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HARMONICA
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The Song Is Over
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165
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3 296
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324
Piano seul
72
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38
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37
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31
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13
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
4
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3
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3
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1
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120
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20
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17
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13
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7
Banjo
4
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4
2 Guitares (duo)
3
Guitare Pedal Steel
1
4 Guitares (Quatuor)
1
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1
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Voix Baryton, Piano
25
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23
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22
Chorale 3 parties
22
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20
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20
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15
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10
Chorale TTBB
5
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4
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3
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2
Voix moyenne, Piano
1
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1
Voix seule
1
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Saxophone Alto
41
Clarinette et Piano
35
Flûte traversière
34
Clarinette
34
Ocarina
33
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33
Flûte à bec Soprano
30
Hautbois, Piano (duo)
28
Saxophone Alto et Piano
24
Saxophone Tenor
24
Saxophone (partie séparée)
22
Hautbois (partie séparée)
15
Hautbois
15
Hautbois, Violoncelle
13
Saxophone Tenor et Piano
12
Quatuor de Saxophones: 4 saxophones
10
Flûte, Hautbois, Clarinette, Basson
10
Flûte, Trombone (duo)
10
2 Flûtes traversières (duo)
10
3 Saxophones (trio)
9
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9
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9
2 Saxophones (duo)
8
2 Hautbois (duo)
6
Saxophone Soprano et Piano
6
Saxophone Baryton, Piano
6
2 Clarinettes (duo)
5
Ensemble de saxophones
5
Flûte, Clarinette (duo)
5
Quatuor de Clarinettes: 4 clarinettes
5
3 Clarinettes (trio)
4
3 Flûtes à bec (trio)
4
Ensemble de Clarinettes
3
Saxophone Soprano
3
Ensemble de Flûtes
3
Ensemble De Flûte à bec
3
Cor anglais, Piano
3
Trio de Flûtes: 3 flûtes
3
Flûte à Bec
3
Piccolo, Piano
2
Flûte, Clarinette et Basson
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Hautbois, Basson
2
Flûte à bec Alto
2
Clarinette, Trompette (duo)
1
Flûte, Violon
1
Clarinette Basse, Piano
1
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Trompette
43
Trompette, Piano
33
Trombone
28
Cor et Piano
25
Trombone et Piano
17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Quatuor de Cuivres
8
Tuba et Piano
8
Cor
7
2 Trompettes (duo)
7
2 Trombones (duo)
7
Tuba
7
2 Cors (duo)
6
Trompette, Trombone (duo)
5
2 Tubas (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor anglais, Piano
3
Trompette, Cor (duo)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de cuivres: 4 trombones
2
Tuba et Orgue
2
2 Euphoniums (duo)
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trompette (partie séparée)
1
Quatuor de cuivres: 4 cors
1
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53
Violoncelle
48
Violon et Piano
43
Alto, Piano
37
Alto seul
28
Violoncelle, Piano
27
2 Violons (duo)
16
Quatuor à cordes: 2 violons, alto, violoncelle
16
2 Violoncelles (duo)
12
2 Altos (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Violon, Violoncelle (duo)
8
Contre Basse
8
Contrebasse, Piano (duo)
6
Harpe
5
Piano Trio: Violon, Alto, Piano
4
Violon, Alto (duo)
4
2 Contrebasses (duo)
4
Trio à cordes: 3 violins
4
Trio à Cordes: 3 violoncelles
3
Trio à Cordes: violon, alto, violoncelle
2
Trio à cordes: 3 altos
2
Alto (partie séparée)
2
Violon (partie séparée)
1
+ 19 instrumentations
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10
Batterie
6
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6
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3
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2
Cloches
2
Xylophone, Piano
1
Quintette de Cuivres: autres combinaisons
1
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1
Orchestre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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Crtitères actifs :
The Song Is Over
débutant
Ensemble Jazz
Partitions à imprimer
3 partitions trouvées
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1
Just Friends - Score Only
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Ensemble Jazz
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DÉBUTANT
#
Jazz
#
John Klenner and Sam M
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@Jhavilah
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Just Friends - Score Only
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Jhavilah
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 1 - SKU: A0.1227019 Composed by John Klenner and Sam M. Lewis. Arranged by @Jhavilah. Blues,Contemporary,Film/TV,Jaz...
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Jazz Ensemble Jazz Ensemble - Level 1 - SKU: A0.1227019 Composed by John Klenner and Sam M. Lewis. Arranged by @Jhavilah. Blues,Contemporary,Film/TV,Jazz,Multicultural,World. 1 pages. Jhavilah #815171. Published by Jhavilah (A0.1227019). Just Friends is a jazz standard composed by John Klenner with lyrics by Sam M. Lewis. It was first recorded in 1931 by Red McKenzie and his Orchestra, and has since become a beloved classic in the jazz world. The song's catchy melody and playful lyrics have made it a popular choice for jazz musicians and singers over the years.The song is often played at a moderate tempo, and features a swinging, upbeat rhythm that is typical of the jazz music of the time. The melody is catchy and memorable, with its playful, syncopated phrasing and use of chromaticism. The lyrics tell the story of a couple who have decided to end their romantic relationship but remain friends, with lines like Just friends, lovers no more, just friends, but not like before.Over the years, Just Friends has been covered by many jazz greats, including Chet Baker, Charlie Parker, and Billie Holiday. Each artist brings their own unique interpretation to the song, showcasing their individual improvisational skills and musicality. The song has also been used in several films and television shows, cementing its place in popular culture.Despite its popularity, Just Friends remains a challenging piece to play, requiring both technical proficiency and a deep understanding of the nuances of jazz music. Its enduring appeal is a testament to the power of great songwriting, and to the lasting impact of jazz music on popular culture.
$4.99
Heading Home for Junior Big Band
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Ensemble Jazz
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DÉBUTANT
#
Phil Thrift
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Heading Home for Junior Big Ba
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Phil Thrift
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 1 - SKU: A0.955736 Composed by Phil Thrift. Instructional,Jazz. Score and parts. 62 pages. Phil Thrift #6037863. Pub...
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Jazz Ensemble Jazz Ensemble - Level 1 - SKU: A0.955736 Composed by Phil Thrift. Instructional,Jazz. Score and parts. 62 pages. Phil Thrift #6037863. Published by Phil Thrift (A0.955736). Heading Home is a new, easy swing number for junior big band. This was originally a song and so essentially has a verse-refrain form. All the sections have something to do and there are short solos for the lead players. A tempo range is suggested so that bands with different abilities will be able to attempt this piece.Following the intro, which uses the refrain, the main theme is stated by unison saxes. The brass enter in the continuation of the main theme, with the saxes now in harmony. Unison trumpets then play the refrain and that is followed by the first solo section, which is cued in the lead alto sax, tenor sax, trumpet, and trombone parts as well as the optional flute. A solo is suggested but the chords are included so that players can try out their own ideas. This section is followed by a brief bridge passage played by the trombones and lower saxes. After that we hear the second part of the main theme again, which is followed by unison trumpets playing the refrain and another short solo section. At the change of key, the trombones and lower saxes take over the main theme at first. Following the final refrain, the outro with its walking bass, cross-stick now added to the rhythm, and syncopated accompaniment beneath a sax or flute solo ensures that this piece really is heading home, although it concludes on a quiet note.The actual notes of these charts are easy, but this piece still demands full concentration and that tight playing so crucial to the big band sound. Unison passages will test intonation. For players new to swing, I hope it will help them to become familiar with this style of music.
$19.99
The Surrey With The Fringe On Top
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Ensemble Jazz
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DÉBUTANT
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Various Artists
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Sam Fettig
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The Surrey With The Fringe On
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Sam Fettig
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 1 - SKU: A0.1433756 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Sam Fettig. 20th Centu...
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Jazz Ensemble Jazz Ensemble - Level 1 - SKU: A0.1433756 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Sam Fettig. 20th Century,Broadway,Jazz,Musical/Show. 49 pages. Sam Fettig #1013985. Published by Sam Fettig (A0.1433756). https://www.samfettigmusic.com/JAZZ ENSEMBLE GRADE 1.5PROGRAM NOTESSurrey With the Fringe on Top is a song from the 1943 Rodgers and Hammerstein musical “Oklahoma!”. It became a standard song among jazz musicians, especially after Miles Davis recorded it. There is a wonderful version recorded by saxophonist Cannonball Adderly on his 1955 album “Cannonball Adderly With Strings”. PERFORMANCE NOTESSurrey With the Fringe on Top is a 32-bar AABA form in the key of concert B flat. In this arrangement, the A-section melody features several tongue-in-cheek grand pause moments. These are indicated by fermatas over quarter note rests. Have fun with these spots, varying the length of time you pause, which can done with a comical effect. The solo section at bar 37 is open to any player, and a set of notes is provided for improvisation. The backgrounds at 41 are to be played each time, and the solo section can be repeated as necessary for additional solos. The shout chorus at bar 47 should be played at full volume. Be sure to investigate and balance the chords among the wind instruments. The shout chorus winds down with a call and response between the brass and saxes.I hope you have fun with this classic tune!
$60.00
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The Song Is Over