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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Man There Is
Non classifié
2 597
Piano & claviers
Piano seul
781
Piano, Voix
239
Orgue
175
Piano grosses notes
164
Piano Facile
140
Piano, Voix et Guitare
99
2 Pianos, 4 mains
33
Instruments en Do
28
Accompagnement Piano
24
1 Piano, 4 mains
23
Piano Trio: piano, violon, violoncelle
18
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Orgue, Piano (duo)
4
2 Pianos, 8 mains
3
Orgue, Trompette (duo)
3
Clavier
2
Piano (partie séparée)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Accordéon
2
Clavecin
1
2 Accordéons
1
+ 17 instrumentations
Retracter
Guitares
Guitare
138
Guitare notes et tablatures
86
Basse electrique
25
2 Guitares (duo)
19
Mandoline
17
4 Guitares (Quatuor)
11
Ukulele
11
Banjo
8
Ligne De Mélodie, (Paroles) et Accords
5
Ensemble de guitares
5
Dulcimer
4
Piano, Guitare (duo)
3
3 Guitares (trio)
2
Guitare (partie séparée)
2
Mandoline, Guitare (duo)
2
2 Mandolines (duo)
2
+ 11 instrumentations
Retracter
Voix
Chorale SATB
440
Chorale 3 parties
119
Chorale 2 parties
93
Chorale TTBB
65
Chorale SSAA
52
Chorale Unison
39
Voix duo
19
Voix duo, Piano
15
Voix Alto, Piano
11
Voix Baryton, Piano
10
Voix moyenne, Piano
9
Voix Tenor, Piano
8
Voix Soprano, Piano
8
Voix haute
7
Voix seule
6
Voix basse, Piano
4
Voix Tenor
3
Chorale SSAATTBB
2
Soli, choeur mixte et accompagnement
2
Chorale
2
Voix Mezzo-Soprano, Piano
2
Voix Soprano
1
Chorale SSATTB
1
+ 18 instrumentations
Retracter
Vents
2 Saxophones (duo)
834
Saxophone, Clarinette (duo)
412
Flûte traversière et Piano
380
2 Clarinettes (duo)
362
Clarinette, Violon (duo)
290
2 Flûtes traversières (duo)
288
Hautbois, Piano (duo)
247
Clarinette, Trompette (duo)
245
Clarinette et Piano
169
Flûte, Clarinette (duo)
165
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
160
2 Hautbois (duo)
154
Flûte, Violon
147
Hautbois, Clarinette (duo)
145
Clarinette et Alto
144
Flûte, Saxophone (duo)
141
Hautbois, Basson (duo)
139
Saxophone Alto et Piano
131
Hautbois, Flûte
120
Flûte, Alto (duo)
116
Flûte, Trompette (duo)
114
Quintette de Saxophone: 5 saxophones
113
Quatuor de Saxophones: 4 saxophones
105
Clarinette
78
Saxophone Tenor et Piano
75
Flûte traversière
71
Ensemble de saxophones
69
Saxophone Soprano et Piano
65
Flûte, Hautbois, Clarinette, Basson
61
Quatuor de Clarinettes: 4 clarinettes
59
Cor anglais, Piano
56
Ensemble de Clarinettes
50
Saxophone Alto
47
Quatuor de Flûtes : 4 flûtes
44
Saxophone Baryton, Piano
43
Ensemble de Flûtes
39
Quintette de Flûte : 5 flûtes
39
Saxophone Tenor
36
2 Flûte à bec (duo)
35
3 Saxophones (trio)
32
Clarinette Basse, Piano
31
Saxophone (partie séparée)
29
Hautbois (partie séparée)
29
2 Flûtes traversières, Piano
29
Quintette de Clarinettes: 5 clarinettes
27
3 Clarinettes (trio)
20
Trio de Flûtes: 3 flûtes
17
Flûte, Hautbois (duo)
17
Hautbois
15
Flûte à bec Soprano
15
Hautbois, violon (duo)
14
Flûte et Guitare
12
Flûte, Hautbois, Clarinette (trio)
11
Flûte à Bec
10
Flûte irlandaise
9
Flûte, Clarinette, Piano (trio)
8
Clarinette, Trombone (duo)
8
Quatuor de Flûtes à bec
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Saxophone Soprano
8
Flûte, Violon, Piano
6
3 Flûtes à bec (trio)
6
Clarinette, Violoncelle (duo)
6
Flûte à bec Soprano, Piano
5
Flûte, Violoncelle
5
Cor Anglais
5
Flûte, Harpe et Violoncelle
4
Clarinette, Harpe (duo)
4
Flute (partie séparée)
4
Saxophone Baryton
4
Flute, harpe et violon
4
Clarinette, Guitare (duo)
4
Clarinette (partie séparée)
3
Cor anglais, Guitare (duo)
3
Clarinette, Basson (duo)
3
Piccolo, Piano
3
Flûte, Clarinette, Violon (trio)
2
Saxophone
2
Flûte, Alto et Piano
2
Flûte, Hautbois, Piano (trio)
2
Saxophone et Orgue
2
Flûte, Clarinette et Basson
2
2 Clarinettes, Piano
2
Flûte à bec Alto, Piano
2
Flûte, Violoncelle, Piano (trio)
2
Flûte à bec Alto
2
Flûte à bec Tenor
2
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Guitare (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Saxophone et Harpe
1
Flûte traversière, Orgue (duo)
1
Flûte, trombone et piano
1
Flûte, Basson et Piano
1
Flûte, Hautbois, Basson
1
5 Flûtes à bec
1
2 Cors Anglais Et Pianoforte
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
3 Hautbois
1
Flûte à Bec, Piano
1
Saxophone et Guitare
1
Ensemble De Flûte à bec
1
Hautbois, Harpe
1
Hautbois, Violon, Piano
1
Harmonica
1
Clarinette Basse
1
Ensemble de Hautbois
1
Flûte, Hautbois, Violon
1
+ 103 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
293
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
158
2 Trombones (duo)
156
Trompette, Trombone (duo)
148
2 Trompettes (duo)
142
Quatuor de Cuivres : 2 trompettes, trombone, tuba
124
Trombone et Piano
97
Trompette
85
Cor et Piano
80
Trompette, Piano
71
Cor anglais, Piano
56
Trombone
51
Ensemble de Trompettes
51
Euphonium, Piano (duo)
47
Ensemble de Trombones
43
Quatuor de Cuivres: 2 trompettes, Cor, trombone
36
Quatuor de Cuivres
27
Cor
23
Tuba et Piano
22
Quatuor de cuivres: 4 trombones
19
Tuba
15
Trompette (partie séparée)
12
Trombone (partie séparée)
11
2 Euphoniums (duo)
8
3 Trompettes (trio)
8
Ensemble de Cors
5
Quatuor de cuivres: 4 cors
5
Trio de Cuivres
5
3 Trombones (trio)
5
Cor Anglais
5
Quatuor de cuivres: 4 trompettes
4
2 Cors (duo)
4
2 Euphoniums et 2 Tubas
4
Euphonium
4
Cor (partie séparée)
3
Cor anglais, Guitare (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Tuba (partie séparée)
2
Trombone, Orgue
2
3 Euphoniums
2
3 Tubas (trio)
1
Trompette, Euphonium (duo)
1
Trompette, Harpe
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Tubas (duo)
1
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Violon (duo)
1
3 Cors (trio)
1
Trompette, Trombone, Piano
1
Euphonium, Tuba (duo)
1
4 Tubas
1
+ 47 instrumentations
Retracter
Cordes
Violon et Piano
451
Quatuor à cordes: 2 violons, alto, violoncelle
273
Violon, Violoncelle (duo)
212
2 Violons (duo)
176
Violon, Alto (duo)
161
2 Altos (duo)
161
2 Violoncelles (duo)
146
Alto, Piano
139
Violoncelle, Piano
137
Violon
110
Harpe
100
Trio à Cordes: violon, alto, violoncelle
91
Violoncelle
64
Alto seul
36
Trio à Cordes: 2 violons, violoncelle
30
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
Ensemble de Violons
13
Contrebasse, Piano (duo)
13
Ensemble d'Altos
12
2 Harpes (duo)
11
Trio à cordes: 3 violins
11
4 Violoncelles
10
Contre Basse
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Harpe, Flûte (duo)
7
Alto (partie séparée)
7
Violon (partie séparée)
6
Alto, Violoncelle (duo)
6
Harpe, Voix
5
Trio à Cordes: 2 violons, alto
5
Quatuor à cordes: 4 violons
4
Trio à cordes: 3 altos
4
Contrebasse (partie séparée)
4
Quatuor à cordes : 4 altos
4
2 Violons, Piano
3
Piano Trio: Violon, Alto, Piano
3
Trio à Cordes: 3 violoncelles
3
Violon, Guitare (duo)
3
Violoncelle, Contrebasse (duo)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Alto et Harpe
2
Harpe, Violon (duo)
2
Violon, Clarinette, Piano (trio)
2
Ensemble de Violoncelles
2
4 Contrebasses
1
Violoncelle , Guitare (duo)
1
Harpe et Piano
1
Violoncelle, Orgue
1
2 Contrebasses (duo)
1
Harpe, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
Alto et Basson
1
+ 47 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
229
Orchestre à Cordes
172
Orchestre
134
Ensemble Jazz
123
Cloches
90
Ensemble de cuivres
75
Orchestre de chambre
67
Jazz combo
25
Ensemble de Percussions
13
Fanfare
12
Marimba
5
Percussion
3
Batterie
3
Batterie (partie séparée)
3
Bongos
1
Conga
1
Quintette de Cuivres: autres combinaisons
1
Percussion (partie séparée)
1
Piano et Orchestre
1
Ensemble d'École
1
Xylophone, Piano
1
2 Marimbas
1
+ 17 instrumentations
Retracter
Autres
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ACCORDEON
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AUTRES INST…
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16
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
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Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
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March
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Musette
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ACCUEIL
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PIANO
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Piano seul
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INSTRUMENTAL
|
Cordes
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Violoncelle
Contrebasse
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Saxophone
Basson
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Cor
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Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
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Accordéon
Banjo
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Ukulélé
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Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
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Blues
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Comédie Musicale
Country
Enfant
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Folk Rock
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Jazz
Jeux Video
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Latin Pop
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Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale
49
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
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GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
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|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
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INSTRUMENTS
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CLAVIERS
ACCORDEON
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ORGUE
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GUITARE
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DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
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COR ANGLAIS
FLUTE
FLUTE A BEC
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HARMONICA
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ENSEMBLE
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FANFARE - BANDA
CUIVRES
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CHARANGO
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MANDOLINE
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PERCUSSION
VIBRAPHONE
XYLOPHONE
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INSTRUMENTATIONS
|
GENRES
|
20eme siecle
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Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
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New Age
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Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
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ORCHESTRE
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PERCUSSION
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style (tous)
AFRICAIN
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CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
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JAZZ MANOUCHE - SWIN…
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NOËL
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Crtitères actifs :
A Man There Is
Orchestre à Cordes
Partitions à imprimer
172 partitions trouvées
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151
Allemande for First Position String Orchestra
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Orchestre à Cordes
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Michael Bomier
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Allemande for First Position S
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Michael Butkus-Bomier
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SheetMusicPlus
String Orchestra - SKU: A0.862525 Composed by Michael Bomier. Baroque,Contemporary,Instructional,Sacred,Standards. Score and parts. 11 pages. Michael Bu...
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String Orchestra - SKU: A0.862525 Composed by Michael Bomier. Baroque,Contemporary,Instructional,Sacred,Standards. Score and parts. 11 pages. Michael Butkus-Bomier #2032899. Published by Michael Butkus-Bomier (A0.862525). The Allemande was a German dance form used in many Baroque Era suites. Its characteristic rhythm was the dotted-eighth-sixteenth figure, which is used throughout this piece. The real substance of this composition is not the dance form, however, but the strict and highly evocative use of the ascending and descending forms of the melodic minor scale. Since this was such a Baroque Era staple, I felt the piece had to use Baroque forms, techniques and structures as well. So, the key is D minor. C and Bb going down, B and C# going up. No accidentals but these were used. D minor is not the happiest of keys, and accordingly the mood here is somber. The orchestral texture is NOT rich and lush, like other pieces in the series, but is thinner and more contrapuntally transparent. There are three internal cadences before the ending sequence. Suspensions, voice leading, and dissonances are all treated in a standard Baroque fashion. Bowings by string pedagogue Lori Sandell Lacey. Running time is approx 3 mins 30 secs.at suggested tempo. The piece could certainly go faster if your group can handle it. Each part is but a single page, for easy management of music in rehearsal and performance. MBB.
$20.00
A Pizzicato Christmas Smash
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Orchestre à Cordes
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INTERMÉDIAIRE
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Noël
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John Sarno
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jtsarno publishing
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God Rest Ye Merry, Gentlemen
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A Pizzicato Christmas Smash
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John T Sarno
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.904424 Composed by John Sarno. Arranged by jtsarno publishing. Christmas. Score and parts. 34 pages. John T Sarno #...
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String Orchestra - Level 3 - SKU: A0.904424 Composed by John Sarno. Arranged by jtsarno publishing. Christmas. Score and parts. 34 pages. John T Sarno #6471851. Published by John T Sarno (A0.904424). This is a fun piece for an intermediate-level string orchestra. It is the third arrangement of mine that is a mash-up of traditional Christmas carols. This arrangement features religious Christmas carols. Included are: Angles We Have Heard on High; God Rest Ye Merry, Gentlemen; O Come, O Come, Emmanuel; Away in a Manger; Cradle Song (Away in a Manger); Joy to the World; In the Bleak Midwinter. In different places in the piece, different string sections play different melodies at the same time. There is a triangle part to be played as a fun part. There is a Flute solo, but it can be played on any C instrument. More instructions are given at the end of the score for how these parts should be played. While it is mostly a pizzicato piece there are some bowing sections. It also gives the player a challenge to play pizzicato while holding the bow in certain sections. This is a great piece for your Christmas/Winter Concert. Approximately 6:30 John Sarno
$19.99
You've Got A Friend In Me
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Orchestre à Cordes
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INTERMÉDIAIRE
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Film/TV
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Randy Newman And Lyle Lovett
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Sherry Lewis
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You've Got A Friend In Me
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Sherry Lewis Publishing
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.521848 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by Sherry Lewis. Film/TV. Score and Parts. 21 pag...
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String Orchestra - Level 3 - SKU: A0.521848 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by Sherry Lewis. Film/TV. Score and Parts. 21 pages. Sherry Lewis Publishing #6503427. Published by Sherry Lewis Publishing (A0.521848). YOU'VE GOT A FRIEND IN MEString Orchestra, Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, etc. Score: YES Parts: 10 pages Time: 3'25 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
Carson Cooman: Concerto for Bass Saxophone and Strings (1999), score and solo part
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Orchestre à Cordes
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AVANCÉ
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Carson Cooman
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Carson Cooman: Concerto for Ba
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533709 Composed by Carson Cooman. 20th Century,Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Musi...
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String Orchestra - Level 5 - SKU: A0.533709 Composed by Carson Cooman. 20th Century,Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3041103. Published by Musik Fabrik Music Publishing (A0.533709). I. Chaconne: ...a continuum of dreams...II. CadenzaIII. ToccataConcerto for Bass Saxophone and Strings (1999) was commissioned by basssaxophonist Andreas van Zoelen (with generous support from the Broeker Fund forNew Music) and is dedicated with appreciation and admiration to him. Van Zoelen iscommitted to enhancing the very small existing bass saxophone repertoire throughsupporting the creation and performance of new works. The subtitle of the firstmovement (...a continuum of dreams...) could be seen as a sort of subtitle for theentire work that sets the mood and provides unification for the entire piece. The firstmovement is a slow and ethereal chaconne. The strings and the saxophone interact invarious ways throughout this movement in non-traditional form. There are actuallytwo ground bass themes; one is introduced at the beginning with pizzicato stringsbut soon moves to the background (although it is almost always present). The secondis presented near the end of the work and eventually the two are combined. Theinterval of an augmented fourth (tritone) has special use throughout the movementas a variety of themes and motifs are transformed throughout. The second movementis a cadenza for the unaccompanied saxophone. The third movement is a fast andwild toccata. The saxophone plays almost without rest for the entire movement. Amiddle section recalls the theme of augmented fourths from the first movement.Heavy use is made of pizzicato strings. The saxophone part for this movement ishighly virtuosic, exploring the full possibilities and range of the instrument.This is the score and solo part only. The parts are on rental from the publisher.
$29.95
Barcarolle from Tales of Hoffman
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Orchestre à Cordes
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FACILE
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Classique
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Jacques Offenbach
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Mike Spiller
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Barcarolle from Tales of Hoffm
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Platypus Music
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.959056 Composed by Jacques Offenbach. Arranged by Mike Spiller. Romantic Period. Score and parts. 11 pages. Platypu...
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String Orchestra - Level 2 - SKU: A0.959056 Composed by Jacques Offenbach. Arranged by Mike Spiller. Romantic Period. Score and parts. 11 pages. Platypus Music #6493251. Published by Platypus Music (A0.959056). This arrangement of the famous expressive and lilting Barcarolle from 'Tales of Hoffmann' for string orchestra would work equally well for string quartet. The melody is contained in the first violin part and later the viola part. The 2nd violin provides an interesting accompaniment and the cello part has a legato arpeggiated section. It could be performed in a wedding ceremony or as a slower contrasting piece in an evening concert or school concert. There are11 pages including the title page.
$12.99
Overture for Strings No. 3 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 3 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 5 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 5 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 6 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 6 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 4 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 4 - S
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ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 2 - Score Only
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 2 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
The Wellerman - - Multi-Level String Orchestra
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Orchestre à Cordes
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FACILE
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Pick 'n' Mix Strings
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Sarah McLellan
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LETTER NAMES written in
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The Wellerman - - Multi-Level
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Sarah McLellan
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1436705 By Pick 'n' Mix Strings. By Traditional. Arranged by Sarah McLellan. Folk,Multicultural,Traditional,World. ...
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String Orchestra - Level 2 - SKU: A0.1436705 By Pick 'n' Mix Strings. By Traditional. Arranged by Sarah McLellan. Folk,Multicultural,Traditional,World. 113 pages. Sarah McLellan #1016845. Published by Sarah McLellan (A0.1436705). We're sure that this new arrangement of the famous New Zealand Sea Shanty will be enjoyed by string players of all levels. As with all Pick n' Mix arrangements, there are multiple part options to suit all playing levels- whether advanced players, complete beginners and all those in-between. The melodic interest of the Verses is passed between instrument sections and develops musically throughout the arrangement, whilst the catchy, repeated Chorus section provides a great hook for everyone to join together throughout the piece. The concept of all Pick 'n' Mix Strings arrangements is that you just choose the parts which are most suited to your players. We are absolutely NOT suggesting that you try to cover every single possible part! If you don't have any players on the more advanced parts, this doesn't matter at all. Alternatively, experienced ensembles might want all players on advanced parts. You may well use a mixture of some advanced parts and other simpler parts- or you could even have a very early beginner ensemble just using the parts for open strings and first fingers, with a teacher playing the main tune on piano for instance. In addition to the regular score and parts, there are also optional versions of each part with the: STRING FINGERING written in; LETTER NAMES written in; an EXTENSION SCORE; a REDUCED SCORE; an optional PIANO ACCOMPANIMENT and an optional PIANO REDUCTION. There are tried and tested suggested BOWINGS included in all string parts. However, should any music directors wish to use alternative bowings to those printed, we can happily provide versions of the score and parts without bowing on request. There are also Play Along videos available on YouTube @PicknMixStrings for all the Open String parts, in case these are helpful for practising along with!
$35.00
Scheherazade - I. The Sea and Sinbad's Ship - Pick-A-Part Arrangement for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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Grant Gilman
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Scheherazade - I. The Sea and
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Dr. Grant Gilman
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Sco...
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String Orchestra - Level 4 - SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Score and parts. 147 pages. Dr. Grant Gilman #3511981. Published by Dr. Grant Gilman (A0.799741). Nikolai Rimsky-Korsakov Scheherazade - I. The Sea and Sinbad’s Ship Pick-A-Part Arrangement for String Orchestra by Dr. Grant Gilman String Orchestra Parts in This Pick-A-Part Arrangement Violin 1A Violin 1B Violin 1C Violin 2A Violin 2B Violin 2C Viola A Viola B Viola C Cello A Cello B Cello C Bass A Bass B Bass C Harp/Keyboard (optional)About Pick-A-Part Arrangement This arrangement system employs simultaneous, multi-level difficulty parts for each string section. The goal is to accommodate all levels of playing in the preparation and performance of a symphonic masterwork. In this arrangement, there are 3 difficulty levels for each individual string section, labeled A, B, and C, respectively. Each level is a decreasing level of technical and musical difficulty, level A being the highest level of difficulty. The A level is close to, if not exactly the same as, the original string part, plus the integration of wind parts when applicable. B and C follow in a proportional reduction of difficulty level. For this solution to be most effective, some students should be encouraged to play the most challenging parts simultaneously with those playing the simpler parts. This presents the opportunity to participate in a performance that includes most of the original material. The B and C parts cover enough of the surface material while maintaining a modicum of independence from the A part. In other words, the B and C parts are able to hold their own in performance without the A parts. For example, let’s say you have a couple of talented violinists and a few more that are well below their playing level, only two violists that need a great deal of help, a plethora of cellists with a wide range of abilities, and one single bass player that is a beginner. Your distribution of parts may look something like this: Violin 1 - two on Violin 1A, one on Violin 1C, and the rest on Violin 1B Violin 2 - one on Violin 2B, the rest on Violin 2C Viola - both on Viola C Cello - three on Cello A, one on Cello B, and the rest on Cello C Bass - one on Bass C This potential setup will challenge each player at their current level of development while creating the context for a moving experience with a major orchestral work. A Note about the Score and Printing The full score is designed to be printed in portrait orientation on 17x11 tabloid size paper. Even at this size, the score can be confusing to read, especially if you are not covering every difficulty level part. If you would like a custom score showing only the parts you are using, please email me: conductor@grantgilman.com. I will be happy to work with you!www.grantgilman.comwww.americanmusepodcast.com
$29.99
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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Orchestre à Cordes
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Contemporain
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419...
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String Orchestra - SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$25.95
Somewhere Out There - Score Only
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Orchestre à Cordes
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FACILE
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Linda Ronstadt & James Ingram
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Catherine Gates
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Somewhere Out There - Score On
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Catherine Gates
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1499435 By Linda Ronstadt & James Ingram. By Barry Mann, Cynthia Weil, and James Horner. Arranged by Catherine Gate...
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String Orchestra - Level 2 - SKU: A0.1499435 By Linda Ronstadt & James Ingram. By Barry Mann, Cynthia Weil, and James Horner. Arranged by Catherine Gates. 20th Century,Film/TV. 5 pages. Catherine Gates #1075496. Published by Catherine Gates (A0.1499435). This is a Grade 2 string orchestra arrangement of Somewhere Out There.
$15.00
Somewhere Out There
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Orchestre à Cordes
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INTERMÉDIAIRE
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Film/TV
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Linda Ronstadt & James Ingram
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Chaz Cabrera
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Somewhere Out There
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Chaz Cabrera
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1151494 By Linda Ronstadt & James Ingram. By Barry Mann, Cynthia Weil, and James Horner. Arranged by Chaz Cabrera. ...
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String Orchestra - Level 3 - SKU: A0.1151494 By Linda Ronstadt & James Ingram. By Barry Mann, Cynthia Weil, and James Horner. Arranged by Chaz Cabrera. Film/TV. Score and parts. 10 pages. Chaz Cabrera #751684. Published by Chaz Cabrera (A0.1151494). This beautiful and lush orchestration of, Somewhere Out There from Steve Spielberg's, An American Tail. This captivating arrangement can be performed by either a string orchestra or string quintet. The piece features moving lines throughout the cello and viola parts, with the melody being trade off from violin I's. This piece is 2:33.
$49.99
There's No One Like Her (Piano & Ensemble)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Ric Flauding
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There's No One Like Her
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Denise Lea Flauding
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.867985 Composed by Ric Flauding. 20th Century,Holiday,Jazz,Latin,Love. Score and parts. 32 pages. Denise Lea Flaudi...
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String Orchestra - Level 3 - SKU: A0.867985 Composed by Ric Flauding. 20th Century,Holiday,Jazz,Latin,Love. Score and parts. 32 pages. Denise Lea Flauding #4295655. Published by Denise Lea Flauding (A0.867985). Romantic Cinematic Jazz Bossa. REVIEWS: Great feel!, it's like Adele with a lite jazz overtone. / OMG. That is beautiful! / One of the best love songs of the decade!! Live premiere by The Mansfield Philharmonic (Texas). For: Piano / Bass / Drums (Perc.) / Orchestral Instruments. Includes a Lead Sheet. flaudingmusic.com
$15.00
Open Strings Holidays: A Song for Every US Holiday for Beginning String Orchestra Parts
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Orchestre à Cordes
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DÉBUTANT
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Yoel Epstein
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Yoel Epstein
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Hope you enjoy.
 
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Open Strings Holidays: A Song
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Yoel Epstein
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.773315 Composed by Yoel Epstein. Arranged by Yoel Epstein. Holiday,Patriotic,Standards. Score and parts. 39 pages. ...
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String Orchestra - Level 1 - SKU: A0.773315 Composed by Yoel Epstein. Arranged by Yoel Epstein. Holiday,Patriotic,Standards. Score and parts. 39 pages. Yoel Epstein #3686423. Published by Yoel Epstein (A0.773315). This volume contains parts for songs for every national US holiday. The songs are arranged for beginning string orchestra (all first position), with additional parts for violin, viola and cello using open strings only. You can purchase the score and one set of parts at https://www.sheetmusicplus.com/title/20826942 . An accompaniment track is available at https://youtu.be/SlkbjfKBdjc . So you can play this with the accompaniment and any combination of parts. If there are no violists, or if the cello part is too hard for your students, you can play the songs with the accompaniment, and it will sound fine. In fact, I have performed this piece with the violin open string parts only, along with the accompaniment. Please do not make copies of this. I know your project is underbudgeted and you are underpaid, and the photocopier is right down the hall. But this is my livelihood. So please, please, please, buy as many copies as you need. It's really cheap!This is one of the Open String Symphony series of music for string players of mixed skill levels. You can see all the books of the series at http://www.sheetmusicplus.com/search?Ntt=Open+String+Symphony These pieces are part of a more complete program for teaching strings in classes. You can read the entire first-year program in the books Playing Together Student Workbook and Playing Together: Teacher's Guide, both available on Amazon: Teacher's Guide: https://www.amazon.com/Playing-Together-Teachers-Guide-teaching/dp/1534974598 Student Workbook: https://www.amazon.com/Playing-Together-Student-Workbook-2/dp/1535336617 If you enjoy this, you are welcome to try some of my other arrangements. You can see them at http://www.sheetmusicplus.com/search?Ntt=Yoel+Epstein ), In particular, you might be interested in my music flash cards (here). If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me, and I will try to accommodate. Write me at yoelepst@gmail.com. Hope you enjoy.
$2.99
A. Boito, Mefistofele- Giunto sul passo estremo (tenor voice - string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Arrigo Enrico Boito
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George Dousis
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A. Boito, Mefistofele- Giunto
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George Dousis
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1493391 Composed by Arrigo Enrico Boito. Arranged by George Dousis. 19th Century,Classical,Opera,Romantic Period. 1...
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String Orchestra - Level 3 - SKU: A0.1493391 Composed by Arrigo Enrico Boito. Arranged by George Dousis. 19th Century,Classical,Opera,Romantic Period. 11 pages. George Dousis #1070052. Published by George Dousis (A0.1493391). This is a fantastic arrangement of the beautiful aria for tenor voice and string orchestra.There are no additional musical lines, only the original music transcribed.This version has been professionally performed in concert.Visit my websitewww.georgedousis.com.
$12.99
There is a time for many words, and there is also a time for sleep...
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Robert Steadman
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There is a time for many words
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Robert Steadman
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1433040 Composed by Robert Steadman. 21st Century,Classical,Spiritual. 31 pages. Robert Steadman #1013469. Publishe...
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String Orchestra - Level 4 - SKU: A0.1433040 Composed by Robert Steadman. 21st Century,Classical,Spiritual. 31 pages. Robert Steadman #1013469. Published by Robert Steadman (A0.1433040). A new atmospheric work for string quintet, harp and string orchestra by Robert Steadman.PDF includes full score and all parts.
$25.00
The American Seasons (score – violin and string orchestra)
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Orchestre à Cordes
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861927 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 102 pages. Mark O'Connor Musik I...
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String Orchestra - Level 5 - SKU: A0.861927 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 102 pages. Mark O'Connor Musik International #6208091. Published by Mark O'Connor Musik International (A0.861927). The American Seasons (score – violin and string orchestra) MO148AScore (parts available)Music by Mark O’Connor99 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ACopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for vi.
$37.50
The American Seasons (double basses part – violin and string orchestra)
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Orchestre à Cordes
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861933 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 44 pages. Mark O'Connor Musik In...
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String Orchestra - Level 5 - SKU: A0.861933 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 44 pages. Mark O'Connor Musik International #6208117. Published by Mark O'Connor Musik International (A0.861933). The American Seasons (double basses part – violin and string orchestra) MO148HDouble Basses Part (score and parts available)Music by Mark O’Connor40 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148HCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Me.
$15.00
The American Seasons (cellos part – violin and string orchestra)
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Orchestre à Cordes
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861932 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 50 pages. Mark O'Connor Musik In...
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String Orchestra - Level 5 - SKU: A0.861932 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 50 pages. Mark O'Connor Musik International #6208111. Published by Mark O'Connor Musik International (A0.861932). The American Seasons (cellos part – violin and string orchestra) MO148GCellos Part (score and parts available)Music by Mark O’Connor46 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148GCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional.
$15.00
The American Seasons (violas part – violin and string orchestra)
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Orchestre à Cordes
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861931 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 46 pages. Mark O'Connor Musik In...
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String Orchestra - Level 5 - SKU: A0.861931 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 46 pages. Mark O'Connor Musik International #6208107. Published by Mark O'Connor Musik International (A0.861931). The American Seasons (violas part – violin and string orchestra) MO148FViolas Part (score and parts available)Music by Mark O’Connor42 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148FCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:
$15.00
The American Seasons (guitar part – violin and string orchestra)
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Orchestre à Cordes
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861928 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 50 pages. Mark O'Connor Musik In...
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String Orchestra - Level 5 - SKU: A0.861928 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 50 pages. Mark O'Connor Musik International #6208099. Published by Mark O'Connor Musik International (A0.861928). The American Seasons (guitar part – violin and string orchestra) MO148CGuitar Part (score and parts available)Music by Mark O’Connor46 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148CCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional.
$15.00
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