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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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450
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Piano seul
222
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74
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27
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22
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12
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12
2 Pianos, 4 mains
10
Clavecin
10
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
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1
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue et Orchestre
1
+ 10 instrumentations
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Guitares
Guitare
38
Basse electrique
13
2 Guitares (duo)
13
Guitare notes et tablatures
10
3 Guitares (trio)
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Dulcimer
1
Banjo
1
Mandoline, Guitare (duo)
1
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1
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1
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67
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21
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19
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16
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8
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5
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4
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3
Voix duo, Piano
2
Voix moyenne, Piano
1
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1
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1
Voix, Guitare
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45
2 Flûtes traversières (duo)
39
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37
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29
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28
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22
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20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Ensemble de saxophones
15
Hautbois, Piano (duo)
14
2 Hautbois (duo)
12
Quatuor de Flûtes : 4 flûtes
12
Clarinette
8
Ensemble de Clarinettes
8
Flûte, Hautbois, Clarinette, Basson
7
Clarinette et Piano
6
Quintette de Clarinettes: 5 clarinettes
6
Saxophone Alto et Piano
6
Ensemble de Flûtes
5
Saxophone Tenor et Piano
5
2 Flûtes traversières, Piano
5
2 Clarinettes, Piano
5
Flûte traversière
4
2 Flûte à bec (duo)
4
Saxophone Alto
4
Saxophone Tenor
4
Trio de Flûtes: 3 flûtes
3
Saxophone Soprano et Piano
3
Saxophone Baryton, Piano
3
Cor anglais, Piano
3
Clarinette Basse, Piano
2
Saxophone (partie séparée)
2
3 Clarinettes (trio)
2
Hautbois, Basson (duo)
2
Hautbois, Violon, Piano
1
Flûte, Violon, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Hautbois, Basson
1
Flûte, Clarinette (duo)
1
Piccolo, Piano
1
Flute (partie séparée)
1
Flûte et Guitare
1
Clarinette, Basson (duo)
1
Clarinette, Trombone (duo)
1
Hautbois (partie séparée)
1
2 Hautbois et Cor anglais
1
Quatuor de Flûtes à bec
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
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1
Hautbois, Flûte
1
3 Saxophones (trio)
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
202
Quatuor de Cuivres : 2 trompettes, trombone, tuba
104
Quatuor de cuivres: 4 trombones
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
29
2 Trompettes (duo)
20
Quatuor de Cuivres
15
Trompette
13
Trompette, Piano
11
Trombone et Piano
9
2 Trombones (duo)
9
2 Euphoniums et 2 Tubas
8
Cor et Piano
6
2 Cors (duo)
6
Euphonium, Piano (duo)
4
Tuba et Piano
4
Trombone (partie séparée)
3
2 Tubas (duo)
3
Trompette (partie séparée)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor anglais, Piano
3
2 Euphoniums (duo)
2
Ensemble de Trompettes
2
Trio de Cuivres
2
Cor
2
Trombone
2
3 Trombones (trio)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Ensemble de Trombones
1
4 Tubas
1
Quatuor de cuivres: 4 cors
1
Cornet et orchestre
1
Trompette, Trombone (duo)
1
Euphonium, Tuba (duo)
1
Tuba
1
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Quatuor à cordes: 2 violons, alto, violoncelle
305
2 Violons (duo)
34
Violon, Violoncelle (duo)
30
Violon et Piano
29
2 Violoncelles (duo)
20
Alto, Piano
19
Violoncelle, Piano
16
Trio à Cordes: violon, alto, violoncelle
15
2 Violons, Piano
12
2 Altos (duo)
12
Violoncelle
9
Violon
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Harpe
6
Trio à Cordes: 2 violons, violoncelle
6
2 Harpes (duo)
5
2 Contrebasses (duo)
4
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3
Violon (partie séparée)
3
Violon, Alto (duo)
3
Alto, Violoncelle (duo)
2
Trio à Cordes: 2 violons, alto
2
Contre Basse
2
Trio à Cordes: 3 violoncelles
1
Violoncelle , Guitare (duo)
1
Alto (partie séparée)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Trio à cordes: 3 violins
1
Alto seul
1
+ 24 instrumentations
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Orchestre d'harmonie
68
Orchestre de chambre
67
Orchestre
57
Ensemble de cuivres
54
Orchestre à Cordes
52
Jazz combo
18
Ensemble Jazz
18
Cloches
5
Fanfare
5
Ensemble de Percussions
5
Marimba
2
Batterie
1
Vibraphone
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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COR
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CORNET
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DIDGERIDOO
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52 partitions trouvées
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Recordare (from "Requiem") (F) (String Orchestra - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1112894 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Chri...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1112894 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 44 pages. Regis Bookshar #714847. Published by Regis Bookshar (A0.1112894). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Orchestra - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Orchestra, consisting of 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (44 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Orchestra, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$40.00
Coronation March (Db) (String Orchestra - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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Coronation March
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Regis Bookshar
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1087401 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,...
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String Orchestra - Level 4 - SKU: A0.1087401 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #691621. Published by Regis Bookshar (A0.1087401). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. String Orchestra - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a String Orchestra, with parts for 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass. In addition to this arrangement of Tchaikovsky's Coronation March for a String Orchestra, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
Wieniawski Polonaise No. 2 Op 21 for Violin and String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Henri Wieniawski
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Paul Wood
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Wieniawski Polonaise No. 2 Op
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MyMusicScores.com
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1386062 Composed by Henri Wieniawski. Arranged by Paul Wood. Romantic Period. 65 pages. MyMusicScores.com #970008. ...
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String Orchestra - Level 4 - SKU: A0.1386062 Composed by Henri Wieniawski. Arranged by Paul Wood. Romantic Period. 65 pages. MyMusicScores.com #970008. Published by MyMusicScores.com (A0.1386062). Henri Wieniawski composed two Polonaises The Polonaise No. 1, Op.4 in D-major, emerges as a youthful endeavor, while the Op.21 in A-major stands as one of his final compositions.Completed in 1870, the Polonaise in A-major debuted with orchestral accompaniment in St. Petersburg, followed by a piano-accompanied performance in Warsaw, showcasing Wieniawski's adaptability. The piece received critical acclaim from its inception, lauded as a magnificent piece, a sentiment echoed in subsequent reviews across Russian and Western European publications.Published by Schott Publishers in Mainz around 1875, the Polonaise in A-major reveals a well-developed concert piece. The solo violin assumes a dominant role, with the orchestra primarily providing harmonic support. The middle fragment introduces contrast through a change in key and tempo, featuring a balanced dialogue between the instruments.The PDF document includes both the score and individual instrument parts.
$24.99
Drdla Muzurka No 2 Op. 23 for Solo Violin & String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frantisek  Drdla
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Paul Wood
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Drdla Muzurka No 2 Op. 23 for
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1308867 Composed by Frantisek  Drdla. Arranged by Paul Wood. Romantic Period. Score and Parts. 33 pages. MyMusic...
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String Orchestra - Level 4 - SKU: A0.1308867 Composed by Frantisek  Drdla. Arranged by Paul Wood. Romantic Period. Score and Parts. 33 pages. MyMusicScores.com #898123. Published by MyMusicScores.com (A0.1308867). A Mazurka is a lively and rhythmic Polish folk dance, characterized by its triple meter and distinctive accent on the second or third beat. Typically accompanied by music featuring lively melodies and ornate ornamentation, it's known for its spirited and exuberant quality, often performed at social gatherings and celebrations.Well, that's the definition! Here's Drdla's Mazurka No. 2 arranged for Violin and String Orchestra.
$19.99
Vivaldi Concerto for 2 Violins in A major Op.3 No.5
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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Paul Wood
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(The Red Priest)
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Vivaldi Concerto for 2 Violins
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.736818 Composed by Antonio Vivaldi. Arranged by Paul Wood. Baroque. Score and parts. 68 pages. MyMusicScores.com #6...
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String Orchestra - Level 4 - SKU: A0.736818 Composed by Antonio Vivaldi. Arranged by Paul Wood. Baroque. Score and parts. 68 pages. MyMusicScores.com #6623073. Published by MyMusicScores.com (A0.736818). L'estro Armonico op. 3 (Harmonic Inspiration in Italian) is a collection of twelve concertos for 1, 2 and 4 violins written by Antonio Vivaldi in 1711. It largely augmented the reputation of Vivaldi as Il Prete Rosso; (The Red Priest). The collections were mostly put together in a chronological order.L'Estro Armonico, Op. 3, Concerto No. 5 in A major for two violins and strings, RV 519:1. Allegro2. Largo3. AllegroThe PDF file contains the score and all parts.
$19.99
Scherzo Op.42, No.2 (arr. for Violin and Strings)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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VioArrange
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Scherzo Op.42, No.2
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Vio Arrange
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.946327 Composed by Peter Ilyich Tchaikovsky. Arranged by VioArrange. Romantic Period. Score and parts. 41 pages. Vi...
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String Orchestra - Level 4 - SKU: A0.946327 Composed by Peter Ilyich Tchaikovsky. Arranged by VioArrange. Romantic Period. Score and parts. 41 pages. Vio Arrange #6215709. Published by Vio Arrange (A0.946327). Tchaikovsky's Scherzo Op.42, No.2 from Souvenir d'un Lieu Cher arranged for Solo Violin and String Orchestra. The PDF file contains Full score and set of parts (Solo Violin, Violin I, Violin II, Viola, Violoncello, Double Bass). Dear all! We are happy to offer variety of compositions for violin and piano (or symphony orchestra) arranged for violin and string orchestra. For any questions please do not hesitate to contact us on vioarrange@gmail.com .
$19.95
TCHAIKOVSKY Humoresque Op.10.No.2 for string orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Ian Butterworth
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2nd violin
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TCHAIKOVSKY Humoresque Op.10.N
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Ian Butterworth
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.963731 Composed by Peter Ilyich Tchaikovsky. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 17 page...
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String Orchestra - Level 4 - SKU: A0.963731 Composed by Peter Ilyich Tchaikovsky. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 17 pages. Ian Butterworth #5994501. Published by Ian Butterworth (A0.963731). A lively piece, originally for piano, with a melodious central section and with some solo passages for 1st & 2nd violin. Copying of individual parts for sole use by the purchaser is permitted. Through his experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have been enjoyed by youth and amateur players. www.ianbutterworthmusic.co.uk
$8.99
Concerto for English horn in D Minor, Op. 9 No. 2 and String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Tomaso Albinoni
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Don Werdick (1946 - )
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Concerto for English horn in D
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.955151 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 69 pag...
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String Orchestra - Level 4 - SKU: A0.955151 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 69 pages. Chamber Ensemble of Minnesota, Inc. #5317019. Published by Chamber Ensemble of Minnesota, Inc. (A0.955151). Complete score and parts of the Concerto for Oboe in D Minor, Op. 9, No. 2 and String Orchestra , composed in 1722 by T. Albinoni, arranged for English horn by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 11 minutes, 45 seconds Full Score + Parts: English horn, Violin I, Violin II, Viola, Cello, Double Bass 2020 Chamber Ensemble of Minnesota, Inc. Publishing
$17.00
Concerto for Two Oboes in C Major, Op. 7 No. 2 and String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Tomaso Albinoni
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Don Werdick (1946 - )
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II solo score
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Concerto for Two Oboes in C Ma
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.955089 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 46 pag...
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String Orchestra - Level 4 - SKU: A0.955089 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 46 pages. Chamber Ensemble of Minnesota, Inc. #4628317. Published by Chamber Ensemble of Minnesota, Inc. (A0.955089). Complete score and parts of the Concerto for Two Oboes in C Major, Op. 7, No. 2 and String Orchestra , composed in 1715 by T. Albinoni, arranged by D Werdick. Includes Oboe I & II solo score. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 30 seconds 2019 Chamber Ensemble of Minnesota, Inc.
$17.00
Concerto for Oboe d’amore, Op. 9 No. 2 and String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Tomaso Albinoni
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Don Werdick (1946 - )
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Concerto for Oboe d’amor
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.955150 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 71 pag...
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String Orchestra - Level 4 - SKU: A0.955150 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 71 pages. Chamber Ensemble of Minnesota, Inc. #5320173. Published by Chamber Ensemble of Minnesota, Inc. (A0.955150). Complete score and parts of the Concerto for Oboe in D Minor, Op. 9, No. 2 and String Orchestra , composed in 1722 by T. Albinoni, arranged in B Minor for Oboe d’amore and String Orchestra by D. Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 11 minutes, 45 seconds Full Score + Parts: Oboe d’amore, Violin I, Violin II, Viola, Cello, Double Bass 2020 Chamber Ensemble of Minnesota, Inc. Publishing
$17.00
Concerto for Two English horns in C Major, Op. 7 No. 2 and String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Tomaso Albinoni
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Don Werdick (1946 - )
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Concerto for Two English horns
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.955088 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 46 pag...
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String Orchestra - Level 4 - SKU: A0.955088 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 46 pages. Chamber Ensemble of Minnesota, Inc. #4627951. Published by Chamber Ensemble of Minnesota, Inc. (A0.955088). Complete score and parts of the Concerto for Two Oboes in C Major, Op. 7, No. 2 and String Orchestra , composed in 1715 by T. Albinoni, arranged by D. Werdick for Two English horns and String Orchestra. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 30 seconds 2019 Chamber Ensemble of Minnesota, Inc.
$17.00
Concerto for Two Oboe d’amore in C Major, Op. 7 No. 2 and String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Tomaso Albinoni
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Don Werdick (1946 - )
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II version 8va lower
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Concerto for Two Oboe d’
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.955087 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 55 pag...
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String Orchestra - Level 4 - SKU: A0.955087 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 55 pages. Chamber Ensemble of Minnesota, Inc. #4627945. Published by Chamber Ensemble of Minnesota, Inc. (A0.955087). Complete score and parts of the Concerto for Two Oboes in C Major, Op. 7, No. 2 and String Orchestra , composed in 1715 by T. Albinoni, arranged by D. Werdick for Two Oboe d’amore and String Orchestra. Also Includes Oboe d’amore I & II version 8va lower. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 30 seconds 2019 Chamber Ensemble of Minnesota, Inc.
$17.00
Platti - Harpsichord Concerto No.2 in C major CSPla19 for Harpsichord and Strings
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Platti Giovanni Benedetto
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Santino Cara
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Platti - Harpsichord Concerto
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Santino Cara
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.517355 Composed by Platti Giovanni Benedetto. Arranged by Santino Cara. Baroque. Score and parts. 54 pages. Santino...
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String Orchestra - Level 4 - SKU: A0.517355 Composed by Platti Giovanni Benedetto. Arranged by Santino Cara. Baroque. Score and parts. 54 pages. Santino Cara #4609257. Published by Santino Cara (A0.517355). Complete score and parts of the Harpsichord Concerto No.2 in C major CSPla19 for Harpsichord obbligato and Strings by Giovanni Benedetto Platti (1697-1763). Reconstructed and elaborated by Santino Cara.
$18.40
BACH: Six English Suites Complete BWV 806-811 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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BACH: Six English Suites Compl
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.500367 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditio...
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String Orchestra - Level 4 - SKU: A0.500367 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional. Score and parts. 434 pages. Jmsgu3 #113557. Published by jmsgu3 (A0.500367). English Suite No. 1 BWV 806 Duration: 23:35 Score: 25 pages English Suite No. 2 BWV 807 Duration: 20:15 Score: 33 pages. English Suite No. 3 BWV 808 Duration: 16:50 Score: 29 pages English Suite No. 4 BWV 809 Duration: 17:36 Score: 28 Pages. English Suite No. 5 BWV 810 Duration: 16:00 Score: 30 pages. English Suite No. 6 BWV 811 Duration: 24:30 Score: 39 pages.
$124.95
Hera's Rage
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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J
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Hera's Rage
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J. Stringer
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1391604 Composed by J. Stringer. 20th Century. 21 pages. J. Stringer #975145. Published by J. Stringer (A0.1391604)...
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String Orchestra - Level 4 - SKU: A0.1391604 Composed by J. Stringer. 20th Century. 21 pages. J. Stringer #975145. Published by J. Stringer (A0.1391604). Heraâ??s Rage - Advanced because of meter changes.Inspired by Bloch - B Minor and A Minor -5/4, 4/4 and 6/4 meters quarter, eighth, half and whole. Work on dynamic contrast with crescendo-decrescendo. A focus on accented notes is present  Melody often doubled in viola. Easier parts Vln, Vla, Cello and Bass. Piano Part. (2:04).
$30.00
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Pomp and Circumstance (for string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edward Elgar
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Ian Deterling
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Pomp and Circumstance
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Ian Deterling
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.743022 Composed by Edward Elgar. Arranged by Ian Deterling. Graduation. Score and parts. 23 pages. Ian Deterling #6...
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String Orchestra - Level 4 - SKU: A0.743022 Composed by Edward Elgar. Arranged by Ian Deterling. Graduation. Score and parts. 23 pages. Ian Deterling #6702851. Published by Ian Deterling (A0.743022). A new version of Pomp and Circumstance with the musicians, directors, and (potential marathon-length) performances in mind! This arrangement is different than most in that it is constructed to be as flexible as possible. With the exception of a short intro and ending coda, there are four 20-measure sections. Sections 1 and 4 are like most other arrangements; the well-known melody over a pulsating quarter note accompaniment. Sections 2 and 3 differ in that each instrument has measures of rest to save their chops. Sections 2 and 3 are also musically different; while following the same chord progression, they incorporate the main melody in different ways: segmented, inverted, reversed, inverted AND reversed… These sections are written to by stylistically correct with the original, but musically more interesting and rewarding for the performers.
$35.00
Mozart: Sonata K. 284 “Durnitz” for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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W
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James M
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Mozart: Sonata K. 284 “D
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festi...
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String Orchestra - Level 4 - SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festival,Standards. Score and parts. 125 pages. Jmsgu3 #800938. Published by jmsgu3 (A0.1202559). Sonata No. 6, “Durnitz†for String OrchestraScore and performance parts:  Score: 66 pages. Duration: ca. 29:28 Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$59.95
Turkish March / Marche pour la cérémonie des Turcs
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Jean-Baptiste Lully
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Tormod Tvete Vik
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Turkish March / Marche pour la
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Tormod Tvete Vik
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1294540 Composed by Jean-Baptiste Lully. Arranged by Tormod Tvete Vik. Baroque,Classical. Score and Parts. 13 pages...
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String Orchestra - Level 4 - SKU: A0.1294540 Composed by Jean-Baptiste Lully. Arranged by Tormod Tvete Vik. Baroque,Classical. Score and Parts. 13 pages. Tormod Tvete Vik #884913. Published by Tormod Tvete Vik (A0.1294540). An adapted version for strings of Jean Baptiste Lully`s pompous march (Marche pour la Ceremonie des Turcs), made famous for the movie Tous les matins with supporting percussion part for tambourine/drum. Suitable for both intermediate and advanced strings. 3. violin and viola part. Duration: 2.00TTV Music Publishing offers high quality music for strings by composer, arranger, violnist & educator Tormod Tvete Vik, www.tormodtvetevik.com.
$20.00
If
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Bread
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Thomas YAO
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If
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Thomas YAO
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.920911 By Bread. By David Gates. Arranged by Thomas YAO. Rock. Score and parts. 19 pages. Thomas YAO #2347379. Publ...
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String Orchestra - Level 4 - SKU: A0.920911 By Bread. By David Gates. Arranged by Thomas YAO. Rock. Score and parts. 19 pages. Thomas YAO #2347379. Published by Thomas YAO (A0.920911). Rendition of If by Bread for String Quintet/Orchestra with a faster and slightly upbeat tempo. Transcribed from the version by The Huqin Quartet, re-arranged and completed in 2008, in memory of a dear friend who passed (this was his favorite song). Suitable for gig-like functions. Total Playing Time: around 2 mins 30 seconds Comes with full score and set of parts. Never got to perform this. If any group of musicians out there is able to perform this rendition and upload it, do link me up on instagram @thomasyaomusic Feedback on the arrangement would be much appreciated as well.
$16.99
The Sound Of Silence
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Simon And Garfunkel
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Laura Gorden
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The Sound Of Silence
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Laura Gorden
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1235307 By Simon And Garfunkel. By Paul Simon. Arranged by Laura Gorden. Folk,Instructional,Pop,Rock. Score and Par...
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String Orchestra - Level 4 - SKU: A0.1235307 By Simon And Garfunkel. By Paul Simon. Arranged by Laura Gorden. Folk,Instructional,Pop,Rock. Score and Parts. 21 pages. Laura Gorden #830843. Published by Laura Gorden (A0.1235307). This arrangement for string orchestra is based on the cover that Disturbed performed on the original Simon & Garfunkel song The Sound of Silence. The arrangement includes the score and parts around Grade level 3-3/12. This score provides educational opportunities for young orchestras with specific concepts such as syncopated rhythms, mixed meter of 4/4 to 2/4, divisi parts, shared/passing melody across sections, and very specific dynamics to create balance.This arrangement is the whole song, all of the versus, and the words to the song are included in score and parts when that specific instrument has the melody to help with rhythm reading as well as to provide the option to teach parts with singing them. There is shifting in the violin 1, viola and cello parts. Due to the nature of the members of Disturbed vocal range, the cello has the melody most often. Hope you enjoy this arrangement!
$60.00
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