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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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19
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12
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2
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Orchestre d'harmonie
56
Ensemble Jazz
21
Orchestre à Cordes
16
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Cloches
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AUTRES
Vous avez sélectionné:
Rhythm Nation
Partitions à imprimer
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101
Seven Nation Army
Instrumental Duet Bass Guitar,Instrumental Duet - Level 1 - Digital Download SKU: A0.89…
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Instrumental Duet Bass Guitar,Instrumental Duet - Level 1 - Digital Download SKU: A0.892581 By White Stripes. By Jack White. Arranged by Ben Garraway. Rock. Score and parts. 3 pages. Music Lesson Downloads #5828237. Published by Music Lesson Downloads (A0.892581). Here's an grade 1 bass version of the White Stripes mega hit. It has 3 sections that just repeat so whilst it's 3 pages long everything to learn is on the first page. The triplet look hard but most students know the song and play the rhythm correctly.
$4.99
4.47 €
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White Stripes
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Ben Garraway
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Seven Nation Army
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Music Lesson Downloads
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SheetMusicPlus
Heart for the Nations
Rhythm Parts - Digital Download SKU: H1.C5468RDP Composed by Dan Schutte, Gary Sadl…
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Rhythm Parts - Digital Download SKU: H1.C5468RDP Composed by Dan Schutte, Gary Sadler, and Martin Nystrom. Arranged by Mark Kellner. Contemporary, Hymntune, Outreach, General Worship, Discipleship, Global, Mission. Rhythm Parts. 7 pages. Hope Publishing - Digital #C5468RDP. Published by Hope Publishing - Digital (H1.C5468RDP). By Martin Nystrom & Gary Sadler & Daniel Schutte. Acts 1:8 - Matthew 9:36 - Matthew 9:37 - Matthew 9:38.Popular hymn by Martin Nystrom & Gary Sadler & Daniel Schutte This arrangement combines a prayer of commitment, asking for God's heart for the nations, with an echo of Samuel's response to God, Here I am, Lord. It is a fitting call to missions or service for all Christians. The inclusion of the popular Daniel Schutte song rounds out the composition. Rhythm parts consist of: Guitar, Bass & Drums.
$34.95
31.33 €
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Martin Nystrom & Gary Sadler & Daniel Schutte
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Dan Schutte, Gary Sadler, and Martin Nystrom
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Mark Kellner
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Heart for the Nations
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Hope Publishing - Digital
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SheetMusicPlus
Advance Australia Fair (Australian National Anthem) 2 verses. Vocal or Instrumental 3 Horns & Rhythm
Small Ensemble Drums,Guitar,Trombone,Trumpet,Voice - Level 4 - Digital Download SKU: A0…
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Small Ensemble Drums,Guitar,Trombone,Trumpet,Voice - Level 4 - Digital Download SKU: A0.718248 Composed by Peter Dodds McCormick. Arranged by Daryl McKenzie. Multicultural,Patriotic,World. Score and parts. 17 pages. Daryl McKenzie #5033993. Published by Daryl McKenzie (A0.718248). The Australian National Anthem arranged for 3 Horns and Rhythm Section (Tenor Sax, Trumpet, Trombone, Piano, Guitar, Bass, Drums) in the Key of G to suit a Female vocalist or as an instrumental version. Â Arranged for one or two verses. Key of G (official Australian Government Key)Same arrangement in the Key of Bb (Male Vocal ) also available on SMPMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$29.99
26.88 €
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Peter Dodds McCormick
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Daryl McKenzie
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Advance Australia Fair
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Daryl McKenzie
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SheetMusicPlus
Advance Australia Fair (Australian National Anthem) 2 verses. Vocal or Instrumental 3 Horns & Rhythm
Small Ensemble Drums,Guitar,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0…
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Small Ensemble Drums,Guitar,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.718249 Composed by Peter Dodds McCormick. Arranged by Daryl McKenzie. Multicultural,Patriotic,World. Score and parts. 17 pages. Daryl McKenzie #5033997. Published by Daryl McKenzie (A0.718249). The Australian National Anthem arranged for 3 Horns and Rhythm Section (Tenor Sax, Trumpet, Trombone, Piano, Guitar, Bass, Drums) in the Key of G to suit a Male vocalist or as an instrumental version. Â Arranged for one or two verses. Key of Bb (official Australian Government Key)Same arrangement in the Key of G (FemaleVocal ) also available on SMPMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$29.99
26.88 €
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Peter Dodds McCormick
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Daryl McKenzie
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Advance Australia Fair
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Daryl McKenzie
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SheetMusicPlus
DUNEDEN for Jazz Trombone Quintet and Rhythm Section
Rhythm Section,Small Ensemble Trombone - Level 5 - Digital Download SKU: A0.792694 …
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Rhythm Section,Small Ensemble Trombone - Level 5 - Digital Download SKU: A0.792694 Composed by Frank Niemeyer. A Cappella,Blues,Contemporary,Jazz. Score and parts. 56 pages. Gordon Cherry #5777251. Published by Gordon Cherry (A0.792694). Duneden is a lush and sentimental ballad written in remembrance of the composer’s father. With dramatic dynamic and orchestrational contrasts, the piece incorporates elements from both the jazz and classical realms and features a unique harmonic reinterpretation of John Coltrane’s Giant Steps. The composition begins with a melancholy piano solo which builds to an initial climax as the full ensemble enters. This introduction gives way to a haunting acapella trombone chorale with both intricate harmonies and counterpoint. The mood immediately brightens as the rhythm section enters and the piece then provides brief improvisational space for guitar, trombone, and piano. Following a majestic recapitulation of the melody, the composition concludes with an optimistic reimagining of the opening piano solo. Duneden contributed to the University of Illinois Jazz Trombone Ensemble winning both the National Jazz Trombone Ensemble and the International Trombone Association Kai Winding Competitions in 2017.
$37.50
33.62 €
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Frank Niemeyer
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DUNEDEN for Jazz Trombone Quintet and Rhythm Section
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Gordon Cherry
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SheetMusicPlus
For Unto Us a Child is Born - Vocal/Piano/Rhythm
Drum Set,Guitar,Piano,Voice - Level 4 - Digital Download SKU: A0.877852 Composed by…
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Drum Set,Guitar,Piano,Voice - Level 4 - Digital Download SKU: A0.877852 Composed by George Frideric Handel. Arranged by Deborah Johnson. Christmas,Classical,Contemporary. 9 pages. Deborah Johnson #6639055. Published by Deborah Johnson (A0.877852). This arrangement of For Unto Us a Child is Born, originally composed by George Frideric Handel, has been skillfully arranged by Deborah Johnson. The music falls into several genres, including Christian, Christmas, Classical, Concert, and Contemporary, making it versatile for various musical settings. It's available in both score and parts, totaling 9 pages. Deborah Johnson's rendition of For Unto Us a Child is Born is a lively and upbeat adaptation that was originally featured on the album Merry Christmas Too. This version is perfect for a string orchestra, whether your ensemble is large or small. The download includes the vocal solo, piano part, and chords, spanning a total of 7 pages, along with title pages. The arrangement is tailored for a soprano soloist, showcasing a 2-octave vocal range, from A below middle C to A two octaves above. With its dazzling and spirited interpretation, this arrangement is sure to be a highlight in any Christmas concert. It seamlessly blends Handel's timeless composition with contemporary elements, creating a memorable musical experience that's well-suited for celebrating the holiday season. The MP3 accompaniment track is also available for download as well as the full score with strings. Full song download on Spotify: https://open.spotify.com/track/6mjuoAFusoNGVDjM3g1erg More information here: https://djworksmusic.com/for-unto-us https://djworksmusic.com/products/ for physical albums & info. Twitter: @DJWorksMusic; Instagram: Deborah_johnsonmusic Like our Facebook page: https://www.facebook.com/deborah.johnson For Unto Us is performed and arranged by Deborah Johnson. DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. She has also appeared with the headliner piano/vocal duo Double Grande. Also the author of multiple books, her music has been up for multiple Grammy Awards. Production, Music and Lyrics by Deborah Johnson. Keyboards: Deborah Johnson and Tom Keene; Bass Guitar: David Coy; Drums: Dave Spurr; Guitars: John Hunt; Flute: John Reilly; Strings: Living Strings. Recorded at: Tor-Wood-Lea Recording Studios, Engineered by Tom Keene. Bass/Strings Recorded at: A to Z Studios, Engineered by Tim Jaquette. Mixed at: ETC Studio A, Tim Jaquette; Album Mastering: Bernie Grundman.
$6.99
6.27 €
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George Frideric Handel
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Deborah Johnson
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info
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For Unto Us a Child is Born - Vocal/Piano/Rhythm
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Deborah Johnson
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SheetMusicPlus
Star-Spangled Banner (Four Historic Versions of the National Anthem)
Brass Ensemble Horn,Trombone,Tuba - Level 2 - Digital Download SKU: A0.740291 Compo…
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Brass Ensemble Horn,Trombone,Tuba - Level 2 - Digital Download SKU: A0.740291 Composed by Smith, John Stafford. Arranged by Craig Garner. Folk,Graduation,Holiday,Patriotic. Score and parts. 31 pages. Dorm 40 Music #6352917. Published by Dorm 40 Music (A0.740291). The Star-Spangled Banner was not officially recognized as the National Anthem of the United States until an act of Congress in 1931. Prior to that, the US War Department designated the song as the National Anthem in 1917, at least for the military. But, in 1917, the was no standardized version of the Star-Spangled Banner for military bands to perform. Two separate committees were formed to create standardized versions of the Star-Spangled Banner, one sanctioned for the military, and the other for non-military use. This unique arrangement contains four historic versions of the Star-Spangled Banner: 1917 Service Version, 1918 Standardized Version, John Philip Sousa’s arrangement from 1889, and the Department of Defense Edition from 1955. All four versions are similar, yet surprisingly different in the harmonic and rhythmic treatment of the melody. In addition, the arrangement includes each part in both concert B-Flat and A-flat (A-flat being the preferred key used for singing). Play them all, or just pick the one you like the best. Scored for brass quintet (2 B-flat trumpets, horn, trombone and tuba). The Star-Spangled is appropriate for almost any occasion. Published by Dorm 40 Music, www.dorm40music.com
$15.00
13.45 €
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Smith, John Stafford
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Craig Garner
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Star-Spangled Banner
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Dorm 40 Music
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549430 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549430 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3494193. Published by jmsgu3 (A0.549430). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
29.54 €
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Piccolo & Piano
Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549434 Compose…
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Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549434 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3494221. Published by jmsgu3 (A0.549434). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.  Â
$32.95
29.54 €
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AntonÃn Dvořák
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Piccolo & Piano
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jmsgu3
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552853 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552853 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494239. Published by jmsgu3 (A0.552853). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius) and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he submitted two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876 and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák therefore to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation all in all nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
29.54 €
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.549427 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.549427 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3494165. Published by jmsgu3 (A0.549427). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
29.54 €
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Music for Children
Voice, recorder and percussion - Digital Download SKU: S9.Q42466 Pentatonic.…
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Voice, recorder and percussion - Digital Download SKU: S9.Q42466 Pentatonic. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orff-Schulwerk - Rhythmusübungen - Kinderreime. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 1. Schott Music - Digital #Q42466. Published by Schott Music - Digital (S9.Q42466). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this first volume: speech and rhythmic exercises, nursery rhymes, songs, instrumental pieces and melodic exercises using only the five note scale, with instructions and notes. Illustrated.
$21.99
19.71 €
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Margaret Murray
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.51 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.51 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Johnny Comes Marching (Downloadable)
3-part Male choir (TTB) and piano - Moderately Easy - Digital Download SKU: MQ.1.3547-E…
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3-part Male choir (TTB) and piano - Moderately Easy - Digital Download SKU: MQ.1.3547-E Composed by Ken Berg. National Songs/Patriotic. Instrument part. 14 pages. Duration 2 minutes, 43 seconds. Galaxy Music Corporation - Digital #1.3547-E. Published by Galaxy Music Corporation - Digital (MQ.1.3547-E). English.This strong tune and text speaks to the respect with which any nation treats the men and women who serve in their military. Beginning softly, the effect is like a parade that starts in the distance and gradually progresses ever closer to the listener. Following a brief introduction, the first verse is in unison. Each successive verse expands not only the part writing, but the sound and effect. The strength of the harmonic structure, the depth of the textual importance, and a relentless rhythmic drive, make this piece a strong addition to any program. Duration: 2:43.
$2.85
2.55 €
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Ken Berg
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Johnny Comes Marching
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Johnny Comes Marching (Downloadable)
3-part treble choir (SSA) and piano - Moderately Easy - Digital Download SKU: MQ.1.3546…
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3-part treble choir (SSA) and piano - Moderately Easy - Digital Download SKU: MQ.1.3546-E Composed by Ken Berg. National Songs/Patriotic. Instrument part. 14 pages. Duration 2 minutes, 45 seconds. Galaxy Music Corporation - Digital #1.3546-E. Published by Galaxy Music Corporation - Digital (MQ.1.3546-E). English.This strong tune and text speaks to the respect with which any nation treats the men and women who serve in their military. Beginning softly, the effect is like a parade that starts in the distance and gradually progresses ever closer to the listener. Following a brief introduction, the first verse is in unison. Each successive verse expands not only the part writing, but the sound and effect. The strength of the harmonic structure, the depth of the textual importance, and a relentless rhythmic drive, make this piece a strong addition to any program. Duration: 2:45.
$2.85
2.55 €
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Ken Berg
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Johnny Comes Marching
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Alle Jahre wieder (every year again) for family band
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Choir,Clarinet,…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Choir,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Harmonica,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba,Viola,Violin,Voice - Level 1 - Digital Download SKU: A0.851141 Composed by Friedrich Silcher, Wilhelm Hey. Arranged by Sophia Transistor. Children,Christian,Christmas,World. Score and parts. 14 pages. Sophia Transistor #6624487. Published by Sophia Transistor (A0.851141). Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly.This arrangement of the german traditional Alle Jahre wieder kommt das Christuskind = Every Year Again, baby Jesus comes back offers several parts for many variable instruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decent vocal scores with the original german lyrics and also english lyrics.The score includes the following parts:- Piano (easy piano, voicings, chord symbols and melody)- vocals (in english and in german); 5 verses for each language- solo instruments in C (violin, flute, etc.); quartet- solo instruments in alto key (viola, alto-trombone, etc.); quartet- solo instruments in Bb (trumpet, clarinet, tenor saxophone, etc.); quartet- solo instruments in bass clef (trombone, cello, bass, etc.); quartet- solo instruments in Eb (alto saxophone, Eb-clarinet, etc.); quartet- solo instruments in F (french horn, F-tuba, etc.); quartet- guitar (notation and TABs)- accordion / harmonica / squeeze box- drums / PercussionType and font sizes have been maximized to support older, elder and farsighted readers in soft candle light situations.So: easy to read even in poor visibility.This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put together ad libitum. All parts are matching, can be combined or played alone.YouTube Playalong: https://youtu.be/6evAo392soo German description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns doch was zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht...Dieses Arrangement des Weihnachtsklassikers Alle Jahre wieder kommt das CHristuskind beinhaltet Noten für die gängigsten Hausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert und den Liedtext gibt es auf Englisch und auf Deutsch. Folgende Musikinstrumente werden durch diese Noten abgedeckt; die Partitur enthält folgende Auszüge:- Klavier (leichte, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie)- Gesang (auf Englisch und auf Deutsch); jeweils 5 Strophen- Soloinstrumente in C (Geige, Flöte, etc.); Quartett- Soloinstrumente in Altschlüssel (Bratsche, Altposaune, etc.); Quartett- Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon, etc.); Quartett- Soloinstrumente mit Bassschlüssel (Posaune, Cello, Bass, etc.); Quartett- Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett- Soloinstrumente in F (Waldhorn, F-Tuba, etc.); Quartett- Gitarre (Noten und TABS)- Akkordeon / Harmonika / Schifferklavier- Schlagzeug / PerkussionSchriftgrößen wurden maximiert, um ältere und weitsichtige Notentextleser in schlecht ausgeleuchteten Situationen mit sanftem Kerzenlicht zu unterstützen.Also: Gut lesbar auch bei schlechten Sichtverhältnissen.Dieses Arrangement wurde für On-the-Fly-Auftritte während der Weihnachtszeit optimiert.Die Besetzung der Instrumente (Rhythmus- und Soloinstrumente (auch in transponierenden Partituren)) kann nach Belieben zusammengestellt werden.Alle Teile sind aufeinander abgestimmt, können kombiniert oder alleine gespielt werden.Viel Spaß beim Ausprobieren!
$4.99
4.47 €
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Friedrich Silcher, Wilhelm Hey
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Sophia Transistor
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Alle Jahre wieder
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Sophia Transistor
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SheetMusicPlus
How To Comp
Melody instruments (piano/keyboard/guitar/vibraphone) - Digital Download SKU: S9.Q48014…
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Melody instruments (piano/keyboard/guitar/vibraphone) - Digital Download SKU: S9.Q48014 A Study In Jazz Accompaniment. Jazz - music education - lessons. Downloadable, Textbook. Advance Music GmbH - Digital #Q48014. Published by Advance Music GmbH - Digital (S9.Q48014). English.This digital book/audio set presents a clear, comprehensive, one-step-at-a-time method for learning how to accompany an improvised jazz solo. As a sequel to Hal Crook’s text How to Improvise, How to Comp offers precise explanations, practical exercises, recorded musical examples, four play-along tracks, and daily practice routines. How to Comp organizes a vast amount of information that helped to make the author’s previous work a major contribution to jazz pedagogy. How to Comp is primarily for intermediate through advanced level players of harmonic instruments, e.g. piano (keyboard), guitar and vibraphone. However, drummers, bassists and horn players can also benefit from its study. Subject covered include: Voicing construction, preferred stock voicings, voiceleading, constant structure, non-harmonic voicings, single-note lines, rhythmic vocabulary, altering the harmonic rhythm, motive development, dividing and shifting attention, supportive and interactive comping styles, the soloist’s viewpoint, pacing, strolling, and much more. In How to Comp, the author, an accomplished jazz trombonist, pianist, composer, arranger and educator, looks deeply into the nature and challenge of artistic jazz accompaniment and puts into focus a direct, sure path toward mastery.A comprehensive, one-step-at-a-time method for learning how to accompany an improvised solo. It offers precise explanations, practical exercises, recorded examples, four play-along tracks, and daily practice routines. Intended for intermediate-to-advanced players of harmonic instruments (piano, guitar, vibraphone), it can also be used by drummers, bassists and horn players.
$33.99
30.47 €
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How To Comp
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Advance Music GmbH - Digital
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SheetMusicPlus
Turn
Instrumental Duet Accordion,Bass Clarinet,Instrumental Duet - Level 4 - Digital Download
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Instrumental Duet Accordion,Bass Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A0.941441 Composed by Antti Nissilä. Contemporary,Latin. Score and parts. 28 pages. A-Minor Production #5711569. Published by A-Minor Production (A0.941441). Accordion has the solistic role in this little latin rhythmic chamber music piece, with modern classical spices. Commissioned by Confédération Internationale des Accordéonistes, dedicated to Kimmo Mattila.
$20.00
17.93 €
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Antti Nissilä
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Turn
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A-Minor Production
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SheetMusicPlus
Music for Children
Voice, recorder and percussion - Digital Download SKU: S9.Q53825 Major: Dominant…
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Voice, recorder and percussion - Digital Download SKU: S9.Q53825 Major: Dominant and Subdominant Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orchestration - Orff Schulwerk - keys. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 3. Schott Music - Digital #Q53825. Published by Schott Music - Digital (S9.Q53825). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this third volume: The instrumentation and range of keys are inceased. The settings include the chords on the fourth and fifth notes of the major scale.
$21.99
19.71 €
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Margaret Murray
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Music for Children
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Schott Music - Digital
#
SheetMusicPlus
Music for Children
Voice, recorder and percussion - Digital Download SKU: S9.Q47192 Minor: Drone Ba…
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Voice, recorder and percussion - Digital Download SKU: S9.Q47192 Minor: Drone Bass-Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Songs - Orff Schulwerk - pieces. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 4. Schott Music - Digital #Q47192. Published by Schott Music - Digital (S9.Q47192). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this fourth volume: Songs and pieces using the full range of the aeolian, dorian and phrygian modes. Accompaniements are founded on drone bass with the later addition of simple chords.
$21.99
19.71 €
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Margaret Murray
#
Music for Children
#
Schott Music - Digital
#
SheetMusicPlus
Music for Children
Voice, recorder and percussion - Digital Download SKU: S9.Q47388 Major: Drone Ba…
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Voice, recorder and percussion - Digital Download SKU: S9.Q47388 Major: Drone Bass-Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Songs - Orff Schulwerk - pieces. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 2. Schott Music - Digital #Q47388. Published by Schott Music - Digital (S9.Q47388). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this second volume: Songs and pieces using the full major scale. Accompaniments are founded on drone bass with the later addition of simple chords.
$21.99
19.71 €
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Margaret Murray
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Canon in a minor
Small Ensemble - Digital Download SKU: A0.1017919 Composed by Andreas Kleinert. Con…
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Small Ensemble - Digital Download SKU: A0.1017919 Composed by Andreas Kleinert. Contemporary. Score and parts. 3 pages. Andreas Kleinert #6343417. Published by Andreas Kleinert (A0.1017919). „Kanon in a-Moll geht erst taktweise, dann mit Stimmentausch, in Umkehrung, schließlich mit rhythmischer Steigerung. Es „fehlen jegliche Vortragsbezeichnungen und genauere Lautstärkeangaben. Das heißt aber nicht, dass es gleichförmig gespielt werden soll, im Gegenteil! Hier sind den Ausführenden viele Möglichkeiten der individuellen Gestaltung gegeben! In „Canon in a minor both voices first have one bar distance. Then the voices are reversed, then reversal, at last rhythmic increase. There are no presentation designations and exact dynamic designations. But this doesn´t mean that it should be played uniformly. On the contrary! The performers are given many opportunities of individual layout!
$3.99
3.58 €
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Andreas Kleinert
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Canon in a minor
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Andreas Kleinert
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SheetMusicPlus
Sing Lullaby (Downloadable Organ/Choral Score)
Tenor voice or soprano voice solo, SATB choir, organ - Medium - Digital Download SKU: M…
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Tenor voice or soprano voice solo, SATB choir, organ - Medium - Digital Download SKU: MQ.6414-E Composed by Leo Nestor. Christmas, Christmas-Sacred. Score & instrument parts. 13 pages. E. C. Schirmer Music Company - Digital #6414-E. Published by E. C. Schirmer Music Company - Digital (MQ.6414-E). Sing Lullaby was commissioned by music director Michael Batcho for the Choir of the Cathedral of St. John the Evangelist, Milwaukee and composed in California during the summer of 2000. Originally scored for tenor solo, mixed chorus, oboe, French horn and violoncello obbligato and organ, an independent fabric for string orchestra was composed for a performance by the Choir of the Basilica of the National Shrine of the Immaculate Conception on Christmas of the same year. The setting was further developed for the debut performance of The Catholic University of America Chamber Choir and Chamber Players at the Pope John Paul II Cultural Center in December of 2002. In the 2008 revision, the composer decided that the obbligato trio of clarinet, French horn and bassoon most clearly evoked the ethos of shepherds, offering optimal timbral contrast to string orchestra and chorus. Substantial emendations of the entire score were made for the present edition of Sing Lullaby, first performed by The Catholic University of America Chamber Choir, University Singers, University Chorus and Symphony Orchestra at the Annual Christmas Concert for Charity at Washington's Basilica of the National Shrine of the Immaculate Conception on 7 December 2012 with tenor Rick Christman, the composer conducting.Variation form, long favored by composers in settings of strophic music, imparts a perception of improvisation as singers and players alter harmonies, melody and rhythm to forward the unfolding narrative. Sensitive performance will caress the natural undulation of the largely ternary meter, tapering unstressed beats at the ends of phrases while maintaining the steady flow of the accompaniment.Two editions of the work are published: (I) for mixed chorus, solo, obbligato trio and organ and (II) for mixed chorus, solo, obbligato trio, string orchestra, harp and organ. The edition for chorus and obbligato instruments adds timbral variety to a Christmas concert while employing modest instrumental means which are easily available. Although in Version II both harp and organ are scored ad libitum, the harp adds significantly to the counterpoint of the obbligato instruments, providing further rhythmic impetus and textural variety. Conceived for lyric tenor, the solo may also be sung by soprano.
$2.65
2.38 €
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Leo Nestor
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Sing Lullaby
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
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