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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Line of Fire
Non classifié
57
Piano & claviers
Piano seul
108
Piano, Voix
64
Accordéon
47
Piano, Voix et Guitare
18
Piano grosses notes
12
Instruments en Do
3
Orgue
3
Piano Facile
2
Accompagnement Piano
2
Clavier
1
1 Piano, 4 mains
1
+ 6 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
100
Basse electrique
23
Guitare notes et tablatures
18
Mandoline
4
Guitare
2
Ukulele
2
2 Guitares (duo)
1
Banjo
1
Orchestre à Plectres
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
40
Voix seule
17
Chorale 2 parties
4
Chorale 3 parties
3
Chorale TTBB
3
Voix Soprano, Piano
2
Chorale SSAA
1
+ 2 instrumentations
Retracter
Vents
Saxophone
89
Flûte traversière
36
Clarinette
28
Clarinette (partie séparée)
3
Flûte, Clarinette (duo)
2
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2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Clarinette, Piano (trio)
1
Hautbois (partie séparée)
1
Saxophone Soprano et Piano
1
2 Saxophones (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Flute (partie séparée)
1
+ 8 instrumentations
Retracter
Cuivres
Trompette
36
Trombone
32
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trompette (partie séparée)
3
Trombone (partie séparée)
3
Cor (partie séparée)
2
3 Trombones (trio)
2
Tuba (partie séparée)
1
Trompette, Trombone (duo)
1
+ 5 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
8
Violon et Piano
4
Violon (partie séparée)
3
Violon, Violoncelle (duo)
2
Contrebasse (partie séparée)
2
Alto (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon, Alto (duo)
1
Violon
1
Alto seul
1
Trio à Cordes: violon, alto, violoncelle
1
+ 6 instrumentations
Retracter
Orchestre & Percussions
Batterie
44
Orchestre à Cordes
16
Orchestre
10
Orchestre d'harmonie
7
Jazz combo
6
Fanfare
6
Ensemble Jazz
6
Orchestre de chambre
4
Percussion (partie séparée)
2
Batterie-Fanfare
1
+ 5 instrumentations
Retracter
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
Line of Fire
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
4 partitions trouvées
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1
Fireflies
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Owl City
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James Symington
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Fireflies
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James Edward Ernest Symington
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1038664 By Owl City. By Adam Young. Arranged by James Symington. Contemporary,Pop. Score a...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1038664 By Owl City. By Adam Young. Arranged by James Symington. Contemporary,Pop. Score and parts. 16 pages. James Edward Ernest Symington #643651. Published by James Edward Ernest Symington (A0.1038664). Fireflies is the debut single from American electronica project Owl City's album Ocean Eyes. Frontman Adam Young wrote how he enjoyed the fireflies in his hometown of Owatonna, Minnesota, and the rest of the track about seeing fireflies while he was awake with insomnia, with Matt Thiessen also producing and providing guest vocals. The song is built around a bleepy synthline and includes lyrics about insomnia, fireflies and summer. This arrangement by James Symington is a perfect modern day choice for any brass quintet. This particular arrangement is for the advanced brass quintet and will present a challenge to most players within the ensemble.
$12.99
The Christmas Song (chestnuts Roasting On An Open Fire)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Noël
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John Denver
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John Camp
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The Christmas Song
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Linden Brass Press Inc.
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.870838 By John Denver. By Mel Torme and Robert Wells. Arranged by John Camp. Contemporary....
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.870838 By John Denver. By Mel Torme and Robert Wells. Arranged by John Camp. Contemporary. Score and parts. 10 pages. Linden Brass Press Inc. #6625479. Published by Linden Brass Press Inc. (A0.870838). Written by Mel Torme and Robert Wells. First recorded in 1946 by Nat King Cole. Here's a beautiful rendition for brass of arguably the most popular Christmas song ever. The arranger achieves a Boss Brass type of sound with lots of solo horn lines.
$14.95
The Christmas Song (chestnuts Roasting On An Open Fire)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Noël
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Christina Aguilera
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Joseph Pugh
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The Christmas Song
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Joseph Pugh
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1129678 By Christina Aguilera. By Mel Torme and Robert Wells. Arranged by Joseph Pugh. Chr...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1129678 By Christina Aguilera. By Mel Torme and Robert Wells. Arranged by Joseph Pugh. Christmas,Holiday,Jazz,Pop. Score and parts. 9 pages. Joseph Pugh #730088. Published by Joseph Pugh (A0.1129678). According to Tormé, the song was written in July during a blistering hot summer. In an effort to stay cool by thinking cool, the most-performed (according to BMI) Christmas song was born. I saw a spiral pad on his (Wells's) piano with four lines written in pencil, Tormé recalled. They started, 'Chestnuts roasting..., Jack Frost nipping..., Yuletide carols..., Folks dressed up like Eskimos.' Bob didn't think he was writing a song lyric. He said he thought if he could immerse himself in winter he could cool off. Forty minutes later that song was written. I wrote all the music and some of the lyrics. This is Joseph Pugh's Brass Quintet arrangement of the classic. Download today at a reduced price.
$12.99
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
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Line of Fire