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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
More Of That Jazz
Non classifié
344
Piano & claviers
Piano seul
246
Piano, Voix et Guitare
44
Instruments en Do
36
Piano, Voix
32
Piano Facile
26
Piano grosses notes
19
2 Pianos, 4 mains
5
Orgue
4
Piano Trio: piano, violon, violoncelle
4
Piano (partie séparée)
3
1 Piano, 4 mains
3
Accompagnement Piano
2
Accordéon
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Piano (duo)
1
+ 10 instrumentations
Retracter
Guitares
Guitare
48
Guitare notes et tablatures
25
Ligne De Mélodie, (Paroles) et Accords
10
Guitare (partie séparée)
6
Mandoline
5
Ukulele
3
Basse electrique
2
Banjo
2
Paroles et Accords
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
Piano, Guitare (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
45
Chorale 3 parties
16
Voix Alto, Piano
11
Chorale SSAA
10
Chorale TTBB
8
Chorale 2 parties
5
Chorale Unison
4
Voix seule
1
Voix duo, Piano
1
Voix Tenor, Piano
1
Voix haute
1
+ 6 instrumentations
Retracter
Vents
2 Saxophones (duo)
84
Saxophone, Clarinette (duo)
37
2 Clarinettes (duo)
34
Clarinette, Violon (duo)
30
2 Flûtes traversières (duo)
28
Quatuor de Saxophones: 4 saxophones
27
Clarinette, Trompette (duo)
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
2 Hautbois (duo)
20
Saxophone (partie séparée)
17
Flûte, Violon
17
Flûte, Saxophone (duo)
16
Quatuor de Clarinettes: 4 clarinettes
14
Clarinette et Alto
14
Hautbois, Clarinette (duo)
14
Saxophone Tenor et Piano
13
Flûte, Alto (duo)
12
Saxophone Alto
12
Flûte, Hautbois, Clarinette, Basson
12
Flûte, Clarinette (duo)
12
Hautbois, Basson (duo)
11
Flûte traversière et Piano
11
Clarinette
11
Flûte traversière
11
Hautbois, Flûte
10
Saxophone Alto et Piano
10
Clarinette et Piano
10
Flûte, Trompette (duo)
10
Saxophone Tenor
9
Hautbois, Piano (duo)
6
Quatuor de Flûtes : 4 flûtes
6
Flûte, Hautbois (duo)
5
Ensemble de saxophones
5
Flûte à bec Soprano
4
Saxophone Soprano et Piano
4
3 Saxophones (trio)
4
Hautbois, violon (duo)
4
Trio de Flûtes: 3 flûtes
4
Clarinette Basse, Piano
3
3 Clarinettes (trio)
3
Quintette de Clarinettes: 5 clarinettes
3
Quintette de Saxophone: 5 saxophones
3
Ensemble de Clarinettes
2
Saxophone Baryton, Piano
2
Ensemble de Flûtes
2
Flute (partie séparée)
2
Cor anglais, Piano
2
Saxophone et Orgue
1
Saxophone
1
Cor Anglais
1
Flûte à Bec
1
2 Flûtes traversières, Piano
1
Clarinette (partie séparée)
1
Flûte à bec Alto, Piano
1
Hautbois (partie séparée)
1
Instruments en Mib
1
Saxophone et Guitare
1
+ 52 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Trompette, Saxophone (duo)
31
2 Trombones (duo)
19
2 Trompettes (duo)
16
Quatuor de cuivres: 4 trombones
16
Trompette, Trombone (duo)
14
Trombone (partie séparée)
12
Trompette
11
Trompette (partie séparée)
11
Trompette, Piano
9
Trombone et Piano
6
Ensemble de Trompettes
5
Trombone
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Ensemble de Trombones
4
Euphonium, Piano (duo)
3
Quatuor de Cuivres
2
Cor (partie séparée)
2
Cor et Piano
2
Quatuor de cuivres: 4 cors
2
Cor
2
Tuba (partie séparée)
2
Cor anglais, Piano
2
Bass Clef Instruments
1
2 Cors (duo)
1
Cor Anglais
1
Euphonium, Tuba (duo)
1
Tuba et Piano
1
Ensemble de Cors
1
Tuba
1
Instruments en Sib
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Tubas (duo)
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
45
2 Altos (duo)
25
Violon, Alto (duo)
20
Violon, Violoncelle (duo)
19
Violon
17
2 Violons (duo)
15
2 Violoncelles (duo)
14
Violon et Piano
8
Violoncelle, Piano
7
Alto, Piano
6
Harpe
5
Trio à Cordes: violon, alto, violoncelle
4
Alto seul
4
Violoncelle
4
Contrebasse (partie séparée)
3
Violon, Guitare (duo)
2
Alto (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
Contre Basse
1
Harpe et mandoline
1
Contrebasse, Piano (duo)
1
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
179
Orchestre d'harmonie
56
Jazz combo
32
Orchestre à Cordes
15
Ensemble de cuivres
11
Orchestre
10
Batterie
5
Ensemble d'École
4
Ensemble de Percussions
4
Batterie (partie séparée)
2
Cloches
2
Marimba
1
Xylophone, Piano
1
Orchestre de chambre
1
+ 9 instrumentations
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Autres
Formation musicale - Solfège
1
Théorie de la musique
1
Instruments
ACCORDEON
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CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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CELTIQUE - IRISH - S…
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
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POP ROCK - ROCK CLAS…
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Crtitères actifs :
More Of That Jazz
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
35 partitions trouvées
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1
26
A Child’s Garden of Jazz for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Wolking, Henryenry
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A Child’s Garden of Jazz
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pages. Gordon Cher...
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Brass Ensemble - Level 5 - SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pages. Gordon Cherry #4804655. Published by Gordon Cherry (A0.792338). As an adult I occasionally try to remember and or capture child-like experiences-maybe not so much the actual event, but the emotive atmosphere left from impressions long ago embedded in the psyche.Each movement of this work is based on spontaneous and uncalculated musical imagery of dreams and childhood reflections. I have deliberately avoided the professional composer’s bag of developmental tricks and worked for a more free flow of simple melodic ideas: they go wherever they want.Movement IInspired by the feelings I had growing up on Merritt Island Florida with my older sister Barbara. This music was a gift to her on the occasion of her 2004 marriage in Flemington New Jersey. It was originally scored for a brass quartet with which I performed. I have written three other brass quintets, and when I started thinking about this one (my fourth) this seemed like a logical choice for a first movement.Movement IIBased on a tune that came to me in a dream. It is dedicated to my wife Lois (we also married in 2004) and has a formal title of Wake Up To A Melody. I originally scored it for jazz band-more specifically for the excellent Salt Lake Alternative Jazz Orchestra, and it has recently been recorded by that group. I like the simplicity of this melody, and felt it would make a natural second movement for this brass quintet.Movement IIIThe third and most difficult movement is Tangoragrondo. It is literally a rondo with a turn-of-the century (19th-20th) ragtime melody/gallop occupying the A theme followed by a Tango (inspired by trips to Santiago Chile) for the B theme. The return to the rag (A theme) is then followed by a fantasy development (C area) with a return to to the rag (A theme) followed by a coda that recalls material from the first movement. The form is quite simple- ABACA-Coda.The material was originally developed as a movement for my double concerto Letting Midnight Out On Bail written for the Duehlmeier-Gritton piano duo and orchestra. It was recorded by the Warsaw Philharmonic and has been released on CD. A second version for two pianos has also been recorded and released by the Duehlmeier-Gritton piano duo. This orchestration for brass quintet will be the final resting place for this chaotic rondo.
$27.50
Four Early Jazz Classics for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Jazz
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Keith Terrett
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Keith Terrett
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Four Early Jazz Classics for B
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Keith Terrett
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SheetMusicPlus
Level 3 - SKU: A0.911345 By Keith Terrett. By Various. Arranged by Keith Terrett. Jazz,Spiritual,Traditional. 43 pages. Keith Terrett #517391. Published...
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Level 3 - SKU: A0.911345 By Keith Terrett. By Various. Arranged by Keith Terrett. Jazz,Spiritual,Traditional. 43 pages. Keith Terrett #517391. Published by Keith Terrett (A0.911345). Four Early Jazz Classics from the USA for Brass Quintet includes: 1)Little Brown Jug:It was originally a drinking song. It remained well known as a folk song into the early 20th century. Like many songs which make reference to alcohol, it enjoyed new popularity during the Prohibition era. In 1939, bandleader Glenn Miller recorded and broadcast his swing instrumental arrangement of the tune with great success, and the number became one of the best known orchestrations of the American Big Band era. 2)Frankie & Johnny:Frankie and Johnny (sometimes spelled Frankie and Johnnie; also known as Frankie and Albert or just Frankie) is a traditional American popular song. It tells the story of a woman, Frankie, who finds that her man Johnny was making love to another woman and shoots him dead. Frankie is then arrested; in some versions of the song she is also executed. 3)Tin Roof Blues:Tin Roof Blues is a jazz composition by the New Orleans Rhythm Kings first recorded in 1923. It was written by band members Paul Mares, Ben Pollack, Mel Stitzel, George Brunies and Leon Roppolo. The tune has become a jazz standard and is one of the most recorded and often played New Orleans jazz compositions. 4)Battle Hymn of the Republic:The Battle Hymn of the Republic, also known as Mine Eyes Have Seen the Glory outside of the United States, is a song by American writer Julia Ward Howe using the music from the song John Brown’s Body. Howe’s more famous lyrics were written in November 1861, and first published in The Atlantic Monthly in February 1862. The song links the judgment of the wicked at the end of time (Old Testament, Isaiah 63; New Testament, Rev. 19) with the American Civil War. Since that time, it has become an extremely popular and well-known American patriotic song. Arranged here for Brass Quintet, this arrangement is available for most ensembles of your choice, e-mail for other arrangements. An excellent selection for your next concert!
$18.00
Carnival of Venice for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Herbert L
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Charles Decker
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Carnival of Venice for Brass Q
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.817159 Composed by Herbert L. Clarke. Arranged by Charles Decker. 20th Cent...
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Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.817159 Composed by Herbert L. Clarke. Arranged by Charles Decker. 20th Century,Chamber,Historic,Pop. 32 pages. Charles Decker Music Press #6056663. Published by Charles Decker Music Press (A0.817159). This solo feature for a quintet's trumpeter or cornetist is from the Golden Age of concert bands at the turn of the 20th century composed by legendary Sousa Band soloist Hebert L. Clarke. Clarke's impressive setting of Carnival of Venice remains the most frequently performed version of the theme and variations cornet solo first made famous by Arban. To contrast the cornet soloist's pyrotechnics is a humorous trombone and tuba accompaniment that enlivens the listening experience. A flugelhorn/trumpet alternate part is provided for the horn part. The sound file is an actual brass quintet performance of the entire arrangement and not a computer playback of the score. If looking for more trumpet solo features with brass quintet see Charles Decker Music Press SMP editions of Sasche Concertino for Eb Cornet of 1871, and opera arias by Puccini Che Gelida Manina from La Boheme, Verdi Caro Nome from Rigoletto and Rossini Non Piu Mesta from Cinderella. Use this link to Kendor Music to see my trumpet feature brass quintet arrangements of Clarke’s Bride of the Waves and Nestico’s Portrait of a Trumpet. See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  All ensemble publications include recordings of the entire edition.    For more Charles Decker brass quintet publications use these links Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$13.95
Dream A Little Dream Of Me
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Jazz
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The Mamas And The Papas
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Kayleigh Huelin
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Dream A Little Dream Of Me
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Kayleigh Huelin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1403118 By The Mamas And The Papas. By Fabian Andre, Gus Kahn, and Wilbur Schwandt. Arrange...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1403118 By The Mamas And The Papas. By Fabian Andre, Gus Kahn, and Wilbur Schwandt. Arranged by Kayleigh Huelin. Jazz,Pop,Standards. 10 pages. Kayleigh Huelin #986318. Published by Kayleigh Huelin (A0.1403118). 'Dream A Little Dream Of Me' is a lovely pop song, made famous by the Mamas and the Papas. A versatile standard, it sounds great in a variety of styles and tempos - it is a fantastic song that goes down well in both casual and more formal settings. Arranged for brass quintet.Like this? Why not check out my website for more arrangements: www.khuelinmusic.co.uk.
$24.99
They Can't Take That Away From Me
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Jazz
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Frank Sinatra
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Kayleigh Huelin
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They Can't Take That Away From
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Kayleigh Huelin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1437833 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Kayleigh Huelin....
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1437833 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Kayleigh Huelin. Jazz,Standards. 10 pages. Kayleigh Huelin #1017899. Published by Kayleigh Huelin (A0.1437833). George and Ira Gershwin's classic tune from Shall We Dance, made famous by Frank Sinatra, Ella Fitzgerald and many others, this new arrangement is fun to play and will bring a bit of Hollywood sparkle to your setlist!Arranged for brass quintet.Like this? Why not check out my website for more arrangements: www.khuelinmusic.co.uk.
$24.99
Patricia: A Ragtime Composition
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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1900 ragtime was
the
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Joseph Lamb
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F
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Patricia: A Ragtime Compositio
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Histor...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
Equinox
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Jazz
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John Coltrane
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Keith Terrett
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Equinox
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Keith Terrett
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1149129 By John Coltrane. By John Coltrane. Arranged by Keith Terrett. 20th Century,Blues,Jazz,Multicultu...
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Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1149129 By John Coltrane. By John Coltrane. Arranged by Keith Terrett. 20th Century,Blues,Jazz,Multicultural,Standards,World. 11 pages. Keith Terrett #749258. Published by Keith Terrett (A0.1149129). An arrangement of John Coltrane's classic Equinox for Brass Quintet with optional drum kit. Equinox is a minor blues jazz standard by American jazz saxophone player and composer John Coltrane. Originally released on Coltrane's Sound[ played in C# minor with a slow swing feel. However, it is usually played in the key of C Minor and often covered on the flute Coltrane’s wife Naima named the song Equinox. The equinox occur twice a year, when the tilt of the Earth’s axis is inclined neither away from nor towards the sun. John Coltrane was born on September 23, 1926, the day of the official autumn equinox of that year. The release of Equinox was delayed until 1964 when Atlantic issued the album Coltrane’s Sound. Before he recorded it, Coltrane performed Equinox several times in live venues, including a session with Miles Davis’ rhythm section and at the 1960 Monterey Jazz Festival. Unfortunately, the other Atlantic recordings of Equinox were lost in the 1978 warehouse fire before they were released.Unlike Naima and My Favorite Things, Equinox would not become part of Coltrane's repertoire. Coltrane's attitude in writing Equinox is described by Dr Lewis Porter as Coltrane was a serious blues player and his blues pieces reflect the desire to get back to a primal mood, and away from the emotionally lighter, harmonically more complicated and complex blues of the boppers. Equinox is introduced by McCoy Tyner and Elvin Jones with a Latin rhythmic passage which shifts into the slower tempo of the theme. The composition evokes a sense of mystery. Coltrane then enters on the horn (a tenor), his playing slow and pensive. The theme is repeated for two choruses and then stating the theme twice. He then proceeds with an improvisation of unusual emotional depth - reminiscent of a preacher exhorting his congregation. Elvin Jones make dramatic use of drum rolls and cymbal crashes throughout the song to maintain the sense of mystery. McCoy Tyner comps with a light feel.
$14.99
Final Fugue #12 from Fantasia Contrappuntistica for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Ferruccio Busoni
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Charles Decker
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Final Fugue #12 from Fantasia
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.817110 Composed by Ferruccio Busoni. Arranged by Charles Decker. 20th Century,Bar...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.817110 Composed by Ferruccio Busoni. Arranged by Charles Decker. 20th Century,Baroque,Chamber,Multicultural,World. 20 pages. Charles Decker Music Press #3540945. Published by Charles Decker Music Press (A0.817110). For ambitious brass quintets seeking innovative programming here is the final fugue from Italian composer and pianist Ferrucio Busoni's 1912 magnum opus treatise Fantasia Contrappuntistica that pays homage to J.S. Bach's Art of the Fugue with inventive counterpoint and harmonic transformations. Busoni’s ingenious Final Fugue #12 presents Bach’s uncompleted last fugue in an entirely new light. The audio file is an actual brass quintet performance of the entire work and not a computer playback of the score. See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  All ensemble publications include recordings of the entire edition.    For more of Charles Decker quintet editions use these links to  Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$9.95
Five Fanfares for Rimsky-Korsakov for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Anatole Liadov and Alexander G
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Charles Decker
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Five Fanfares for Rimsky-Korsa
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Euphonium,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.817101 Composed by Anatole Liadov and Alexander Glazounov. Arranged b...
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Brass Quintet Baritone Horn TC,Euphonium,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.817101 Composed by Anatole Liadov and Alexander Glazounov. Arranged by Charles Decker. 19th Century,Contest,Festival,Multicultural,Romantic Period,World. 22 pages. Charles Decker Music Press #3530649. Published by Charles Decker Music Press (A0.817101). These five short, elegant fanfares by former students of Nicolai Rimsky-Korsakov were composed for the 1890 concert celebrating his 20 years as professor at the St. Petersburg Conservatory in Russia. Originally scored for an orchestral brass section, the fanfares retain their brilliance as a brass quintet and parts can be doubled to intensify the musical impact. Arranged for a brass quintet of two B-flat trumpets with alternate C trumpet parts, horn in F with alternate substitute parts for horn (B-flat trumpet, treble and bass clef baritone), trombone with a substitute treble clef baritone for trombone part and tuba. This is a very accessible work for student ensembles and less experienced players that will impress audiences and add festive excitement to concerts or ceremonies. The recording is an actual brass quintet performance and not computer playback.See more than 70 mixed brass ensemble publications at Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  For more of my brass quintet editions use these links to Kendor Music and Cherry Classics Music to see listings of arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$11.95
Toot, Toot, Tootsie!
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Gus Kahn, Ernie Erdman and Dan
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F
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Toot, Toot, Tootsie!
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!   Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.  This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!  Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
The Peanut Vendor (el Manisero)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Stan Kenton & His Orchestra
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F
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The Peanut Vendor
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Si...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Simons. Arranged by F. Leslie Smith. Jazz,Latin,Multicultural,Pop,World. 39 pages. Sweetwater Brass Press #817754. Published by Sweetwater Brass Press (A0.1221432). Can a brass quintet sound like Stan Kenton’s 19-piece big band? No, not really:  no saxophones, no rhythm section, no Milt Bernhart, no Maynard Ferguson, no Bill Russo, no Conte Candoli, no . . .  Well, you get the picture.  But five brass instruments can play in the Kenton style.  And that’s what this is:  “The Peanut Vendor†in the style of the Stan Kenton Orchestra.   Moisés Simons’ “El Manisero†(“The Peanut Vendorâ€) was first recorded in the late 1920s.  The melody was relatively simple yet exotic sounding; the lyrics, a Cuban street vendor’s pitch for selling his bags of peanuts.  Consumers bought more than a million copies of the sheet music, and the song supposedly led to a “rumba craze†in the U.S. and Europe (although the song is not really a rumba!).     Don Azpiazú and his Havana Casino Orchestra recorded the song for RCA Victor in 1930 with Antonio MachÃn on the vocal; its sales may well have been more than the million-plus sheet music copies sold.     English lyrics were added by L. Wolfe Gilbert and Marion Sunshine and the song became “The Peanut Vendor.† One estimate is that nearly 200 recordings have been made.  That’s a lot of peanuts.    Stan Kenton revived “The Peanut Vendor†in 1947 when he first recorded it for Capitol Records.  His version was completely instrumental.  Rhythm and saxophones opened the number and established the background; later the trombone section added emphasis.  A trombone solo first stated the melody but eventually the five-person trumpet section took over with what one writer referred to as “shrieking dissonances.† “The Peanut Vendor†subsequently became one of Kenton’s most requested numbers and he recorded it at least three more times.   This brass quintet arrangement, of course, has access to only two trumpets.  So the good news is that all five players get a chance with the melody.  Kenton’s extended opening trombone solo is shared by Trombone and Tuba.  The “shrieking dissonances†are performed not only by Trumpets but also by Horn in F and Trombone.  The bad news is that all five players have to take a turn with the continuing rhythmic background melody.  Written in 4/4 time, the suggested tempo is 184 BPM in a Latin style.  Kenton’s version is in B-flat major; this arrangement lowers it to A-flat major so that most notes are within the normal playing range of the instruments.  (Don’t worry; the “shrieking dissonances†are still there!)     Completed in 2023, performance time runs about 3 minutes, 37 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99
Bugle Call Rag for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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the age of 15 was playing pian
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Eubie Blake, Carey Morgan
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Jari A
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Bugle Call Rag for Brass Quint
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JV MUSIC
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SheetMusicPlus
Brass Ensemble - SKU: A0.722732 Composed by Eubie Blake, Carey Morgan. Arranged by Jari A. Villanueva. 20th Century,Folk,Jazz,Patriotic,Traditional. Sco...
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Brass Ensemble - SKU: A0.722732 Composed by Eubie Blake, Carey Morgan. Arranged by Jari A. Villanueva. 20th Century,Folk,Jazz,Patriotic,Traditional. Score and parts. 24 pages. JV MUSIC #3366195. Published by JV MUSIC (A0.722732). Bugle Call Rag Composed by Carey Morgan and Eubie Blake Arranged by Jari VillanuevaScore2 Trumpets in BbHorn in FTromboneTubaOptional Drum Set Eb Alto Horn Substitute part for Horn in FTreble Clef Baritone Substitute part for TromboneJames Hubert Eubie Blake (1887-1983) Blake was born in Baltimore to former slaves, and the only child of 11 that would survive to adulthood. The young Eubie taught himself the organ after his parents put a $75 organ in their home for 25 cents per week (which would take them almost 6 years to pay off). By the age of 15 was playing piano in Baltimore's night clubs, holding a regular job at Agnes Shelton's sporting house. Blake was already an exceptional pianist by the early 1900's, and he had to simplify his music drastically to get it published. Blake was among the pioneers of ragtime, however he was often too far ahead of his time. He released two rags (Charleston Rag and his Baltimore Buzz) in the same year which Scott Joplin released his Maple Leaf Rag. Unfortunately for Blake, the competition was too strong. Part of the reason for Blake's Charleston Rag and his Baltimore Buzz not making the big time may have been due to Blake the progressive nature of his sound. People found it hard to digest his music, especially the publishers. Bugle Call Rag was composed in 1916 with Carey Morgan. It was one of many patriotic selections written by composers during the World War I era. This delightful piece uses bugle calls and quotes There’ll Be A Hot Time In The Old Town Tonight.A retired member of the United States Air Force Band where he served on the Music Production staff (as well as a trumpeter and bugler) and a student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. His arrangements are played by brass quintets all over the country including many military groups. Many of his arrangements can be found on Sheet Music Plus and JV MUSIC.Jari is a 2016 Sheet Music Plus Arranging Contest winner and winner of the 2016 Holiday Arranging Contest. https://www.youtube.com/watch?v=nMUSMQhI-lE
$14.99
Brass Tasks
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Lynn L
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Brass Tasks
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Lynn L. Petersen
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.973254 Composed by Lynn L. Petersen. 20th Century,Chamber,Classical,Contemporary,Contest,Fe...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.973254 Composed by Lynn L. Petersen. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. 81 pages. Lynn L. Petersen #6487299. Published by Lynn L. Petersen (A0.973254). Brass Tasks is a five-movement suite for brass quintet, beginning with the fanfare Wake-up Call. Air Craft is a slow chorale-like movement with five-four meter and jazz harmony. Humoreske is a lively rondo in six-eight meter. The fourth movement, Ballad of the Bells, is a waltz that features flugelhorn and trombone solos on the melody. The suite ends with Blast of Brass, characterized by a fast tempo, sudden dynamic shifts, and driving rhythms. Brass Tasks was commissioned by the Gustavus Adolphus College and Mankato State University faculty brass quintet and premiered at Gustavus Adolphus College in 1998.Duration 11 minutes. Includes alternate Bass Trombone part for Tuba. Optional Flugelhorn and Cornet in fourth movement. Optional cup and mica mutes.
$39.99
Second Line for Brass Quintet (Beginner)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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DÉBUTANT
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Jazz
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Traditional
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Ryan Gabbart
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Second Line for Brass Quintet
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Ryan Gabbart
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SheetMusicPlus
Small Ensemble Alto Saxophone,B-Flat Trumpet,B-Flat instrument,Baritone Horn BC,Baritone Horn TC,Bass Clef Instrument,Cornet,E-Flat Instrument,Euphonium,Tenor S...
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Small Ensemble Alto Saxophone,B-Flat Trumpet,B-Flat instrument,Baritone Horn BC,Baritone Horn TC,Bass Clef Instrument,Cornet,E-Flat Instrument,Euphonium,Tenor Saxophone,Tenor Trombone,Tuba - Level 1 - SKU: A0.600955 Composed by Traditional. Arranged by Ryan Gabbart. Jazz,Standards,Traditional. Score and parts. 22 pages. Ryan Gabbart #209494. Published by Ryan Gabbart (A0.600955). A short arrangement (2:20) of the classic New Orleans street band tune for beginner brass band in B-flat major. Pairs well with my arrangement of When the Saints Go Marching In. This is a simple arrangement using short improvisatory variations that your students will find FUN to play! Ideal for the middle or high school group that is beginning to learn about jazz and improvisation! This is an Easy Flexible Brass Arrangement that can be played with 5 or more players using optional instrumentation choices. Part 1: Bb & Eb // Part 2: Bb, Eb, Horn in F // Part 3: Horn in F, Bb, Eb & Bass Clef // Part 4: Bass Clef, Bb & Tuba // Optional Drum Part Thank you! Please check out my other works!
$10.00
Second Line for Brass Quintet (Beginner)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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DÉBUTANT
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Jazz
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Traditional
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Ryan Gabbart
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Second Line for Brass Quintet
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Ryan Gabbart
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SheetMusicPlus
Brass Ensemble Baritone Horn TC,Bass Trombone,E-Flat Cornet,Euphonium,Trumpet,Tuba - Level 1 - SKU: A0.1050313 Composed by Traditional. Arranged by Ryan...
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Brass Ensemble Baritone Horn TC,Bass Trombone,E-Flat Cornet,Euphonium,Trumpet,Tuba - Level 1 - SKU: A0.1050313 Composed by Traditional. Arranged by Ryan Gabbart. Jazz,Standards,Traditional. Score and parts. 22 pages. Ryan Gabbart #654675. Published by Ryan Gabbart (A0.1050313). A short arrangement (2:20) of the classic New Orleans street band tune for beginner brass band in B-flat major. Pairs well with my arrangement of When the Saints Go Marching In. This is a simple arrangement using short improvisatory variations that your students will find FUN to play! Ideal for the middle or high school group that is beginning to learn about jazz and improvisation! This is an Easy Flexible Brass Arrangement that can be played with 5 or more players using optional instrumentation choices. Part 1: Bb & Eb // Part 2: Bb, Eb, Horn in F // Part 3: Horn in F, Bb, Eb & Bass Clef // Part 4: Bass Clef, Bb & Tuba // Optional Drum Part Thank you! Please check out my other works!
$10.00
Martha My Dear
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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The Beatles
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Ray Thompson
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Martha My Dear
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RayThompsonMusic
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.844927 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop. 10...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.844927 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop. 10 pages. RayThompsonMusic #450440. Published by RayThompsonMusic (A0.844927). Arranged standard brass quintet: 2tpts, hn. tbn and tuba. Opening piano solo arr horn and tuba, then melody is taken by tpt 2 , chorus by trumpet 1. Fun for everyone.Martha My Dear is a song by the English rock band the Beatles from their 1968 eponymous double album The Beatles (also known as the White Album). Credited to Lennon–McCartney, the song was written solely by Paul McCartney about his Old English Sheepdog, Martha. It has been covered by several artists, including Slade, Herb Alpert & The Tijuana Brass, Phish, World Party, and Les Boréades de Montréal.The song incorporates elements from pop rock music; it also features a music hall-inspired piano line that recurs throughout the piece, as well as a brass section. The song modulates through several keys The song is notated mainly in the key of E♠major, showing up embellished chords with jazzy sprinkled dissonances.The verse is a syncopated replicate of the first melodic section adding two extra beats, a technique similar to that used later by McCartney in Two of Us. Though the bridge is in the key of F major, the manner in which it abruptly sets in and exits makes it sound more out-of-the-way than it really is.
$19.95
Fugue #2 from Fantasia Contrappuntistica for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Ferruccio Busoni
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Charles Decker
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Fugue #2 from Fantasia Contrap
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.817109 Composed by Ferruccio Busoni. Arranged by Charles Decker. 20th Century,Bar...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.817109 Composed by Ferruccio Busoni. Arranged by Charles Decker. 20th Century,Baroque,Chamber,Historic,Multicultural,World. 22 pages. Charles Decker Music Press #3540269. Published by Charles Decker Music Press (A0.817109). For ambitious brass quintets seeking innovative programming here is the second fugue from Italian composer and pianist Ferrucio Busoni's 1912 magnum opus treatise, Fantasia Contrappuntistica, that pays homage to J.S. Bach's Art of the Fugue of which Busoni modifies the baroque master's fugues with inventive new counterpoint and harmonies. It is arranged for a brass quintet of two B-flat trumpets with alternate C trumpet parts, horn in F, trombone and tuba. The audio file is an actual brass quintet performance of the entire work and not a computer playback of the score. See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians of mixed brass ensembles with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles.  Check out the Music of Black Composers Series wiht Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  For more Charles Decker brass quintet editions use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$9.95
Three Festive Preludes for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Charles Decker
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Three Festive Preludes for Bra
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.817126 Composed by Charles Decker. 21st Century,Chamber,Contemporary,Contes...
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Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.817126 Composed by Charles Decker. 21st Century,Chamber,Contemporary,Contest,Festival. 22 pages. Charles Decker Music Press #3548819. Published by Charles Decker Music Press (A0.817126). Bold, brassy and brief best describes these three preludes that can add a dramatic and festive flair to your next concert or special event. Want to increase the impact of the bold and brassy sound? Double parts and open your next band or orchestra concert featuring the brass section. Scored for a brass quintet of two B-flat trumpets with alternate C parts, horn in F with flugelhorn/trumpet substitute part for horn, trombone and tuba. Â The audio file is an actual brass quintet performance of the entire work and not a computer playback of the score. See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition. Â Â For more Charles Decker brass quintet publications use these links to Kendor Music and Cherry Classics Music to see listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$11.95
Two Cuban Dances for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Ignacio Cervantes
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Charles Decker
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Two Cuban Dances for Brass Qui
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.817102 Composed by Ignacio Cervantes. Arranged by Charles Decker. 19th Century,La...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.817102 Composed by Ignacio Cervantes. Arranged by Charles Decker. 19th Century,Latin,Multicultural,Pop,Romantic Period,World. 26 pages. Charles Decker Music Press #3530867. Published by Charles Decker Music Press (A0.817102). Two Latin American early tangos that are musical gems from the charming 41 Danzas  Cubana by 19th century Cuban virtuoso pianist and composer Ignacio Cervantes, arranged for brass quintet with two B-flat trumpets with alternate C trumpet parts, horn in F, trombone and tuba. The audio file is an actual brass quintet performance of the entire arrangement and not a computer playback of the score. See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  All ensemble publications include recordings of the entire edition.  For more brass quintet editions by Charles Decker use these links to Kendor Music and  Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$12.95
Chattanooga Choo Choo
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Jazz
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Floyd Cramer
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Peet du Toit
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Chattanooga Choo Choo
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1377195 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Peet du Toit. Jazz. 1...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1377195 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Peet du Toit. Jazz. 18 pages. Peet du Toit #961811. Published by Peet du Toit (A0.1377195). Chattanooga Choo Choo is a 1941 song written by Mack Gordon and composed by Harry Warren. It was originally recorded as a big band/swing tune by Glenn Miller and His Orchestra and featured in the 1941 movie Sun Valley Serenade. It was the first song to receive a gold record, presented by RCA Victor in 1942, for sales of 1.2 million copies.The song opens up with the band, sounding like a train rolling out of the station, complete with the trumpets and trombones imitating a train whistle, before the instrumental portion comes in playing two parts of the main melody. This is followed by the vocal introduction of four lines before the main part of the song is heard.The main song opens with a dialog between a passenger and a shoeshine boy:Pardon me, boy, is that the Chattanooga Choo Choo?Yes, yes, Track 29!Boy, you can give me a shine.Can you afford to board the Chattanooga Choo Choo?I've got my fare, and just a trifle to spare.The singer describes the train's route, originating from Pennsylvania Station in New York and running through Baltimore to North Carolina before reaching Chattanooga. He mentions a woman he knew from an earlier time in his life, who will be waiting for him at the station and with whom he plans to settle down for good. After the entire song is sung, the band plays two parts of the main melody as an instrumental, with the instruments imitating the WHOO WHOO of the train as the song ends.Here's my representation thereof with Sam Harrill's nifty percussion score supporting it.
$17.00
It Had to Be You
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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age 26 the Chicago tenor saxop
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Isham Jones
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F
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It Had to Be You
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1416368 Composed by Isham Jones. Arranged by F. Leslie Smith. Jazz,Pop,Standards,Wedding. 2...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1416368 Composed by Isham Jones. Arranged by F. Leslie Smith. Jazz,Pop,Standards,Wedding. 28 pages. Sweetwater Brass Press #997935. Published by Sweetwater Brass Press (A0.1416368). Isham Edgar Jones certainly kept busy. By age 26 the Chicago tenor saxophonist led his own dance band, and it was one of the most popular of the 1920s. But he also found time to write melodies for a whole raft of popular songs. Twenty-one Isham Jones Orchestra recordings of his compositions peaked in the top ten most popular, and eight of those made it to the number one spot. One was It Had to Be You, with words by Gus Kahn.    Although written in 1924, It Had to Be You defies the passage of time, still sounding fresh and contemporary. It remains popular and has evolved into a jazz standard.    This brass quintet version retains the original key of G Major. It opens with a suggested tempo of 104 BPM and a nine-measure introduction that combines figures and phrases from both verse and chorus. At rehearsal letter A, Trumpet 1 begins the melody of the familiar chorus, accompanied by Tuba and Horn in F. Trumpet 2 quickly joins and the melody changes to an upper brass trio. The melody then passes to Trombone, back to the trio, to Tuba and then to Horn in F. The section winds up with the original Trumpet-Horn-Tuba combination.    The seldom-heard verse begins at rehearsal letter C and takes the form of a sort of call-and-response between upper and lower brass. As the section nears its end, tempo slows to a suggested 80 BPM and Trombone begins to take over.    Rehearsal letter D marks the beginning of the chorus’ final time through, and here it is mostly Trombone handling the melody in quasi-Dixieland fashion. The upper brass trio and Tuba both help out, but, for the most part, it is Trombone all the way to the end. (Although, a good time is had by all!)    Performance time is about three minutes, fifty seconds. All notes are within the normal playing range of each instrument with the following exceptions: (1) Trumpet 1 has one or two A-above-its-staff notes, and (2) in the wrap-up near the end, Trombone has the option of playing a short phrase either (a) within its register or (b) higher, including a G above the staff.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
My Ragtime Baby for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Fred S
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Charles Decker
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My Ragtime Baby for Brass Quin
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1242857 Composed by Fred S. Stone. Arranged by Charles Decker. 19th Century,Jazz,March,Mult...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1242857 Composed by Fred S. Stone. Arranged by Charles Decker. 19th Century,Jazz,March,Multicultural,Pop,World. 24 pages. Charles Decker Music Press #837904. Published by Charles Decker Music Press (A0.1242857). My Ragtime Baby was the 1898 mega hit featured in the Sousa Band European 1900 tour that introduced European audiences to American Ragtime. Fred Stone was a prominent African-American composer and conductor in the early Ragtime movement. The rag is arranged for two B-flat trumpets, horn in F, trombone and tuba. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$12.99
God Bless' The Child
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Billie Holiday
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Will Corbin
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Tears in 1968
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God Bless' The Child
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1460761 By Billie Holiday. By Arthur Herzog Jr. and Billie Holiday. Arranged by Will Corbin...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1460761 By Billie Holiday. By Arthur Herzog Jr. and Billie Holiday. Arranged by Will Corbin. Blues,Jazz,Pop. 20 pages. Will Corbin #1039660. Published by Will Corbin (A0.1460761). Billie Holiday first recorded this song in 1941 (and a couple more times after that, in different settings). As the story goes, it was inspired when Holiday's mother refused her a loan with the words, God bless the child that's got his own. She and frequent collaborator Arthur Herzog Jr. then put the song together in 20. Or so the story goes. Whatever the case, this classic anthem, covered by just about every singer born since then, is in the Grammy Hall of Fame. It also helped win a Grammy for Album of the Year for Blood, Sweat & Tears in 1968. They also performed it at Woodstock. This arrangement, for two trumpets, horn, trombone and tuba (featuring the trombonist in the role of lead BS&T singer David Clayton-Thomas), is based on their treatment of Holiday's soulful tune.
$15.00
Mercy, Mercy, Mercy
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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The Buckinghams
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Will Corbin
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Mercy, Mercy, Mercy
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1466152 By The Buckinghams. By Joe Zawinul. Arranged by Will Corbin. Jazz,R & B. 20 pages. Will Corbi...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1466152 By The Buckinghams. By Joe Zawinul. Arranged by Will Corbin. Jazz,R & B. 20 pages. Will Corbin #1044744. Published by Will Corbin (A0.1466152). Here's a treatment of the Buddy Rich Band's arrangement of Mercy Mercy Mercy, significantly tamed for range and skipping the improv solos (feel free to plug something in for a player with that skill). This one works for musicians of more modest talents. It does regrettably include (true to the Rich version) the Florida State University tomahawk chop tune; I'm a University of Florida Gator, so that part is painful.If you need other instrumentation, please contact me at wilcor@aol.com.
$15.00
C Jam Blues for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Bb Trombone/Euphonium in TC
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C Jam Blues for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Te...
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99
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