Partitions Numériques de Loved pour Voix basse, Piano

Loved

GOD SO LOVED ~ Solo for low voice, optional flute

#GOD SO LOVED ~ Solo for low vo

GOD SO LOVED ~ Solo for low voice, optional flute #Voix basse, Piano #FACILE #Richard Donn #GOD SO LOVED ~ Solo for low vo #Cartecay River Music Publishing #SheetMusicPlus

Low Voice,Vocal Solo - Level 2 - SKU: A0.891177 Composed by Richard Donn. Contemporary,Easter,Sacred,Traditional. 8 pages. Cartecay River Music Publishi...(+)

Low Voice,Vocal Solo - Level 2 - SKU: A0.891177 Composed by Richard Donn. Contemporary,Easter,Sacred,Traditional. 8 pages. Cartecay River Music Publishing #3260225. Published by Cartecay River Music Publishing (A0.891177). GOD SO LOVED is a new rendering of John 3:16 from composer Richard Donn. It features a lovely ascending melody with a descending bass line facilitating the harmonic structure. The solo is very accessible with homophonic and gentle contrapuntal interplay in the instrumental parts. An optional flute part adds just the right touch, making this a piece that you will return to time and again. It is rated medium-easy. Also available: SATB (soprano solo, opt. flute, piano), High voice solo (opt. flute), and Medium voice solo (opt. flute).

If I Loved You (Low Voice)

#If I Loved You

Low Voice,Vocal Solo - Level 5 - SKU: A0.1328390 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916380. Published by Nicole Elyse DiPaolo (A0.1328390). The first of its kind, and the first entry in the Accessible Accompaniments libraryâ??s collection of small-hand-optimized song literature publications, this is Richard Straussâ??s beloved â??Zueignung,â? from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. â??Smallâ? is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Booseyâ??s excellent small-hand edition of Frank Bridgeâ??s â??Love Went A-Ridingâ? (erroneously labeled â??simplifiedâ? on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Straussâ??s op. 10 collection is much more widespread on todayâ??s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Straussâ??s songs are often so orchestral in spiritâ??much more so than the Bridgeâ??that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Straussâ??s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henleâ??s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompanimentsâ?? distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you donâ??t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibilityâ??and that goes for singers, too!

The Lord's Prayer #Voix basse, Piano #INTERMÉDIAIRE/AVANCÉ #Contemporain #Albert Hay Malotte #Jantz A #The Lord's Prayer #Jantz A. Black #SheetMusicPlus

Low Voice,Vocal Solo - Level 4 - SKU: A0.867699 Composed by Albert Hay Malotte. Arranged by Jantz A. Black. 20th Century. 5 pages. Jantz A. Black #35492...(+)

Low Voice,Vocal Solo - Level 4 - SKU: A0.867699 Composed by Albert Hay Malotte. Arranged by Jantz A. Black. 20th Century. 5 pages. Jantz A. Black #3549215. Published by Jantz A. Black (A0.867699). Albert H. Malotte's beloved setting of The Lord's Prayer gets a refreshing piano-vocal treatment - for today - with new harmonies and flourishes, bringing an old standard into the 21st century. The piano accompaniment is challenging but rewarding, and the familiar vocal line gets a few new treatments. Suitable for church or concert hall.(A piano solo and four piano-vocal editions of this arrangement available: Low, Medium Low, Medium High, and High).

The Lord bless you and keep you (solo/low) #Voix basse, Piano #Musique Sacrée #John Rutter #The Lord bless you and keep yo #Oxford University Press Digital #SheetMusicPlus

Composed by John Rutter (1945-). Sheet music. 4 pages. Oxford University Press Digital #9780193550643. Published by Oxford University Press Digital...(+)

Composed by John Rutter (1945-). Sheet music. 4 pages. Oxford University Press Digital #9780193550643. Published by Oxford University Press Digital
ISBN 9780193550643.

A much-loved setting of the Aaronic Blessing (Numbers 6: 24), this simple but highly expressive work is at once tender and profound. It was composed for a memorial service for Edward T. Chapman, the Director of Music at Highgate School, where John Rutter was a pupil. It is arranged here for solo low voice and piano (which may be adapted for performance on the organ), originally published in Oxford Solo Songs: Sacred. Also available in versions for solo high. voice and piano, SATB and organ/strings, SAB and piano, and SA and piano/organ/strings.

Over The Rainbow (low voice and piano) #Voix basse, Piano #INTERMÉDIAIRE #Comédie Musicale #Film/TV #Judy Garland #Anthony Giamanco #Over The Rainbow #Anthony Giamanco Music #SheetMusicPlus

Low voice solo with piano accompaniment - Intermediate - By Judy Garland. Arranged by Anthony Giamanco. Score. 6 pages. Published by Anthony Giamanc...(+)

Low voice solo with piano accompaniment - Intermediate - By Judy Garland. Arranged by Anthony Giamanco. Score. 6 pages. Published by Anthony Giamanco Music
This beautiful ballad from the beloved film "The Wizard of Oz" is arranged in an elegant jazz style for low voice solo with piano accompaniment (in the key of A-flat). The piano part is well-suited to the advanced intermediate player, and includes jazz voicings and chord symbols. A great piece for concert and recitals!