English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
6
Partitions
Numériques
4 028
Librairie
Musicale
64 025
Matériel
de Musique
13 460
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
4028
PIANO & CLAVIERS
Piano seul
2291
Piano, Voix
756
Piano Facile
673
Piano, Voix et Guitare
473
Instruments en Do
337
Orgue
217
Accompagnement Piano
80
1 Piano, 4 mains
72
Piano Trio: piano, violon, violoncelle
48
2 Pianos, 4 mains
36
Piano Quatuor: piano, violon, alto, violoncelle
21
Accordéon
19
Piano grosses notes
14
Piano (partie séparée)
12
Piano Quatuor: piano, 2 violons, violoncelle
6
Orgue, Trompette (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Piano (duo)
4
Clavecin
2
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
201
Guitare
194
Ukulele
131
Ligne De Mélodie, (Paroles) et Accords
43
Basse electrique
38
2 Guitares (duo)
23
Guitare (partie séparée)
20
Mandoline
17
Dulcimer
13
4 Guitares (Quatuor)
12
Paroles et Accords
11
Piano, Guitare (duo)
11
Banjo
6
Basse électrique (partie séparée)
5
Ensemble de guitares
4
3 Guitares (trio)
3
Mandoline, Piano (duo)
2
Guitare, Violon, Violoncelle (trio)
2
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
1226
Chorale 2 parties
412
Chorale 3 parties
352
Chorale TTBB
199
Chorale Unison
160
Voix duo, Piano
157
Chorale SSAA
145
Voix duo
54
Voix Soprano, Piano
48
Voix Tenor, Piano
30
Voix Baryton, Piano
29
Voix Alto, Piano
28
Voix haute
17
Voix seule
11
Voix basse, Piano
9
Chorale SSAATTBB
5
Voix basse
4
Voix Mezzo-Soprano, Piano
4
Voix moyenne, Piano
4
Voix Soprano
2
Chorale SSATTB
2
Voix Tenor
2
Chorale SATTBB A Cappella
1
Voix duo, Orgue
1
Soli, choeur mixte et accompagnement
1
Chorale
1
Chorale SSATB
1
Chorale SSAB a cappella
1
Chorale SSAB, Piano
1
Instrumentations suivantes
Retracter
VENTS
Quatuor de Saxophones: 4 saxophones
279
Flûte à bec Soprano
275
Ocarina
275
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
271
Flûte traversière et Piano
248
Clarinette et Piano
208
Harmonica
205
Flûte, Hautbois, Clarinette, Basson
201
2 Saxophones (duo)
197
Flûte à bec Alto
196
Saxophone Alto et Piano
178
Hautbois, Piano (duo)
175
Quintette de Saxophone: 5 saxophones
158
Flûte traversière
154
Clarinette
142
Saxophone (partie séparée)
124
Saxophone Tenor et Piano
122
2 Flûtes traversières (duo)
116
Saxophone Alto
106
Quatuor de Clarinettes: 4 clarinettes
105
Saxophone Soprano et Piano
105
2 Clarinettes (duo)
97
Saxophone Tenor
85
Hautbois (partie séparée)
78
Saxophone
71
Flûte, Clarinette (duo)
62
Quatuor de Flûtes : 4 flûtes
58
Saxophone, Clarinette (duo)
57
Saxophone Baryton, Piano
57
Ensemble de Clarinettes
46
Clarinette, Violon (duo)
46
Flûte à bec Alto, Piano
37
2 Hautbois (duo)
37
3 Saxophones (trio)
36
Flûte à Bec
36
Clarinette, Trompette (duo)
36
Ensemble de Flûtes
35
Hautbois
35
Cor anglais, Piano
33
Hautbois, Basson (duo)
33
Ensemble de saxophones
31
Clarinette Basse, Piano
29
Hautbois, Clarinette (duo)
28
Quintette de Clarinettes: 5 clarinettes
27
3 Clarinettes (trio)
27
Trio de Flûtes: 3 flûtes
26
Quintette de Flûte : 5 flûtes
24
Flûte, Violon
22
Hautbois, Flûte
22
Clarinette (partie séparée)
21
Flûte, Saxophone (duo)
21
Flûte et Guitare
21
Flûte, Alto (duo)
21
Clarinette et Alto
20
Quatuor de Flûtes à bec
17
Flûte, Trompette (duo)
17
2 Flûte à bec (duo)
16
Flute (partie séparée)
14
Saxophone Soprano
13
Clarinette, Basson (duo)
11
Flûte, Hautbois, Clarinette (trio)
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Flûte, Hautbois (duo)
10
Clarinette, Violoncelle, Piano (trio)
9
5 Flûtes à bec
9
Clarinette, Violoncelle (duo)
9
Flûte, Violoncelle, Piano (trio)
9
Flûte, Clarinette et Basson
8
Flûte, Violon, Piano
8
Hautbois, Violoncelle
7
2 Clarinettes, Piano
7
Clarinette, Guitare (duo)
6
Saxophone Baryton
6
Flûte, Violoncelle
6
Flûte, Basson et Piano
6
Flûte, Clarinette, Piano (trio)
6
Flûte, Hautbois, Basson
5
Flûte à bec Tenor
5
2 Flûtes traversières, Piano
4
Clarinette, Harpe (duo)
4
Hautbois, Violoncelle et Piano
4
Flûte à bec Soprano, Piano
3
3 Flûtes à bec (trio)
3
Clarinette, Alto et Piano (trio)
3
Hautbois, Harpe
3
Hautbois, Clarinette et Piano (Trio)
3
Flute, harpe et violon
3
Clarinette, Basson, Piano (trio)
3
Piccolo
3
Hautbois, Guitare (duo)
3
Piccolo, Piano
3
Flûte, Hautbois, Piano (trio)
3
Saxophone et Guitare
2
Cor Anglais
2
Hautbois, Violon, Piano
2
2 Saxophones, Piano
2
Hautbois, Basson et Piano
2
Flûte, Violon, Violoncelle et Piano
2
Ensemble de Hautbois
2
Hautbois, violon (duo)
2
Flûte, Alto et Piano
2
Flûte, Trombone (duo)
1
Instruments en Mib
1
Clarinette, Tuba
1
Hautbois, trombone (duo)
1
Flûte, Harpe et Violoncelle
1
Clarinette, Trombone (duo)
1
Flûte irlandaise
1
Hautbois, Trompette (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Tuba (duo)
1
Flûte, Violon et Violoncelle
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à Bec, Piano
1
Hautbois et Orchestre
1
Clarinette, Orgue
1
4 Hautbois
1
Saxophone et Orgue
1
2 Hautbois, Piano
1
Hautbois et alto (duo)
1
2 Clarinettes, Basson
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
340
Trompette
194
Quatuor de Cuivres : 2 trompettes, trombone, tuba
165
Trombone et Piano
159
Trompette, Piano
151
Cor et Piano
122
Trombone
91
Cor
76
Trombone (partie séparée)
75
Ensemble de Trompettes
72
Trompette (partie séparée)
71
Quatuor de Cuivres: 2 trompettes, Cor, trombone
60
Quatuor de cuivres: 4 trombones
55
Tuba et Piano
51
Tuba
50
2 Trompettes (duo)
48
Trompette, Saxophone (duo)
46
Quatuor de Cuivres
45
2 Trombones (duo)
44
Euphonium, Piano (duo)
44
Ensemble de Trombones
34
Cor anglais, Piano
33
Trompette, Trombone (duo)
31
Cor (partie séparée)
24
2 Cors (duo)
20
Tuba (partie séparée)
15
Trio de Cuivres
13
Quatuor de cuivres: 4 cors
11
Quatuor de cuivres: 4 trompettes
9
2 Tubas (duo)
8
Trompette, Trombone, Piano
7
Trompette, Cor (duo)
6
3 Trompettes (trio)
6
Euphonium
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Trompette, Basson (duo)
5
2 Euphoniums et 2 Tubas
4
4 Tubas
4
Trompette, Violoncelle (duo)
4
Cor, Violoncelle (duo)
4
Trompette, Harpe
3
Trombone, Tuba (duo)
3
Cor et Basson (duo)
3
Ensemble de Cors
3
Cor et Harpe
3
Trombone basse
3
Cor Anglais
2
Trompette, Tuba (duo)
2
2 Cors, Piano
2
Trombone, Violon (duo)
2
Bass Clef Instruments
2
Euphonium, Tuba (duo)
2
Instruments en Sib
1
Cor et Orgue
1
Trompette, Violoncelle et Piano
1
Trombone et orchestre
1
Trombone basse et Piano
1
3 Trombones (trio)
1
3 Cors (trio)
1
2 Euphoniums (duo)
1
Trompette, Orchestre
1
Ensemble de Tubas
1
3 Euphoniums
1
Cor, Trompette, Trombone (trio)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
852
Violon et Piano
315
Violon
219
Violon, Violoncelle (duo)
218
Violoncelle, Piano
196
Trio à Cordes: violon, alto, violoncelle
191
Violoncelle
187
Alto, Piano
176
Harpe
108
Alto seul
106
Trio à Cordes: 2 violons, violoncelle
104
2 Violons (duo)
99
Quintette à cordes: 2 violons, alto, violoncelle, basse
72
Violon, Alto (duo)
72
2 Violoncelles (duo)
63
Contre Basse
55
Contrebasse, Piano (duo)
45
2 Altos (duo)
38
Violon (partie séparée)
30
Alto (partie séparée)
29
Contrebasse (partie séparée)
21
2 Harpes (duo)
19
4 Violoncelles
17
Alto, Violoncelle (duo)
13
Piano Trio: Violon, Alto, Piano
13
Harpe, Flûte (duo)
11
Trio à Cordes: 3 violoncelles
9
Ensemble d'Altos
8
Quatuor à cordes: 4 violons
7
Harpe, Violon (duo)
7
Trio à Cordes: 2 violons, alto
7
Ensemble de Violons
7
Quatuor à cordes : 4 altos
7
Trio à cordes: 3 violins
6
Violon, Clarinette, Piano (trio)
6
Harpe, Voix
5
Trio à cordes: 3 altos
5
Violon, Guitare (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violon, Basson (duo)
4
Alto et Harpe
3
2 Contrebasses (duo)
3
2 Altos, Piano
3
Violoncelle (partie séparée)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe et mandoline
2
Violoncelle, Orgue
2
Harpe, Violoncelle (duo)
2
Violoncelle , Guitare (duo)
2
Violon, Tuba (duo)
1
Violon, Violoncelle, Clarinette
1
Trio à cordes
1
Harpe, Violon, Violoncelle
1
Harpe, Trombone (duo)
1
Alto et Basson
1
Harpe et Piano
1
2 Violoncelles, Piano
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Basse continue
1
Alto et orchestre
1
2 Violons, Piano
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1030
Orchestre
362
Orchestre à Cordes
235
Ensemble de cuivres
218
Ensemble Jazz
184
Cloches
119
Orchestre de chambre
101
Fanfare
83
Jazz combo
55
Ensemble de Percussions
51
Batterie (partie séparée)
28
Percussion (partie séparée)
26
Batterie
20
Xylophone, Piano
14
Xylophone
14
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Marimba
8
Vibraphone
5
Orchestre, Violon
2
3 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
Piano et Orchestre
1
Conga
1
2 Xylophones
1
Big band
1
Ensemble d'École
1
2 Marimbas
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
1
Vous avez sélectionné:
at the end
Partitions à imprimer
4 028 partitions trouvées
<
1
26
51
....
4026
The Sundials
Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew S…
(+)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .
$7.00
6.25 €
#
Matthew Scott Phillips
#
a shadow
#
The Sundials
#
Matthew Scott Phillips
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552857 Compos…
(+)
Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552857 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511309. Published by jmsgu3 (A0.552857). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore!Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.28 €
#
Edvard Grieg
#
James M
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549580 Comp…
(+)
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549580 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and individual part. 18 pages. Jmsgu3 #3509491. Published by jmsgu3 (A0.549580). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.28 €
#
Edvard Grieg
#
James M
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549583 Co…
(+)
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549583 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and individual part. 18 pages. Jmsgu3 #3511247. Published by jmsgu3 (A0.549583). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.28 €
#
Edvard Grieg
#
James M
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Oboe d'Amore & Piano
#
jmsgu3
#
SheetMusicPlus
The Wedding Album, for Solo Horn in Eb and Piano
Small Ensemble E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - Digital Download S…
(+)
Small Ensemble E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.587627 Composed by Various. Arranged by David McKeown. Baroque,Romantic Period,Standards,Wedding. Score and individual part. 24 pages. David McKeown #4594693. Published by David McKeown (A0.587627). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Horn in Eb with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
8.92 €
#
Various
#
David McKeown
#
The Wedding Album, for Solo Horn in Eb and Piano
#
David McKeown
#
SheetMusicPlus
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730418 Composed by Ja…
(+)
Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95
17.82 €
#
James Nathaniel Holland
#
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
#
James Nathaniel Holland
#
SheetMusicPlus
Dance Me To The End Of Love
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
(+)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1365341 By Madeleine Peyroux. By Leonard Cohen. Arranged by Rita Arendz. 20th Century,Folk,Jewish,Pop,Standards. Brass Band. 56 pages. Rita Arendz #949662. Published by Rita Arendz (A0.1365341). DANCE ME TO THE END OF LOVE by Leonard Cohen for Brass BandComposed and released in 1984, Leonard Cohen's Dance Me to the End of Love, on the surface appears to be just another love song. But it also has as its inspiration from the Holocaust.To Cohen, the idea came from hearing, reading, and knowing about the death camps: that at some camps, beside the crematoriums, a string quartet was pressed into performing while the horrors were occurring - and that the players could be next.The lyrics, Dance me to your beauty with a burning violin, represent the beauty of the consummation of life, the end of existence - layered with the surrender we feel for our beloved.The song's structure is similar to a Greek Hasapiko Dance, a style he would have heard while on the Island of Hydra.Although the theme is dark, there is a glimmer of light as Cohen searched from the raw truth to beauty, something he tried to find in all things.This arrangement is for a British-style Brass Band featuring the Flugelhorn and the Solo Tenor Horn. These parts, along with the euphonium part, are for more advanced players.  The accompaniment parts are suitable for intermediate.A moving addition to your repertoire and a wonderful companion to Cohen's Hallelujah!Duration 4:15  56 pagesSound clip generated with NoteperformerMore Arrangements by Rita Arendz: https://www.sheetmusicdirect.com/Search.aspx?query=rita%20arendzhttps://www.sheetmusicplus.com/en/explore?q=rita+arendz&lang=default.
$59.99
53.58 €
#
Madeleine Peyroux
#
Rita Arendz
#
Dance Me To The End Of Love
#
Rita Arendz
#
SheetMusicPlus
Together Again
Brass Ensemble Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download …
(+)
Brass Ensemble Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.894382 Composed by Zack Richards. 20th Century,Contemporary,Holiday. Score and parts. 29 pages. Zack Richards #5178719. Published by Zack Richards (A0.894382). Dedicated to my maternal grandparents, Harry and Audrey Olin, I composed Together Again shortly after my grandmother's passing. The theme is that of the anguish felt by my grandmother in the final years of her life after her husband of over 5 decades passed away. The two melodies represent each of them calling to the other, filled with sorrow, yet somehow beautifully connected and expectant of each other, until finally at the end, the two melodies return simultaneously in a somewhat more joyful setting as they are Together Again.Brass Ensemble: (Recommended that each part have at least 2 players to ensure full Brass Choir sound)3 Trumpets in BbFlugelhorns (2 soloists, recommended 4 total)4 Horns in F2 TrombonesEuphoniums (Bass Clef)TubaIntermediateApprox. 6:15Visit zackrichards.com for more from this composer!
$49.99
44.65 €
#
Zack Richards
#
Together Again
#
Zack Richards
#
SheetMusicPlus
With A Little Help From My Friends
Large Ensemble Alto Saxophone,Cello,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Digita…
(+)
Large Ensemble Alto Saxophone,Cello,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Digital Download SKU: A0.496906 By Joe Cocker, Sam And Mark, and The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Perholtz. Rock. Score and parts. 20 pages. Published by Fab Forward Entertainment (A0.496906). The Beatles - With a Little Help From My Friends (Joe Cocker Version)[For Three Piece Horn Section &/or String Trio to accompany a Rock Band] This arrangement of Cocker's version of With a Little Help From My Friends is great for rock bands that want to perform with a full background ensemble. We encourage you to also purchase our arrangement of The Beatles version of Sgt. Pepper's Lonely Hearts Club Band as these two songs can be played back to back. The first measure of this arrangement allows you to modulate from the Billy Shears E Chord that happens at the end of Sgt. Peppers. Also, the ending of this arrangement allows for an extended guitar solo. Note that from 117 to the end, the guitarist should take over playing the riff that the string section plays during measures 115-116. The brass should be played as a trio with your choice of either tenor or alto sax. Includes individual parts and master score. Piano, guitar, bass, vocal & drum parts are not included.
$12.99
11.6 €
#
Joe Cocker, Sam And Mark, and The Beatles
#
Jeff Perholtz
#
With A Little Help From My Friends
#
Fab Forward Entertainment
#
SheetMusicPlus
Carol of the Bells (Hear Them Ring) - SATB cello and piano with parts
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801699 Compose…
(+)
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801699 Composed by Mykola Leontovych. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 13 pages. Connie Boss #6421425. Published by Connie Boss (A0.801699). This is a fun arrangement of this song. It is in SATB cello and piano with brand new lyrics and parts included. This is more in line with the nativity It is also available as instrumentals. cdboss@cvalley.net Lyrics below:Carol of the Bells – (Hear them Ring)Intro:Ring Christmas bells, hear them ringHear them ringing, carolingCaroling – hear them ringCarolingHear them ringVerse 1:Hear how the bells ring from aboveAngels will play showing their loveFor Christ was born upon this dayAll bow their heads, kneel and they prayLet the bells ring, for He is KingWith joyful sounds, ring all aroundAngels appear, shepherds show fearThen came a calm, followed with songShepherds came near, now without fearTo see the King, Hear the bells ring.O hear the bells, ring through the nightAnnouncing the birth, a glorious sight Ring, caroling. Ring the bellsRing, caroling. Ring the bells The bells play on, filling with songFor He is Lord, loved and adored.Verse 2: It came upon, a midnight clearAngels will bend, near the earthI heard the bells, on Christmas DayTheir old familiar carols they playAnd loud and sweet, their song repeatsPeace on earth, good will to menSilent night, Holy nightAll is calm, all is brightO little town, of BethlehemHow still we, see you lieWe three Kings from orient areBearing you gifts, come from afar Ring, caroling, Hear them ringingSing, caroling, People singing Joy to the world, the Lord is comeLet the earth, receive her King. Repeat intro in between verses and at the end.
$5.50
4.91 €
#
Mykola Leontovych
#
Connie Boss
#
Carol of the Bells
#
Connie Boss
#
SheetMusicPlus
Carol of the Bells (Hear Them Ring) - SATB with optional instruments and piano
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801679 Compose…
(+)
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801679 Composed by Mykola Leontovych. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 15 pages. Connie Boss #6415657. Published by Connie Boss (A0.801679). This is a fun arrangement of this song. It is in SATB and optional instruments - flute, violin, cello) and piano with brand new lyrics and parts included. This is more in line with the nativity It is also available as instrumentals. cdboss@cvalley.net Lyrics below:Carol of the Bells – (Hear them Ring)Intro:Ring Christmas bells, hear them ringHear them ringing, carolingCaroling – hear them ringCarolingHear them ringVerse 1:Hear how the bells ring from aboveAngels will play showing their loveFor Christ was born upon this dayAll bow their heads, kneel and they prayLet the bells ring, for He is KingWith joyful sounds, ring all aroundAngels appear, shepherds show fearThen came a calm, followed with songShepherds came near, now without fearTo see the King, Hear the bells ring.O hear the bells, ring through the nightAnnouncing the birth, a glorious sight Ring, caroling. Ring the bellsRing, caroling. Ring the bells The bells play on, filling with songFor He is Lord, loved and adored.Verse 2: It came upon, a midnight clearAngels will bend, near the earthI heard the bells, on Christmas DayTheir old familiar carols they playAnd loud and sweet, their song repeatsPeace on earth, good will to menSilent night, Holy nightAll is calm, all is brightO little town, of BethlehemHow still we, see you lieWe three Kings from orient areBearing you gifts, come from afar Ring, caroling, Hear them ringingSing, caroling, People singing Joy to the world, the Lord is comeLet the earth, receive her King. Repeat intro in between verses and at the end.
$5.50
4.91 €
#
Mykola Leontovych
#
Connie Boss
#
Carol of the Bells
#
Connie Boss
#
SheetMusicPlus
Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis (
Choral Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739502 Composed by Da…
(+)
Choral Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739502 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 60 pages. Opus 3 Music #6052583. Published by Opus 3 Music (A0.739502). 'Jack's Journey'(A new Musical by Adeline Dinsmore and David Catherwood)Piano and vocal score (contains 7 songs plus overture and incidental music) plus Script - $9.50Duration c.40 minutesIdeal for schools, youth groups or adult dramatic/musical companies.Requirements - Narrator, Chorus, (unison/2part) Soloists, Actors, Piano accompanimentOptional - Dancers, orchestral parts for Flute, Clarinet. Trumpet, Horn, Strings, Percussion and Bass/guitar About the Musical A great story about one of the 20th century’s greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewis’ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jack’s Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College – a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick – the model for the Professor of The Lion, the Witch and the Wardrobe. Jack’s Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. ‘Jack’s Journey’ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. ‘Jack’s Journey’ may be staged using relatively modest outlay – for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.
$9.50
8.49 €
#
David Catherwood
#
Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis
#
Opus 3 Music
#
SheetMusicPlus
Jack's Journey - A Musical inspired by the boyhood adventures of CS Lewis (lyrics by Adeline Dinsmor
Large Ensemble,Strings Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739501
(+)
Large Ensemble,Strings Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739501 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 323 pages. Opus 3 Music #6051989. Published by Opus 3 Music (A0.739501). A great story about one of the 20th century’s greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewis’ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jack’s Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College – a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick – the model for the Professor of The Lion, the Witch and the Wardrobe. Jack’s Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. ‘Jack’s Journey’ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. ‘Jack’s Journey’ may be staged using relatively modest outlay – for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.
$75.00
66.99 €
#
David Catherwood
#
Jack's Journey - A Musical inspired by the boyhood adventures of CS Lewis
#
Opus 3 Music
#
SheetMusicPlus
King Of The Road
Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.747086 By Randy Tr…
(+)
Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.747086 By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 27 pages. Keith Terrett #6426723. Published by Keith Terrett (A0.747086). An arrangement of the classic King of the Road for Wind Dectet.King of the Road is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a man of means by no means), revels in his freedom, describing himself humorously and cynically as the king of the road. It was Miller's fifth single for Smash Records. The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, Trailers for sale or rent. This would become the opening line of the song.The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright & Teddy Thompson, Giant Sand, Peligro, John Williamson (singer) & Adam Harvey, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James The King Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV. Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, If there was any justice in the world, Roger Miller should be able to sue for what we did to this song.King of the Road was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony.The song appears in Wim Wenders's 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The Proclaimers' version is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is Roger Miller, King of Plugs.Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground.A send-up version by English entertainer Billy Howard was a British chart hit in 1976.A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.
$16.99
15.18 €
#
Randy Travis
#
Keith Terrett
#
English title 
#
King Of The Road
#
Keith Terrett
#
SheetMusicPlus
Luther: Out of the Depths for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548712 Comp…
(+)
Bass Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548712 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411731. Published by jmsgu3 (A0.548712). Out of the Depths I Cry to You by Martin Luther arranged for bass flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.28 €
#
Martin Luther
#
James M
#
piano
#
Luther: Out of the Depths for Bass Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Luther: Out of the Depths for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 1 - Digital Download SKU: A0.548718 Co…
(+)
Instrumental Solo,Oboe d'Amore,Piano - Level 1 - Digital Download SKU: A0.548718 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411751. Published by jmsgu3 (A0.548718). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.28 €
#
Martin Luther
#
James M
#
Luther: Out of the Depths for Oboe d'Amore & Piano
#
jmsgu3
#
SheetMusicPlus
Luther: Out of the Depths for Contrabassoon & Piano
Contrabassoon,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548727 C…
(+)
Contrabassoon,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548727 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411773. Published by jmsgu3 (A0.548727). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.28 €
#
Martin Luther
#
James M
#
Luther: Out of the Depths for Contrabassoon & Piano
#
jmsgu3
#
SheetMusicPlus
Luther: Out of the Depths for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552829 Compos…
(+)
Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552829 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411723. Published by jmsgu3 (A0.552829). Out of the Depths I Cry to You by Martin Luther arranged for baritone horn & piano. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.28 €
#
Martin Luther
#
James M
#
piano
#
Luther: Out of the Depths for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Luther: Out of the Depths for Piano Trio
Piano Trio,String Ensemble - Level 1 - Digital Download SKU: A0.548730 Composed by …
(+)
Piano Trio,String Ensemble - Level 1 - Digital Download SKU: A0.548730 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 8 pages. Jmsgu3 #3412105. Published by jmsgu3 (A0.548730). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 4 pg. piano part 2 pg. violin part: 1 pg. cello part: 1 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$42.95
38.36 €
#
Martin Luther
#
James M
#
Luther: Out of the Depths for Piano Trio
#
jmsgu3
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hause…
(+)
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
6.7 €
#
Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet
#
Slide Ride
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hause…
(+)
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.47 €
#
Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet
#
Slide Ride
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 C…
(+)
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.47 €
#
Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
#
Slide Ride
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by …
(+)
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.47 €
#
Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
#
Slide Ride
#
SheetMusicPlus
Nearer, My God, to Thee (as played by 'The Piano Guys')
String Ensemble Cello - Level 3 - Digital Download SKU: A0.1259252 By Sarah Flower …
(+)
String Ensemble Cello - Level 3 - Digital Download SKU: A0.1259252 By Sarah Flower Adams and 'The Piano Guys'. By Nearer, My God, to Thee (as played by 'The Piano Guys'). Arranged by Flavio Regis Cunha. Contest,Festival,Film/TV,Instructional,Sacred,Wedding. 17 pages. Flavio Regis Cunha #852516. Published by Flavio Regis Cunha (A0.1259252). Are you a cellist looking for the perfect arrangement to add to your repertoire? Then look no further! Â Introducing 'Nearer, My God, to Thee' composed by Sarah Flower Adams as heard on 'The Piano Guys'. This beautifully arranged piece is perfect for a violoncello quartet. Â For amateurs, students, and professionals alike, this sheet music provides an excellent opportunity to learn and practice the intricate and soaring melodies of this timeless song. The sheet music also makes a delightful addition to any repertoire, providing a wonderful, powerful, and meaningful performance. Â Experience the beauty of 'Nearer, My God, to Thee' the way it was intended with this arranger sheet music from 'The Piano Guys'. Your audience will be in awe of your musical skill in no time!Advanced-IntermediateFormat: Concert, 9 x 12 inches8 pages.Program NotesThe Piano Guys bring to life Sarah Flower Adams's traditional hymn Dawn in this lively arrangement for four violoncellos. In this unique interpretation, the alluring melody of the strings conjure up feelings of anguish and hope evoked by the original hymn. Throughout the piece, the four cellists navigate an intricate combination of Renaissance-era chords, lush harmonies, and entrancing held notes that transition between moments of minor despair and major triumph within the same breath. As the layers of four strong, soulful voices come together at the end, we are left with feelings of optimism and promise, that no matter the tribulations we may face, dawn brings us a sense of renewal.
$12.99
11.6 €
#
Sarah Flower Adams and 'The Piano Guys'
#
Flavio Regis Cunha
#
Nearer, My God, to Thee
#
Flavio Regis Cunha
#
SheetMusicPlus
Jupiter (Andante Maestoso from "Jupiter, the Bringer of Jollity" from The Planets) (Bb) (Euphonium Q
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813708 Composed by Gu…
(+)
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813708 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Standards,Wedding. Score and parts. 9 pages. Regis Bookshar #6474537. Published by Regis Bookshar (A0.813708). Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets) (Euphonium Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for concerts and recitals but if you are considering using this selection for church services in which a congregation may sing along, I would suggest that you look for the arrangements of either I Vow to Thee, My Country, O God, Beyond All Praising, O Spirit All Embracing or Thaxted, also by Regis Bookshar. They are all based on the same excerpt from Jupiter, the Bringer of Jollity from The Planets. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Euphonium Quintet, written in Bass Clef, he has made quite a few other arrangements of this selection. There is also a version for a Euphonium Quintet written in Treble Clef, if you would prefer. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautif.
$12.00
10.72 €
#
Gustav Holst
#
Regis Bookshar
#
Jupiter
#
Regis Bookshar
#
SheetMusicPlus
<
1
26
51
....
4026
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale