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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR ANGLAIS
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Piano, Voix
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Piano, Voix et Guitare
115
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Accompagnement Piano
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Orgue
33
Piano Trio: piano, violon, violoncelle
15
1 Piano, 4 mains
13
Piano (partie séparée)
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano grosses notes
3
Accordéon
2
Orgue, Trompette (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
Clavier
1
2 Pianos, 4 mains
1
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GUITARES
Guitare notes et tablatures
61
Guitare
43
Ukulele
21
Ligne De Mélodie, (Paroles) et Accords
16
Guitare (partie séparée)
14
Basse electrique
9
Dulcimer
6
3 Guitares (trio)
4
Banjo
4
Piano, Guitare (duo)
4
4 Guitares (Quatuor)
4
2 Guitares (duo)
4
Mandoline
2
2 Dulcimers (duo)
1
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1
Ukulele Baryton
1
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VOIX
Chorale SATB
207
Chorale 3 parties
95
Chorale 2 parties
48
Chorale TTBB
47
Chorale SSAA
33
Voix Alto, Piano
20
Voix Tenor, Piano
18
Chorale Unison
16
Voix Soprano, Piano
12
Voix Tenor
7
Voix duo
6
Voix seule
5
Voix haute
3
Voix Baryton, Piano
2
Voix basse, Piano
1
Voix moyenne, Piano
1
Soli, choeur mixte et accompagnement
1
Voix duo, Piano
1
Chorale SSAB, Piano
1
Voix Soprano
1
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VENTS
Quintette de Saxophone: 5 saxophones
121
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
119
Flûte traversière et Piano
116
Clarinette et Piano
114
2 Saxophones (duo)
93
Quatuor de Saxophones: 4 saxophones
90
Hautbois, Piano (duo)
86
Clarinette
84
2 Flûtes traversières (duo)
73
Flûte traversière
66
Saxophone (partie séparée)
64
Flûte, Hautbois, Clarinette, Basson
63
Saxophone Alto et Piano
58
Ensemble de saxophones
57
Saxophone Alto
51
Saxophone Tenor et Piano
49
Saxophone Soprano et Piano
49
Ensemble de Clarinettes
45
Hautbois (partie séparée)
45
2 Clarinettes (duo)
42
Quatuor de Clarinettes: 4 clarinettes
41
3 Saxophones (trio)
37
Saxophone Tenor
34
Saxophone Baryton, Piano
30
Ensemble de Flûtes
28
2 Flûte à bec (duo)
25
Cor anglais, Piano
25
Quintette de Flûte : 5 flûtes
20
Quatuor de Flûtes : 4 flûtes
20
Hautbois
18
Flûte, Clarinette (duo)
18
Cor Anglais
16
Saxophone, Clarinette (duo)
15
2 Hautbois (duo)
14
Quintette de Clarinettes: 5 clarinettes
14
Clarinette, Basson (duo)
13
Trio de Flûtes: 3 flûtes
13
3 Clarinettes (trio)
13
Flûte à bec Soprano
11
Clarinette, Violon (duo)
10
Flute (partie séparée)
9
Flûte à Bec
8
Saxophone Soprano
8
3 Flûtes à bec (trio)
8
Flûte à bec Alto
8
Hautbois, Basson (duo)
8
Hautbois, Clarinette (duo)
7
Quatuor de Flûtes à bec
7
Clarinette (partie séparée)
6
Piccolo, Piano
6
Saxophone Baryton
6
Clarinette Basse, Piano
6
Flûte, Saxophone (duo)
5
Flûte, Hautbois (duo)
5
Clarinette et Alto
5
Hautbois, Clarinette, Basson (trio d'anches)
5
5 Flûtes à bec
5
Piccolo
5
Ensemble De Flûte à bec
4
Flûte, Hautbois, Clarinette (trio)
4
Clarinette, Trompette (duo)
4
Hautbois, Flûte
4
Flûte et Guitare
4
Flûte, Clarinette, Piano (trio)
3
Flûte, Violon
3
Flûte, Trompette (duo)
3
Flûte, Clarinette et Basson
2
Flûte à bec Alto, Piano
2
Flûte, Alto (duo)
2
Flûte à bec Soprano, Piano
2
Clarinette, Guitare (duo)
2
4 Hautbois
2
Flûte, Hautbois, Basson
2
Hautbois, Guitare (duo)
2
Clarinette, Harpe (duo)
1
Flûte à bec Tenor
1
Clarinette, Violoncelle (duo)
1
Flûte, Violon et Violoncelle
1
Ensemble de Hautbois
1
Flûte, Violoncelle
1
Ocarina
1
Saxophone et Harpe
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
105
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
102
Trombone et Piano
65
Cor et Piano
60
Trompette, Piano
57
Cor
57
Tuba
52
Quatuor de Cuivres: 2 trompettes, Cor, trombone
45
Trompette
44
Trombone
44
Trombone (partie séparée)
38
Tuba et Piano
34
2 Trombones (duo)
26
Cor anglais, Piano
25
Ensemble de Trombones
23
Trompette (partie séparée)
22
2 Trompettes (duo)
20
Cor Anglais
16
Quatuor de cuivres: 4 trombones
16
Ensemble de Trompettes
16
Trompette, Trombone (duo)
14
2 Cors (duo)
14
Trompette, Saxophone (duo)
9
Cor (partie séparée)
9
Quatuor de Cuivres
7
Quatuor de cuivres: 4 cors
7
Trompette, Cor (duo)
7
Euphonium, Piano (duo)
7
Tuba (partie séparée)
7
Quatuor de cuivres: 4 trompettes
7
3 Trombones (trio)
5
Ensemble de Cors
5
Trombone, Tuba (duo)
5
2 Tubas (duo)
4
Trombone, Cor (duo)
3
4 Tubas
3
Euphonium, Tuba (duo)
2
Trombone basse et Piano
2
Trompette, Tuba (duo)
2
3 Tubas (trio)
2
Trombone basse
2
2 Euphoniums (duo)
1
Euphonium
1
Cor et Harpe
1
Trompette, Trombone, Piano
1
Trombone, Orgue
1
Trompette, Euphonium (duo)
1
3 Cors (trio)
1
Ensemble de Tubas
1
Trompette, Harpe
1
3 Trompettes (trio)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
205
Violon et Piano
88
Violoncelle, Piano
88
Violon
78
Alto, Piano
73
Violoncelle
72
Violon, Violoncelle (duo)
54
2 Violons (duo)
38
Contre Basse
38
Trio à Cordes: violon, alto, violoncelle
37
Contrebasse, Piano (duo)
37
2 Violoncelles (duo)
26
Harpe
26
Alto seul
26
2 Altos (duo)
24
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
Violon, Alto (duo)
17
Trio à Cordes: 2 violons, violoncelle
15
Ensemble de Violons
13
Ensemble d'Altos
12
Alto (partie séparée)
10
Trio à Cordes: 3 violoncelles
9
Contrebasse (partie séparée)
9
Alto, Violoncelle (duo)
8
4 Violoncelles
8
Trio à cordes: 3 altos
7
Trio à cordes: 3 violins
7
Quatuor à cordes: 4 violons
7
Quatuor à cordes : 4 altos
6
Violoncelle, Contrebasse (duo)
4
Violon (partie séparée)
4
4 Harpes
3
2 Harpes (duo)
3
Piano Trio: Violon, Alto, Piano
3
Harpe, Voix
3
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
2 Violons, Piano
1
Violoncelle , Guitare (duo)
1
Alto et Harpe
1
Violoncelle (partie séparée)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
163
Orchestre à Cordes
79
Orchestre
68
Ensemble Jazz
46
Ensemble de cuivres
39
Orchestre de chambre
10
Ensemble de Percussions
10
Cloches
8
Batterie (partie séparée)
7
Fanfare
6
Batterie
6
Jazz combo
6
Percussion (partie séparée)
3
Marimba
1
Xylophone, Piano
1
Vibraphone
1
Instrumentations suivantes
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AUTRES
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1201
COME FARFALLA - Like butterfly - for Soprano (or Tenor) and mixed quintet
Small Ensemble Cello,High Voice,Horn,Oboe,Violin - Digital Download SKU: A0.724831 …
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Small Ensemble Cello,High Voice,Horn,Oboe,Violin - Digital Download SKU: A0.724831 Composed by Renato Tagliabue. Contemporary. Score and parts. 4 pages. Renato Tagliabue #6442851. Published by Renato Tagliabue (A0.724831). COME FARFALLA - Lirycs by Evelina FerrariCi sei, ma ancora nessuno può vederele belle tue ali coi loro colori;nascosta tra le foglie spuntate sul ramo,aspetti il tuo momento per volare in libertà .Sì, ti aprirai e ti mostrerai,tu così bella e come un soffio, leggerissimacerchi la luce lassù nel cielo che è sempre più blu.Il tuo mondo finir dovrà ,ma nuovo e più bello, tu sai , comincia già .Chiusa la mente, non trova la via;il cuore è triste e pace non ha,ma Il bruco sa che poi lui rinascerà e,come una farfalla, finalmente volar potrà .Sì, ti aprirai e ti mostreraitu, così bella e come un soffio, leggerissimacerchi la luce lassù nel cielo che è sempre più blu.Tutto cambia ed anche per tequalcosa di nuovo e più bello comincia già .-----------------------------Like ButterflyYou are there, but still no one can seeyour beautiful wings with their colors;hidden among the leaves sprouted on the branch,wait for your moment to fly freely.Yes, you will open up and show yourself,you so beautiful and like a breath, very lightlook for the light up there in the sky which is always bluer.Your world will have to end,but new and more beautiful, you know, it already begins.Closed the mind, it does not find the way;the heart is sad and has no peace,but the caterpillar knows that then he will be reborn and,like a butterfly, it will finally fly.Yes, you will open up and show yourselfyou, so beautiful and like a breath, very lightlook for the light up there in the sky which is always bluer.Everything changes and for you toosomething new and more beautiful is already beginning.
$12.90
11.56 €
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Renato Tagliabue
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COME FARFALLA - Like butterfly - for Soprano
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Renato Tagliabue
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SheetMusicPlus
Poe's Evening Carousel Ride, based on Edgar Allan Poe's poem, "Evening Star."
Small Ensemble Flute,Keyboard,Voice - Level 5 - Digital Download SKU: A0.1005681 Co…
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Small Ensemble Flute,Keyboard,Voice - Level 5 - Digital Download SKU: A0.1005681 Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. 9 pages. Creating Music Joy #6197023. Published by Creating Music Joy (A0.1005681). My original song, Poe's Christmas Eve Carousel Ride, is a microtonal melody for Celesta and/or Flute/Voice, based on Edgar Allan Poe's Evening Star.I imagined Edgar Allan Poe sitting on one of the carousel horses as it was going around and around. While this was happening, he was looking up at the night sky and thought about how much he liked the evening star better than the moon's light. (The celesta is known for its recognized sound in Tchaikovsky's, The Nutcracker Suite, The Dance of the Sugar Plum Fairy.). I figured out how to put it in a quartal tone key in Finale, thanks to Google. I used quartal tones in the left hand, so it's a blend of a tonal melodic line in an atonal landscape. Edgar Allan Poe had a horrific life. His father abandoned his family when he was young. His mother died when he was a child. After he was adopted, although not legally, he had a falling out with his foster father, who alienated him and didn't let him know that his foster mother was dying. But, he did inform him after she died. Edgar married his cousin, Virginia Clem, who was 13 and he was 26. She died 11 years into their marriage due to tuberculosis. Thus, some writers say that all of his writings have a beautiful woman who died in his stories. He lost all of the women who loved him in his life. When you see his portrait, he has sad eyes, as someone who has suffered much. But, his writing has lived well beyond his lifetime of misery and heartache. My song symbolizes, not only Poe's poem, but his life, as very difficult, yet beautiful. With me poetry has not been a purpose, but a passion. Edgar Allan Poe. Warning: Before purchasing this music, make sure that you know how to use quartal tones in your keyboard.
$7.95
7.12 €
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Grace Joy Reid
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Poe's Evening Carousel Ride, based on Edgar Allan Poe's poem, "Evening Star."
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Creating Music Joy
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SheetMusicPlus
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730418 Composed by Ja…
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Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95
17.88 €
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James Nathaniel Holland
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The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
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James Nathaniel Holland
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SheetMusicPlus
“If You're Happy and You Know It” for 13-note Bells and Boomwhackers® (with Color Coded Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565451 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Instructional,Sacred,Traditional. Score and parts. 11 pages. Sharon Wilson #4357245. Published by Sharon Wilson (A0.565451). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Both parts play the melody for one verse beginning with part one (handbells) on the melody and part two (Boomwhackers®) on harmony. After a short interlude, part two plays the melody for the second verse while part one plays harmony. If you want to play only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment.  Though this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match). This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministriesThis song is one of the 20 arrangements in the collection Folk Songs for 13-note Bells and Boomwhackers® (with Color Coded Notes), VOL. 2. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.37 €
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Sharon Wilson
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Sharon Wilson
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“If You're Happy and You Know It” for 13-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
“If You're Happy and You Know It" for 13-note Bells and Boomwhackers® (with Black and White Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565421 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Instructional,Sacred,Standards. Score and parts. 11 pages. Sharon Wilson #4356963. Published by Sharon Wilson (A0.565421). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Both parts play the melody for one verse beginning with part one (handbells) on the melody and part two (Boomwhackers®) on harmony. After a short interlude, part two plays the melody for the second verse while part one plays harmony. If you want to play only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment.  This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Though this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel. Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministriesThis song is one of the 20 arrangements in the collection Folk Songs for 13-note Bells and Boomwhackers® (with Black and White Notes), VOL. 2. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.37 €
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Sharon Wilson
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Sharon Wilson
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“If You're Happy and You Know It" for 13-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
If You Could Go Back Piano Vocal Performance
Piano,Voice - Digital Download SKU: A0.1069977 Composed by Steven H. Boothe. Arrang…
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Piano,Voice - Digital Download SKU: A0.1069977 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 184. Boothe Publishing #4633725. Published by Boothe Publishing (A0.1069977). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
1.78 €
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Steven H
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Ashley Ivers
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If You Could Go Back Piano Vocal Performance
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Boothe Publishing
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SheetMusicPlus
If You Could Go Back Guitar Vocal Performance
Bass Guitar,Voice - Digital Download SKU: A0.1069976 Composed by Steven H. Boothe. …
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Bass Guitar,Voice - Digital Download SKU: A0.1069976 Composed by Steven H. Boothe. Pop,Rock. Full Performance. Duration 187. Boothe Publishing #4633723. Published by Boothe Publishing (A0.1069976). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
1.78 €
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Steven H
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If You Could Go Back Guitar Vocal Performance
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Boothe Publishing
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
26.84 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Jesus Shall Reign - Flex Orchestra
Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - Digital Down…
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Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - Digital Download SKU: A0.596379 Composed by John Hatton. Arranged by Kristin Campbell. Sacred. Score and parts. 22 pages. Horsehair Music #4274745. Published by Horsehair Music (A0.596379). The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part. The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work. This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination. Jesus Shall Reign is a hymn text by Isaac Watts and was set to music by John Hatton. This triumphant hymn may not be known to young string players so the words to the hymn are written into the melody part of each instrument. While this is unusual to find hymn text in instrumental arrangements, the printed lyric allows us to play with understanding. The melody part can be played all in first position. Set in the keys of D and G, a modulation allows the players play the tune using different finger patterns, and adds variety to the arrangement while staying in position.
$9.99
8.95 €
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having one or more instruments play the melody part, and then add any other instrument on their ensemble part
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John Hatton
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Kristin Campbell
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Jesus Shall Reign - Flex Orchestra
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Horsehair Music
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SheetMusicPlus
I Know Whom I Have Believed - Flex Orchestra
Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - Digital Down…
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Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - Digital Download SKU: A0.596386 Composed by James McGranahan. Arranged by Kristin Campbell. Sacred. Score and parts. 30 pages. Horsehair Music #4301947. Published by Horsehair Music (A0.596386). The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part. The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work. This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination.Set in the key of D and modulating to G. The finger patterns change after the modulations, the melody part also includes a B-flat for the modulation, allowing the player to experience using a low first finger. The melody part has one section of motif between the stanzas and choruses of the hymn. Also included are the words to the hymn, so that players who may not know the lyrics can learn them.
$9.99
8.95 €
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having one or more instruments play the melody part, and then add any other instrument on their ensemble part
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James McGranahan
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Kristin Campbell
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I Know Whom I Have Believed - Flex Orchestra
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Horsehair Music
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SheetMusicPlus
Invisible Walls
Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.793372 Composed by Minni K. A…
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Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.793372 Composed by Minni K. Ang. Christian,Rock,Sacred,Spiritual. 4 pages. Dr Minni Ang #4758441. Published by Dr Minni Ang (A0.793372). This song depicts the writer's deep personal discourse with God. Its lyrics speak for itself:Invisible walls surround me Reflections of my own mind The moments they just slip by me And I lose track of time Wond' ring what you got in store now Sometimes I'm out of my head Knowing you're loving me more now Feeling neglected instead CHORUS And I will run to you coz I need your love No matter how I feel inside You know I can't get by without feeling your touch I gotta have you deep in my life And I will run to you in spite of the walls The walls that keep us apart Feeling trapped within invisible walls Breaking through with you is a start Invisible walls surround me Illusions in my head The mem'ries they just drift by me As I lay down in my bed Thinking of days that have long gone Knowing just how I survived Struggling to overcome It's your love that has kept me alive (Chorus) To freedom from these Invisible Walls To freedom from these Invisible Walls To freedom from these Invisible Walls I need your love to set me free (Chorus)
$2.29
2.05 €
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Minni K
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Invisible Walls
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Dr Minni Ang
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SheetMusicPlus
holding your hands ( Misty Highland Shores )
Acoustic Guitar,Double Bass,Electric Violin,Flute,Piano - Level 4 - Digital Download SK…
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Acoustic Guitar,Double Bass,Electric Violin,Flute,Piano - Level 4 - Digital Download SKU: A0.1487249 By Eve Mctelenn ( Ai Studio). By Eve McTelenn. Arranged by Eve McTelenn. Celtic,Folk,Irish,Medieval. Full Performance. Duration 230. Eve Rodolfi-McTelenn #1064223. Published by Eve Rodolfi-McTelenn (A0.1487249). Holding your hands[Verse]In the whispering woods, I wander farBeneath the ancient oaks and shining starYour voice it calls, a guiding lightIn the heart of the silent night[Chorus]Through the shadows and the echoing landsI know I'll find my way, holding your hands[Verse]Upon the misty shores, where waves embraceI journey on, to find your graceYour melody lingers, across the seaIn the twilight's soft, eternal plea[Chorus]Through the tempest and the boundless tidesTogether we'll roam, where true love abidesholding your hands[Verse]In the whispering woods, I wander farBeneath the ancient oaks and shining starYour voice it calls, a guiding lightIn the heart of the silent night[Chorus]Through the shadows and the echoing landsI know I'll find my way, holding your hands.
$1.99
1.78 €
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Eve Mctelenn
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Eve McTelenn
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holding your hands
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Eve Rodolfi-McTelenn
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SheetMusicPlus
Mary, Did You Know?
Small Ensemble Alto Voice,Cello,Flute,Horn,Piano Accompaniment,Soprano voice,Violin - Leve…
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Small Ensemble Alto Voice,Cello,Flute,Horn,Piano Accompaniment,Soprano voice,Violin - Level 2 - Digital Download SKU: A0.1125481 By Kathy Mattea. By Buddy Greene and Mark Lowry. Arranged by Connie Boss. Christian,Christmas. Score and parts. 13 pages. Connie Boss #726243. Published by Connie Boss (A0.1125481). This is a full arrangement of the song that is a vocal trio with optional accent instruments (flute, violin, cello or french horn) included in this download and with piano accompaniment and guitar chords. It is the key of C so it is in a good range to sing and also easy to play. Keeping with the Kathy Mattea version, I have added harmonies that echo in some parts and with the accent instrument, you get a unique addition. There are part sheets for these instruments included. They are all the same part. questions - email at cdboss@cvalley.net. please email me if you purchase this to let me know where you are from and provide me with any recordings you make. I love to see/hear them. To hear the entire song with vocals, click on YouTube link. Thank You.
$12.99
11.64 €
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Kathy Mattea
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Connie Boss
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Mary, Did You Know?
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Connie Boss
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SheetMusicPlus
Be Still and Know (in F)
Level 3 - Digital Download SKU: A0.1105037 By David Kai. By David Kai. Arranged by …
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Level 3 - Digital Download SKU: A0.1105037 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Rock. Full Performance. Duration 239. David Kai #708281. Published by David Kai (A0.1105037). This song is a reflection on Psalm 46. Like many Psalms, it contains elements of questioning, challenge and finally, faith. It is written in a Contemporary Christian/Christian Rock style. BE STILL AND KNOW (Psalm 46) BE STILL AND KNOW Chorus: Be still and know that I am God, Be still and know that I am God Be still and know that I am, Be still and know that I am God You are the Word beyond all words, a holy mystery, A presence in the universe that I can’t touch or see, A force in space and time with no beginning and no end, A spark of inspiration that I cannot comprehend. In a world that’s so embraced by pain how can Your love be shown? In life that’s short and fleeting, can eternity be known? My questions have no answers for I’ve painted You too small, So I will cease my babbling and worship You in awe. Be still and know that I am God, Be still and know that I am God Be still and know that I am, Be still and know that I am God Our God’s a refuge and our strength, and so we will not fear, Though mountains shake and waters roar our God is always near, God makes the wars to cease and breaks the bow, the shield, the spear, Behold the works of God whose reign of peace will dry all tears. You are the glints of sunlight through the amber-dappled leaves, You are the hints of silence in the vows that lovers breathe, You are the one who awes me with the love that we receive, You are my first and dying breath, in You I will believe. Be still and know that I am God...
$1.99
1.78 €
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David Kai
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David Kai
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Be Still and Know
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David Kai
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SheetMusicPlus
The Nutcracker complete ballet for Chamber Ensemble, Op. 71 - Score Only
Level 5 - Digital Download SKU: A0.866116 Composed by Pyotr Ilyich Tchaikovsky / Ð…
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Level 5 - Digital Download SKU: A0.866116 Composed by Pyotr Ilyich Tchaikovsky / Пётр ИльиÌч ЧайкоÌвÑкий. Arranged by Yoon Jae Lee. 19th Century,Christmas,Holiday,Romantic Period,Traditional. 355 pages. Ondine Press #3629599. Published by Ondine Press (A0.866116). Instrumentation: 1d1. 1d1. 1. 1 – 1. 1. 0. 0 – 1 perc. pno. (hrp. ad lib.) – str (single players) This is a full score to Yoon Jae Lee's unabridged arrangement of Tchaikovsky's famous ballet, The Nutcracker. Scored for a mixed chamber ensemble of 13 (or 14) instruments with top quality engraving, this arrangement captures all of the essence of the original orchestration. It is also one of the only known reductions of the entire ballet that uses single strings, unlike the myriad of other reduced orchestrations available. Additional string players may be added at the discretion of the performers. Ideally suited for small theaters and ballet companies, this arrangement allows for staged performances of this masterpiece with live music which would otherwise not be possible. To allow for greater flexibility and practical use of instrumentation, the harp part is cross-cued into the piano and part. The Suite and the Waltz of the Flowers are also available for the same instrumentation. Performance material available for hire; please contact ondinepress@gmail.com for all inquiries. Perusal score: https://bit.ly/36pcV77 Performance Video of Suite: https://youtu.be/U9RjtdaHGPc Performance excerpts: https://clyp.it/user/3iaxh4xg.
$100.00
89.62 €
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Pyotr Ilyich Tchaikovsky / Пётр ИльиÌч ЧайкоÌвÑкий
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Yoon Jae Lee
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The Nutcracker complete ballet for Chamber Ensemble, Op. 71 - Score Only
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Ondine Press
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.5 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.5 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Mary, Did You Know?
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801740 By Kath…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801740 By Kathy Mattea. By Buddy Greene and Mark Lowry. Arranged by Connie Boss. Country. Score. 13 pages. Connie Boss #6644857. Published by Connie Boss (A0.801740). This is a full arrangement of the song that is a vocal trio with optional accent instruments (flute, violin, cello or french horn) and with piano accompaniment and guitar chords. It is the key of C so it is in a good range to sing and also easy to play. Keeping with the Kathy Mattea version, I have added harmonies that echo in some parts and with the accent instrument, you get a unique addition. There are part sheets for these instruments included. They are all the same part. questions - email at cdboss@cvalley.net. please email me if you purchase this to let me know where you are from and provide me with any recordings you make. I love to see/hear them. Thank You.
$5.50
4.93 €
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Kathy Mattea
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Connie Boss
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Mary, Did You Know?
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Connie Boss
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SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.8894…
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99
9.85 €
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
The Terrifically Terrifying Toboggan Trek
Percussion Ensemble Sleigh Bells - Level 1 - Digital Download SKU: A0.1113251 Compo…
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Percussion Ensemble Sleigh Bells - Level 1 - Digital Download SKU: A0.1113251 Composed by Brian Monroe. Contemporary,Contest,Festival,Holiday. Score and parts. 17 pages. BLM Music Publications (https://brianmonroemusic.com) #715195. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1113251). Riding a toboggan down a hill on a cold, winter afternoon is always fun, but at night make for a terrifically terrifying time. It's cold, and dark and you never know what's around the next banking turn. Excitement and Terror combine to create an adventure you will always remember. The Terrifically Terrifying Toboggan Trek is my second piece for very easy percussion ensemble with the beginning percussionists in mind. The piece has been scored by utilizing patterns which are relatively easy to learn. Layering and varying the patterns makes a fun and interesting piece to learn and perform. In addition, the use of the Alphanotes allows the new percussionist to review reading notes as they learn a piece which is most likely more difficult than they would normally perform. This will allow the students to focus on time keeping and listening. All the pattern as found on the back of each part. I also recommend the director play the sleighbells part as a way to be a part of the ensemble and so he/she can set a steady beat for everyone to follow Instrumentation: Part 1: Bells Part 2: Bells Part 3: Bells Part 4: Bells or Vibraphone Using a vibraphone will give you more of a bass note sound..
$10.00
8.96 €
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Brian Monroe
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The Terrifically Terrifying Toboggan Trek
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BLM Music Publications
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SheetMusicPlus
All Out of Time
Bassoon,Cello,Flute,Harmonica,Oboe,Piccolo,Trombone,Tuba,Viola,Violin,Voice - Level 3 - In…
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Bassoon,Cello,Flute,Harmonica,Oboe,Piccolo,Trombone,Tuba,Viola,Violin,Voice - Level 3 - Interactive Download SKU: A0.1320687 By Zane Kuchera. By Music by Zane Kuchera. This edition: Interactive Download. Classical,Jazz,Pop. 46 pages. Duration 200. Zane Kuchera Music #4gUMP1wf1uycAy9mK6JMoc. Published by Zane Kuchera Music (A0.1320687). Key: C major.“All Out of Time†is about a relationship that's run its course. And you know there's no saving it, it's just a matter of waiting until that moment when it all comes crashing down. Yet even though the relationship is unsalvageable you're reluctant to actually end it and step away from something familiar. (AC/Jazz/Cabaret) Words: Zoë aan de Wiel (Amsterdam), Music & performance: Zane Kuchera (ZaneKuchera.com).
$4.99
4.47 €
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Zane Kuchera
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All Out of Time
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Zane Kuchera Music
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SheetMusicPlus
All in the Family
Small Ensemble - Level 1 - Digital Download SKU: A0.827154 Composed by Bob Marshall…
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Small Ensemble - Level 1 - Digital Download SKU: A0.827154 Composed by Bob Marshall. Arranged by Snowflower Music. Children. Score and parts. 63 pages. Bob Marshall #3057337. Published by Bob Marshall (A0.827154). ALL IN THE FAMILY is a delightful new children’s musical that is easily staged and performed. The play opens with a group that has gathered to share their genealogy with each other. At their first meeting, they are excited to talk and sing about the antics of the normal members of their family as well as some of the more unusual (or its that notorious?) members. ALL IN THE FAMILY portrays these fun and diverse family members using folk songs that children know and love; but, as you will hear, the uniquely crafted arrangements are as equally diverse. Add in some easy, rhyming dialog and you have an instant, child-friendly production that will wow the audience. Originally written and produced for a small K-6 elementary school, this musical is an ideal choice for your Spring/end-of-school year performance. MT1701 downloads as a PDF that contains the full production. It includes: piano/vocal score, vocal score, dialog, lyric sheets, staging and more.However, for a truly amazing performance be sure to purchase and download the Rehearsal and Performance tracks from https://www.snowflowermusic.com/store/all-in-the-family.
$40.00
35.85 €
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Bob Marshall
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Snowflower Music
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All in the Family
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Bob Marshall
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SheetMusicPlus
Kinder- Symphonie (Toy Symphony): Composer: Unknown - symphonic wind/percussion
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 3 - Digital…
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 3 - Digital Download SKU: A0.555864 Composed by Edmund Angerer - ascribed variously to Joseph Haydn, Leopold Mozart, Michael Haydn, and Wolfgang Amadeus Mozart and Johann Rainprechter. Arranged by Ray Thompson. Children,Christmas,Classical,Standards. Score and parts. 52 pages. RayThompsonMusic #6047585. Published by RayThompsonMusic (A0.555864). This work was long reputed to be the work of Joseph Haydn, but later scholarship suggested that it was actually written by Leopold Mozart. Its authorship is still disputed, however, and other composers have been proposed as the symphony's true author, including Joseph Haydn's younger brother Michael Haydn, who purportedly contributed movements to the work.Recent research on a newly found manuscript suggests the Austrian Benedictine monk Edmund Angerer (1740–1794) to be the author. If Angerer's manuscript (from 1765, entitled Berchtolds-Gaden Musick) is the original, the Toy Symphony was originally written not in G but rather in C. These findings, however, are disputed among scholars. There is reason to believe that the true composer will likely never be known, in whole or in part, given its confused origins and the paucity of related manuscript sources.Even without a name attached to it, the piece has become a mainstay for children's shows and Christmastime concerts. Each of its three movements features the sounds of actual toys and instruments that sound like they came straight from Geppetto's workshop. The piece calls for a toy trumpet, ratchet, nightingale, cuckoo, drum, and triangle. ( A quail makes it’s only appearance in the 2nd movement.Noisemakers rattle throughout the first of its three movements. The cuckoo and trumpet  call out mischievously during the minuetto of the second movement , and a quail joins the nightingale in the trio. In the short third mvt which is played 3 times, they all play again, each repeat faster than the previous one.The presence of the toy instruments make this a fun piece for children to play, especially when there are also some toys waiting under the tree.My arrangement is based on the Kinder-Symphonie attributed to Leopold Mozart. It is scored in C.it is in 3 mvts and is arranged for double wind quintet, bass and toy percussion.i have distributed the original strings around the woodwind, and composed original classical horn parts.Sometimes known as Children’s Symphony.
$19.95
17.88 €
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Edmund Angerer - ascribed variously to Joseph Haydn, Leopold Mozart, Michael Haydn, and Wolfgang Amadeus Mozart and Johann Rainprechter
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Ray Thompson
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Kinder- Symphonie
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RayThompsonMusic
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SheetMusicPlus
Mary, Did You Know?
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1454080 By Pentatonix. By Buddy Greene and Mark Lowry. Arranged by J Richardson. Advent,Chamber,Christmas,Pop,Spiritual. Brass Band. 29 pages. Jenny Richardson #1033254. Published by Jenny Richardson (A0.1454080). Experience the powerful and evocative rendition of Mary, Did You Know? as you've never heard it before, reimagined for a full brass band. Inspired by Pentatonix's hauntingly beautiful a cappella version, this arrangement brings a new dimension to the beloved Christmas classic, blending rich, resonant brass tones with intricate harmonies and dynamic contrasts.From the moment the first note sounds, you'll be captivated by the lush, full-bodied textures that only a brass band can provide. The arrangement opens with a serene and introspective solo, gradually building as each section of the band joins in, creating a tapestry of sound that is both majestic and intimate.Highlights include: Soulful Solos: Featuring emotive solos for flugelhorn and euphonium that echo the poignant vocal lines of the original. Rich Harmonies: The arrangement masterfully captures the intricate harmonies of Pentatonix, translated into the warm, powerful voices of the brass ensemble. Dynamic Interest: Experience the swelling crescendos and dramatic pauses that enhance the narrative of the song, leading to a powerful and triumphant climax. Versatile Performance: Perfect for holiday concerts, church services, and festive events, this arrangement is designed to showcase the versatility and expressive range of a brass band. Whether you're a conductor looking to add a unique piece to your repertoire, a brass band enthusiast, or simply a lover of Christmas music, this arrangement of Mary, Did You Know? promises to deliver an unforgettable listening experience. Elevate your holiday season with the profound beauty and majestic sound of a brass band performance that pays homage to one of the most touching Christmas songs of our time.
$30.00
26.89 €
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Pentatonix
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J Richardson
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Mary, Did You Know?
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Jenny Richardson
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SheetMusicPlus
It Is Not Death to Die - Orchestration
Small Ensemble - Digital Download SKU: A0.976717 Composed by Robert Myers. Contempo…
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Small Ensemble - Digital Download SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration 2 1 1 1 1 2 2 2 1 1 Timp Glock Perc Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam Piano Strings
$75.00
67.22 €
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Robert Myers
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It Is Not Death to Die - Orchestration
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WheatMyer Music
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SheetMusicPlus
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