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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Orchestre à Cordes
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The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey P…
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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
8.95 €
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Orchestre à Cordes
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Geoffrey Peterson
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The Edmund Fitzgerald - Concerto for Piano and Strings
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Geoffrey Peterson
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SheetMusicPlus
I.o.u.
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.954489 By Lee Greenwood. By A…
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String Orchestra - Level 4 - Digital Download SKU: A0.954489 By Lee Greenwood. By Austin Roberts and Kerry Chater. Arranged by Jon Thingvall. Country. Score and parts. 10 pages. Jon Thingvall #4742269. Published by Jon Thingvall (A0.954489). Time: 5 minThis piece contains the following: double stops; triple-, and quadruple-stop broken chords, septuplet octave runs, sul tasto, and solo passages for each instrument.The YouTube video scrolls through the score, so, before you purchase it, you can get a great idea of how suitable this piece would be for your ensemble. In this arrangement, while borrowing something old (sotto voce quotes from Pachelbel's famous Canon in D (here in G)), the something new 80s Pop/Country sound blends with the classical into a timeless tapestry. I've always thought of this classic by Lee Greenwood as the perfect song for a wedding or an anniversary, but, in reality, its lyrics are so grateful and sincere that it could just as well grace a birthday, a memorial, or any other sentimental, friendly gathering.Due to unforeseeable technical problems, parts do not always print to PDF correctly, so please let me know of any problems with printed parts, and I can send you an updated version. My e-mail is klazzkeys@aol.com
$13.00
11.65 €
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Orchestre à Cordes
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Lee Greenwood
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Jon Thingvall
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double stops
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I.o.u.
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Jon Thingvall
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SheetMusicPlus
Hallelujah
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.521593 By Lee DeWyze. By Leon…
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String Orchestra - Level 3 - Digital Download SKU: A0.521593 By Lee DeWyze. By Leonard Cohen. Arranged by Sherry Lewis. Pop. Score and Parts. 18 pages. Sherry Lewis Publishing #6233387. Published by Sherry Lewis Publishing (A0.521593). Hallelujah, String Orchestra, Intermediate Level for 1st and 2nd violins, viola, cello and string bass chords (eg. C, G, etc.) Score: 6 pages parts: 9 page time: 4'00 ABOUT THE DEMO....I cut the intro and a few measures in the demo only to get to the chorus as we're allowed 30 seconds of demo. MY QUARTET VERSIONS, in short notice usually work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$12.99
11.64 €
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Orchestre à Cordes
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Lee DeWyze
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Sherry Lewis
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https://www
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Hallelujah
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Sherry Lewis Publishing
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SheetMusicPlus
Unveiling for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.876667 Composed by Dosia McKa…
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String Orchestra - Level 4 - Digital Download SKU: A0.876667 Composed by Dosia McKay. 20th Century,Contemporary. Score and parts. 10 pages. Gavia Music #59397. Published by Gavia Music (A0.876667). Unveiling written for string orchestra is an exploration of layers of sounds. Beginning with one solitary note, new aural strata gradually unfold in which multiple layers of counterpoint constantly shift, weave, and intersect until the tension is finally broken in an unveiling of a tender and fleeting soundscape. The closing section is a reversal of the opening in which the layers of sound gradually recede until only the opening solitary note remains. In this work, I return to my Polish heritage and the listener is likely to hear echoes of string writing of such composers as Grazyna Bacewicz, Romuald Twardowski, or Henryk Górecki. For String Orchestra (4,4,3,2,1, or larger)Total duration: 8'00''Copyright 2010 Dosia McKay / Gavia Music (ASCAP)Perusal score only.
$15.00
13.44 €
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Orchestre à Cordes
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Dosia McKay
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Unveiling for String Orchestra
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Gavia Music
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SheetMusicPlus
Flute Mystery Op.66b
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.990569 Composed by Flint Juve…
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String Orchestra - Level 4 - Digital Download SKU: A0.990569 Composed by Flint Juventino Beppe. Contemporary. Score and parts. 54 pages. The FJB Fingerprint #3029577. Published by The FJB Fingerprint (A0.990569). Op.66 is dedicated to Sir James Galway, and was first performed in Washington D.C. on the 5th of October 2006 by Galway and the National Symphony Orchestra, conducted by Leonard Slatkin (Alto Flute version).Version for Flute in C, Op.66b, first performed in 2008 by flutist Judith Hall, harpist Willy Postma and the Pluri_Art Festival Orchestra, conducted by Viacheslav Valeev. UK premiere in 2009 by flutist Emily Beynon, harpist Catherine Beynon and the Philharmonia Orchestra, conducted by Vladimir Ashkenazy.A piano reduction is also available (Op.66c).In order to achieve the best results of the use of divisi, it is recommended to have a minimum of string players available:Violin I - 8 playersViolin II - 8 playersViola - 6 playersCello - 5 playersContrabass - 3 playersBigger string groups are preferable.Fermata duration is meant to constitute an addition of half of the duration of the note. E.g. a fermata over a quarter note should have a duration of a quarter note / rest + a eighth note / rest.«Whilst this is instantly attractive, melodic music, if one looks under the surface one finds so much more. There are many attractive depths to this atmospheric music.» The Classical Reviewer (UK)Further details: http://www.fjb.space/publishing/flutemusic.htmlNB! The attached audio is performed by Emily Beynon, Catherine Beynon and Philharmonia Orchestra, conducted by Vladimir Ashkenazy. Available on the album Flute Mystery (2L-058-SABD). All rights reserved by the producers Lindberg Lyd AS and Flint Juventino Beppe.© Flint Juventino Beppe | All rights reserved
$127.00
113.82 €
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Orchestre à Cordes
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Flint Juventino Beppe
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Flute Mystery Op.66b
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The FJB Fingerprint
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SheetMusicPlus
Flute Mystery Op.66a (Alto Flute version)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.990570 Composed by Flint Juve…
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String Orchestra - Level 4 - Digital Download SKU: A0.990570 Composed by Flint Juventino Beppe. Contemporary. Score and parts. 54 pages. The FJB Fingerprint #3030219. Published by The FJB Fingerprint (A0.990570). Op.66 is dedicated to Sir James Galway, and was first performed in Washington D.C. on the 5th of October 2006 by Galway and the National Symphony Orchestra, conducted by Leonard Slatkin (Alto Flute version).Version for Flute in C, Op.66b, first performed in 2008 by flutist Judith Hall, harpist Willy Postma and the Pluri_Art Festival Orchestra, conducted by Viacheslav Valeev. UK premiere in 2009 by flutist Emily Beynon, harpist Catherine Beynon and the Philharmonia Orchestra, conducted by Vladimir Ashkenazy.A piano reduction is also available (Op.66c).In order to achieve the best results of the use of divisi, it is recommended to have a minimum of string players available:Violin I - 8 playersViolin II - 8 playersViola - 6 playersCello - 5 playersContrabass - 3 playersBigger string groups are preferable.Fermata duration is meant to constitute an addition of half of the duration of the note. E.g. a fermata over a quarter note should have a duration of a quarter note / rest + a eighth note / rest.«Whilst this is instantly attractive, melodic music, if one looks under the surface one finds so much more. There are many attractive depths to this atmospheric music.» The Classical Reviewer (UK)Further details: http://www.fjb.space/publishing/flutemusic.html NB! The attached audio is the version for Flute in C (Op.66b), performed by Emily Beynon, Catherine Beynon and Philharmonia Orchestra, conducted by Vladimir Ashkenazy. Available on the album Flute Mystery (2L-058-SABD). All rights reserved by the producers Lindberg Lyd AS and Flint Juventino Beppe.© Flint Juventino Beppe | All rights reserved
$127.00
113.82 €
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Orchestre à Cordes
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Flint Juventino Beppe
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Flute Mystery Op.66a
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The FJB Fingerprint
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SheetMusicPlus
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