ISBN 9781513455709. 8.75 x 11.75 inches.

These Juan Martin compositions are for flamenco, classical and any type of guitar players at intermediate and more advanced stages who already have experience of the instrument and techniques like arpeggios, tremolo and correct left-hand fingering, but wish to extend their knowledge of thumb techniques like alzapua, the many forms of rasgueo and flamenco rhythms such as rumba, virtuosic guajiras and the mysteriously beautiful rondena, dissonant and deep. If you master these 8 solos, you will be well on the way to becoming a concert soloist. Includes access to online audio. Estas composiciones de Juan Martin son para guitarristas flamencos, clasicos y de cualquier tipo en niveles intermedios y mas avanzados que ya tienen experiencia en instrumentos y tecnicas como arpegios, tremolo y digitacion correcta de la mano izquierda, pero desean ampliar su conocimiento de las tecnicas de pulgar como alzapua, las muchas formas de rasgueo y palos flamencos como la rumba, las virtuosas guajiras y la misteriosamente bella rondena, disonante y profunda. Si dominas estos 8 solos, estaras en camino de convertirte en solista de concierto. Incluye acceso a audio en linea.

ISBN 9781619119529.

This unique book presents 18 of the most popular classical compositions typically performed at weddings. Rather than being written for the classic guitar, however, each piece is arranged for solo pick-style guitaraa.k.a., plectrum or flatpicking guitarain both standard notation and tablature. Like classical guitar arrangements, these settings utilize the full spectrum of the guitaras capabilities with bass lines, chords and melodies happening simultaneously. Although written for intermediate to advanced plectrum guitarists, fingerstyle players will also find these arrangements rewarding. This collection would serve as a convenient resource for pros who should be able to sight read most of this material on the job. Given that these arrangements sound complete and appropriate as plectrum guitar solos, pick-style students will also enjoy and benefit from working on these familiar melodies by Baroque, Classical and Modern masters.

ISBN 9781513455686. 8.75 x 11.75 inches.

Here is a collection of flatpicking arrangements with a fresh approach. Commonly played fiddle tunes like Bill Cheatham, Chinquapin Hunting, June Apple, and many others, are explored in new ways with variations that progress musically into extended arrangements. Techniques such as cross-picking, floating notes, harmonics, and other devices pertinent to flatpicking are presented in a musical context. Guitarists will gain new insights into flatpicking technique, style, and arranging while expanding their repertoire and building their vocabulary of licks and phrases. The book and online audio recordings also present original concepts for solo guitar within the flatpicking idiom. Written in standard notation and tablature. Includes access to online audio.

ISBN 9781513455112. 8.75x11.75 inches.

This is a clear and concise method to help the intermediate-to-advanced guitarist develop the crafts of composing and arranging. With an accessible presentation of theory as it applies directly to the guitar, topics include: the structure and construction of a melody, harmonizing a melody, development of melodic and harmonic ideas, musical form, the roll of rhythm and tempo, the guitar as a compositional tool, and how all these elements are combined into a fully realized piece of music. The importance of open tunings and why they play a major role in fingerstyle guitar is discussed, along with their benefits and practical limitations. Finally, we cover techniques particular to fingerstyle guitar playing and how to approach performing, dealing with nerves and presentation, letting mistakes go and enjoying the experience of playing and performing. Includes access to online audio.

ISBN 9781619118393.

In the tradition of Django Reinhardt, Bireli Lagrene is one of most highly regarded Gypsy jazz, bebop, and fusion guitarists of recent decades. Once regarded as a child prodigy, he has performed with such legendary players as Benny Goodman, Stephan Grappelli, Al Di Meola, Paco de Lucia, John McLaughlin and countless others. Given that roster, one might assume that Lagrene is quite advanced in years, but this is not the case; the fact is, he was drawn to the guitar as a child of four, and after auditioning at the intermission, was invited onstage with Grapelli for the second half- when he was only ten years old. While Lagrene is primarily an ear player, he has collaborated with TAGA Publishing to produce an exceptional book filled with insightful tips on playing the Gypsy jazz style. Bireli Lagrene: Gypsy Jazz Guitar Artistry introduces the intermediate jazz guitarist to the essential rhythms used in Gypsy jazz accompaniment, as well as to the vocabulary needed to improvise in the Gypsy jazz style. Not for the faint of heart, the book includes online audio recordings of 33 rhythm exercises and licks to incorporate the right feel or panache in your own Gypsy jazz performance style. The musical examples are written in either chord symbols or standard notation and tablature. Includes access to online audio.

ISBN 9781513455273. 8.75 x 11.75 inches.

This book and online audio presents solo guitar settings of thirteen Celtic and traditional compositions in standard notation and tablature. In addition to well-known Celtic tunes, the author offers a couple of original solos plus arrangements of tunes by the famed Irish harper-Turlough OCarolan. It is intended for the intermediate to advanced guitarist. All of the arrangements were created with the guitar in an alternate tunings including: CGCGCD, CGDGCD (Orkney), DAAEAB, CFCGCD and DGDGCD. Includes access to online audio that contains all of the tunes in the book and should provide a welcome assist in learning these tasteful, sometimes challenging arrangements.

ISBN 9781513455693. 8.75 x 11.75 inches.

These Juan Martin compositions are for flamenco, classical and any type of guitar players at intermediate and more advanced stages who already have experience of the instrument and techniques like arpeggios, tremolo and correct left-hand fingering, but wish to extend their knowledge of thumb techniques like alzapua, the many forms of rasgueo and flamenco rhythms such as rumba, virtuosic guajiras and the mysteriously beautiful rondena, dissonant and deep. If you master these 8 solos, you will be well on the way to becoming a concert soloist. Includes access to online audio. Estas composiciones de Juan Martin son para guitarristas flamencos, clasicos y de cualquier tipo en niveles intermedios y mas avanzados que ya tienen experiencia en instrumentos y tecnicas como arpegios, tremolo y digitacion correcta de la mano izquierda, pero desean ampliar su conocimiento de las tecnicas de pulgar como alzapua, las muchas formas de rasgueo y palos flamencos como la rumba, las virtuosas guajiras y la misteriosamente bella rondena, disonante y profunda. Si dominas etros 8 solos, estaras en camino de convertirte en solista de concierto. Incluye acceso a audio en linea.

Item Number: S9.Q564325

Thomas Fellow, Autor des erfolgreichen Standardwerkes Fellow Guitar Book und weltweit konzertierender Gitarrist (European Guitar Quartet, Friend `n Fellow, Hands on Strings), erweitert seine Guitar Music Collection mit diesem und dem Folgeband um eine umfangreiche Menge Kompositionen in seiner ihm eigenen modernen, stilistisch offenen Klangsprache. Das vorliegende Heft mit 18 DELIGHTFUL CROSSOVER PIECES wendet sich an interessierte Studenten, konzertierende Gitarrist:innen ebenso wie an ambitionierte Laien. Die Stucke sind anspruchsvoll (Schwierigkeitsgrad 4 - schwer) und bilden durch die zusatzliche Notation in TABS auch fur nicht-notenkundige Spieler eine perfekte Erganzung fur ihr Repertoire an moderner Gitarrenliteratur. FINGERFOOD XXL Vol. 1 umfasst kurzere Kompositionen (STARTER) und eine ganze Reihe von Balladen (SWEET). Alle Stucke sind konzertant, aber jedes auf seine Weise. Und so lassen sich Fingerstyle-Einflusse ebenso erkennen wie brasilianische Klange, mal nahert sich Fellow dem Jazz, mal der Popmusik und vermittelt immer Spielfreude und Horgenuss.

ISBN 9781513455440. 8.75 x 11.75 inches.

Presents the Contradanzas Habaneras of Manuel Saumell (1817-1870), who has been called a Pioneer of the Cuban danza. Originally written for the piano, this collection of contradanzas is a good example of Saumell's innate sensitivity to the rhythms characteristic of Cuban Music. Written in standard notation and tablature.

8.75 x 11.75 inches.

A collection of 14 of Wes Montgomery's great jazz guitar solos transcribed directly from recorded performances. Included are such landmark solos as Work Song; Sack o' Woe; Unit 7; Fallout; Jeanine; Blue Roz; Full House; Mi Cosa; Doujie; Missile; Blues; and others. All solos are in notation and tablature. Most of the pieces can be heard on Riverside's Wes Montgomery: The Complete Riverside Recordings. The new revised edition matches the recordings much more closely than the first edition, with more detailed rhythms in several pieces. All of Wes' original solos are faithfully transcribed here in notation and tablature for your study. The book also contains general performance notes, a chronological discography, and a touching biographical essay.

ISBN 9781610656559. The MBGU Fingerstyle series is designed to provide intermediate to advanced fingerstyle guitarists with a wide variety of attractive solo pieces to add to their repertoires. The material contained in these volumes is ideal for performance at professional engagements-whether concerts, cocktail parties or club dates. These solos can also be used for educational purposes and enjoyed by students and teachers alike. MBGU Fingerstyle: Best Traditional/Folk is a collection of beautiful arrangements of traditional folk tunes as well as a few contemporary pieces composed in the folk style. Both standard classical guitar notation and tablature are provided throughout for the convenience of those who are more comfortable reading in one style or the other. All tunes in the book are included on the online audio. Includes access to online audio.

ISBN 9781610658416. Whether guitarists are new to open-tunings or already working with them, fingerstyle specialist Jim Goodin offers a progressive look at the popular D-based harp-like tuning. Classical, Celtic, blues, folk, gospel and several original compositions are represented in the 15 notation/tablature arrangements each arranged proportionately to offer beginning, intermediate and advanced fingerstyle players opportunities to grow their technique. Interspersed with the song arrangements are sections featuring major and minor scale studies and popular folk and jazz style chords. Includes a 15-track audio produced at Will Ackerman's Imaginary Road Studio where the book's arrangements were recorded. To round out this robust offering Jim includes thoughts about the origin of DADGAD, the songs, his technique with special how-to features such as one on playing natural and harp style harmonics and recommended listening audio to expand listening knowledge on this tuning. Includes access to online audio.

Fifty selected National Airs of different Nations for Classical Guitar solo.

Around early intermediate to Intermediate level, while there are a few on easy and advanced intermediate level.
With downloadable mp3 just for audio help. With standard notation and tablature (TAB).
Pages: Fifty (50) pages, 40' min.
1. March by Rossini, 2. Russian Air, 3. Andante by Beethoven, 4. The Last Rose of Summer, 5. French Air, 6. Un Noel ? an old French Air, 7. Le Petit Tambour, 8. Russian Air, 9. Polish National Air, 10. Scotch Air, 11. German Air, 12. Russian Hymn, 13. John Anderson, 14. Tyrolian Air, 15. Danish Air, 16. Cherubini?s Air from Faniska, 17. Polish Hymn, 18. Kelvin Grove, 19. Podolian Air, 20. Fra Tante Angoscie, 21. Au Clair, 22. Dutch Air, 23. Portuguese Hymn, 24. Air by Gelinek, 25. Pyrenese Melody, 26. Polish Air, 27. Scotch Air, 28. Pleyel?s Hymn, 29. Donald ? a Scotch Air, 30. Sicilian Mariner?s Hymn, 31. Auld Lang Syne, 32. German Air, 33. Scots Wha Hae Wi? Wallace Bled, 34. Vive Henri Quatre, 35. Air from the Ballet of Nina, 36. Danish Air, 37. Post Horn Waltz, 38. Old German Air, 39. Air from the Ballet of Alfred the Great, 40. Polish Air Krakoviak, 41. Scotch Air, 42. Swedish Air, 43. Danish Air, 44. Il Pleut, Il Pleut, Bergere, 45. Rule Britannia, 46. C?est L?Amour ? a French Air, 47. Scotch Air, 48. An Alexis, 49. Je suis Lindor, 50. Chanson des Marseillois.

Waltz in A Minor by Fr�d�ric Chopin, originally written for piano and published posthumously (B. 150), arranged for solo fingerstyle or classical guitar. Includes two arrangements-an easy version with melody and bass, and an advanced version with melody, bass and accompaniment. Each arrangement includes a four-page score with tablature plus a two-page guitar part without tabs.

Here?s an arrangement for solo fingerstyle or classicalguitar of the Roberta Flack tune ?Killing Me Softly With His Song.? This arrangement is for the advanced/Intermediateplayer with about 3 plus years of experience. Included in the score are standard notation,tablature and left hand fingering suggestions.