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--INSTRUMENTS--
ACCORDEON
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66
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90
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56
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10
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7
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5
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2
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2
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1
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1
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1
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Guitare
5
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4
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2
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1
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22
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2
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1
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1
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1
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15
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8
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7
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6
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1
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1
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1
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1
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1
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1
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1
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1
Saxophone Alto et Piano
1
+ 22 instrumentations
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10
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6
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5
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3
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3
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2
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2
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2
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2
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1
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1
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41
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7
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3
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3
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3
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3
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2
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2
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2
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2
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1
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1
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1
Trio à Cordes: violon, alto, violoncelle
1
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1
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2
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2
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2
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1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
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EUPHONIUM
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FLUTE TRAVERSI…
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GUITARE LAP ST…
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Right Above It
Orchestre à Cordes
Partitions à imprimer
2 partitions trouvées
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Mountain Goats And Other Creatures
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Vessela Stoyanova
#
Mountain Goats And Other Creat
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Vessela Stoyanova
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela St...
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String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00
Elegie - for String Orchestra, Harp, and Piano
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Orchestre à Cordes
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AVANCÉ
#
Ronan Bodisch
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Elegie - for String Orchestra,
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Ronan Bodisch
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1095833 Composed by Ronan Bodisch. Chamber,Classical,Contemporary,Romantic Period. Score and Parts. 5 pages. Ronan ...
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String Orchestra - Level 5 - SKU: A0.1095833 Composed by Ronan Bodisch. Chamber,Classical,Contemporary,Romantic Period. Score and Parts. 5 pages. Ronan Bodisch #699803. Published by Ronan Bodisch (A0.1095833). This intense and emotional piece draws inspiration from classical/romantic composers, such as Edward Elgar, while also mixing in modern elements. Performance Notes: Dissonance is very common in this piece. It will not help the orchestra if the players cower away from it, rather than play it confidently. Don't second-guess whether or not the right notes are being played. Be sensitive to whoever has the moving line, as it is passed around the orchestra. At measure 22, the Violas and Cellos should soar above the violins. At measures 26-30, everyone in the orchestra should be playing as loud as humanly possible (go crazy, go bananas), while still remaining sensitive to the moving melodies; this is the composer's signature theme. Be mindful of the key change at measure 35 (F Maj/D Min to B-Flat Maj/G Min). In the end, Violins, Violas, and Cellos should decrescendo to literally nothing on the tremolos. The basses should emphasize pizzicato, but play it lightly, rather than thunderous. The chords in the Harp and Piano should also be brought out.
$35.00
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Right Above It
