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PARTITIONS GRATUITES
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ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Musicnotes
Note4Piano
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Profs-edition
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SheetMusicPlus
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
45
PIANO & CLAVIERS
Piano, Voix et Guitare
90
Piano seul
53
Piano, Voix
47
2 Pianos, 4 mains
21
Piano Facile
11
Instruments en Do
7
Piano grosses notes
3
Piano (partie séparée)
1
Accompagnement Piano
1
Orgue
1
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GUITARES
Guitare notes et tablatures
14
Paroles et Accords
12
Ligne De Mélodie, (Paroles) et Accords
12
Basse electrique
9
Guitare
6
Ukulele
5
Guitare (partie séparée)
1
Banjo
1
Instrumentations suivantes
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VOIX
Chorale SATB
18
Chorale 3 parties
5
Chorale 2 parties
3
Chorale Unison
3
Voix duo, Piano
3
Voix seule
2
Chorale SSAA
2
Chorale TTBB
2
Voix Alto, Piano
1
Voix, Guitare
1
Chorale
1
Voix moyenne, Piano
1
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VENTS
Quatuor de Saxophones: 4 saxophones
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Flûte, Hautbois, Clarinette, Basson
6
2 Saxophones (duo)
6
Saxophone (partie séparée)
5
Ensemble de Clarinettes
4
Saxophone, Clarinette (duo)
3
2 Clarinettes (duo)
3
Flûte, Clarinette (duo)
3
Clarinette
3
Clarinette, Violon (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Saxophone (duo)
2
Clarinette, Trompette (duo)
2
Ensemble de Flûtes
2
2 Flûtes traversières (duo)
2
3 Saxophones (trio)
2
Hautbois, Flûte
2
Flûte à bec Tenor
1
Clarinette et Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Quatuor de Flûtes à bec
1
Flûte à Bec
1
Saxophone Tenor
1
2 Hautbois (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette et Alto
1
Flûte traversière
1
Hautbois, Clarinette (duo)
1
Flûte, Violon
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone Soprano et Piano
1
Saxophone Alto
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trompette (partie séparée)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trombone (partie séparée)
4
Trompette, Saxophone (duo)
2
2 Trompettes (duo)
2
Quatuor de cuivres: 4 trombones
2
Trompette, Trombone (duo)
1
Trompette, Piano
1
2 Trombones (duo)
1
Trombone
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
15
Trio à Cordes: 2 violons, violoncelle
4
Trio à Cordes: violon, alto, violoncelle
4
Violon
3
Violon et Piano
3
Violon, Alto (duo)
3
Violon, Violoncelle (duo)
3
Contrebasse (partie séparée)
1
2 Altos (duo)
1
Trio à Cordes: 3 violoncelles
1
2 Violoncelles (duo)
1
Alto, Piano
1
2 Contrebasses (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
28
Batterie
12
Orchestre
5
Ensemble Jazz
2
Cloches
2
Jazz combo
2
Ensemble de Percussions
1
Ensemble de cuivres
1
Batterie (partie séparée)
1
Marimba
1
Orchestre à Cordes
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
She Wasn
Partitions à imprimer
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26
He Wasn't
Digital Download SKU: HX.349331 By Avril Lavigne. Pop. Piano Chords/Lyrics. 2 pages…
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Digital Download SKU: HX.349331 By Avril Lavigne. Pop. Piano Chords/Lyrics. 2 pages. Published by Hal Leonard Europe (HX.349331).
$1.99
1.79 €
#
Avril Lavigne
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He Wasn't
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Hal Leonard Europe
#
SheetMusicPlus
A Man Who Wasn't There (3-Part Mixed)
Choral Choir,Choral (3-Part Mixed) - Level 2 - Digital Download SKU: A0.1285778 Com…
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Choral Choir,Choral (3-Part Mixed) - Level 2 - Digital Download SKU: A0.1285778 Composed by Jared Rodehorst. 21st Century,Contemporary,Holiday,Thriller. 8 pages. Adis Publishing #876866. Published by Adis Publishing (A0.1285778). A dark choral setting of the poem and ghost story, Antigonish, by William Hughes Mearns. The shifting harmonies and dance-like rhythms make for great macabre atmosphere. A perfect concert piece for Halloween.
$2.25
2.03 €
#
Jared Rodehorst
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A Man Who Wasn't There
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Adis Publishing
#
SheetMusicPlus
Rome Wasn't Built In A Day
Brass Ensemble Euphonium,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.893…
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Brass Ensemble Euphonium,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.893473 By Morcheeba. By Paul Godfrey, Ross Godfrey, and Skye Edwards. Arranged by Marcel Handler. Hip-Hop,Latin,Pop,R & B,Rock. Score and parts. 28 pages. Marcel Handler #499758. Published by Marcel Handler (A0.893473). Arrangement for Brass Ensemble and opt. Drums, Score and all Parts.
$18.00
16.23 €
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Morcheeba
#
Marcel Handler
#
Rome Wasn't Built In A Day
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Marcel Handler
#
SheetMusicPlus
He Wasn't Man Enough For Me
Small Ensemble Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 4 - Digital Downloa…
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Small Ensemble Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.783097 By Toni Braxton. By Fred Jerkins, Harvey Mason Jr., LaShawn Daniels, and Rodney Jerkins. Arranged by John Groves. Contemporary,R & B. Score and parts. 11 pages. John Groves #4985961. Published by John Groves (A0.783097). NO VOCAL & NO RHYTHM SECTION PARTS.HORN SECTION PARTS ONLY (Trumpet, Alto Sax, Tenor Sax, Trombone) This arrangement is in the original key of G and follows the form of the 1996 hit recording by Toni Braxton. The arrangement is flexible too as you can use the horn section in which ever combination of horns you have. Excellent arrangement for your cover/tribute band horn section. Horn section score and individual parts for Trumpet, Trombone, Alto & Tenor Saxophones.
$12.99
11.72 €
#
Toni Braxton
#
John Groves
#
NO RHYTHM SECTION PARTS
#
He Wasn't Man Enough For Me
#
John Groves
#
SheetMusicPlus
Do These Old Eyes Deceive Me?
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.5977…
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.597749 By ... By Jule Styne. Arranged by J. Randolph Hall. This edition: Interactive Download. Film/TV,Jazz,Pop,World. Score and parts. 16 pages. Duration 170. J. Randolph Hall #4kUAHZP0eBTrCMZAjt6c7X. Published by J. Randolph Hall (A0.597749). Key: Bb major.This was written for the movie Hit Parade of 1943 aka Change of Heart starring Susan Hayward and John Carroll. The picture cover is of the star Susan Hayward who entertained US troops during WW2, when she wasn't making movies.
$4.50
4.06 €
#
J
#
Do These Old Eyes Deceive Me?
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J. Randolph Hall
#
SheetMusicPlus
VALS FRÅN DREFVIKEN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921499. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068894). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.79 €
#
Lars Ek
#
VALS FRÅN DREFVIKEN
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
LÄTTA FINGRAR
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek…
(+)
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068893). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.79 €
#
Lars Ek
#
LÄTTA FINGRAR
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
FORNUDDSVALSEN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek…
(+)
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.79 €
#
Lars Ek
#
FORNUDDSVALSEN
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
LOVELY THOUGHTS
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek…
(+)
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.79 €
#
Lars Ek
#
LOVELY THOUGHTS
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
SNÖKÄNGAN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921477. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068889). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.79 €
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Lars Ek
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SNÖKÄNGAN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Acclamation
3, 4, 5, or 5 octaves handbells - Level 4 - Digital Download SKU: C7.CGB288 Compose…
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3, 4, 5, or 5 octaves handbells - Level 4 - Digital Download SKU: C7.CGB288 Composed by Arnold B Sherman. Christmas. Score. 12 pages. Chorister's Guild - Digital #CGB288. Published by Chorister's Guild - Digital (C7.CGB288). UPC: 749193008157.Many church leaders in the 18th century wrote keyboard music, even if their job wasn't primarily musical. Charles Wesley is best known today for his hymn texts, but here we have one of his many keyboard works arranged for handbells. The 6/8 time signature provides an excellent opportunity for teaching compound meter.
$4.95
4.46 €
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Arnold B Sherman
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Acclamation
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Chorister's Guild - Digital
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SheetMusicPlus
Close To You
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.1041…
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.1041157 By Frank Ocean. By Burt Bacharach, Christopher Breaux, Hal David, and Josiah Sherman. Arranged by J Randolph Hall. This edition: Interactive Download. Jazz,Pop,Rock. Score and parts. 11 pages. Duration 151. J. Randolph Hall #7CmvVGt11HRuCc3061mWzE. Published by J. Randolph Hall (A0.1041157). Key: Eb major.Bacharach and Hal David worked on this in the early 1960's. Richard Chamberlain did a recording of it then. However, it wasn't until 1970 when the Carpenters did a recording that it finally became a hit song.
$5.00
4.51 €
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Frank Ocean
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J Randolph Hall
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Close To You
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J. Randolph Hall
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SheetMusicPlus
A Storm is Gathering Piano Vocal Performance
Piano,Voice - Digital Download SKU: A0.1069968 Composed by Steven H. Boothe. Arrang…
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Piano,Voice - Digital Download SKU: A0.1069968 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 236. Boothe Publishing #4633697. Published by Boothe Publishing (A0.1069968). 1st Kings 19: Verses 11 & 12 When Elijah the Prophet of God killed all the false prophets of King Ahab and Queen Jezebel, the Queen promised to kill him by sundown the next day. He fled for his life and ran for 40 days and 40 nights all the way to Mount Horeb, the mount of God. When he arrived, the Lord asked him what he was doing there. When he explained it to the Lord, the Lord told him to go stand out upon the mountain before Him. And behold the Lord passed by and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; But the Lord was not in the wind: And after the wind an earthquake; But the Lord was not in the earthquake: And after the earthquake a fire; But the Lord was not in the fire: And after the fire a still small voice. God wasn't in the mighty wind. God wasn't in the terrible earthquake. God wasn't in the fire. God was the still small voice. That is where I can find Him still. That is what makes me responsible for my actions. I have the still small voice telling me what is right and what is wrong. It is called, the light of Christ. It is revelation from God. I can try to drown it out and pretend I don't hear it. However, pretending doesn't alter the fact that God's still small voice is always there for those who will listen.
$1.99
1.79 €
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Steven H
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Ashley Ivers
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A Storm is Gathering Piano Vocal Performance
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Boothe Publishing
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SheetMusicPlus
Joy to the World for Brass Trio
Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1327987 Composed by …
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Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1327987 Composed by George Frideric Handel. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 6 pages. Jmsgu3 #915996. Published by jmsgu3 (A0.1327987). Joy to the World is an English Christmas carol written by the English minister and hymnwriter Isaac Watts in 1719. Here are some interesting facts about the song:Originally a Poem: Joy to the World was originally a poem, not a song.Inspiration: Isaac Watts wrote the lyrics with Jesus's second coming in mind, not His first coming, inspired by the latter half of Psalm 98.Musical Origin: The melody for Joy to the World is attributed to George Frideric Handel and arranged by Lowell Mason. The first four notes of the song are the same as the chorus Lift your heads from Handel's Messiah.Not Intended as a Christmas Carol: The song wasn't intended to be a Christmas carol, as its original version had no such link with Christmas. It adapted Psalm 98, celebrating Jesus's role as King of his church and the world.Popularity: Since 1719, Joy to the World has remained one of the most-published hymns in Northern America and has been recorded by various artists.Joy to the World is a timeless piece of art that has withstood the test of time and continues to be enjoyed and appreciated by generations, making it a significant part of Christmas celebrations.
$24.95
22.5 €
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George Frideric Handel
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James M
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Joy to the World for Brass Trio
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jmsgu3
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SheetMusicPlus
Bach BWV 565 Tocata & Fugue in Dm Fantasy Unaccompanied Flute or Oboe or Sax
Woodwind Ensemble Instrumental Solo,Oboe/English Horn,Piccolo,Saxophone - Level 5 - Digita…
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Woodwind Ensemble Instrumental Solo,Oboe/English Horn,Piccolo,Saxophone - Level 5 - Digital Download SKU: A0.902127 By Rainer's Rainbow. By Johann Sebastian Bach. Arranged by R G Roth. Baroque,Classical,Instructional. Individual part. 36 pages. Rainer's Rainbow #6408621. Published by Rainer's Rainbow (A0.902127). Bach wrote this Tocata & Fugue for Organ sometime in the years between 1730 and 1740. It wasn't published until the mid 19th century at the behest of Felix Mendelssohn. It is perhaps one of the most recognizable pieces for Organ. However, it is also one of the most often arranged themes. I have written it here for the first time for a single woodwind (Flute) and changed the barlines and time signatures, but melody is the same. I have also transposed for various woodwinds (Alto Flute, Alto Sax, Tenor Sax, English Horn or Oboe) so it can be used as a technical study.
$6.99
6.3 €
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Rainer's Rainbow
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R G Roth
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Bach BWV 565 Tocata & Fugue in Dm Fantasy Unaccompanied Flute or Oboe or Sax
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Rainer's Rainbow
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SheetMusicPlus
Joy to the World for Woodwind Trio
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 3 - Digital Download S…
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1329403 Composed by George Frideric Handel. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 6 pages. Jmsgu3 #917385. Published by jmsgu3 (A0.1329403). Joy to the World is an English Christmas carol written by the English minister and hymnwriter Isaac Watts in 1719. Here are some interesting facts about the song:Originally a Poem: Joy to the World was originally a poem, not a song.Inspiration: Isaac Watts wrote the lyrics with Jesus's second coming in mind, not His first coming, inspired by the latter half of Psalm 98.Musical Origin: The melody for Joy to the World is attributed to George Frideric Handel and arranged by Lowell Mason. The first four notes of the song are the same as the chorus Lift your heads from Handel's Messiah.Not Intended as a Christmas Carol: The song wasn't intended to be a Christmas carol, as its original version had no such link with Christmas. It adapted Psalm 98, celebrating Jesus's role as King of his church and the world.Popularity: Since 1719, Joy to the World has remained one of the most-published hymns in Northern America and has been recorded by various artists.Joy to the World is a timeless piece of art that has withstood the test of time and continues to be enjoyed and appreciated by generations, making it a significant part of Christmas celebrations.
$24.95
22.5 €
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George Frideric Handel
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James M
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Joy to the World for Woodwind Trio
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jmsgu3
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SheetMusicPlus
Libera Me from "Requiem" (Faure) - Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1471485 Composed by Gabriel Fauré, Gabriel Faure. Arranged by Rob Bushnell. 19th Century,Classical,Religious,Romantic Period,Sacred. Brass Band. 79 pages. Rob Bushnell #1049258. Published by Rob Bushnell (A0.1471485). Composed between 1887 and 1890, Gabriel Fauré’s Requiem is not only one of his best-known works but one of the most popular piece of choral music in the Classical repertoire, coming 23rd in the Classic FM’s Hall of Fame 2024. Believed to be a tribute to his father (who died in 1885), Fauré himself said “My Requiem wasn't written for anything – for pleasure, if I may call it that!” It started life as a five-movement work but was later expanded to be the final seven-movement work we know today. The first version (which Fauré called “un petit Requiem”) was first performed on 16 January 1888, with Fauré conducting, a second version premiered on 21 January 1893 before the final version (reworked for full orchestra) was played on 12 July 1900; the Requiem was performed at the composer’s own funeral in 1924.The Libera Me, or Deliver Me, was actually written in 1877 and is the sixth part of the Requiem.Fauré once said of the work, “Everything I managed to entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning to end by a very human feeling of faith in eternal rest. Upon interview, he also said, “It has been said that my Requiem does not express the fear of death and someone has called it a lullaby of death. But it is thus that I see death: as a happy deliverance, an aspiration towards happiness above, rather than as a painful experience. The music of Gounod has been criticised for its inclination towards human tenderness. But his nature predisposed him to feel this way: religious emotion took this form inside him. Is it not necessary to accept the artist's nature? As to my Requiem, perhaps I have also instinctively sought to escape from what is thought right and proper, after all the years of accompanying burial services on the organ! I know it all by heart. I wanted to write something different.”This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here on YouTube: https://www.youtube.com/watch?v=fXwFNoBHCf0.
$44.99
40.58 €
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Gabriel Fauré, Gabriel Faure
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Rob Bushnell
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Libera Me from "Requiem"
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Rob Bushnell
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SheetMusicPlus
Jazz Dream
Instrumental Solo - Level 3 - Digital Download SKU: A0.1453350 By Ty Stone. By Ty S…
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Instrumental Solo - Level 3 - Digital Download SKU: A0.1453350 By Ty Stone. By Ty Stone. Arranged by Ty Stone. Jazz. Individual part. 3 pages. Ty Stone #1032576. Published by Ty Stone (A0.1453350). A breif piece wherein I challenged my self to start each melodic phrase on a note that wasn't in the chords.
$7.99
7.21 €
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Ty Stone
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Ty Stone
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Jazz Dream
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Ty Stone
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SheetMusicPlus
Livin' On A Prayer
Choral Choir,Choral,SAT Chorus - Level 2 - Digital Download SKU: A0.1431482 By Bon …
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Choral Choir,Choral,SAT Chorus - Level 2 - Digital Download SKU: A0.1431482 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Julia Daintree. 20th Century,Contemporary,Pop,Rock. 5 pages. Julia Daintree #1003329. Published by Julia Daintree (A0.1431482). Flexible arrangement SSA, SAT, SABSchool Choirs, Youth Choirs, Community Choirs, Gospel ChoirsSo much fun to practice and perform. If you have a guitarist to play the instrumental solo, it adds a lot. Drums are a big help, too, but not essential. I wasn't sure how this would work with a choir but it was so great that I'm going to introduce a few more rock songs. The choir and the audience absolutely loved it :)Enjoy!
$1.99
1.79 €
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Bon Jovi
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Julia Daintree
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Livin' On A Prayer
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Julia Daintree
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SheetMusicPlus
Livin' on a Prayer
Choral Choir,Choral,SAT Chorus - Level 2 - Digital Download SKU: A0.1407815 By Bon …
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Choral Choir,Choral,SAT Chorus - Level 2 - Digital Download SKU: A0.1407815 By Bon Jovi. By Richie Sambora, Jon Bon Jovi, Desmond Child. Arranged by Julia Daintree. 20th Century,Contemporary,Pop,Rock. 5 pages. Julia Daintree #990438. Published by Julia Daintree (A0.1407815). Flexible arrangement SSA, SAT, SABSchool Choirs, Youth Choirs, Community Choirs, Gospel ChoirsSo much fun to practice and perform. If you have a guitarist to play the instrumental solo, it adds a lot. Drums are a big help, too, but not essential. I wasn't sure how this would work with a choir but it was so great that I'm going to introduce a few more rock songs. The choir and the audience absolutely loved it :)Enjoy!
$1.99
1.79 €
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Bon Jovi
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Julia Daintree
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Livin' on a Prayer
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Julia Daintree
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SheetMusicPlus
Non mi porti a Funkytown? (Disco & Pavane)
Cello,Clarinet,Piano,Violin - Level 3 - Digital Download SKU: A0.1381033 Composed b…
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Cello,Clarinet,Piano,Violin - Level 3 - Digital Download SKU: A0.1381033 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba Music #965749. Published by Barabba Music (A0.1381033). It’s difficult to know what to say about this piece. It will probably always be an aberration when considered as part of my larger body of works. My challenge when writing this piece was to incorporate two different dance styles, and I immediately decided it was time to face the disco music of my childhood. Yes, I had the Bee Gees on LP when I was a kid.…and ABBA…but I left them out of this piece.Obviously, this is meant to be fun. There are direct (if not always obvious) quotations to the following songs:       Anita Ward’s “Ring My Bellâ€Â       “Night Fever†by the Bee Gees       Gloria Gaynor’s “I Will Survive†(Just had to be included)       Lipps Inc’s “Funktownâ€Â       and “Boogie Nights†from HeatwaveThe ancient dance form known as the pavane is, weirdly enough, the perfect pairing with the disco…in that their rhythmic structures easily go together, allowing me to spread the disco material around throughout the piece. In fact, the references to “I Will Survive†are in the slower pavane section, not the disco.The piece is basic A-B-A form (Disco-Pavane-Disco) with a fadeout ending…because in all my research I don’t remember finding a single disco piece that didn’t have a fadeout ending. It just wasn’t done. Please have some fun listening to this piece, because I had a great time writing it. It’s unlike anything I’ve ever written..pdf contains a complete set of score and parts. There are also versions with Flute and Oboe in place of the clarinet available. For more information visit www.jasonbarabba.com.
$45.60
41.13 €
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Jason V
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Non mi porti a Funkytown?
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Barabba Music
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SheetMusicPlus
Non mi porti a Funkytown? (Disco & Pavane)
Cello,Oboe,Piano,Violin - Level 3 - Digital Download SKU: A0.1381048 Composed by Ja…
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Cello,Oboe,Piano,Violin - Level 3 - Digital Download SKU: A0.1381048 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba Music #965763. Published by Barabba Music (A0.1381048). It’s difficult to know what to say about this piece. It will probably always be an aberration when considered as part of my larger body of works. My challenge when writing this piece was to incorporate two different dance styles, and I immediately decided it was time to face the disco music of my childhood. Yes, I had the Bee Gees on LP when I was a kid.…and ABBA…but I left them out of this piece.Obviously, this is meant to be fun. There are direct (if not always obvious) quotations to the following songs:       Anita Ward’s “Ring My Bellâ€Â       “Night Fever†by the Bee Gees       Gloria Gaynor’s “I Will Survive†(Just had to be included)       Lipps Inc’s “Funktownâ€Â       and “Boogie Nights†from HeatwaveThe ancient dance form known as the pavane is, weirdly enough, the perfect pairing with the disco…in that their rhythmic structures easily go together, allowing me to spread the disco material around throughout the piece. In fact, the references to “I Will Survive†are in the slower pavane section, not the disco.The piece is basic A-B-A form (Disco-Pavane-Disco) with a fadeout ending…because in all my research I don’t remember finding a single disco piece that didn’t have a fadeout ending. It just wasn’t done. Please have some fun listening to this piece, because I had a great time writing it. It’s unlike anything I’ve ever written..pdf contains a complete set of score and parts. There are also versions with clarinet and flute in place of the oboe available. For more information visit www.jasonbarabba.com.
$45.60
41.13 €
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Jason V
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Non mi porti a Funkytown?
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Barabba Music
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SheetMusicPlus
Non mi porti a Funkytown? (Disco & Pavane)
Cello,Flute,Piano,Violin - Level 3 - Digital Download SKU: A0.1381044 Composed by J…
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Cello,Flute,Piano,Violin - Level 3 - Digital Download SKU: A0.1381044 Composed by Jason V. Barabba. 20th Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba Music #965759. Published by Barabba Music (A0.1381044). It’s difficult to know what to say about this piece. It will probably always be an aberration when considered as part of my larger body of works. My challenge when writing this piece was to incorporate two different dance styles, and I immediately decided it was time to face the disco music of my childhood. Yes, I had the Bee Gees on LP when I was a kid.…and ABBA…but I left them out of this piece.Obviously, this is meant to be fun. There are direct (if not always obvious) quotations to the following songs:       Anita Ward’s “Ring My Bellâ€Â       “Night Fever†by the Bee Gees       Gloria Gaynor’s “I Will Survive†(Just had to be included)       Lipps Inc’s “Funktownâ€Â       and “Boogie Nights†from HeatwaveThe ancient dance form known as the pavane is, weirdly enough, the perfect pairing with the disco…in that their rhythmic structures easily go together, allowing me to spread the disco material around throughout the piece. In fact, the references to “I Will Survive†are in the slower pavane section, not the disco.The piece is basic A-B-A form (Disco-Pavane-Disco) with a fadeout ending…because in all my research I don’t remember finding a single disco piece that didn’t have a fadeout ending. It just wasn’t done. Please have some fun listening to this piece, because I had a great time writing it. It’s unlike anything I’ve ever written..pdf contains a complete set of score and parts. There are also versions with clarinet and oboe in place of the flute available. For more information visit www.jasonbarabba.com.
$45.60
41.13 €
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Jason V
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Non mi porti a Funkytown?
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Barabba Music
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SheetMusicPlus
Dizzy Fingers
Piano and Keyboard,Vocal - Level 5 - Interactive Download SKU: A0.1227542 By Chet A…
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Piano and Keyboard,Vocal - Level 5 - Interactive Download SKU: A0.1227542 By Chet Atkins. By Edward Elzear Zez Confrey and Paul Yoder. Arranged by Reese Rosbrook. This edition: Interactive Download. Blues,Jazz. Score. 13 pages. Duration 175. Reese_Rosbrook #6r3NlZ24VqRyg10zEFaa6e. Published by Reese_Rosbrook (A0.1227542). Key: A major.Here is Zez Confrey's Dizzy Fingers in a Trio format. Took me a bit to make. This is one of my favorite novelty style pieces. I made a duet a very long time ago, but wasn't very satisfied with it. So I came back and started remaking the duet version... but then I thought--what would a trio sound like? Some of the runs are a bit unpractical I know, but this piece was made for fun. Sure makes you dizzy! Anyway, thanks for listening! --Reese *Zez Confrey's Dizzy Fingers is public domain.*.
$2.99
2.7 €
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Chet Atkins
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Reese Rosbrook
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Dizzy Fingers
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Reese_Rosbrook
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SheetMusicPlus
Home Again Guitar Minus Vocal
Guitar - Digital Download SKU: A0.1069956 Composed by Steven H. Boothe. Pop. Accomp…
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Guitar - Digital Download SKU: A0.1069956 Composed by Steven H. Boothe. Pop. Accompaniment. Duration 212. Boothe Publishing #4633655. Published by Boothe Publishing (A0.1069956). After our first child arrived I realized that I wasn't free any longer. My mind returned to the good old days when I was free to daydream and do whatever it was that I wanted to do. When I was younger I had wanted to grow up to be a bird, a frog, an ant or a baby bee, but I had grown up to be a man, and now I had a wife and a baby son. Things were not the way I had imagined they would be. Now I had to go to work every day to pay the bills, and I didn't even like my job. It felt like I was bound in chains that were unbreakable. There seemed to be no way out, but there was a way out. All I had to do was accept that life had changed, that I had changed, and I needed to make the best of it. After making that decision life got better and better. I realized that the true plan for life was to create our own homes and families, and that sooner or later we will all return to our heavenly home. I love being home, and at the homes of my siblings, friends, and parents. Home is not really a physical place so much as it is where we are surrounded by people who love us. For me, being home is being where I am loved and accepted.
$1.99
1.79 €
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Steven H
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Home Again Guitar Minus Vocal
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Boothe Publishing
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SheetMusicPlus
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