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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Words
Non classifié
2 441
Piano & claviers
Piano grosses notes
3 300
Piano, Voix
1 873
Piano seul
1 715
Orgue
1 637
Piano, Voix et Guitare
873
Piano Facile
588
Instruments en Do
234
Accompagnement Piano
81
Clavier
59
1 Piano, 4 mains
31
Piano Trio: piano, violon, violoncelle
22
Accordéon
11
2 Pianos, 4 mains
10
Orgue, Piano (duo)
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Ligne De Mélodie, Piano
3
Clavecin
1
Accordéon, Voix
1
Accordéon, Piano
1
Piano (partie séparée)
1
1 Piano, 6 mains
1
Orgue, Trompette (duo)
1
+ 18 instrumentations
Retracter
Guitares
Guitare notes et tablatures
206
Ligne De Mélodie, (Paroles) et Accords
146
Guitare
93
Ukulele
57
Paroles et Accords
33
Basse electrique
9
2 Guitares (duo)
8
Banjo
5
Piano, Guitare (duo)
5
Guitare (partie séparée)
4
Ensemble de Ukulélés
3
4 Guitares (Quatuor)
3
Mandoline
3
Dulcimer
2
Ensemble de guitares
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
2 529
Chorale 3 parties
623
Chorale Unison
540
Chorale 2 parties
471
Chorale TTBB
192
Voix duo, Piano
186
Chorale SSAA
127
Voix duo
70
Pack Instrumental pour Chorale
37
Chorale
30
Voix Soprano, Piano
28
Voix seule
28
Voix haute
27
Voix Tenor, Piano
10
Voix Baryton, Piano
9
Chorale SSAATTBB
7
Voix Alto, Piano
6
Voix moyenne, Piano
6
Voix, Guitare
6
Chorale SSATB
5
Voix basse, Piano
5
Voix Mezzo-Soprano, Piano
4
Soli, choeur mixte et accompagnement
2
Voix Soprano
2
Chorale SSATTB
2
Voix Tenor
1
Voix basse
1
+ 22 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
124
Flûte traversière et Piano
120
Hautbois, Piano (duo)
95
Clarinette et Piano
94
Saxophone Alto et Piano
91
Flûte traversière
89
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
87
Flûte, Hautbois, Clarinette, Basson
87
Quatuor de Clarinettes: 4 clarinettes
71
Quatuor de Saxophones: 4 saxophones
69
Saxophone (partie séparée)
62
Clarinette
59
Saxophone Alto
54
2 Saxophones (duo)
47
Quatuor de Flûtes : 4 flûtes
46
Quintette de Saxophone: 5 saxophones
46
Saxophone Tenor et Piano
43
Flûte et Guitare
43
2 Clarinettes (duo)
41
Saxophone Tenor
41
Saxophone Soprano et Piano
38
Cor anglais, Piano
32
Ensemble de saxophones
29
Saxophone Baryton, Piano
27
Clarinette, Guitare (duo)
27
Hautbois (partie séparée)
27
Clarinette (partie séparée)
19
Ensemble de Clarinettes
19
Clarinette, Violon (duo)
17
Saxophone, Clarinette (duo)
16
2 Hautbois (duo)
14
Flûte, Clarinette (duo)
13
Clarinette, Trompette (duo)
12
Clarinette Basse, Piano
12
3 Clarinettes (trio)
11
Quintette de Clarinettes: 5 clarinettes
11
Hautbois
11
Trio de Flûtes: 3 flûtes
11
Cor anglais, Guitare (duo)
10
Hautbois, Basson (duo)
10
Flute (partie séparée)
10
Flûte, Saxophone (duo)
9
Hautbois, Clarinette (duo)
8
Ensemble de Flûtes
8
Hautbois, Flûte
8
Clarinette et Alto
7
Flûte, Violon
7
Quintette de Flûte : 5 flûtes
6
Flûte, Trompette (duo)
6
Saxophone et Guitare
6
Flûte, Alto (duo)
6
Saxophone et Harpe
5
Saxophone Soprano
5
Piccolo
4
Flûte à bec Soprano
4
Flûte à bec Alto, Piano
4
3 Saxophones (trio)
3
Flûte à bec Soprano, Piano
3
Cor Anglais
3
2 Clarinettes, Piano
3
Flûte à Bec
3
Clarinette, Harpe (duo)
3
Hautbois, Violoncelle
2
Hautbois, Harpe
2
Hautbois, Guitare (duo)
2
Flûte, Violon, Piano
2
Saxophone Baryton
2
Ocarina
2
Clarinette Basse
2
Clarinette, Violoncelle (duo)
2
2 Flûte à bec (duo)
2
Flûte, Basson et Piano
2
Saxophone et Orgue
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois (duo)
1
Clarinette, Basson (duo)
1
5 Flûtes à bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Clarinette et Basson
1
Instruments en Mib
1
Flûte et Quatuor à Cordes
1
Flûte traversière, Orgue (duo)
1
Harmonica
1
Flûte, Violoncelle, Piano (trio)
1
Quatuor de Flûtes à bec
1
3 Flûtes à bec (trio)
1
Flûte, Violoncelle
1
Flûte, Harpe et Violoncelle
1
2 Flûtes traversières, Piano
1
Piccolo, Piano
1
+ 85 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
110
Trombone et Piano
80
Trompette
72
Quatuor de Cuivres : 2 trompettes, trombone, tuba
54
Trompette, Piano
53
Cor et Piano
51
Trombone (partie séparée)
41
Trombone
38
Trompette (partie séparée)
35
Euphonium, Piano (duo)
33
Cor anglais, Piano
32
Tuba et Piano
31
Cor
26
Quatuor de Cuivres
23
Quatuor de cuivres: 4 trombones
22
2 Trompettes (duo)
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Tuba
16
2 Trombones (duo)
15
Trompette, Saxophone (duo)
14
Ensemble de Trombones
13
Cor anglais, Guitare (duo)
10
2 Cors (duo)
9
Cor (partie séparée)
9
Trompette, Trombone (duo)
7
Quatuor de cuivres: 4 cors
6
Tuba (partie séparée)
5
Ensemble de Trompettes
4
Ensemble de Cors
4
Tuba et Orgue
4
Cor Anglais
3
2 Euphoniums et 2 Tubas
3
Cor et Harpe
3
Bass Clef Instruments
2
Euphonium
2
2 Tubas (duo)
2
Trompette, Tuba (duo)
2
Trompette, Harpe
2
Trio de Cuivres
2
2 Cors, Piano
1
3 Trombones (trio)
1
2 Euphoniums (duo)
1
Euphonium, Tuba (duo)
1
Trompette, Cor (duo)
1
Trompette, Trombone, Piano
1
Instruments en Sib
1
4 Tubas
1
+ 42 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
245
Violon et Piano
165
Violoncelle, Piano
104
Alto, Piano
83
Violon
73
Harpe
65
Violoncelle
53
2 Harpes (duo)
44
2 Violons (duo)
41
Violon, Violoncelle (duo)
39
Trio à Cordes: violon, alto, violoncelle
37
Alto seul
31
Violon (partie séparée)
25
Quintette à cordes: 2 violons, alto, violoncelle, basse
24
Contrebasse, Piano (duo)
19
Trio à Cordes: 2 violons, violoncelle
17
Contre Basse
16
2 Violoncelles (duo)
16
2 Altos (duo)
14
Violon, Alto (duo)
12
Alto (partie séparée)
11
Violoncelle , Guitare (duo)
10
Violoncelle (partie séparée)
9
Harpe, Voix
9
Contrebasse (partie séparée)
8
Violon, Guitare (duo)
7
Alto, Guitare (duo)
7
4 Violoncelles
4
Harpe, Violon (duo)
4
2 Violons, Piano
3
Trio à cordes
3
Piano Trio: Violon, Alto, Piano
3
Harpe, Trombone (duo)
2
Ensemble d'Altos
2
Ensemble de Violons
2
Harpe, Flûte (duo)
2
Alto et Harpe
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
2 Contrebasses (duo)
2
Quatuor à cordes : 4 altos
1
Flûte, Contrebasse (duo)
1
Harpe et Piano
1
Trio à cordes: 3 violins
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe, Violoncelle (duo)
1
Violoncelle, Contrebasse (duo)
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
352
Orchestre
136
Orchestre à Cordes
116
Cloches
112
Ensemble de cuivres
95
Ensemble Jazz
66
Orchestre de chambre
45
Jazz combo
15
Marimba
12
Fanfare
9
Batterie
7
Percussion (partie séparée)
6
Vibraphone
5
Ensemble de Percussions
4
Batterie (partie séparée)
3
Timbales (partie séparée)
3
Xylophone
2
Percussion
2
Timbales
1
Quintette à Vent
1
Marimba et Orgue
1
+ 16 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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VIOLONCELLE
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Crtitères actifs :
Words
Orchestre à Cordes
Partitions à imprimer
116 partitions trouvées
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1
26
51
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101
MENDELSSOHN Song without Words Op.67.No.2 for string orchestra
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
Ian Butterworth
#
MENDELSSOHN Song without Words
#
Ian Butterworth
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.963715 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Butterworth. Romantic Period,Wedding. Score and Par...
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String Orchestra - Level 3 - SKU: A0.963715 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Butterworth. Romantic Period,Wedding. Score and Parts. 17 pages. Ian Butterworth #5968293. Published by Ian Butterworth (A0.963715). This Song without Words, in G minor, is marked Allegro leggiero. The melody in the 1st violin is accompannied by triplet rhythms in the other instruments. Copying of individual parts for sole use by the purchaser is permitted. Six more Songs without Words arranged for strings by Ian Butterworth are also available.
$10.99
MENDELSSOHN Song without Words Op.53.No.5 for string orchestra
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Felix Bartholdy Mendelssohn
#
Ian Butterworth
#
MENDELSSOHN Song without Words
#
Ian Butterworth
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.963712 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 16 p...
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String Orchestra - Level 4 - SKU: A0.963712 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 16 pages. Ian Butterworth #5968123. Published by Ian Butterworth (A0.963712). A Song without Words marked Allegro con fuoco - duration 3 mins.  Copying of individual parts for sole use by the purchaser is permitted. Six more Songs without Words arranged for strings by Ian Butterworth are also available.
$9.99
MENDELSSOHN Song without Words Op.102.No.3 for string orchestra
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Felix Bartholdy Mendelssohn
#
Ian Butterworth
#
MENDELSSOHN Song without Words
#
Ian Butterworth
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.963717 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 9 pa...
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String Orchestra - Level 4 - SKU: A0.963717 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 9 pages. Ian Butterworth #5969591. Published by Ian Butterworth (A0.963717). One of the shortest Song without Words, marked Presto, in C major with a repeated 6/8 rhythm. There are six other Song without Words available arranged by Ian Butterworth. Copying of individual parts for sole use by the purchaser is permitted. Through his experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have been enjoyed by youth and amateur players. www.ianbutterworthmusic.co.uk
$7.99
MENDELSSOHN Song without Words Op.30.No.2 for string orchestra
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Felix Bartholdy Mendelssohn
#
I
#
MENDELSSOHN Song without Words
#
Ian Butterworth
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.963711 Composed by Felix Bartholdy Mendelssohn. Arranged by I. Romantic Period. Score and Parts. 14 pages. Ian Butt...
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String Orchestra - Level 4 - SKU: A0.963711 Composed by Felix Bartholdy Mendelssohn. Arranged by I. Romantic Period. Score and Parts. 14 pages. Ian Butterworth #5968113. Published by Ian Butterworth (A0.963711). One of the most dramatic of the Song without Words. Duration 3 mins.  Copying of individual parts for sole use by the purchaser is permitted. Six other Songs without Words arrangements for strings by Ian Butterworth are available.
$9.99
Fly Me To The Moon (in Other Words)
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Orchestre à Cordes
#
INTERMÉDIAIRE
#
Jazz
#
Tony Bennett
#
Sherry Lewis
#
Fly Me To The Moon
#
Sherry Lewis Publishing
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.521918 By Tony Bennett. By Bart Howard. Arranged by Sherry Lewis. Jazz. Score and Parts. 12 pages. Sherry Lewis Pub...
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String Orchestra - Level 3 - SKU: A0.521918 By Tony Bennett. By Bart Howard. Arranged by Sherry Lewis. Jazz. Score and Parts. 12 pages. Sherry Lewis Publishing #6599739. Published by Sherry Lewis Publishing (A0.521918). FLY ME TO THE MOON (In Other Words) String Orchestra, Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, etc. Score: Yes Parts: 5 pages Time: 2'15 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through https://baysbest.com/contact/and I’ll give you the link back to Sheet Music Plus’s listing. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
I've Run Out of Words
#
Orchestre à Cordes
#
J
#
J
#
I've Run Out of Words
#
Passing Lane Music
#
SheetMusicPlus
String Orchestra - SKU: A0.1004571 Composed by J. Westerman. Arranged by J. Westerman. Holiday,Pop,Rock,Wedding. Score and parts. 9 pages. Passing Lane ...
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String Orchestra - SKU: A0.1004571 Composed by J. Westerman. Arranged by J. Westerman. Holiday,Pop,Rock,Wedding. Score and parts. 9 pages. Passing Lane Music #6400725. Published by Passing Lane Music (A0.1004571). I've Run Out of Words is the seventh single by J. Westerman of Passing Lane Music Studio. For more info. about J. Westerman and Passing Lane Music visit https://passinglanemusic.wixsite.com/j-westerman
$5.99
MENDELSSOHN Song without Words Op.62.No.4 for string orchestra
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
I
#
MENDELSSOHN Song without Words
#
Ian Butterworth
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.963713 Composed by Felix Bartholdy Mendelssohn. Arranged by I. Romantic Period. Score and Parts. 8 pages. Ian Butte...
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String Orchestra - Level 3 - SKU: A0.963713 Composed by Felix Bartholdy Mendelssohn. Arranged by I. Romantic Period. Score and Parts. 8 pages. Ian Butterworth #5968195. Published by Ian Butterworth (A0.963713). One of the shortest Songs without Words. A genial piece in G major lasting one minute.  Copying of individual parts for sole use by the purchaser is permitted.Through the experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have proved their suitability for youth and amateur players. www.ianbutterworthmusic.co.uk
$7.99
SILENT WORDS
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Contemporain
#
Vincent Vitale
#
SILENT WORDS
#
Vincent Vitale
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.835541 Composed by Vincent Vitale. Contemporary. Score and parts. 11 pages. Vincent Vitale #3121889. Published by V...
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String Orchestra - Level 3 - SKU: A0.835541 Composed by Vincent Vitale. Contemporary. Score and parts. 11 pages. Vincent Vitale #3121889. Published by Vincent Vitale (A0.835541). SILENT WORDS is written on the Intermediate level. It starts out with a beautiful and optional 1st violin solo and builds up to full ensemble. Included are full score and parts for Violin 1, Violin 2, Viola, Cello and String Bass. If this piece appeals to you try others in this string series by typing VINCENT VITALE in the search bar located on the home page.　 Thank you very much for your consideration and I wish you and your students much musical success.
$22.00
Four Songs Without Words (Mendelssohn), for chamber orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Bob Delfausse
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Four Songs Without Words
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Robert Delfausse
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.766986 Composed by Felix Bartholdy Mendelssohn. Arranged by Bob Delfausse. Concert,Romantic Period. Score and parts...
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String Orchestra - Level 4 - SKU: A0.766986 Composed by Felix Bartholdy Mendelssohn. Arranged by Bob Delfausse. Concert,Romantic Period. Score and parts. 101 pages. Robert Delfausse #5324223. Published by Robert Delfausse (A0.766986). Mendelssohn's Songs Without Words is collection of short piano pieces. I chose four of these that seemed orchestral In character, and arranged them for chamber orchestra (strings, piano, and seven winds). While arranging is often an exercise in reducing music originally written for a large ensemble, the challenge here was to expand Mendelssohn's piano miniatures into music for a chamber orchestra that sounds as it were written specifically for that ensemble. Level: advanced intermediate. Duration: 8 minutes, 50 seconds.
$20.00
MENDELSSOHN Song without Words Op.102.No.6 for string orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Ian Butterworth
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MENDELSSOHN Song without Words
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Ian Butterworth
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.963716 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Butterworth. Contemporary,Romantic Period,Wedding. ...
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String Orchestra - Level 3 - SKU: A0.963716 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Butterworth. Contemporary,Romantic Period,Wedding. Score and Parts. 8 pages. Ian Butterworth #5969713. Published by Ian Butterworth (A0.963716). The final piece, and probably the shortest, in the collection of Songs without Words.  Copying of individual parts for sole use by the purchaser is permitted. There are six more arrangements by Ian Butterworth from the same collection.
$7.99
MENDELSSOHN Song without Words Op.67.No.4 for string orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Ian Butterworth
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MENDELSSOHN Song without Words
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Ian Butterworth
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.963714 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 16 p...
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String Orchestra - Level 4 - SKU: A0.963714 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 16 pages. Ian Butterworth #5969473. Published by Ian Butterworth (A0.963714). This is one of the most well known of the Songs without Words, often known by one of it's subtitles: The Bee's Wedding or The Spinning Song. The fast spinning semiquavers are mostly in the 2nd violin part. Copying of individual parts for sole use by the purchaser is permitted.
$10.99
TWO SONGS WITHOUT WORDS for Strings
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Alan Edgar
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TWO SONGS WITHOUT WORDS for St
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Alan Edgar Ted Moon
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1496071 Composed by Felix Bartholdy Mendelssohn. Arranged by Alan Edgar. Romantic Period. 41 pages. Alan Edgar Ted ...
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String Orchestra - Level 3 - SKU: A0.1496071 Composed by Felix Bartholdy Mendelssohn. Arranged by Alan Edgar. Romantic Period. 41 pages. Alan Edgar Ted Moon #1072602. Published by Alan Edgar Ted Moon (A0.1496071). Two of Felix Mendelssohn' s famous pianoforte solos, Op 19b Nº 4 and Op 62 Nº 3, arranged for string group. Essental: 3 Violins, Viola, Cello, optional Second Cello, Double Bass. All easy except for a lively Solo Violin part. About 7 minutes altogether.
$23.00
More Than Words
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Orchestre à Cordes
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INTERMÉDIAIRE
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Rock
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Extreme
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Sam Shoup
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More Than Words
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Sam Shoup
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1496463 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Sam Shoup. Pop,Rock. 35 pages. Sam Shoup #107...
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String Orchestra - Level 3 - SKU: A0.1496463 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Sam Shoup. Pop,Rock. 35 pages. Sam Shoup #1072987. Published by Sam Shoup (A0.1496463). The rock/pop ballad by Extreme, arranged for string orchestra, rhythm section, and vocal duet. Instrumentation is acoustic guitar, electric bass, piano, drumset and strings. Intermediate difficulty. Score is 11 x 17, parts are 8 1/2 x 11.
$90.00
Fly Me To The Moon (in Other Words) - Score Only
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Orchestre à Cordes
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FACILE
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Tony Bennett
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Funtom
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Fly Me To The Moon
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Funtom
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1284005 By Tony Bennett. By Bart Howard. Arranged by Funtom. Film/TV,Jazz,Multicultural,Pop,Standards,World. 1 page...
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String Orchestra - Level 2 - SKU: A0.1284005 By Tony Bennett. By Bart Howard. Arranged by Funtom. Film/TV,Jazz,Multicultural,Pop,Standards,World. 1 pages. Funtom #875177. Published by Funtom (A0.1284005). Vio + Cello Arrangement.
$4.99
Wedding Song Without Words (string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Jordan Grigg
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Jordan Grigg
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Wedding Song Without Words
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Jordan Grigg
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.864052 Composed by Jordan Grigg. Arranged by Jordan Grigg. Holiday,Love,Standards,Wedding. Score and parts. 9 pages...
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String Orchestra - Level 3 - SKU: A0.864052 Composed by Jordan Grigg. Arranged by Jordan Grigg. Holiday,Love,Standards,Wedding. Score and parts. 9 pages. Jordan Grigg #4285739. Published by Jordan Grigg (A0.864052).
$7.95
Song Without Words: Score
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Orchestre à Cordes
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Classique
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Gustav Holst
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Christina Hans
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Song Without Words: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Gustav Holst (1874-1934). Arranged by Christina Hans. For String Orchestra. Classical. Score. 8 pages. Published by Alfred Music - Digital Sheet Music ...
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By Gustav Holst (1874-1934). Arranged by Christina Hans. For String Orchestra. Classical. Score. 8 pages. Published by Alfred Music - Digital Sheet Music
$9.00
Overture for Strings No. 3 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 3 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 5 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 5 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 6 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 6 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 4 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 4 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 2 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
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Robert Debbaut
#
Overture for Strings No. 2 - S
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ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Scottish Anthem for String Orchestra
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Orchestre à Cordes
#
INTERMÉDIAIRE
#
Keith Terrett
#
Keith Terrett
#
Scottish Anthem for String Orc
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Keith Terrett
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1491758 By Keith Terrett. By Roy Williamson. Arranged by Keith Terrett. Classical,Contemporary,Contest,Festival,Ins...
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String Orchestra - Level 3 - SKU: A0.1491758 By Keith Terrett. By Roy Williamson. Arranged by Keith Terrett. Classical,Contemporary,Contest,Festival,Instructional,Multicultural,World. 10 pages. Keith Terrett #1068437. Published by Keith Terrett (A0.1491758). As of February 2024, the Scottish Government have not yet formally adopted an official national anthem of Scotland, despite having the legal competence in order to do so. ] During a meeting of the Enterprise and Culture Committee on 9 May 2006 in the Scottish Parliament, MSP Michael Matheson raised the question about the status of Scotland's national anthem, citing during the recent Commonwealth Games in Melbourne, there was some debate about a Scottish national anthem, largely because a number of songs were being used as our national anthem. However, in recent discussions on the matter, no consensus was reached, other than on the point that we should have a national anthem. At that time, there was suggestions that the incumbent First Minister of Scotland Jack McConnell had claimed that a debate on an official national anthem for Scotland should take place to address the issue.MSP Murdo Fraser expressed concerns over the three most popular candidates for an official national anthem of Scotland – Flower of Scotland, Scotland the Brave and Highland Cathedral. In his speech to the committee, he claimed Flower of Scotland is inappropriate because some of the sentiments that are expressed in it are jingoistic and anti-English; Scotland the Brave is inappropriate because, although it is a good tune, it does not have words that match the upbeat nature of the music; and Highland Cathedral is a good tune, but it has no words at all.
$8.99
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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Orchestre à Cordes
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Contemporain
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419...
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String Orchestra - SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$25.95
All Hands On Deck - Score Only
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Orchestre à Cordes
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Nathan R
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All Hands On Deck - Score Only
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Nathan R. Whitney
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SheetMusicPlus
String Orchestra - SKU: A0.1496222 Composed by Nathan R. Whitney. 21st Century,Classical,Contemporary. 20 pages. Nathan R. Whitney #1072750. Published b...
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String Orchestra - SKU: A0.1496222 Composed by Nathan R. Whitney. 21st Century,Classical,Contemporary. 20 pages. Nathan R. Whitney #1072750. Published by Nathan R. Whitney (A0.1496222). This piece tells the tale of two swashbuckling pirates on a journey to find the world’s greatest treasures. Along this adventure, the duo find themselves battling against the tides, testing their swordsmanship against other pirates and on the wrong end of Red Coat bayonets.Alas the journey was nothing more than a fool's errand. The treasure these pirates fought so hard to find, was just a map that would take them on an unrelated journey.
$52.99
Violin Concerto No.9 in G major, Op. 8 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Chevalier de Saint-Georges
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Artaria Editions
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Violin Concerto No.9 in G majo
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Artaria Editions
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.961410 Composed by Chevalier de Saint-Georges. Arranged by Artaria Editions. Classical. Score and parts. 48 pages. ...
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String Orchestra - Level 4 - SKU: A0.961410 Composed by Chevalier de Saint-Georges. Arranged by Artaria Editions. Classical. Score and parts. 48 pages. Artaria Editions #6116087. Published by Artaria Editions (A0.961410). ScoreArtaria Editions AE237Edited by Allan Badley 44 pages In an age of remarkable individuals, Joseph Bologne, Chevalier de Saint-Georges, son of a French colonial planter and a beautiful Senegalese slave, occupied a unique position as an athlete, swordsman, military commander, huntsman, violin virtuoso, composer and conductor. Though written for his own use, the violin concertos are more than vehicles for mere virtuoso display. Lyrical expressive slow movements are flanked by often highly original outer movements, quite unlike anything being written at the time by Viennese composers such as Haydn, Hofmann and Dittersdorf. Had Mozart seen Saint-Georges play his brilliant concertos while he was in Paris in 1778, he would have heard many things in them to admire. Allan Badley.
$54.00
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