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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I See Red
Non classifié
644
Piano & claviers
Piano, Voix et Guitare
572
Piano seul
360
Instruments en Do
162
Piano, Voix
107
Piano Facile
102
Orgue
34
Accompagnement Piano
9
1 Piano, 4 mains
9
Piano Trio: piano, violon, violoncelle
5
Clavecin
2
Piano (partie séparée)
2
2 Pianos, 4 mains
2
Accordéon
2
Piano grosses notes
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Piano (duo)
1
+ 11 instrumentations
Retracter
Guitares
Guitare
43
Guitare notes et tablatures
33
Ligne De Mélodie, (Paroles) et Accords
23
Ukulele
6
4 Guitares (Quatuor)
5
Basse electrique
5
2 Guitares (duo)
4
Guitare (partie séparée)
3
3 Guitares (trio)
2
Mandoline
2
Banjo
2
Ensemble de guitares
1
Paroles et Accords
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
320
Chorale 3 parties
56
Voix duo, Piano
37
Chorale TTBB
24
Chorale 2 parties
23
Voix Soprano, Piano
17
Voix duo
17
Chorale SSAA
16
Chorale Unison
16
Voix haute
9
Voix Alto, Piano
8
Chorale
7
Voix Tenor, Piano
5
Voix Baryton, Piano
2
Voix seule
2
Chorale SSAATB
1
Pack Instrumental pour Chorale
1
Voix moyenne, Piano
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
32
2 Flûtes traversières (duo)
29
Quatuor de Saxophones: 4 saxophones
26
Clarinette et Piano
21
2 Saxophones (duo)
20
Saxophone Alto et Piano
18
Hautbois, Piano (duo)
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
2 Clarinettes (duo)
17
Clarinette
15
Saxophone Tenor et Piano
13
Saxophone (partie séparée)
12
Flûte, Hautbois, Clarinette, Basson
12
Quatuor de Clarinettes: 4 clarinettes
12
Quintette de Saxophone: 5 saxophones
10
Cor anglais, Piano
10
Ensemble de Flûtes
10
Hautbois (partie séparée)
9
Flûte traversière
9
Saxophone Baryton, Piano
8
3 Clarinettes (trio)
8
Ensemble de Clarinettes
8
Saxophone Soprano et Piano
8
2 Hautbois (duo)
6
Saxophone, Clarinette (duo)
5
Quintette de Clarinettes: 5 clarinettes
5
Flûte et Guitare
5
Clarinette, Trompette (duo)
4
Saxophone Alto
4
Clarinette, Violon (duo)
4
3 Saxophones (trio)
4
Clarinette Basse, Piano
4
Trio de Flûtes: 3 flûtes
3
2 Hautbois, Piano
3
Ensemble de saxophones
3
Quintette de Flûte : 5 flûtes
3
Hautbois, Clarinette (duo)
3
Flûte, Clarinette (duo)
3
Flûte, Violon
2
Saxophone et Orgue
2
Saxophone
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Basson (duo)
2
Clarinette et Alto
2
Saxophone Tenor
2
Flûte, Trompette (duo)
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Alto (duo)
2
Clarinette (partie séparée)
2
Flute (partie séparée)
2
2 Flûte à bec (duo)
2
Flûte, Violon, Violoncelle et Piano
1
Hautbois
1
Ensemble De Flûte à bec
1
Saxophone et Guitare
1
Flûte à bec Soprano
1
Flûte à bec Tenor
1
Hautbois, Guitare (duo)
1
Flûte, Saxophone (duo)
1
2 Flûtes traversières, Piano
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Alto, Piano
1
Piccolo, Piano
1
2 Flûtes à bec, Piano
1
Flûte, Violon, Piano
1
2 Saxophones, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
2 Clarinettes, Piano
1
Hautbois, Violoncelle
1
Flûte à Bec
1
Flûte à bec Soprano, Piano
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Guitare (duo)
1
+ 69 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Trombone et Piano
16
Trompette, Piano
15
Trompette (partie séparée)
14
Trombone (partie séparée)
13
Euphonium, Piano (duo)
10
Cor et Piano
10
Cor anglais, Piano
10
2 Trompettes (duo)
9
2 Cors (duo)
7
Trompette
6
2 Trombones (duo)
5
Ensemble de Trombones
4
Trombone
4
Ensemble de Trompettes
3
Quatuor de cuivres: 4 trombones
3
2 Tubas (duo)
3
Trompette, Trombone (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
2 Euphoniums (duo)
2
Quatuor de Cuivres
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Tuba et Orgue
1
Trombone basse et Piano
1
2 Cors, Piano
1
Tuba et Piano
1
Quatuor de cuivres: 4 cors
1
Cor (partie séparée)
1
Trompette, Saxophone (duo)
1
Tuba (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
68
Violon et Piano
41
Violoncelle, Piano
20
2 Violons (duo)
18
Violon, Violoncelle (duo)
15
Trio à Cordes: violon, alto, violoncelle
12
Harpe
12
Violon
11
Alto, Piano
11
2 Violoncelles (duo)
9
Trio à Cordes: 2 violons, violoncelle
9
Alto seul
7
2 Altos (duo)
5
Contrebasse (partie séparée)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violoncelle
4
Harpe, Voix
4
Violon, Guitare (duo)
3
Ensemble de Violons
3
Trio à Cordes: 2 violons, alto
3
Violon (partie séparée)
3
Violoncelle (partie séparée)
3
Violon, Alto (duo)
2
2 Altos, Piano
2
2 Contrebasses (duo)
2
Piano Trio: Violon, Alto, Piano
2
Contre Basse
2
4 Violoncelles
1
2 Violons, Piano
1
Alto, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Violoncelle , Guitare (duo)
1
Harpe et Piano
1
Alto, Violoncelle (duo)
1
Violon, Clarinette, Piano (trio)
1
Trio à cordes: 3 violins
1
Ensemble d'Altos
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
122
Orchestre à Cordes
35
Ensemble Jazz
34
Orchestre
33
Ensemble de cuivres
21
Orchestre de chambre
18
Jazz combo
12
Cloches
7
Ensemble de Percussions
6
Fanfare
3
Batterie
2
Batterie (partie séparée)
2
Percussion
1
Piano et Orchestre
1
Vibraphone
1
+ 10 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Instruments
ACCORDEON
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AUTRES INST…
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CLOCHES
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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OLD TIME - EARLY ROC…
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Crtitères actifs :
I See Red
Orchestre à Cordes
Partitions à imprimer
35 partitions trouvées
<
1
26
I Love Lucy
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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Eliot Daniel
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Dennis Ruello
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I Love Lucy
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Chicory Music
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.734620 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 10 pages. Chicory Music ...
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String Orchestra - Level 3 - SKU: A0.734620 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 10 pages. Chicory Music #6676835. Published by Chicory Music (A0.734620). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for String Orchestra plus optional Drum Set part remains faithful to the original.Performance Time Approx. 1 minute 25 seconds
$12.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Violin Concerto in E minor ("Concert pt vioara orchestra in mi minor") - strings-only reduction
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Orchestre à Cordes
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AVANCÉ
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Andrei Lucian Dragoi
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Andrei Lucian Dragoi
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Violin Concerto in E minor
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Andrei-Lucian Dragoi
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1313054 By Andrei Lucian Dragoi. By Andrei Lucian Dragoi. Arranged by Andrei Lucian Dragoi. Classical,Contemporary,...
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String Orchestra - Level 5 - SKU: A0.1313054 By Andrei Lucian Dragoi. By Andrei Lucian Dragoi. Arranged by Andrei Lucian Dragoi. Classical,Contemporary,Contest,Festival. 385 pages. Andrei-Lucian Dragoi #901891. Published by Andrei-Lucian Dragoi (A0.1313054). This is a strings-only reduction of my Violin Concerto in E minor (Concert pentru vioară È™i orchestra in mi minor) (“The Sad Seasons of Humankindâ€/â€Anotimpurile triste ale umanitățiiâ€) (E minor[160bpm] - A minor[100bpm] - D minor[100bpm] - E minor[140 bpm]) which is entirely composed by me and integrally interpreted by Note Performer 3 (the only Artificial Intelligence-based playback engine for musical notation worldwide).Have a nice, inspired audition! FOR AUDIO SEE THE 1ST PIECE FROM MY SONGTRADR PROFILE PAGE: https://www.songtradr.com/user/profile/dragoiAlbum on YouTube: https://www.youtube.com/playlist?list=OLAK5uy_mjnDEAiYsXiei4syYMd2xf3P_8ZbGnfyc.
$35.00
Violin Concerto in E minor ("Concert pt vioara orchestra in mi minor") - strings&piano reduction
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Orchestre à Cordes
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AVANCÉ
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Andrei Lucian Dragoi
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Andrei Lucian Dragoi
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Violin Concerto in E minor
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Andrei-Lucian Dragoi
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1313051 By Andrei Lucian Dragoi. By Andrei Lucian Dragoi. Arranged by Andrei Lucian Dragoi. Classical,Contemporary,...
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String Orchestra - Level 5 - SKU: A0.1313051 By Andrei Lucian Dragoi. By Andrei Lucian Dragoi. Arranged by Andrei Lucian Dragoi. Classical,Contemporary,Contest,Festival. 600 pages. Andrei-Lucian Dragoi #901887. Published by Andrei-Lucian Dragoi (A0.1313051). This is a strings&piano reduction of my Violin Concerto in E minor (Concert pentru vioară È™i orchestra in mi minor) (“The Sad Seasons of Humankindâ€/â€Anotimpurile triste ale umanitățiiâ€) (E minor[160bpm] - A minor[100bpm] - D minor[100bpm] - E minor[140 bpm]) which is entirely composed by me and integrally interpreted by Note Performer 3 (the only Artificial Intelligence-based playback engine for musical notation worldwide). Have a nice, inspired audition! FOR AUDIO SEE THE 1ST PIECE FROM MY SONGTRADR PROFILE PAGE: https://www.songtradr.com/user/profile/dragoiYT: https://www.youtube.com/playlist?list=OLAK5uy_mjnDEAiYsXiei4syYMd2xf3P_8ZbGnfyc.
$40.00
Mountain Goats And Other Creatures
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Vessela Stoyanova
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Mountain Goats And Other Creat
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Vessela Stoyanova
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela St...
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String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00
The Wizard of Oz, Suite from: 3rd Violin (Viola [TC])
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Orchestre à Cordes
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Methodes
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E
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Ralph Ford
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The Wizard of Oz, Suite from:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0016322_VN3 3rd Violin (Viola [TC]). Composed by E.Y. Yip Harburg and Harold Arlen. Arranged by Ralph Ford. Inst...
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String Orchestra - SKU: AX.00-PC-0016322_VN3 3rd Violin (Viola [TC]). Composed by E.Y. Yip Harburg and Harold Arlen. Arranged by Ralph Ford. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016322_VN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016322_VN3). UPC: 038081478722.Celebrate 75 years of wizarding! We're Off to See the Wizard, If I Only Had a Brain (A Heart, the Nerve), Ding Dong! The Witch Is Dead, and Over the Rainbow will delight all generations. (4:50) This title is available in SmartMusic.
$5.99
The Wizard of Oz, Suite from: 2nd Violin
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Orchestre à Cordes
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Methodes
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E
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Ralph Ford
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The Wizard of Oz, Suite from:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0016322_VN2 2nd Violin. Composed by E.Y. Yip Harburg and Harold Arlen. Arranged by Ralph Ford. Instructional. Pa...
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String Orchestra - SKU: AX.00-PC-0016322_VN2 2nd Violin. Composed by E.Y. Yip Harburg and Harold Arlen. Arranged by Ralph Ford. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016322_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016322_VN2). UPC: 038081478722.Celebrate 75 years of wizarding! We're Off to See the Wizard, If I Only Had a Brain (A Heart, the Nerve), Ding Dong! The Witch Is Dead, and Over the Rainbow will delight all generations. (4:50) This title is available in SmartMusic.
$5.99
The Wizard of Oz, Suite from: String Bass
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Orchestre à Cordes
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Methodes
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E
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Ralph Ford
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The Wizard of Oz, Suite from:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0016322_SB String Bass. Composed by E.Y. Yip Harburg and Harold Arlen. Arranged by Ralph Ford. Instructional. Pa...
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String Orchestra - SKU: AX.00-PC-0016322_SB String Bass. Composed by E.Y. Yip Harburg and Harold Arlen. Arranged by Ralph Ford. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016322_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016322_SB). UPC: 038081478722.Celebrate 75 years of wizarding! We're Off to See the Wizard, If I Only Had a Brain (A Heart, the Nerve), Ding Dong! The Witch Is Dead, and Over the Rainbow will delight all generations. (4:50) This title is available in SmartMusic.
$5.99
The Wizard of Oz, Suite from: Viola
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Orchestre à Cordes
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Methodes
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E
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Ralph Ford
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The Wizard of Oz, Suite from:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0016322_VA1 Viola. Composed by E.Y. Yip Harburg and Harold Arlen. Arranged by Ralph Ford. Instructional. Part. 4...
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String Orchestra - SKU: AX.00-PC-0016322_VA1 Viola. Composed by E.Y. Yip Harburg and Harold Arlen. Arranged by Ralph Ford. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016322_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016322_VA1). UPC: 038081478722.Celebrate 75 years of wizarding! We're Off to See the Wizard, If I Only Had a Brain (A Heart, the Nerve), Ding Dong! The Witch Is Dead, and Over the Rainbow will delight all generations. (4:50) This title is available in SmartMusic.
$5.99
The Wizard of Oz, Suite from: Score
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Orchestre à Cordes
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Methodes
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E
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Ralph Ford
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The Wizard of Oz, Suite from:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PR-0004560 Score. Composed by E.Y. Yip Harburg and Harold Arlen. Arranged by Ralph Ford. Instructional. Score. 19 p...
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String Orchestra - SKU: AX.00-PR-0004560 Score. Composed by E.Y. Yip Harburg and Harold Arlen. Arranged by Ralph Ford. Instructional. Score. 19 pages. Alfred Music - Digital Sheet Music #00-PR-0004560. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004560). UPC: 038081478722.Celebrate 75 years of wizarding! We're Off to See the Wizard, If I Only Had a Brain (A Heart, the Nerve), Ding Dong! The Witch Is Dead, and Over the Rainbow will delight all generations. (4:50) This title is available in SmartMusic.
$9.00
Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
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Orchestre à Cordes
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Classique
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Ludwig van Beethoven, Cees Nie
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Upstream Music
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Maestoso and Fugue in D minor
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Upstream Music
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SheetMusicPlus
String Orchestra - SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages...
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String Orchestra - SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages. Upstream Music #6353295. Published by Upstream Music (A0.933521). Both the Adagio molto (Hess 40) and the unfinished, originally intended Fugue date from November, 1817. It was the publisher Tobias Haslinger who requested a prelude and fugue for a publication in line with works published earlier. Beethoven completed the prelude but with the fugue he stopped after merely four bars of music. The short original fugue theme was later inserted into the second part (Molto vivace) of the Ninth Symphony (Opus 125).The prelude (Beethoven did not give any time indication) starts with 37 bars of solemn music followed by 12 bars Allegro. In terms of form, rhythm, and key, this material shows great similarity to the Molto vivace from Opus 125 referred to above. The present version has been arranged for a string orchestra instead of for a string quintet, thus being the first publication which enables it to be performed in its entirety. In order to balance the foundation, I opted for introducing a contrabass part, which largely follows the cello part composed by Beethoven. As regards the phrasing, dynamics, and rests as well as the time indication, this publication follows those in Willy Hess’ publication. So the prescribed time ‘Adagio molto’ is not that of Beethoven himself.The arguments to link the Maestoso to the Fugue in D major (Opus 137) published later are multiple. In the first place, the Fugue also dates from 1817. Secondly, the key is the same as is the number of instruments for a string quintet with two separate alto parts. Not only does the original fugue theme start at the tone a, but the timing too is the same, that is 3/8. So it seems reasonable to assume that Beethoven intended both works as a couple.The abnormal rhythmics of the bars 38 up to and including 49 is remarkable. I have preserved it because the part has been authentically composed by Beethoven, while it did not seem logical to me to have it immediately followed by the Fugue completed by myself. I have composed a number of bars of music based on the beginning of the prelude by way of a smooth transition.In the Fugue, I closely adhere to Beethoven, at the same time introducing a contrabass part here as well, so as to support the cello. At a number of places in the score, Beethoven recorded neither music nor rests. This refers to the bars 5 (second viola and cello), 11, 12, 25 and 26 (first and second violins), 39 to 41 (all parts), 43 and 44 (all parts except the first violin), 45 (first viola) and finally 45 and 46 (second violin). As in Willy Hess’ publication, I have just inserted rests here.
$29.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards....
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String Orchestra - Level 3 - SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
$18.00
Midnight Train to St. Petersburg
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Gary D
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Midnight Train to St. Petersbu
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DR GARY D BELSHAW
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.796779 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary,Instructional. Score and parts. 33 pages. DR ...
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String Orchestra - Level 4 - SKU: A0.796779 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary,Instructional. Score and parts. 33 pages. DR GARY D BELSHAW #6506559. Published by DR GARY D BELSHAW (A0.796779). Advanced Intermediate. SCORE ONLY: 33 pages. Duration: 9 minutes.Advanced Solo Violin plus Intermediate Violins I & II, Violas, Cellos, and Basses. Midnight Train to St. Petersburg was inspired by the train ride itself during the composer’s trek to Russia in 2006. The trip was made by faculty and students of Wayland Baptist University’s School of Music to allow the University’s Pioneer Band to participate in Victory Day festivities in Moscow and St. Petersburg. Impressions of the countryside during the train ride itself, as well as the overwhelming beauty of the country and two of her cities, informed much of the music performed here. A minimalistic approach to the composition seemed suitable. Persistent rhythmic patterns throughout the score invites listeners to imagine being inside a passenger rail car. An alternation between two- and three-eighth note groupings captures sound of steel wheels rolling along iron rails of varying lengths. The harmonies are simple, played almost entirely on open strings. Everyone involved in a performance can enjoy the exuberance of bright harmonic language. A short, simple melody, played by the upper strings is answered by the soloist - possibly the class instructor - who then is allowed some elaboration for a few measures. Students attempting a strings-methods class often find their more advanced musicianship stifled by working only in rudimental instrumental methods. Since so many pitches are played on open strings, student’s left hands are eased through the performance while the right hands move binarily in short, quick strokes. The result is a work that gratifies the student musician while developing an appreciation and understanding of string performance.
$15.00
Aphelion
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Orchestre à Cordes
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Daniel Baldwin
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Aphelion
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Imagine Music - Digital
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SheetMusicPlus
Two Horns & String Orchestra - SKU: IZ.CMS206 Composed by Daniel Baldwin. Score and Parts. 50 pages. Imagine Music - Digital #CMS206. Published by Imagi...
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Two Horns & String Orchestra - SKU: IZ.CMS206 Composed by Daniel Baldwin. Score and Parts. 50 pages. Imagine Music - Digital #CMS206. Published by Imagine Music - Digital (IZ.CMS206). 9 x 12 inches.I have long been inspired by mythology, nature, and space as a primary influence in my writing. I keep updated on all things astronomical. Though I likely won't live to see it, I greatly look forward to mankind's inevitable exploration of deep space and other galaxies. An aphelion is defined as the point in the orbit of a planet, asteroid, or comet at which it is furthest from the sun. This phenomenon was the inspiration for this concert piece for two horns and string orchestra (or piano). The work begins starkly, with just the horns playing by themselves before a single string drone enters. This is the light of the sun a long ways away. The piece then takes us on a few adventures as it begins its revolution around the sun. The piece ends warmly as we arrive at perihelion (the point in the orbit of a planet, asteroid, or comet at which it is closest to the sun). Aphelion for two horns and string orchestra was commissioned by and is gratefully dedicated to the Chech American Horn Duo (Steven Gross and Jiri Havlik) and the Symphony of the Vines, Greg Magie, conductor, who premiered the piece in January of 2018.
$50.00
Strings & Threads Suite (string parts - for violin and string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Mark O’Connor
Str
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Mark O'Connor
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Strings & Threads Suite
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861802 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 69 pages. Mark O'Connor Musik In...
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String Orchestra - Level 4 - SKU: A0.861802 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 69 pages. Mark O'Connor Musik International #6202135. Published by Mark O'Connor Musik International (A0.861802). Strings & Threads Suite (string parts - for violin and string orchestra) MO134C-GString Parts - vlns, vla, cel, bs (violin and string parts available)Music by Mark O’Connor69 pages - 15:00 minutes in length I. Fair Dancer Reel - p. 1II. Sailor’s Jig - p. 6III. Captain’s Jig - p. 9IV. Off To Sea - p. 11V. Pilgim’s Waltz - p. 12VI. Road To Appalachia - p. 15VII. Shine On - p. 18VIII. Cotton Pickin’ Blues - p. 21IX. Pickin’ Parlor Rag - p. 23X. Queen Of The Cumberland - p. 27XI. Texas Dance Hall Blues - p. 30XII. Swing 11:11 - p. 33XIII. Sweet Suzanne - p. 37 Strings & Threads Suite for violin and string orchestra is a piece comprising thirteen tunes composed by Mark O’Connor. In 1986, the Tennessee Dance Theater commissioned the Suite to be performed at Nashville’s Summer Lights Festival. A few years later Edgar Meyer provided the beautiful string orchestra arrangement that is contained in this score. The individual tunes are in various folk styles appearing in a chronological order O’Connor says, not only represents the evolution of American folk music, but also mirrors his own family’s migration from Ireland and Holland to America. It traces the family’s route through the thirteen colonies initially, and then eventually West during WWI nearly 300 hundred years later. O’Connor wrote the pieces in a manner and style he felt his family could have heard along the way. The Suite begins with Irish music, perhaps similar to the music O’Connor’s family brought with them. Then in a thoughtful progression, he reveals music they must have encountered living in early America. Strings & Threads musically describes how folk music styles hundreds of years apart are interconnected – possessing a common thread – from an Irish reel to jazz. The music is suited for advanced and intermediate levels but portions of the piece can be appropriate for beginners. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1986 Composed By Mark O’ConnorString Orchestra arrangement by Edgar MeyerStrings & Threads Suite (violin and string orchestra version) can be heard on American Seasons Sony Classical Mark O’Connor – violin, Metamorphosen Chamber Orchestra, Scott YooCatalogue Number MO134C-GCopyright © 1986 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$45.00
Strings & Threads Suite (score - for violin and string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Mark O’Connor
Str
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Mark O'Connor
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Strings & Threads Suite
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861800 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 47 pages. Mark O'Connor Musik In...
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String Orchestra - Level 4 - SKU: A0.861800 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 47 pages. Mark O'Connor Musik International #6202123. Published by Mark O'Connor Musik International (A0.861800). Strings & Threads Suite (score - for violin and string orchestra) MO134AScore (violin and string parts available)Music by Mark O’Connor43 pages - 15:00 minutes in length I. Fair Dancer Reel - p. 1II. Sailor’s Jig - p. 6III. Captain’s Jig - p. 9IV. Off To Sea - p. 11V. Pilgim’s Waltz - p. 12VI. Road To Appalachia - p. 15VII. Shine On - p. 18VIII. Cotton Pickin’ Blues - p. 21IX. Pickin’ Parlor Rag - p. 23X. Queen Of The Cumberland - p. 27XI. Texas Dance Hall Blues - p. 30XII. Swing 11:11 - p. 33XIII. Sweet Suzanne - p. 37 Strings & Threads Suite for violin and string orchestra is a piece comprising thirteen tunes composed by Mark O’Connor. In 1986, the Tennessee Dance Theater commissioned the Suite to be performed at Nashville’s Summer Lights Festival. A few years later Edgar Meyer provided the beautiful string orchestra arrangement that is contained in this score. The individual tunes are in various folk styles appearing in a chronological order O’Connor says, not only represents the evolution of American folk music, but also mirrors his own family’s migration from Ireland and Holland to America. It traces the family’s route through the thirteen colonies initially, and then eventually West during WWI nearly 300 hundred years later. O’Connor wrote the pieces in a manner and style he felt his family could have heard along the way. The Suite begins with Irish music, perhaps similar to the music O’Connor’s family brought with them. Then in a thoughtful progression, he reveals music they must have encountered living in early America. Strings & Threads musically describes how folk music styles hundreds of years apart are interconnected – possessing a common thread – from an Irish reel to jazz. The music is suited for advanced and intermediate levels but portions of the piece can be appropriate for beginners. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1986 Composed By Mark O’ConnorString Orchestra arrangement by Edgar MeyerStrings & Threads Suite (violin and string orchestra version) can be heard on American Seasons Sony Classical Mark O’Connor – violin, Metamorphosen Chamber Orchestra, Scott YooCatalogue Number MO134ACopyright © 1986 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$22.50
Strings & Threads Suite (violin solo part - for violin and string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Mark O’Connor
Str
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Mark O'Connor
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Strings & Threads Suite
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861801 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 20 pages. Mark O'Connor Musik In...
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String Orchestra - Level 4 - SKU: A0.861801 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 20 pages. Mark O'Connor Musik International #6202131. Published by Mark O'Connor Musik International (A0.861801). Strings & Threads Suite (violin solo part - for violin and string orchestra) MO134BViolin Solo Part (score and string parts available)Music by Mark O’Connor16 pages - 15:00 minutes in length I. Fair Dancer Reel - p. 1II. Sailor’s Jig - p. 6III. Captain’s Jig - p. 9IV. Off To Sea - p. 11V. Pilgim’s Waltz - p. 12VI. Road To Appalachia - p. 15VII. Shine On - p. 18VIII. Cotton Pickin’ Blues - p. 21IX. Pickin’ Parlor Rag - p. 23X. Queen Of The Cumberland - p. 27XI. Texas Dance Hall Blues - p. 30XII. Swing 11:11 - p. 33XIII. Sweet Suzanne - p. 37 Strings & Threads Suite for violin and string orchestra is a piece comprising thirteen tunes composed by Mark O’Connor. In 1986, the Tennessee Dance Theater commissioned the Suite to be performed at Nashville’s Summer Lights Festival. A few years later Edgar Meyer provided the beautiful string orchestra arrangement that is contained in this score. The individual tunes are in various folk styles appearing in a chronological order O’Connor says, not only represents the evolution of American folk music, but also mirrors his own family’s migration from Ireland and Holland to America. It traces the family’s route through the thirteen colonies initially, and then eventually West during WWI nearly 300 hundred years later. O’Connor wrote the pieces in a manner and style he felt his family could have heard along the way. The Suite begins with Irish music, perhaps similar to the music O’Connor’s family brought with them. Then in a thoughtful progression, he reveals music they must have encountered living in early America. Strings & Threads musically describes how folk music styles hundreds of years apart are interconnected – possessing a common thread – from an Irish reel to jazz. The music is suited for advanced and intermediate levels but portions of the piece can be appropriate for beginners. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1986 Composed By Mark O’ConnorString Orchestra arrangement by Edgar MeyerStrings & Threads Suite (violin and string orchestra version) can be heard on American Seasons Sony Classical Mark O’Connor – violin, Metamorphosen Chamber Orchestra, Scott YooCatalogue Number MO134BCopyright © 1986 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
Nobody Knows the Trouble I've Seen: Viola
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Orchestre à Cordes
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Methodes
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Carrie Lane Gruselle
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Nobody Knows the Trouble I
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Arranged by Carrie Lane Gruselle. For String Orchestra. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music ...
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Arranged by Carrie Lane Gruselle. For String Orchestra. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$5.99
Nobody Knows the Trouble I've Seen: Score
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Orchestre à Cordes
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Methodes
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Carrie Lane Gruselle
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Nobody Knows the Trouble I
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Arranged by Carrie Lane Gruselle. For String Orchestra. Instructional. Score. 8 pages. Published by Alfred Music - Digital Sheet Music ...
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Arranged by Carrie Lane Gruselle. For String Orchestra. Instructional. Score. 8 pages. Published by Alfred Music - Digital Sheet Music
$7.00
Anonymous: Nobody Knows the Trouble I've Seen - string orchestra (full score)
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Orchestre à Cordes
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FACILE
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Gospel Spirituel
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Anonymous
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Virtualsheetmusic
Instantly printable sheet music by Anonymous for string orchestra (full score) of EASY/MEDIUM skill level. / inspirational,traditional,gospel,spiritual,american,folk,jazz,christian,african,children,sacred,classical,standards,instructional...
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Instantly printable sheet music by Anonymous for string orchestra (full score) of EASY/MEDIUM skill level. / inspirational,traditional,gospel,spiritual,american,folk,jazz,christian,african,children,sacred,classical,standards,instructional
$11.99
Anonymous: Nobody Knows the Trouble I've Seen (COMPLETE) - string orchestra
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Orchestre à Cordes
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FACILE
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Gospel Spirituel
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Anonymous
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Virtualsheetmusic
Instantly printable sheet music by Anonymous for string orchestra of EASY/MEDIUM skill level. / inspirational,traditional,gospel,spiritual,american,folk,jazz,christian,african,children,sacred,classical,standards,instructional...
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Instantly printable sheet music by Anonymous for string orchestra of EASY/MEDIUM skill level. / inspirational,traditional,gospel,spiritual,american,folk,jazz,christian,african,children,sacred,classical,standards,instructional
$59.99
ATON part 4-Musikalische Szene - bassoon and strings
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Orchestre à Cordes
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INTERMÉDIAIRE
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David Warin Solomons
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ATON part 4-Musikalische Szene
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David Warin Solomons
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.576182 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 13 pages. David Warin Solomons ...
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String Orchestra - Level 3 - SKU: A0.576182 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 13 pages. David Warin Solomons #4559. Published by David Warin Solomons (A0.576182). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
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Orchestre à Cordes
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FACILE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Stand...
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String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
ATON part 23 Pharao's Farewell (bass voice and strings)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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ATON part 23 Pharao's Farewell
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David Warin Solomons
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.576209 Composed by David Warin Solomons. Contemporary,Opera. Score and parts. 16 pages. David Warin Solomons #7711....
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String Orchestra - Level 4 - SKU: A0.576209 Composed by David Warin Solomons. Contemporary,Opera. Score and parts. 16 pages. David Warin Solomons #7711. Published by David Warin Solomons (A0.576209). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write, 23 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015.
$5.00
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I See Red