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Orchestre d'harmonie
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25
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All I Can Do
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Drunken Sailor
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1226165
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1226165 Composed by Traditional. Arranged by Alessandro Macrì. Broadway,Celtic,Classical,Film/TV,Irish,Musical/Show,Traditional. 11 pages. Music Macri Editions #822193. Published by Music Macri Editions (A0.1226165). Drunken Sailor (letteralmente: Marinaio ubriaco) è un canto marinaresco, conosciuto anche come What Shall We Do with a/the Drunken Sailor? (letteralmente: Cosa faremo con un/il marinaio ubriaco?).Questo canto di lavoro nacque per accompagnare certi lavori a bordo di velieri, specialmente quelli che richiedevano un passo svelto e vivace. Si pensa che il canto risalga ai primi del XIX secolo o anche prima, in un periodo nel quale le ciurme delle barche, specialmente quelle dei vascelli militari, erano sufficientemente numerose da poter tirare una corda semplicemente marciando lungo il ponte. Con l'avvento delle navi postali e i clipper e le loro ciurme ridotte, che richiedevano differenti metodi di lavoro, l'uso di questo canto è progressivamente scemato o è passato all'accompagnamento di lavori meno faticosi.Drunken Sailor è poi divenuta una canzone popolare fra i non-marinai nel XX secolo, fino a essere considerata uno dei canti marinareschi più conosciuti dal pubblico. Numerosi artisti ne hanno proposto la loro versione in registrazioni e/o esibizioni e i media hanno contribuito alla sua popolarità . Anche se non esiste una versione univoca del testo, esso contiene costantemente la domanda What shall we do with a drunken sailor, early in the morning? (letteralmente: Cosa faremo con un marinaio ubriaco, la mattina presto?). In alcune versioni, i versi successivi suggeriscono metodi per alleviare la sbornia o punire il marinaio ubriaco. Altre versioni, invece, prevedono il susseguirsi di ulteriori domande e risposte relative ad altri personaggi.
$8.00
7.17 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Traditional
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Alessandro Macrì
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Drunken Sailor
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Music Macri Editions
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SheetMusicPlus
Piano Concerto n. 2 Third Movement
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1195453
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1195453 Composed by S. Rachmaninov. Arranged by Alessandro Macrì. 19th Century,Chamber,Classical,Film/TV. 11 pages. Music Macri Editions #794622. Published by Music Macri Editions (A0.1195453). Il Concerto per pianoforte e orchestra n. 2 in do minore, Op. 18 è il più popolare ed eseguito dei quattro concerti per pianoforte del compositore russo Sergej Vasil'eviÄ Rachmaninov, nonché uno dei concerti per pianoforte più famosi di tutti i tempi. Fu composto tra il 1900 ed il 1901.Il terzo movimento riprende il tono marziale del primo movimento, ma con un'atmosfera più ironica. Il primo tema ha un carattere guizzante, saltellante; dopo una sua elaborazione, si arriva al secondo tema, dolcemente cantabile, presentato dalle viole e dall'oboe e ripreso dal pianoforte, tema che indubbiamente può essere considerato tra i più belli e i più celebri fra tutti quelli composti da Rachmaninov. Lo sviluppo centrale si basa sul primo tema, che viene spezzettato ed alternato fra il solista e vari strumenti, con un accenno di un passo fugato. Questo sviluppo si salda praticamente con la ripresa, che si afferma con il ritorno, adesso con i violini, del secondo tema. Da qui deriva una nuova elaborazione prevalentemente mossa che porta, con il cambio della tonalità in do maggiore, alla trionfale affermazione del secondo tema (che quindi è il vero protagonista del finale) a piena orchestra. Segue una breve coda nuovamente mossa che in un clima ora festoso e trascinante porta alla conclusione. Terminano il brano tre accordi ripetuti che rappresentano la firma ritmica del compositore: ta- tatata (Rach - maninov).Esiste una leggenda riguardo al famosissimo secondo tema di questo movimento. A detta del critico Leonid Sabaneev tale tema non sarebbe di Rachmaninov, ma di un suo amico, Nikita Morozov. Ascoltando un brano di Morozov, Rachmaninov avrebbe detto: Oh, ma è una melodia che avrei potuto comporre io. Ebbene, perché non te la prendi?, avrebbe risposto Morozov, e Rachmaninov non si sarebbe fatto pregare.
$8.00
7.17 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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S
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Alessandro Macrì
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Piano Concerto n. 2 Third Movement
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Music Macri Editions
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SheetMusicPlus
Finnish National Anthem for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0…
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1215110 By Keith Terrett. By Fredrik Pacius(1809-1891). Arranged by Keith Terrett. Multicultural,Patriotic,Praise & Worship,Traditional,World. 8 pages. Keith Terrett #811975. Published by Keith Terrett (A0.1215110). The Finnish NA arranged for Brass Quintet.There also versions for String & full Orchestra in my two stores.The anthem lyrics were taken from a poem by Johan Ludvig Runeberg, a Swedish-speaking poet, called “VÃ¥rt land†(Our Land). The song was first sung in 1848 by a student group and became popular in Scandinavia and many of his patriotic poems, including VÃ¥rt land were used by promoters of Finnish nationalism. The poem was translated into Finnish some decades later, after VÃ¥rt land was well established as a national song, by Paavo Eemil Kajander and became the anthem before 1917 independence. Estonia‘s anthem, adopted 20 years later, has the same melody, however the last few lines do not repeat as they do normally in the Finnish anthem. Interestingly, the anthem has never been officially legislated as the Finnish anthem, but rather is traditionally used as the anthem. As such, there is no standard way to perform the 11-verse anthem, but usually the first and the last verses (as presented here) are sung. There sometimes arises a debate in Finland to change the anthem to Jean Sibelius’ song “Finlandia†(the melody was used in Biafra), a song recognized internationally as a symbol of Finland, but the general opinion seems to be for now to keep the current anthem. (One reason may be that Finlandia is harder to sing compared to Maamme.)Need an anthem fast?  They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comLove anthems, then join me on twitter, facebook,  soundcloud & instagram for updates.Â
$8.99
8.06 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Keith Terrett
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Keith Terrett
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Finnish National Anthem for Brass Quintet
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Keith Terrett
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SheetMusicPlus
In the Bleak Midwinter (Brass Quintet): Three Trumpets and Two Trombones
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1141685 Compos…
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Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1141685 Composed by Gustav Holst, Christina Rossetti. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and parts. 20 pages. John A. Dempsey #742047. Published by John A. Dempsey (A0.1141685). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  Arranged as a jubilant brass quintet for three Bb trumpets and two trombones, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  Concert Key: F major. 16 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2, trumpet 3, trombone 1 and trombone 2)   What can I give Him, poor as I am?   If I were a shepherd, I would give a lamb.   If I were a wise man, I would do my part   But what can I give Him?  Give Him my heart.
$14.00
12.55 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Gustav Holst, Christina Rossetti
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John A
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In the Bleak Midwinter
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John A. Dempsey
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SheetMusicPlus
In the Bleak Midwinter (Brass Quintet): Two Trumpets, Horn in F, Trombone and Tuba
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1161534 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1161534 Composed by Gustav Holst, Christina Rossetti. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. 20 pages. John A. Dempsey #761890. Published by John A. Dempsey (A0.1161534). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  Arranged as a jubilant brass quintet for two Bb trumpets, horn in F, trombone and tuba, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  Concert Key: F major. 16 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2, French horn, trombone and tuba)What can I give Him, poor as I am? If I were a shepherd, I would give a lamb. If I were a wise man, I would do my part But what can I give Him?  Give Him my heart.
$14.00
12.55 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Gustav Holst, Christina Rossetti
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John A
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In the Bleak Midwinter
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John A. Dempsey
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SheetMusicPlus
Memorial (for Brass Quintet & Percussion)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1158398 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1158398 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 18 pages. Https://gildedmusicpress.com/ #758679. Published by https://gildedmusicpress.com/ (A0.1158398). Composed to commemorate the 20th year of the 9-11 terrorist attacks. This somber, gorgeous piece of music draws tears when presented correctly, and is an extraordinarily important contribution to the brass quintet repertoire. The Jewish “feast†(or “appointed timeâ€) of trumpets, as outlined in Leviticus 23:24-25, prescribes the observance: “Speak unto the children of Israel, saying, In the seventh month, in the first day of the month, shall ye have a sabbath, a memorial of blowing of trumpets, an holy convocation. Ye shall do no servile work therein: but ye shall offer an offering made by fire unto the Lord.†According to the Jewish calendar, the feast of trumpets in 2001 coincided exactly with the 9-11 attacks, which could indeed be thought of as “an offering made by fire.†Effectively no servile work was done on that day throughout the attacked nation, and it has indeed become a somber type of “sabbath†to observe every year. It seemed extraordinarily appropriate—perhaps even requisite—that a somber composition with trumpets be composed for the 20th annual observance of the horrific attacks on American soil, as a “Memorial†to those lost that day, and those who since perished in the Global War on Terror. “Where were you when you first heard about the 9-11 attacks?†This common question is posed to those who were of age to comprehend what had happened in 2001. Personally, I had just listened to an emotional rendition of Maurice Ravel’s “Pavane to a Dead Princess.†Elements of that musical memory influenced this present work “Memorial.†Other sources of inspiration—whether intended or subconscious—include Samuel Barber’s heart-wrenching “Adagio for Strings,†Michael Kamen’s “Quintet†for brass, and John Williams’ “Hymn to the Fallen.†The harmonies are thick and often dissonant, including many suspensions. The players get little rest, symbolic of the constant state of alertness of a shocked nation after being so brutally attacked. Perhaps of greatest symbolic import is the fact that there are exactly 911 notes in this composition. Because of this, it is crucial that the percussion part be performed, and that great care be taken by all performers to refrain from altering the notes or rhythms in any way. A comment on the interpretation of notation: all long notes that are tied to a staccato note on the downbeat are to be held to the downbeat and gently released, not held over.
$24.95
22.36 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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Memorial
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https://gildedmusicpress.com/
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SheetMusicPlus
Ben Hur Chariot Race March
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass quintet - Digital Download SKU: IZ.CMS164 Composed by Edward Taylor Paull. Ar…
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Brass quintet - Digital Download SKU: IZ.CMS164 Composed by Edward Taylor Paull. Arranged by Judith Katz. Score and Parts. 24 pages. Imagine Music - Digital #CMS164. Published by Imagine Music - Digital (IZ.CMS164). 9 x 12 in inches.While doing some research on pre-20th Century American composers, I came across the name of Edward Taylor Paull. In all of my years as a flutist, conductor, and now writer, I never heard of Paull before, but I was curious enough to look for any sound files of his music, and came across both live piano performances and piano roll performances of the Ben HurChariot Race March on YouTube.Edward Taylor Paul, known in some circles as The Other March King was born on February 16th, 1858. In Gerrardstown, Virginia, now West Virginia. While not too much is known about his early years, we do know that his adult years were spent as itinerant musician, instrument sales person, selling pianos and organs, composer, as well as publisher.The Civil War era had Patrick Sarsfield Gillmore as the most famous bandleader and composer. As children of this era, John Philip Sousa and Edward Taylor Paull, were destined to follow in Gillmore's footsteps. While Sousa became successful through his work as both conductor and composer, even attaining the moniker of March King, the road to success and fame was more difficult for Paull. We do know, that by 1878, he was the manager of a music store that sold pianos and organs, eventually going bankrupt, and having to be bailed out by his own father. By 1894, he was the manager of the Richmond Music Publishing Company, and this was the same year that he was issued his first copyright on the Ben Hur Chariot Race March This was originally written for piano, particularly, the parlour piano. This was to become one of many marches and parlour piano compositions by 'E.T, Paull. He may not have been the most skilled musician of his era, but he was wise enough to realize how popular marches became in 1880's and '90's.Paull's compositions were also associated with beautiful color covers. He was fortunate to live in Richmond, Virginia, and the lithography company of A. Hoen & Company, provided him the highest quality and richly-colored art work for his compositions. This company was unique, in that they used a five- color process, which added depth to the color. Thepopularity of marches, plus the great covers, both contributed to the 60,000 copies that the Ben Hur Chariot Race March sold in its first printing. Not bad, for a first composition.Paull found inspiration for his march from the novel Ben Hur, written and published by General Lew Wallace in 1880. Paull dedicated his composition to Wallace, who sold many copies of his book. Eventually, there was a stage play and three film renditions; one in 1907, 1925, and 1959. Some time in the 1920's, the Sousa Band recorded the Ben Hur Chariot Race March, and of course, the MGM, 1925 film version, helped in a renewed popularity of Paull's composition.Edward Taylor Paull died in 1924, and his wife retained the copyright, until it went into public domain. What remains today are a few music examples in the Library of Congress collection, as well as some 78's and piano rolls. While I did my research on this piece, I tried to find any applicable Sousa manuscripts of a possible arrangement, but I could not findany. I usually write for woodwinds, but in this case, I thought that a brass quintet would sound far better. I also chose a moderate tempo, so as not to lose some of the nuances of the original composition.
$12.00
10.75 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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1894, he was the manager of the Richmond Music Publishing Company, and this was the same year that he was issued his first copyright on the Ben Hur Chariot Race March This was originally written for piano, particularly, the parlour piano
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Edward Taylor Paull
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Judith Katz
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one in 1907, 1925, and 1959
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Ben Hur Chariot Race March
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Imagine Music - Digital
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SheetMusicPlus
Lorena: A Brass Quintet Setting
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1468129 Compose…
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,Traditional. 49 pages. Sweetwater Brass Press #1046440. Published by Sweetwater Brass Press (A0.1468129). In 1856 Joseph P. Webster, a Wisconsin songwriter, met Henry D.L. Webster (no relation), formerly the minister of Zanesville, Ohio’s Universalist Church. Joseph was in the process of writing a song but needed lyrics to go with his melody. Henry obliged by writing a longish poem about the love of his life, Ella Blocksom. She had been his fiancée, but the engagement had been broken and, apparently, so had Henry’s heart. Joseph’s melody needed a name that would fit into a three-note phrase, so “Ella” was changed to “Lorena.” Chicago’s Higgins Brothers published the song in 1857, and it became widely popular. When the American Civil war broke out, “Lorena” was beloved by both Union and Confederate soldiers as they thought of the wives and girlfriends they had left behind. J.P. Webster’s “Lorena” is beautiful and plaintive. It is no wonder that this song has remained a sentimental favorite over the years and is still performed and recorded. In this composition, “Lorena: A Brass Quintet Setting,” the “Lorena” tune has been expanded and transformed to create additional melodies that enhance and complement the original. You’ll find it a pleasure to play and a real crowd pleaser for audiences. This composition is 201 measures in length. It begins in the key of E-flat, transitions to B-flat at section C (measure 51) and goes to F at section G (measure 141). Initial tempo marking is Adagio, increasing to Moderato at section C. There are a number of temporary tempo variations and fermata marks, and the last 9 measures are characterized by a gradual slowing. The introduction is 21 measures in length. It leads to the second section, which consists of a plain, simple and straightforward statement of J.P. Webster’s “Lorena” theme, complete with grace notes and gruppetto. In this section, Horn and Trumpet 1 do the honors, eventually joined by Tuba, and it should be played with great expression. At section C, tempo then picks up, and the arrangement presents a series of explications of the theme in various styles. The final section, I (measure 179), reprises most of the variations and ends with a partial reiteration of the “Lorena” theme. Performance time is about eight minutes, forty seconds. Tuba plays several notes near the top of its scale; otherwise, all notes are within the normal playing range of each instrument. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.26 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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F
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Lorena: A Brass Quintet Setting
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Sweetwater Brass Press
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SheetMusicPlus
You Raise Me Up
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
By Josh Groban. Arranged by Frank Pugh. Score, Set of Parts. 27 pages. Published by Frank …
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By Josh Groban. Arranged by Frank Pugh. Score, Set of Parts. 27 pages. Published by Frank Pugh (H0.324701-53487). - Score,Set of Parts - - Frank Pugh
This inspirational hit by Josh Groban makes a stirring selection for a program, and its unmistakable melody is easily recognized by audiences. Written for brass quintet, it features the trombone as a solo instrument. Add a player on the optional drum set part to maximize the breathless effect of the climax of this emotional ballad! If you don't have a french horn, substitute parts are included for baritone t.c. and euphonium. The song comes in at around 4:28 in length. In keeping with the stage setting of the original song's video, the cover art was shot from the stage of Whitley Auditorium at Elon University. You can check out my other titles here at Sheet Music Plus, or visit my Facebook page: Frank Pugh, music , and my LinkedIn page: Frank Pugh composer / arranger , to learn more about me and what I do. Thanks!
$15.99
14.33 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Josh Groban
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Frank Pugh
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You Raise Me Up
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Frank Pugh
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SheetMusicPlus
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