,Snare Drum,Tenor Drum - Level 4 - SKU: A0.1089780 Composed by Whitmore Lake High School. Arranged by Darla Hand. ...
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Percussion Ensemble Cymbals,Percussion,Snare Drum,Tenor Drum - Level 4 - SKU: A0.1089780 Composed by Whitmore Lake High School. Arranged by Darla Hand. Standards. Score and parts. 8 pages. Darla Hand #693986. Published by Darla Hand (A0.1089780). Drumline Cadence. One of two add-on cadences to a seven-part sequence. Snares, Tenors, Basses, and Cymbals. This quick and fun piece will be a blast for any high school drumline and its fans.
$10.00
Vivaldi - Bassoon Concerto in A minor RV 497 for Bassoon and Cembalo or Piano
#
Classique
#
Antonio Vivaldi
#
Santino Cara
#
Vivaldi - Bassoon Concerto in
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Santino Cara
#
SheetMusicPlus
Instrumental Duet,Piano Bassoon,Harpsichord,Instrumental Duet,Piano - Level 4 - SKU: A0.517506 Composed by Antonio Vivaldi. Arranged by Santino Cara. Ba...
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Instrumental Duet,Piano Bassoon,Harpsichord,Instrumental Duet,Piano - Level 4 - SKU: A0.517506 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 21 pages. Santino Cara #5989615. Published by Santino Cara (A0.517506). Complete score and part of the Bassoon Concerto in A minor RV 497 for Bassoon and Cembalo or Piano. Composed in 1722 by Antonio Vivaldi. Transcribed by Santino Cara.
$18.60
Vivaldi - Double Concerto in A major RV 521 for Two Violins and Cembalo or Piano
#
Classique
#
Antonio Vivaldi
#
Santino Cara
#
Vivaldi - Double Concerto in A
#
Santino Cara
#
SheetMusicPlus
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Piano - Level 4 - SKU: A0.517503 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. S...
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Piano - Level 4 - SKU: A0.517503 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 35 pages. Santino Cara #5900009. Published by Santino Cara (A0.517503). Complete score and parts of the Double Concerto in A major RV 521 for Two Violins and Cembalo or Piano. Composed in 1711 by Antonio Vivaldi. Transcribed by Santino Cara.
$16.40
Telemann - Double Sonata No.10 in A minor TWV 42-a4 forTwo Flutes and Harpsichord or Piano
#
Classique
#
Telemann Georg Philipp
#
Santino Cara
#
Telemann - Double Sonata No.10
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Santino Cara
#
SheetMusicPlus
Instrumental Duet,Piano Flute,Harpsichord,Instrumental Duet,Piano - Level 4 - SKU: A0.517530 Composed by Telemann Georg Philipp. Arranged by Santino Car...
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Instrumental Duet,Piano Flute,Harpsichord,Instrumental Duet,Piano - Level 4 - SKU: A0.517530 Composed by Telemann Georg Philipp. Arranged by Santino Cara. Baroque. Score and parts. 22 pages. Santino Cara #6065659. Published by Santino Cara (A0.517530). Complete score and parts of the Double Sonata No.10 in A minor TWV 42:a4 for Two Flutes and Harpsichord. Composed in 1738 by Georg Philipp Telemann and inserted in the book Esercizii Musici of the 1740. Transcribed by Santino Cara.
$17.20
Telemann - Flute Sonata No.2 in A major TWV41-A3 for Flute and Cembalo (or Piano)
Flute, Harpsichord
#
Classique
#
Telemann George Philipp
#
Santino Cara
#
Telemann - Flute Sonata No.2 i
#
Santino Cara
#
SheetMusicPlus
Instrumental Duet Flute,Harpsichord,Instrumental Duet - Level 4 - SKU: A0.517249 Composed by Telemann George Philipp. Arranged by Santino Cara. Baroque....
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Instrumental Duet Flute,Harpsichord,Instrumental Duet - Level 4 - SKU: A0.517249 Composed by Telemann George Philipp. Arranged by Santino Cara. Baroque. Score and parts. 16 pages. Santino Cara #3884233. Published by Santino Cara (A0.517249). Complete score and flute part of the Sonata No.2 in A major TWV41/A3 for Flute and Cembalo, by George Philipp Telemann. Reconstructed and elaborated by Santino Cara.
$18.40
Vivaldi - Trio Sonata No.2 in A major RV 31 Op.2 for Violin, Cello and Cembalo (or Piano)
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Classique
#
Antonio Vivaldi
#
Santino Cara
#
Vivaldi - Trio Sonata No.2 in
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Santino Cara
#
SheetMusicPlus
Small Ensemble Cello,Harpsichord,Violin - Level 4 - SKU: A0.517393 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 17 p...
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Small Ensemble Cello,Harpsichord,Violin - Level 4 - SKU: A0.517393 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 17 pages. Santino Cara #4808665. Published by Santino Cara (A0.517393). Complete score and parts of the Trio Sonata No.2 in A major RV 31 for Violin, Cello and Cembalo. Reconstructed and elaborated by Santino Cara from 12 Sonatas Op.2 of the 1709 by Antonio Vivaldi.
$12.40
Vivaldi - Cello Concerto in A minor RV419 for Cello and Cembalo (or Piano)
#
Classique
#
Antonio Vivaldi
#
Santino Cara
#
Vivaldi - Cello Concerto in A
#
Santino Cara
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Harpsichord,Instrumental Duet,Piano - Level 4 - SKU: A0.517538 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baro...
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Instrumental Duet,Piano Cello,Harpsichord,Instrumental Duet,Piano - Level 4 - SKU: A0.517538 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 19 pages. Santino Cara #6087955. Published by Santino Cara (A0.517538). Complete score and part of the Cello Concerto in A minor RV 419 for Violoncello and Cembalo (or Piano). Composed in 1740? by Antonio Vivaldi. Transcribed by Santino Cara.
$16.40
Anam Cara
#
Kari Cruver Medina
#
Anam Cara
#
Kari Medina Music
#
SheetMusicPlus
Bassoon,Clarinet,Flute,Oboe,Piano - Level 4 - SKU: A0.1472537 Composed by Kari Cruver Medina. 21st Century,Chamber,Christian,Classical,Spiritual. 25 pag...
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Bassoon,Clarinet,Flute,Oboe,Piano - Level 4 - SKU: A0.1472537 Composed by Kari Cruver Medina. 21st Century,Chamber,Christian,Classical,Spiritual. 25 pages. Kari Medina Music #1050179. Published by Kari Medina Music (A0.1472537). Anam Cara, is a lovely, lyrical, soul-affirming work for wind quartet (Flt. Ob. Clt. Bsn.) and piano. The piece is based on the Celtic concept of Anam Cara, or “soul-friendship”. A soul-friend is one who comes alongside as a compassionate presence to inspire, encourage and elevate. In this spirit, the work explores the relationships between instruments as they share themes back and forth between them, echoing, encouraging and drawing each other forward through the fabric of the music. While it begins pensively, the energy of the voices build and grow in trust, ultimately welcoming and celebrating each other in an interwoven tapestry of sound. In addition to concert performance, It would make a thoughtful and beautiful instrumental for sacred or seculars services of any type. Instrumentation: Flute, Oboe, Clarinet in Bb, Bassoon, Pianonote: other instrumental arrangements are available on request. Parts and Full Score includedapprox. 6.00 – 6.20 Min total time.
$12.99
Cara e Dolce-Scarlatti-Woodwind Trio 4
#
Alessandro Scarlatti
#
Phil Beaman
#
Cara e Dolce-Scarlatti-Woodwin
#
Phil Beaman
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute - Level 4 - SKU: A0.844886 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute - Level 4 - SKU: A0.844886 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. 6 pages. Phil Beaman #5969595. Published by Phil Beaman (A0.844886). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
Cara e Dolce-Scarlatti-Mixed Trio 3
#
Alessandro Scarlatti
#
Phil Beaman
#
Cara e Dolce-Scarlatti-Mixed T
#
Phil Beaman
#
SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Violin - Level 4 - SKU: A0.844889 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Sc...
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Small Ensemble Bassoon,Clarinet,Violin - Level 4 - SKU: A0.844889 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score and parts. 6 pages. Phil Beaman #5969615. Published by Phil Beaman (A0.844889). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
Cara e Dolce-Scarlatti-Mixed Chamber Trio 2
#
Alessandro Scarlatti
#
Phil Beaman
#
Cara e Dolce-Scarlatti-Mixed C
#
Phil Beaman
#
SheetMusicPlus
Small Ensemble Bassoon,Oboe,Violin - Level 4 - SKU: A0.844884 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score ...
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Small Ensemble Bassoon,Oboe,Violin - Level 4 - SKU: A0.844884 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score and parts. 6 pages. Phil Beaman #5969527. Published by Phil Beaman (A0.844884). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
Cara e Dolce-Scarlatti-Woodwind Trio 2
#
Alessandro Scarlatti
#
Phil Beaman
#
Cara e Dolce-Scarlatti-Woodwin
#
Phil Beaman
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Oboe - Level 4 - SKU: A0.844885 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,S...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Oboe - Level 4 - SKU: A0.844885 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. 6 pages. Phil Beaman #5969589. Published by Phil Beaman (A0.844885). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
Cara e Dolce-Scarlatti-Woodwind Trio 3
#
Alessandro Scarlatti
#
Phil Beaman
#
Cara e Dolce-Scarlatti-Woodwin
#
Phil Beaman
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 4 - SKU: A0.844882 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,O...
(+)
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 4 - SKU: A0.844882 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. 6 pages. Phil Beaman #5969543. Published by Phil Beaman (A0.844882). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
Cara e Dolce-Scarlatti-Mixed Chamber Trio
#
Alessandro Scarlatti
#
Phil Beaman
#
Cara e Dolce-Scarlatti-Mixed C
#
Phil Beaman
#
SheetMusicPlus
Small Ensemble Cello,Flute,Oboe - Level 4 - SKU: A0.844883 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score and...
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Small Ensemble Cello,Flute,Oboe - Level 4 - SKU: A0.844883 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score and parts. 6 pages. Phil Beaman #5969519. Published by Phil Beaman (A0.844883). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
JOMMELLI Niccolò: Sponsa cara, recitative and aria from motet "Care Deus si respiro", arranged for
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Niccolò JOMMELLI
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Sergei PICHUGIN
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JOMMELLI Niccolò: Spons
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Really Good Music, LLC.
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 4 - SKU: A0.868963 Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei PICHUGIN. Baroque,Concert,In...
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Medium Voice,Vocal Solo - Level 4 - SKU: A0.868963 Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #5358791. Published by Really Good Music, LLC. (A0.868963). Sponsa cara is a recitative and aria from Latin motet Care Deus si respiro, composed by Niccolò JOMMELLI (1714 – 1774). The original was written for soprano solo, two violins and basso continuo. It has been realized and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of C major (C4 – E5) for low voice.
$5.95
Caravan
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Contemporain
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Ralph Marterie
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Joseph Hasper
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Caravan
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Joseph Hasper
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SheetMusicPlus
Small Ensemble Bass Guitar,Drums,Piano - Level 4 - SKU: A0.734905 By Ralph Marterie. By Duke Ellington, Irving Mills, and Juan Tizol. Arranged by Joseph...
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Small Ensemble Bass Guitar,Drums,Piano - Level 4 - SKU: A0.734905 By Ralph Marterie. By Duke Ellington, Irving Mills, and Juan Tizol. Arranged by Joseph Hasper. Contemporary. Score and parts. 27 pages. Joseph Hasper #4896691. Published by Joseph Hasper (A0.734905). A challenging new guitar ensemble arrangement of Duke Ellington's Caravan, influenced by the classis Chet Atkins and Les Paul duet.Scored for 4 guitars plus Guitar 5 {or Piano), Bass, and Drums. Includes a full score and complete set of parts.
$18.99
A Pulchritudinous Posy of Pleasing Party-Pieces, nr 1.
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Friedrich Silcher, Hill/Hill,
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Des McNutty
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A Pulchritudinous Posy of Plea
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Des Press
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Timpani,Trumpet - Level 4 - SKU: A0.977351 Composed by Friedrich Silcher, Hill/Hill, and Trad. Arranged by Des McNut...
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Instrumental Duet Instrumental Duet,Timpani,Trumpet - Level 4 - SKU: A0.977351 Composed by Friedrich Silcher, Hill/Hill, and Trad. Arranged by Des McNutty. Concert,Folk,Holiday,Latin. Score and parts. 24 pages. Des Press #6437339. Published by Des Press (A0.977351). Happy Birthday EdMuss i DennLa CucarachaAt last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome! This arrangement of Happy Birthday was written in 2011 for Edward H Tarr's 75th birthday concert in Basel (CH). Ed conducted many pieces from the Charamela Real, mostly for trumpets in two different tonalities. Happy Birthday was slipped in the programme before the second encore without his knowledge. At his downbeat, he got quite a surprise. The rest of these arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change! Enjoy! DM
$5.99
Bach Flute Sonata 3 in A major
Flute, Harpsichord
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Classique
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Johann Sebastian Bach
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Bach Flute Sonata 3 in A major
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Glenn Egner
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SheetMusicPlus
Instrumental Duet Flute,Harpsichord,Instrumental Duet - Level 4 - SKU: A0.762134 Composed by Johann Sebastian Bach. Arranged by Editions Glenn Michael, ...
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Instrumental Duet Flute,Harpsichord,Instrumental Duet - Level 4 - SKU: A0.762134 Composed by Johann Sebastian Bach. Arranged by Editions Glenn Michael, Caracas, Venezuela. Baroque,Concert,Standards. Score and parts. 17 pages. Glenn Egner #3448665. Published by Glenn Egner (A0.762134). Difficult but wonderful Sonata.
$4.99
Caravan
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Contemporain
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Ralph Marterie
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W Scott and Peet du Toit
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Enjoy!
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Caravan
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Peet du Toit
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SheetMusicPlus
Small Ensemble Alto Saxophone,Drums,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.802508 By Ralph Marterie. By Duke Ellington, Irving Mills,...
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Small Ensemble Alto Saxophone,Drums,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.802508 By Ralph Marterie. By Duke Ellington, Irving Mills, and Juan Tizol. Arranged by W Scott and Peet du Toit. Contemporary. Score and parts. 29 pages. Peet du Toit #5754811. Published by Peet du Toit (A0.802508). This American jazz standard was written and first performed in 1936. It was recorded over 350 times since, usually as an instrumental and was used in various films. With a skeleton of players, this big band number will still have an enormous effect on you and your listeners. Enjoy! .
$22.00
La Victoire Est à Nous! - Score Only
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Andre-Ernest-Modeste Gretry
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Aaron Conway
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La Victoire Est à Nous!
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Aaron Double A Conway
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SheetMusicPlus
Level 4 - SKU: A0.1184997 Composed by Andre-Ernest-Modeste Gretry. Arranged by Aaron Conway. 19th Century,Historic,March,Multicultural,Patriotic,World. ...
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Level 4 - SKU: A0.1184997 Composed by Andre-Ernest-Modeste Gretry. Arranged by Aaron Conway. 19th Century,Historic,March,Multicultural,Patriotic,World. 19 pages. Aaron Double A Conway #784671. Published by Aaron Double A Conway (A0.1184997). La Victoire Est à Nous, which translates to Victory is ours in English, was the victory march for the French Grande Armée that was commanded by Napoleon Bonaparte from 1804 to 1814. The song itself was written by famed French composer André Grétry as it was taken from his opera titled La Caravane du Caire. La Victoire, being a victory march, would typically be played after a battle had been won to uplift solider morale and to humiliate the opposition. Despite only being active for roughly ten years, La Victoire was played a lot considering that Napoleon is statistically the greatest military commander to ever exist. Lastly, this song bleeds with the nationalistic pride that would define the nineteenth century which is why it is one of the songs that defined the Napoleonic Era.> Parts: 3 Bb Trumpets, French Horn, 2 Low Brass Parts, Snare Drum, Bass Drum, and Crash Cymbals.> Purchase includes full score and individual parts.
$1.99
Erase Me - Score Only
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Lizzy Mcalpine
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Miles Caraballo
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Erase Me - Score Only
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Miles H Caraballo
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SheetMusicPlus
Level 4 - SKU: A0.1283487 By Lizzy Mcalpine. By Elizabeth Mcalpine, Jacob Collier, and Jordan Rakei. Arranged by Miles Caraballo. A Cappella,Contemporar...
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Level 4 - SKU: A0.1283487 By Lizzy Mcalpine. By Elizabeth Mcalpine, Jacob Collier, and Jordan Rakei. Arranged by Miles Caraballo. A Cappella,Contemporary,Pop. 19 pages. Miles H Caraballo #874673. Published by Miles H Caraballo (A0.1283487). This contemporary a cappella piece is great of high school/collegiate/beyond groups. It is pretty vocally taxing and requires a good bit of singers to cover the parts but the end product is rewarding. The arrangemetnt includes a 'bass mic' part for groups that have access to performing with mics. The microphones aren't necesary however, some of the bottom line may appear to be above the other bass line.(feel free to email 'mileshcaraballo@gmail.com' for an interactive link)Voicing:Solo2 Soprano parts with one 3-part split2 Mezzo parts2 Alto parts with one 3-part splitPrimarily 2 Tenor parts but they split into 3 often2 Baritone/Bass parts1 Bass mic part.
$65.00
CLARINET SOLO COLLECTION by Joe Procopio
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Joe Procopio
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CLARINET SOLO COLLECTION by Jo
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JoeCopio Music LLC
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SheetMusicPlus
Clarinet,Instrumental Solo,Piano - Level 4 - SKU: A0.876445 Composed by Joe Procopio. 20th Century,Contemporary. Score and individual part. 20 pages. Jo...
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Clarinet,Instrumental Solo,Piano - Level 4 - SKU: A0.876445 Composed by Joe Procopio. 20th Century,Contemporary. Score and individual part. 20 pages. JoeCopio Music LLC #40723. Published by JoeCopio Music LLC (A0.876445). A Collection Of 3 Clarinet Solos: CARA MIA: Clarinet Solo For Clarinet And Piano PRO’S POLKA For Clarinet Solo THE CLARINET POLKA For Clarinet Solo DESCRIPTION OF CLARINET SOLOS by Joe Procopio Cara Mia Cara Mia Is A Thoughtful And Brilliant Solo For Clarinet And Piano. The Work Makes A Complete Musical Statement With The Return Of Part Of The Opening Melody At The End Of The Piece. This Re-statement Makes It A Unified Beautiful Sounding Solo PRO’S POLKA PRO’S POLKA Is A Polka That Is Great Sounding On Any Woodwind Instrument And Is Pure Joy To Play. Includes Two Versions. One High And One Low. Pro’s Polka is a dynamite polka that is guaranteed to make people dance. Some players may find it a bit challenging to perform but it is so much fun to play that even beginners are willing to learn to play it to perfection. THE CLARINET POLKA The Clarinet Polka is a traditional polka that has stood the test of time. This arrangement has two versions - one high octave and the other low octave. This allows it to be set within the range and ease of fingering for most Woodwind instruments; making it easier to play. It is a joy to play and is loved by all.
$19.95
Conflusion - Suite - Woodwind Ensemble - Score Only
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 pages. Thomas Gra...
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Woodwind Ensemble - Level 4 - SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 pages. Thomas Graf - the-hit-factory.com #717714. Published by Thomas Graf - the-hit-factory.com (A0.1115994). Fantasy in 3 movements for large wind ensemble, double bass and percussion 1. Deux Caracteres 2. Dialogues 3. Dance de Confusion Confluence is the name of a place in Lyon where 2 rivers flow together: The Saône flows into the - at least in German - female Rhone. In French, however, it flows into DEN Rhone - Le Rhône. This confuses the composer: How do rivers get their gender, are they sometimes male, sometimes female? Is it because of their character, because of the landscape that they flow through? By their water, even by their fish? On the people on their shores? A real confusion ensues. In the subsequent thoughts about music, the composer discovers certain analogies and asks himself the question: does gender-typical music actually exist? Or instruments? Typically male harmonies or rhythms? Or clearly female melodies and the way to interpret? The 3-movement composition is dedicated to this question and meanders like a dance in the bed of the converging streams. Colorful modal harmonies form the bed for wide arcs of melody. A varied, recurring theme sets the direction and creates a bubbling, dancing pull in the direction of the mouth: dancing finale! 1st movement: Deux Characters In the first movement (Andante) the roles are distributed - the Sâone and the Rhône get their performers. A first glance at the ensemble reveals a tendency: woodwinds take on the female lead, the male brass the counterpart. The two drummers each support one of the two poles in solidarity. The assignment may be obvious, but strong doubts remain in the final chord of the first movement. 2. Dialogues: In smaller and larger dialogues, there is a lively exchange and the properties are worked out and further developed. But it is also increasingly being copied and imitated, even maliciously agitated and aped. You try to convince each other, interrupt each other, both sides increasingly flare up, it gets louder and more hectic, louder and louder, too loud, until communication stops: in the end, you just yell at each other! 3. Dance de Confusion The resulting confusion finds a conciliatory end in the third movement of the composition: Let's dance! In the end, the initial confusion turns into a confusion: what belongs together flows and dances together. Composed by: Thomas H. Graf Arranged by: Thomas H. Graf for Woodwind Ensemble Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum, Chimes) Perc 2 (Triangle, Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic
$10.00
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Cara a Cara