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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BATTERIE
BOUZOUKI
CHORALE - CHAN…
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COR ANGLAIS
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CORNET
DEEJAY
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DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
PERCUSSION
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SAXOPHONE
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Turn It Up
Non classifié
125
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116
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34
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8
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7
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1
+ 7 instrumentations
Retracter
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6
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1
Ukulele
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Retracter
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39
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7
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Voix duo
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+ 6 instrumentations
Retracter
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16
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15
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10
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7
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6
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5
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5
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3
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Flûte à bec Soprano, Piano
1
Flûte, Clarinette (duo)
1
Saxophone Alto
1
Saxophone
1
+ 38 instrumentations
Retracter
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13
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9
Trompette
7
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6
Trombone (partie séparée)
5
Cor et Piano
5
Euphonium, Piano (duo)
5
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5
Tuba et Piano
4
Cor anglais, Piano
4
Trompette, Saxophone (duo)
4
Cor
4
Trombone
4
Trompette (partie séparée)
3
2 Trompettes (duo)
3
Tuba
2
Trompette, Trombone (duo)
2
2 Trombones (duo)
2
Quatuor de Cuivres
1
+ 14 instrumentations
Retracter
Cordes
Violon et Piano
18
Quatuor à cordes: 2 violons, alto, violoncelle
17
Violoncelle, Piano
13
Alto, Piano
11
Harpe
7
Violon
7
Violoncelle
7
2 Violons (duo)
5
Contrebasse, Piano (duo)
5
2 Violoncelles (duo)
4
Violoncelle , Guitare (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Trio à Cordes: violon, alto, violoncelle
3
2 Altos (duo)
3
Violon, Alto (duo)
3
Violon, Violoncelle (duo)
3
Alto seul
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Clarinette, Piano (trio)
1
Contre Basse
1
Harpe, Flûte (duo)
1
Alto (partie séparée)
1
Contrebasse (partie séparée)
1
+ 18 instrumentations
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Orchestre d'harmonie
25
Orchestre
21
Ensemble Jazz
19
Orchestre à Cordes
8
Ensemble de cuivres
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Cloches
5
Batterie
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Orchestre de chambre
4
Jazz combo
3
Fanfare
3
Ensemble de Percussions
2
Piano et Orchestre
1
Marimba, Piano (duo)
1
Batterie (partie séparée)
1
+ 9 instrumentations
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Partitions à imprimer
19 partitions trouvées
<
1
Nocturne (Opus 9 No. 2)
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Ensemble Jazz
#
AVANCÉ
#
Classique
#
Frederic Chopin
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Ben Pritchard
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Nocturne
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Benjamin Pritchard
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1109715 Composed by Frederic Chopin. Arranged by Ben Pritchard. Classical,Jazz. Score and parts. 52 page...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1109715 Composed by Frederic Chopin. Arranged by Ben Pritchard. Classical,Jazz. Score and parts. 52 pages. Benjamin Pritchard #712065. Published by Benjamin Pritchard (A0.1109715). This arrangement is in memory of Eric Doney (piano) and Rick Chamberlain (trombone) who passed away with months of one another from cancers. The arrangement, therefore, features piano and trombone throughout. It begins with a potion of Eric Doney's songs called “A Winter’s Tale.†It should be played freely. The pianist should feel free to ad lib, add his/her own style, and expand from the basic lead sheet given. This introduction leads into Chopin’s Nocturne Opus 9 No. 2 featuring lead trombone with rhythm section. Rick CHamberlain was a great ballad player and had terrific range. This arrangement pays respect to Rick’s range and goes up to a high D! At measure 49 the band takes over, particularly the lead trumpet. The sax section takes over at measure 65 with an up tempo sax soli, which can be joined by lead trombone. That is followed by a rubato piano in Eric’s style feature, and then up tempo solo sections for both trombone and piano. The ballad feel come back at measure 131 until the end. The ending is an Eric Doney ending. He often used this ending in his version of “Amazing Grace.â€.
$59.99
Return Of The Blues: from Rhapsody In Blue- for jazz ensemble big band
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Ensemble Jazz
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INTERMÉDIAIRE
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George Gershwin
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John Hoesly
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Return Of The Blues: from Rhap
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PRS&B
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.753645 Composed by George Gershwin. Arranged by John Hoesly. 20th Century,Folk,Jazz. 58 pages. PRS&B #62...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.753645 Composed by George Gershwin. Arranged by John Hoesly. 20th Century,Folk,Jazz. 58 pages. PRS&B #6202151. Published by PRS&B (A0.753645). Return Of The Blues: from Rhapsody In Blue- for big band/jazz ensemble arranged by John Hoesly. Based on a theme from Rhapsody In Blue by George Gershwin. Rhapsody In Blue is considered an American musical masterpiece. Written by George Gershwin in 1924, right from it’s opening notes it conjures up The Jazz Age, The American Scene, New York City, and as Gershwin himself described, national pep. Return Of The Blues is known as the ritornello (Italian: return) theme as it appears seven times during RIB. It is one of the more famous themes from RIB, being heard right after the clarinet glissando in the beginning of the piece. Here, it is presented as a stand-alone tune. It is written with a trumpet solo, but the solo can be played by any member of the band. Difficulty level is intermediate and certainly playable by most high school jazz ensembles. Lead Tpt Ab5.
$50.00
Fix It Again Tony!
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Ensemble Jazz
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INTERMÉDIAIRE
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Blues
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Jazz
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Brad Esbensen
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Brad Esbensen
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Fix It Again Tony!
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Brad Esbensen Music Services
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.774335 Composed by Brad Esbensen. Arranged by Brad Esbensen. Blues,Jazz. Score and Parts. 82 pages. Brad...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.774335 Composed by Brad Esbensen. Arranged by Brad Esbensen. Blues,Jazz. Score and Parts. 82 pages. Brad Esbensen Music Services #3537877. Published by Brad Esbensen Music Services (A0.774335). FIX IT AGAIN TONY! is an original composition for big band and featured as a set piece for the 2002 Australian Academy Festival of Music B Grade Jazz Ensemble division. It is a blues in F with a grooving shuffle feel. In the opening choruses, the big band is divided into three smaller combos playing the head, backing riffs and rhythmic stabs. Be sure to have the players listen carefully to each other and to be aware of which combo they belong to. Solo space is provided for the 2nd Trumpet and 1st Trombone players, although this could be opened up to feature other band members. The solo section is followed by a Sax section soli before the head returns to take the chart out. The inspiration for this title came from my first car - a 1970 FIAT 124 - which provided me with many years of enjoyable motoring. Any automotive enthusiast will get the joke in this title.www.bemus.com
$60.00
Should I Stay Or Should I Go
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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The Clash
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Michael Pilley
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Should I Stay Or Should I Go
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Michael Pilley Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.746167 By The Clash. By Joe Strummer and Mick Jones. Arranged by Michael Pilley. Jazz. Score and parts. ...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.746167 By The Clash. By Joe Strummer and Mick Jones. Arranged by Michael Pilley. Jazz. Score and parts. 51 pages. Michael Pilley Music #3535709. Published by Michael Pilley Music (A0.746167). Written specifically for Swing Punks, the amazing London big band who play punk tunes in a jazz style, this vocal arrangement has all the bells and whistles. Starting in a bluesy swing style, see if you can pick up all the quotes as you progress through the chart. When it kicks into double time, it'll get your audiences toes tapping just enough for you to snap them back to a languid blues atmosphere. With an open solo section this chart comes alive, allowing for soloists to take the tune where they want to. Double time ensues after that, with a big ending to finish this cracking chart.THE SONGReleased in 1981, Should I Stay became The Clash's only UK number 1 single, albeit 10 years after in a reissued single. It made 228 in Rolling Stones Top 500 and features Spanish backing vocals, in a strange twist.THE BANDSwing Punks (www.swingpunks.com) are an exciting big band based in London, UK who take the best punk music and turn it into swinging big band music. Featuring 3 vocalists and a full complement of horns, their shows are full of energy and pizzazz. I've been lucky enough to play with them a few times since moving closer to London, and I always enjoy mixing it up with such great musicians.PRINTING TIPSBeautifully laid out, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00
Tannenbaum, Replanted for Big Band
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Ensemble Jazz
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INTERMÉDIAIRE
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Noël
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Unknown
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Phil Thrift
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Tannenbaum, Replanted for Big
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Phil Thrift
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.955745 Composed by Unknown. Arranged by Phil Thrift. Christmas,Jazz. Score and parts. 56 pages. Phil Thr...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.955745 Composed by Unknown. Arranged by Phil Thrift. Christmas,Jazz. Score and parts. 56 pages. Phil Thrift #6563227. Published by Phil Thrift (A0.955745). Tannenbaum, Replanted is a complete reworking of the very popular Weihnachtslied O Tannenbaum, which will even be familiar to many people from non-German-speaking countries. However, this is not an arrangement for purists, as the well-known melody in 3/4 time is presented here in a reharmonized up-tempo 4/4 time. The piece starts with a gently driving Latin-style groove and transforms to a Swing middle section, returning to the Latin groove at the end. I’ve not used a standard Latin beat here, instead a groove based loosely on the bossa nova. All the accompanying motifs in the saxes, trumpets, and trombones are drawn from the original melody.The Outro requires your lead alto and tenor saxophone players to improvise, alternating every two measures. I’ve left it up to the players to decide who starts first. Likewise, one or both players can improvise over the final chord.The flute part is optional, but does add a very distinctive sound over the top of the band, particularly in the quieter passages.
$29.99
Cherry Street Jaunt
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Blues
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Jazz
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George Willson
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Cherry Street Jaunt
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George Willson
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.927181 Composed by George Willson. Blues,Jazz. Score and parts. 46 pages. George Willson #6359467. Publi...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.927181 Composed by George Willson. Blues,Jazz. Score and parts. 46 pages. George Willson #6359467. Published by George Willson (A0.927181). Written for the T-Town Jazz Band and named for a Tulsa landmark, this is a big band swing tune in F minor blues with solos and exposure aplenty most notably in the third trombone part. The piece follows a chap who is happily walking (or jaunting) down Cherry Street. Three other guys come in and pick up his melody as a unison trio. This moves into a quick verse in the ensemble before the four players each take a solo turn almost like a combo. The party then takes off with the full band before it moves back to the trio wandering off while crowd bids them farewell and the original soloist takes a final turn. The reason there is such a focus on the third trombone is because this piece is dedicated to Dale Turner who was the third trombone player in the T-Town Jazz Band and a founding member of the band. We tried to get him to improv a solo here and there, but he wouldn't do it. We figured if we wrote it into his part, he would play it, and so the next piece I was writing was Cherry Street Jaunt, so the 3rd trombone got a lot of love. Unfortunately, the band had to shut down for a time due to COVID-19, and during that time, Dale passed due to complications from it. As a result, he never saw the part I wrote to trick him into a solo. The MP3 is generated from the composition program, but the video link is a live performance.
$35.00
Hop Off
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Ensemble Jazz
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AVANCÉ
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Fletcher Henderson And His Orc
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Peter Stöve
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Hop Off
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Peter Stove
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th ...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!
$49.99
Last Night
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Ensemble Jazz
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FACILE
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Charles Axton, Chips Moman, Fl
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Bandroom
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Last Night
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Bandroom.com Publications
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.859769 Composed by Charles Axton, Chips Moman, Floyd Newman, and Gilbert Caple. Arranged by Bandroom.com...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.859769 Composed by Charles Axton, Chips Moman, Floyd Newman, and Gilbert Caple. Arranged by Bandroom.com Publications. Contemporary,Pop,Rock. Score and Parts. 14 pages. Bandroom.com Publications #3905807. Published by Bandroom.com Publications (A0.859769). __________________________LAST NIGHT - arranged for pep band, basketball band, jazz combo, small jazz ensemble__________________________Great for pre/post-game, 60-second timeouts, or a quick half-time number, LAST NIGHT climbed to #3 on the Billboard Chart in 1961. An easy blend of R&B and rock, this tune is insanely easy (hence the low price), using only 3 different notes! You can make it even more fun by adding easy choreography for the winds - start with bells down, slowly rise during the crescendo, then alternate bells left, then right for each repeated measure.This 54-second arrangement has an easy key and the well-marked rehearsal numbers reduce the amount of time needed in rehearsal.Parts are formatted to fit in a flip-folder, but print on letter-sized paper if you prefer to use 3-ring binders._______________________The highly-flexible BcP-Flex scoring imitates the classic rock band sound by using only 4 instruments/voices - lead, rhythm, bass, and drums:Lead: Flute, Clarinets, Alto Sax, Trumpets (note: for this piece, everyone except bass line has a unison lead/rhythm part)Rhythm: Trombone, Horn, TC Baritone, Tenor Sax (note: for this piece, everyone except bass line has a unison lead/rhythm part)Bass: Electric Bass, Tuba, Bari SaxDrums: This arrangement includes a written drum set part, but it is often easier to get the drummer to pick-up the tune by listening to the chart._______________________To see these other high-energy titles in this series, click www.sheetmusicplus.com/search?Ntt=bcp-flex Barbara Ann (Beach Boys)Blitzkrieg Bop (Ramones)Blues Brothers Riff (I Can’t Turn You Loose - Otis Redding)Come & Get It (Selena Gomez)Grazing in the Grass (Hugh Masekela)Hey! Baby! (Bruce Channel)I Got You (I Feel Good) (James Brown)I Heard It Through The Grapevine (Marvin Gaye)Last Night (The Mar-Keys)Low Rider (War)Me! (Taylor Swift)My Sharona (The Knack)Oye Como Va (Santana)Peter Gunn (Mancini)Seven Nation Army (The White Stripes)Tequila (The Champs)That’s the Way I Like It (KC &The Sunshine Band)What Makes You Beautiful (One Direction)Wooly Bully (Sam the Sham and the Pharaohs)YMCA (Village People). . . . and a great, simple pep band setting of:The Star-Spangled Banner (USA National Anthem). __________________________.
$14.00
Hey! Baby!
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Ensemble Jazz
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INTERMÉDIAIRE
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Bruce Channel
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Bandroom
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Hey! Baby!
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Bandroom.com Publications
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.859770 By Bruce Channel. By Bruce Channel and Margaret Cobb. Arranged by Bandroom.com Publications. Cont...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.859770 By Bruce Channel. By Bruce Channel and Margaret Cobb. Arranged by Bandroom.com Publications. Contemporary,Pop,Rock. Score and Parts. 16 pages. Bandroom.com Publications #3906637. Published by Bandroom.com Publications (A0.859770). __________________________HEY! BABY! - arranged for pep band, basketball band, jazz combo, small jazz ensemble__________________________Add some energy to your pre/post-game tunes, or even for half-time. The band gets to shout on this one! Easy keys with multiple courtesy accidentals and well-marked rehearsal numbers reduce the amount of time needed in rehearsal and improve performance.Parts are formatted to fit in a flip-folder, but print on letter-sized paper if you prefer to use 3-ring binders.__________________________The highly-flexible BcP-Flex scoring* imitates the classic rock band sound by using only 4 instruments/voices - lead, rhythm, bass, and drums:Lead: Flute, Clarinets, Alto Sax, TrumpetsRhythm: Trombone, Horn, TC Baritone, Tenor Sax,Bass: Electric Bass, Tuba, Bari SaxDrums: This arrangement includes a written drum set part, but it is often easier to get the drummer topick-up the tune by listening to the chart.__________________________To see these other high-energy titles in this series, click www.sheetmusicplus.com/search?Ntt=bcp-flex Barbara Ann (Beach Boys)Blitzkrieg Bop (Ramones)Blues Brothers Riff (I Can’t Turn You Loose - Otis Redding)Come & Get It (Selena Gomez)Grazing in the Grass (Hugh Masekela)Hey! Baby! (Bruce Channel)I Got You (I Feel Good) (James Brown)I Heard It Through The Grapevine (Marvin Gaye)Last Night (The Mar-Keys)Low Rider (War)Me! (Taylor Swift)My Sharona (The Knack)Oye Como Va (Santana)Peter Gunn (Mancini)Seven Nation Army (The White Stripes)Tequila (The Champs)That’s the Way I Like It (KC &The Sunshine Band)What Makes You Beautiful (One Direction)Wooly Bully (Sam the Sham and the Pharaohs)YMCA (Village People). . . . and a great, simple pep band setting of:The Star-Spangled Banner (USA National Anthem). __________________________.
$18.00
They Came Here to Dance (Swing Band Arrangement)
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Mike Strand, ASCAP
T
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Mike Strand
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They Came Here to Dance
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Michael M. Strand
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4890111. Published by Michael M. Strand (A0.970736). By Mike Strand, ASCAPThis is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers. After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers. Grouping the parts in this manner is natural and advantageous for this particular swing composition. These part groupings will help players in a group coordinate with each other from their group score. This is an excellent compromise between everyone working from the full score, and each player having a score with just the player’s individual part. The audio sample plays the full score.This product solves a problem that any composer of new jazz music faces: Unlike the popular standards, there aren’t any well-known and often-heard arrangements for a band to emulate. As the composer with only a lead sheet, I would have to convince your band to develop an arrangement from scratch, starting from nothing but the lead sheet! With so many attractive standard swing tunes to perform, a busy band may hesitate to put extra effort into an unknown tune. Problem solved! With this full arrangement of They Came Here to Dance, a band can better see and hear the tune’s full potential. It will be easier for a band to make any modifications to suit its particular mix of musicians and to better fit its style. With this arrangement, with written score, part group scores and audio sample, it will be as easy as working from the recording and score of a popular standard. All that’s missing from this arrangement is the percussion, because of the individuality of drummers. The band only needs a skilled jazz drummer to join in easily with this arrangement. Here are the lyrics to They Came Here to Dance: 1.You may come here to eat and to drink.Lots of chins wag, and wine glasses clink. Well, that’s all good, but here’s what I think: They came here to dance! 2. We cats up front have to check our sound mix. Then they walk in, togged to the bricks. They have the moves to show off our licks. They came here to dance! Bridge – Instrumental section, followed by: Our band’s in the groove – here’s one reason why: The doghouse amps are turned up high. They get in there, and tear up the floor! And they don’t care if their feet get sore. 3. Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not. They came here to dance!4. Bridge again, then:Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not.They have the learning to, they have a yearning to,They came here to dance! Note Some words in these lyrics are taken from Cab Calloway Slang: Light up – smoke a stick (marijuana cigarette) Doghouse - bass Get in there - go to work, get busy, make it hot, give it all you got Bustin’ our conks – breaking our necks (applying ourselves diligently) Wren – a chick, a queen (beautiful girl) Cat – musician in swing band Togged to the bricks – dressed to kill, from head to toe Licks – hot musical phrases In the groove – perfect, down the alley .
$8.00
Briar Rose for Big Band
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Ensemble Jazz
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FACILE
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Tchaikovsky, Peter
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Thingvall, Jon
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Briar Rose for Big Band
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Jon Thingvall
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1273503 Composed by Tchaikovsky, Peter. Arranged by Thingvall, Jon. Film/TV,Jazz. Score and Parts. 88 pa...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1273503 Composed by Tchaikovsky, Peter. Arranged by Thingvall, Jon. Film/TV,Jazz. Score and Parts. 88 pages. Jon Thingvall #865640. Published by Jon Thingvall (A0.1273503). Briar Rose was the name of an early version of Sleeping Beauty.  Here, Tchaikovsky’s famous Sleeping Beauty Waltz is perked up a little, and re-imagined for a standard junior high/early high school, jazz big band (5,4,4), and played in 4/4 time.Difficulty:  junior high to early high school band.Designed to help students learn jazz.Key:  F (original ballet key is B-flat)Highest lead trumpet note: concert E (last note), in the treble clef.There are no solos.  Exposed parts have at least two players.The rhythms swing, but are kept predictable, without too much variety.Rhythm section play-along here:  https://youtu.be/rhlifLTzHC8Additional Parts Included:        Score, transposed        Score, concert pitch        Piano/Guitar showing Bass in L.H.        Piano/Guitar only, no Bass        Piano with jazz ideas/options written out        Drum set notation        Drum set kicksheetMeasure 71 (at approx. 1:51) could serve as an Optional Ending, and the director will be able to edit the measure as desired—beef up the “& of two†if desired, and/or add horns on beat 4, etc.  If done in class, as my teachers occasionally did, it can show the students the process of arranging, and might encourage some in that direction.As a classical-turned-jazz pianist, my best memories are of those who helped me bridge the gap from verbatim part-playing to the concepts of learning jazz harmonies and its own unique form of counterpoint.  Writers' suggestions--like Sammy Nestico's, who occasionally specified voicings--were invaluable. So, for classically-trained pianists who are interested in jazz, I’ve included a couple versions of the piano part—a fairly standard “lead sheetâ€, but also one with ideas for voicings, especially quartal, which the classical artist might not have considered.  Further study on YouTube and other Internet sites will help them hear and visualize the difference between jazz and classical.The Bass part gives the student the option of playing the changes, or the written notes.I’ve also included two kinds of drum parts—one with notation for those just starting out, and another “kick sheet†for those with more experience.Manuscript made with Finale v26Sounds from Finale and Garritan “JABB3†(Jazz And Big Band)MP3 courtesy of OnlineAudioConverter.com.
$45.00
This Could Be The Start Of Something Big
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Various Artists
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Kirk Schmidt
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Tenor 1
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This Could Be The Start Of Som
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Kirk Schmidt
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1290034 By Various Artists. By Steve Allen. Arranged by Kirk Schmidt. 20th Century,Jazz,Standards. Score...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1290034 By Various Artists. By Steve Allen. Arranged by Kirk Schmidt. 20th Century,Jazz,Standards. Score and Parts. 91 pages. Kirk Schmidt #880737. Published by Kirk Schmidt (A0.1290034). This is an up tempo swinging chart for 17-pc big band with ad lib solos for Alto 2; Tenor 1; Trumpet 2; Trombone 2 and Guitar (Piano alternate). It's in Cut Time so it should be counted off in Two which comers in handy for the two short interludes where we transition into 6/8 march time for a short period before returning quickly to Swing.                                                The entire chart can be heard on my SoundCloud Page with the following link:  https://on.soundcloud.com/vNbXo.
$60.00
Funky Monkey
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Ensemble Jazz
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INTERMÉDIAIRE
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Michael Drake
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Kevin Carberry
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Funky Monkey
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Michael Gene Drake
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1350477 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Broadway,Contemporary,Film/TV,Fu...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1350477 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Broadway,Contemporary,Film/TV,Funk,Jazz,Musical/Show. 83 pages. Michael Gene Drake #935285. Published by Michael Gene Drake (A0.1350477). Funky Monkey - from the CD SAZZUNK, starts out with a simple funky groove using horn accents to catch your attention. The head is initially stated by solo trumpet followed by a duet with alto sax on the melody that soon jumps into the musical jungle to have a lot of complex fun getting wrapped up in the complex vines of that oh so unpredictable melodic jungle! Full of riffs and fun lines it returns to the melody with a multi-layered version that wraps up this Funky Monkey line with attitude. The solo/duet per the CD is transcribed.
$35.00
The Phat Pack: Score
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Ensemble Jazz
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Jazz
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Gordon Goodwin
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The Phat Pack: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PR-0005404 Score. Composed by Gordon Goodwin. Jazz. Score. 26 pages. Alfred Music - Digital Sheet Music #00-PR-0005404...
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Jazz Ensemble - SKU: AX.00-PR-0005404 Score. Composed by Gordon Goodwin. Jazz. Score. 26 pages. Alfred Music - Digital Sheet Music #00-PR-0005404. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005404). UPC: 038081299938.Slow and bluesy! The title chart as recorded on Gordon Goodwin's newest CD, The Phat Pack. Things to enjoy: it's kind of greasy, it's full of twists and turns, calls for brass plunger mutes and optional bass clarinet for bari sax, and the lead trumpet range goes up to written E with a few G's. There is solo space for all saxes, trumpet 4 and trombone 1. Show stopping! This title is available in SmartMusic.
$11.00
The Phat Pack: B-flat Soprano Saxophone
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Ensemble Jazz
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Jazz
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Gordon Goodwin
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The Phat Pack: B-flat Soprano
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017120_SX B-flat Soprano Saxophone. Composed by Gordon Goodwin. Jazz. Part. 3 pages. Alfred Music - Digital Sheet ...
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Jazz Ensemble - SKU: AX.00-PC-0017120_SX B-flat Soprano Saxophone. Composed by Gordon Goodwin. Jazz. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017120_SX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017120_SX). UPC: 038081299938.Slow and bluesy! The title chart as recorded on Gordon Goodwin's newest CD, The Phat Pack. Things to enjoy: it's kind of greasy, it's full of twists and turns, calls for brass plunger mutes and optional bass clarinet for bari sax, and the lead trumpet range goes up to written E with a few G's. There is solo space for all saxes, trumpet 4 and trombone 1. Show stopping! This title is available in SmartMusic.
$3.00
Love Is A Losing Game
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Ensemble Jazz
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FACILE
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Amy Winehouse
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Johan Verhey
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Love Is A Losing Game
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DaimlerMusic
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1118481 By Amy Winehouse. By Amy Winehouse. Arranged by Johan Verhey. Jazz,Pop,Singer/Songwriter. 70 pag...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1118481 By Amy Winehouse. By Amy Winehouse. Arranged by Johan Verhey. Jazz,Pop,Singer/Songwriter. 70 pages. DaimlerMusic #720003. Published by DaimlerMusic (A0.1118481). Love Is A Losing Game is the story of a woman who is disillusioned with love. She has fallen head over heels for the man of her dreams. But what seemed like a beautiful promise turned out to be just an illusion. Outwardly self-confident and convinced of himself, but inwardly not up to the challenges of a relationship, he cowardly flees out of fear. Leaving her in loneliness and pain. This arrangement is for music fans and inspired Big Bands interested in telling an incredible story with authentic instrumentation. Johan Verhey is a professional musician and composer, as well as arranger. He knows how it feels to play a piece “in the pocket†with the intention of the original composer always in mind. His arrangements honour the Artist who wrote the original piece to express their soul. Each measure is created with precise attention to the intention of the lyrics. The instrumentation carries forward the story with dynamic harmonies. Johan Verhey understands the nuances of this piece and creates a dynamic and engaging arrangement. He also understands the power of the moment when the musician feels equally inspired and free to soar within the structure. The ability to play this arrangement does not require a specific skill level; only the heart , soul and intention is mandatory.More music from Johan Verhey, see: www.bestarrangementsforbands.com.
$60.00
There Will Never Be Another You
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Andy Williams
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John Yao
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There Will Never Be Another Yo
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Yaotones Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1234212 By Andy Williams. By Harry Warren and Mack Gordon. Arranged by John Yao. Instructional,Jazz,Stan...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1234212 By Andy Williams. By Harry Warren and Mack Gordon. Arranged by John Yao. Instructional,Jazz,Standards. 89 pages. Yaotones Music #829743. Published by Yaotones Music (A0.1234212). This hard swinging, up tempo arrangement is written in the style of the Count Basie Orchestra.  It starts out small with a Piano solo and builds throughout with additional solos in the Trumpet, Tenor Sax, and Trombone. The chart features simple unisons and 4-way closed textures and reads straight down easily with plenty of challenging ensemble passages throughout.  There's a lot of sectional writing and moments when the brass and woodwinds oppose one another.  After a temporary modulation to a new key for the Trombone solo, the piece returns to the original, customary key of Eb Major.  Following the solos, the chart climaxes on a big, tutti shout chorus exchange with the drums and a final big chord.  This arrangement works great at the end a set or concert program or even as an opener.Trumpet Range - Db6Trombone Range - A4The YT Link track is performed by NYC based big band John Yao and His 17-piece Instrument.To view other arrangements by John Yao, please visit Sheet Music Plus, Sheet Music Direct, or Ejazzlines.For more info or questions, please visit www.johnyao.com or email me at john@johnyao.com.  Follow me on Instagram, Facebook or subscribe to my You Tube Channel.
$50.00
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Turn It Up