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--INSTRUMENTS--
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CHORALE - CHAN…
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CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
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FORMATION MUSI…
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HARMONICA
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LIVRES
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1 153
Piano & claviers
Piano seul
2 449
Piano, Voix
342
Orgue
69
Piano, Voix et Guitare
64
Accompagnement Piano
63
Instruments en Do
15
1 Piano, 4 mains
15
Piano Trio: piano, violon, violoncelle
10
Piano Facile
10
Accordéon
4
Orgue, Trompette (duo)
4
Clavecin
4
Orgue, Piano (duo)
2
2 Pianos, 4 mains
2
+ 9 instrumentations
Retracter
Guitares
Guitare
171
Guitare notes et tablatures
66
Dulcimer
19
Ukulele
12
2 Guitares (duo)
8
Mandoline
7
Piano, Guitare (duo)
6
Banjo
4
4 Guitares (Quatuor)
4
Basse electrique
3
3 Guitares (trio)
2
Ukulele Baryton
2
2 Mandolines (duo)
2
Paroles et Accords
1
Ensemble de guitares
1
2 Ukuleles
1
+ 11 instrumentations
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Voix
Chorale SATB
262
Chorale 3 parties
54
Voix Alto, Piano
54
Chorale TTBB
39
Voix Soprano, Piano
30
Voix Tenor
30
Voix Baryton, Piano
27
Voix Soprano
27
Voix Tenor, Piano
25
Chorale 2 parties
25
Chorale SSAA
25
Chorale Unison
15
Voix haute
14
Soli, choeur mixte et accompagnement
13
Voix duo
12
Voix basse, Piano
9
Voix duo, Piano
8
Voix moyenne, Piano
8
Voix seule
7
Voix basse
4
Chorale SSATB
1
Chorale SSAATTBB
1
+ 17 instrumentations
Retracter
Vents
Flûte traversière
396
Flûte traversière et Piano
301
Clarinette
137
Saxophone Alto
115
Hautbois, Piano (duo)
108
Clarinette et Piano
102
Saxophone Alto et Piano
97
Saxophone Tenor
83
Saxophone Tenor et Piano
70
2 Flûtes traversières (duo)
69
Saxophone Soprano et Piano
60
Saxophone Baryton, Piano
41
Hautbois (partie séparée)
41
Saxophone (partie séparée)
40
Flûte et Guitare
35
Flûte, Hautbois, Clarinette, Basson
35
Flûte à bec Soprano
33
Clarinette Basse, Piano
32
Cor anglais, Piano
31
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Saxophone Soprano
28
Clarinette, Guitare (duo)
28
Hautbois
26
Quatuor de Saxophones: 4 saxophones
25
Quatuor de Clarinettes: 4 clarinettes
24
Saxophone Baryton
22
2 Saxophones (duo)
22
Cor Anglais
20
Ensemble de Clarinettes
18
Flûte à Bec
18
2 Clarinettes (duo)
16
Quintette de Saxophone: 5 saxophones
12
Flûte à bec Alto
11
Cor anglais, Guitare (duo)
10
Ensemble de Flûtes
9
3 Saxophones (trio)
8
Flûte à bec Tenor
8
Hautbois, Guitare (duo)
8
Quatuor de Flûtes : 4 flûtes
7
Saxophone et Guitare
6
2 Hautbois (duo)
6
Saxophone, Clarinette (duo)
5
Clarinette, Violon (duo)
5
Quintette de Flûte : 5 flûtes
5
Flûte, Clarinette (duo)
5
Hautbois, Basson (duo)
4
Flûte traversière, Basse continue
4
Flûte traversière, Orgue (duo)
4
Ocarina
4
Quatuor de Flûtes à bec
4
Ensemble de saxophones
4
Flûte, Violoncelle, Guitare
3
Flûte irlandaise
3
3 Clarinettes (trio)
3
Flûte à bec Soprano, Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Harmonica
3
Saxophone et Orgue
2
Flûte, Clarinette et Basson
2
Ensemble De Flûte à bec
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Harpe (duo)
2
Clarinette, Trompette (duo)
2
Cornemuse
2
Flûte, Hautbois, Piano (trio)
2
Hautbois, Harpe
2
Flûte, Trompette (duo)
2
Hautbois, Flûte
2
Flûte, Violon
2
Hautbois, Clarinette (duo)
2
Flûte, Violon, Piano
2
Piccolo, Piano
2
2 Flûtes traversières, Piano
2
2 Clarinettes, Piano
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violon et Violoncelle
1
Flûte, Alto (duo)
1
Clarinette Basse
1
Flûte traversière, Orchestre
1
Flûte, Saxophone (duo)
1
Clarinette et Alto
1
Clarinette, Basson (duo)
1
Clarinette, Orgue
1
Flûte, Basson et Piano
1
Saxophone et Piano
1
Flute, harpe et violon
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Saxophone
1
Clarinette, Violoncelle (duo)
1
+ 86 instrumentations
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Cuivres
Trompette
132
Trombone
97
Cor
74
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
68
Trombone et Piano
64
Trompette, Piano
62
Cor et Piano
47
Tuba
47
Ensemble de Trompettes
38
Euphonium, Piano (duo)
37
Cor anglais, Piano
31
Tuba et Piano
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Cor Anglais
20
Trompette (partie séparée)
18
Euphonium
11
Cor anglais, Guitare (duo)
10
2 Trompettes (duo)
9
Trompette, Trombone (duo)
8
Trombone (partie séparée)
6
2 Trombones (duo)
6
2 Cors (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trompette, Saxophone (duo)
4
Ensemble de Trombones
4
Trio de Cuivres
4
Trombone basse
2
3 Trompettes (trio)
2
Quatuor de cuivres: 4 trombones
2
Euphonium, Tuba (duo)
2
Quatuor de cuivres: 4 trompettes
2
Quatuor de Cuivres
2
Ensemble de Cors
2
2 Euphoniums (duo)
1
2 Tubas (duo)
1
Quatuor de cuivres: 4 cors
1
4 Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Tubas
1
+ 34 instrumentations
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Cordes
Harpe
475
Violon
365
Quatuor à cordes: 2 violons, alto, violoncelle
277
Violon, Violoncelle (duo)
216
Trio à Cordes: violon, alto, violoncelle
171
Violoncelle
160
Violon et Piano
158
Contre Basse
145
Alto seul
145
Alto, Piano
100
Violoncelle, Piano
90
Quintette à cordes: 2 violons, alto, violoncelle, basse
76
Violon, Alto (duo)
29
2 Violons (duo)
28
Alto (partie séparée)
27
Trio à Cordes: 2 violons, violoncelle
23
Contrebasse, Piano (duo)
17
Violoncelle , Guitare (duo)
12
Alto, Violoncelle (duo)
12
2 Violoncelles (duo)
11
2 Altos (duo)
8
Harpe, Voix
6
Violon, Guitare (duo)
6
Harpe, Flûte (duo)
4
4 Violoncelles
4
Harpe, Violon (duo)
4
2 Contrebasses (duo)
3
Alto, Guitare (duo)
3
Ensemble de Violons
3
Violoncelle, Contrebasse (duo)
2
Violon, Basse continue
2
Quatuor à cordes: 4 violons
2
2 Harpes (duo)
1
Harpe et Piano
1
Ensemble d'Altos
1
Trio à cordes: 3 altos
1
2 Violons, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Ensemble de Violoncelles
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, alto
1
Alto et Harpe
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
142
Orchestre d'harmonie
138
Ensemble Jazz
91
Orchestre
58
Orchestre de chambre
38
Ensemble de cuivres
38
Cloches
33
Jazz combo
14
Fanfare
5
Ensemble de Percussions
5
Marimba
5
Vibraphone
4
Xylophone, Piano
3
Batterie
3
Xylophone
3
Instrumentation Flexible
1
Quintette de Cuivres: autres combinaisons
1
+ 12 instrumentations
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New Age
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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1
Rhapsody in Blue - G Gershwin (condensed version for Brass Quintet)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Contemporain
#
George Gershwin
#
R Siebert & Peet du Toit
#
Rhapsody in Blue - G Gershwin
#
Peet du Toit
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802542 Composed by George Gershwin. Arranged by R Siebert & Peet du Toit. Contemporary. Sc...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802542 Composed by George Gershwin. Arranged by R Siebert & Peet du Toit. Contemporary. Score and parts. 22 pages. Peet du Toit #5773799. Published by Peet du Toit (A0.802542). Rhapsody in Blue was written in 1924 for solo piano and jazz band by George Gershwin. It is a combination of classical music with jazz influences. It was called 'an experiment in modern music' at the time. It was re-orchestrated several times for different types of orchestras and bands. Here's a condensed version for brass quintet where you and your listeners can have a taste of some of the major moments in this majestic and successful work. Enjoy!
$21.00
ARIA from L'Orfeo ed Euridice (Gluck) for Brass Quintet (Horn in F solo)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
#
Classique
#
Christoph Willibald Von Gluck
#
Kenneth Martin
#
ARIA from L'Orfeo ed Euridice
#
Martin Music Editions
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.839015 Composed by Christoph Willibald Von Gluck. Arranged by Kenneth Martin. Classical,Co...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.839015 Composed by Christoph Willibald Von Gluck. Arranged by Kenneth Martin. Classical,Concert. Score and parts. 11 pages. Martin Music Editions #5214105. Published by Martin Music Editions (A0.839015). Orfeo ed Euridice (French: Orphée et Eurydice; English: Orpheus and Eurydice) is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot-the underground rescue-mission in which the hero must control, or conceal, his emotions-can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold. Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.
$5.99
Bring Light! for brass quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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Jeffrey Hoover
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Bring Light! for brass quintet
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Musicart Publications
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.971653 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and parts. 30 pages. M...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.971653 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and parts. 30 pages. Musicart Publications #4852605. Published by Musicart Publications (A0.971653). Bring Light! is a fanfare and dance for brass quintet. The counterpoint and melodic solos of the first section contrast the lively meter changes and homorhythmic texture of the second section. The work as inspired by and derives its title from the 17th-century French carol Un flambeau. An alternative scoring for full orchestral brass (4.3.3.1) is available. Suitable for concert openers, worship services, and festivals.The score and parts in this edition are arranged to be printed double-sided, with correct page turns. Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing. Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as and .Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. Visit his website at https://jeffreyhooverart.wixsite.com/mysite
$19.95
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00
Fat Bottomed Girls
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Queen
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Aaron Hettinga
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Fat Bottomed Girls
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Aaron Hettinga
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.781973 By Queen. By Brian May. Arranged by Aaron Hettinga. Contemporary,Film/TV,Pop,Rock. ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.781973 By Queen. By Brian May. Arranged by Aaron Hettinga. Contemporary,Film/TV,Pop,Rock. Score and parts. 12 pages. Aaron Hettinga #6016763. Published by Aaron Hettinga (A0.781973). This fun classic rock anthem from Queen is presented here for Brass Quintet. The form of the original recording is closely followed but does not include the extended guitar solo playout, skipping ahead to the last three punctuated ending hits. This arrangement is one whole step lower than the record.Flexibility: This arrangement includes an optional (but encouraged) drum kit part. While the chart is constructed that it will work just fine without it, having a drummer on board will kick this one up a notch.Performance options: As noted, the form of the original is mostly followed with a few 2nd time only cues for variety, this can also be streamlined if so desired. The repeated first/second verse section near the start could jump ahead to the second ending to save time. Also, rather than following the transition back to the D.S., a group alternatively could jump straight to the coda having already covered the bulk of the song.
$19.99
Gesu Bambino — brass quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Noël
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Pietro A
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Todd Marchand
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Gesu Bambino — brass qui
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.726073 Composed by Pietro A. Yon. Arranged by Todd Marchand. Christmas,Sacred. Score and p...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.726073 Composed by Pietro A. Yon. Arranged by Todd Marchand. Christmas,Sacred. Score and parts. 17 pages. Con Spirito Music #3386423. Published by Con Spirito Music (A0.726073). Italian-born organist and composer Pietro Yon (1886-1943) wrote the anthem Gesu Bambino in 1917 while engaged as organist at St. Francis Xavier Church in Manhattan, New York, and as organ instructor and co-director (with his brother, Constantino) of the Yon Music Studios, a conservatory for liturgical musicians at New York’s Carnegie Hall.Yon was an acclaimed organist, later holding positions as Titular Organist of the Vatican and Music Director of St. Patrick’s Cathedral in New York. He supervised installations of organs at both St. Patrick’s and Carnegie Hall. He was an influential teacher as well, with students occupying positions as organists and music directors at prominent churches in New York, Philadelphia, Pittsburgh, Grand Rapids, Dallas, Salt Lake City, and more.Yon was among the most important composers of sacred music for the Roman Catholic Church in the first half of the twentieth century, writing 21 masses, numerous motets, and various other sacred works. In addition, he wrote works for solo organ and solo piano, songs, chamber music, and orchestral compositions including several concertos. His best-known work, however, is Gesu Bambino, which incorporates the Venite adoramus (O come, let us adore him) refrain of the carol, Adeste Fideles (O Come All Ye Faithful), as its refrain.©Copyright 2017 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00
Monteverdi - The Seventh Book of Madrigals (1619) - 25. Ohimè, dov'è il mio ben
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.767364 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.767364 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 42 pages. Lyons Music Services #3545477. Published by Lyons Music Services (A0.767364). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.Here is a group of four very short songs for soprano duet with continuo. I have arranged them as a duet for trumpet/cornet with a four part accompaniment.The four songs are related under the commone title Ohimè, dov'è il mio ben but each also has a title of its own:1. Romanesca a 2 (This is the subtitle. A romanesca was a musical formula characterised by a falling sequence of 5 notes and with a fixed harmonic progression.) The text translates as Alas, where is my beloved?2. Dunque ha potuto sol desio d'onore - Can it be that love of honour...3. Dunque ha potuto in me, più che il mio amore - Can it be that ambition and vainglory...4. Ahi, sciocco mondo - Alas, foolish blind worldEach song is a setting of a pair of couplets which together form the whole poem, which is why I have collected them together here. Besides, on their own, each is too short.Here also is evidence of Monteverdi's progress in telling a story through music.These four songs work beautifully on brass, with gorgeous suspensions and resolutions and well directed rhythmic drive from the accompaniment.The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, these songs are exquisitely crafted and travel well onto brass.
$8.99
The Shadow Of Your Smile
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Johnny Mandel
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Diego Marani
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The Shadow Of Your Smile
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Diego Marani
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.527613 Composed by Johnny Mandel. Arranged by Diego Marani. Contemporary,Film/TV,Instructi...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.527613 Composed by Johnny Mandel. Arranged by Diego Marani. Contemporary,Film/TV,Instructional,Jazz,Pop. Score and parts. 9 pages. Diego Marani #3019143. Published by Diego Marani (A0.527613). The Shadow of Your Smile, also known as Love Theme from The Sandpiper, is a popular song. The music was written by Johnny Mandel with the lyrics written by Paul Francis Webster. The song was introduced in the 1965 film The Sandpiper, with a trumpet solo by Jack Sheldon and later became a minor hit for Tony Bennett (Johnny Mandel arranged and conducted his version as well). It won the Grammy Award for Song of the Year and the Academy Award for Best Original Song. In 2004 the song finished at #77 in AFI's 100 Years...100 Songs poll of the top tunes in American cinema.Well-known versions of the song were recorded by Barbra Streisand (on her 1965 album My Name Is Barbra, Two...), singer Shirley Bassey (on her 1966 album I've Got a Song for You), Andy Williams, Chris Montez, Percy Faith, Rita Reys, Al Martino, Perry Como, Nancy Sinatra, Astrud Gilberto, Peggy Lee, Sammy Davis, Jr., Sarah Vaughan and Frank Sinatra.This arrangement for brass quartet includes the followings parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba. It is suitable for repertoire, classroom and recital.
$19.99
Quartet #5
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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Jeff Tincher
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Quartet #5
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Jeff Tincher
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.584672 Composed by Jeff Tincher. Contemporary. Score and parts. 44 pages. Jeff Tincher #6017773...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.584672 Composed by Jeff Tincher. Contemporary. Score and parts. 44 pages. Jeff Tincher #6017773. Published by Jeff Tincher (A0.584672). This composition begins with a 4/4 March. I wanted to write a composition that started with a simple chord. As the march progresses I added a mote here and there. Each note added continues until a complete musical composition is formed. But it doesn't stop there. Once the composition is formed it progresses to a solemn, smooth 5/4 section. This section then breaks apart to where each instrument has a solo. Then the solos are combined before it returns to the original rhythm with a different chord. Hear the full version of composition on Jeff Tincher's For Brass Quartet CD. Duration = 6:57. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Monteverdi - The Seventh Book of Madrigals (1619) - 04. A quest'olmo, a quest'ombre a6
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.767310 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.767310 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 40 pages. Lyons Music Services #3457459. Published by Lyons Music Services (A0.767310). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs - like this one - will be in 6 or more parts.A quest'olmo is described as a sei voci concertato, which basically means it is an operatic chorus, The title translates as In this elm, in these shadows and describes a clandestine meeting between two lovers.The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99
Make You Feel My Love
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Pop musique
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Adele
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Joshua Hauser
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Make You Feel My Love
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Slide Ride
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.857576 By Adele. By Bob Dylan. Arranged by Joshua Hauser. Pop,Rock,Wedding. Score and part...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.857576 By Adele. By Bob Dylan. Arranged by Joshua Hauser. Pop,Rock,Wedding. Score and parts. 18 pages. Slide Ride #464018. Published by Slide Ride (A0.857576). A lovely setting of the Bob Dylan song, made famous by Billy Joel, Garth Brooks, and Adele, this brass quintet version includes an optional improvised solo for the second trumpet. Works great on flugelhorns! Perfect for concerts or weddings.
$14.99
For he's a jolly good fellow for brass quartet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Traditional
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David Warin Solomons
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For he's a jolly good fellow f
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David Warin Solomons
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.575806 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Holiday. Sc...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.575806 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Holiday. Score and parts. 7 pages. David Warin Solomons #2028325. Published by David Warin Solomons (A0.575806). Arrangement of the traditional celebration and birthday song For he's a jolly good fellow with variations. The melody originates from the French song Marlbrough s'en va-t-en guerre (Marlborough Has Left for the War).  The traditional children's song The Bear Went Over the Mountain is sung to the same tune.  The pdf file contains the score and separate parts. The sound sample here is an electronic preview.Video of live perfomance:https://www.youtube.com/watch?v=VDIti9e3lv0
$8.00
Let It Snow! Let It Snow! Let It Snow!
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Jazz
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Lady Antebellum
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Thomas Graf
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Let It Snow! Let It Snow! Let
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.568964 By Lady Antebellum. By Jule Styne. Arranged by Thomas Graf. Jazz. Score and parts. 28 pa...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.568964 By Lady Antebellum. By Jule Styne. Arranged by Thomas Graf. Jazz. Score and parts. 28 pages. Thomas Graf - the-hit-factory.com #3479335. Published by Thomas Graf - the-hit-factory.com (A0.568964). Let It Snow! Let It Snow! Let It Snow!, also known as Let It Snow, is a song written by lyricist Sammy Cahn and composer Jule Styne in July 1945. It was written in Hollywood, California during a heat wave as Cahn and Styne imagined cooler conditions. Here it comes easily swinging, relaxed - a perfect concert piece for the holyday season. The melody is played by all parts - including a solo for the bass register. Have fun! Instrumentation: Trumpet in Bb, Trombone, Tuba Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N..... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/p78a_qNHQN42018 Chamber Music Contest Entry
$12.99
El Cant Dels Ocells (The Song of the Birds)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Traditional Catalan Carol
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Joel Jacklich (A
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El Cant Dels Ocells
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Joel Jacklich
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1142111 Composed by Traditional Catalan Carol. Arranged by Joel Jacklich (A.S.C.A.P.). Chr...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1142111 Composed by Traditional Catalan Carol. Arranged by Joel Jacklich (A.S.C.A.P.). Christmas,Folk,Holiday,Multicultural,Traditional,World. Score and parts. 9 pages. Joel Jacklich #742488. Published by Joel Jacklich (A0.1142111). El cant dels ocells ('The Song of the Birds') is a traditional Catalan Christmas song and lullaby. It tells of nature's joy at learning of the birth of Christ. The song was made famous outside Catalonia by Pablo Casals' instrumental version on the cello. After his exile in 1939, he would begin each of his concerts by playing this song. For this reason, it is often considered a symbol of Catalonia. It is here arranged for Brass Quintet by Joel Jackllich (A.S.C.A.P.,) featuring French horn solo throughout.
$12.99
Ain't No Mountain High Enough
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Soul/R&B
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Diana Ross
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Thomas Graf
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Ain't No Mountain High Enough
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.568977 By Diana Ross. By Nickolas Ashford and Valerie Simpson. Arranged by Thomas Graf. Hi...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.568977 By Diana Ross. By Nickolas Ashford and Valerie Simpson. Arranged by Thomas Graf. Hip-Hop,Pop,R & B. Score and parts. 21 pages. Thomas Graf - the-hit-factory.com #3487839. Published by Thomas Graf - the-hit-factory.com (A0.568977). Ain't No Mountain High Enough is an R&B/soul song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, becoming a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross' first solo number-one hit on the Billboard Hot 100 chart and was nominated for a Grammy Award. A must for your repertoire! Instrumentation: Tpt 1/2 in Bb, Horn in F, Trombone, TubaListen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N..... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/TxuTzgazKAs2018 Chamber Music Contest Entry
$16.99
Let It Snow! Let It Snow! Let It Snow!
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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Lady Antebellum
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John Hoesly
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Let It Snow! Let It Snow! Let
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PRS&B
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.753652 By Lady Antebellum. By Jule Styne. Arranged by John Hoesly. Contemporary. Score and...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.753652 By Lady Antebellum. By Jule Styne. Arranged by John Hoesly. Contemporary. Score and parts. 15 pages. PRS&B #6666923. Published by PRS&B (A0.753652). Let It Snow! Let It Snow! Let It Snow!- for Brass Quintet- Written by Sammy Cahn and Jule Styne in 1945. Arranged for Brass Quintet by John Hoesly. Although Let It Snow! is regarded as a Christmas song, it was written in July during a heat wave in California where Cahn and Styne were working at the time; wishing for cooler temperatures. It has been recorded many times over the years and is a wintertime staple. This arrangement is in a swing style and liberally uses surprise tonal shifts from one key center to another. It is an intermediate to advanced intermediate level arrangement. All players get a chance at the melody and there is a jazzy F horn solo which can be played as written or improvised (or passed to another player). A nice selection for your winter concert. Included score and parts.
$20.00
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