English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
2
Partitions
Numériques
7
Librairie
Musicale
2
Matériel
de Musique
978
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
109
PIANO & CLAVIERS
Piano seul
108
Piano, Voix et Guitare
42
Piano, Voix
26
Instruments en Do
21
Piano Facile
10
Accordéon
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue
2
Piano grosses notes
1
Accompagnement Piano
1
2 Pianos, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
13
Ligne De Mélodie, (Paroles) et Accords
7
Guitare notes et tablatures
6
Ukulele
3
Basse electrique
2
VOIX
Chorale SATB
27
Chorale 3 parties
10
Chorale 2 parties
6
Chorale Unison
2
Chorale TTBB
2
Voix Soprano, Piano
1
Chorale
1
Voix moyenne, Piano
1
Voix duo, Piano
1
Chorale SSAA
1
Voix Alto, Piano
1
Voix haute
1
Instrumentations suivantes
Retracter
VENTS
Quatuor de Saxophones: 4 saxophones
26
Quintette de Saxophone: 5 saxophones
15
Flûte, Hautbois, Clarinette, Basson
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Flûte traversière et Piano
10
Saxophone Alto
10
2 Flûtes traversières (duo)
7
Saxophone Soprano et Piano
7
Flûte traversière
7
Saxophone Alto et Piano
7
Saxophone Tenor
6
Clarinette
6
Hautbois, Piano (duo)
6
Saxophone Soprano
4
Ensemble de Flûtes
4
Saxophone Baryton, Piano
4
Clarinette et Piano
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Tenor et Piano
4
Cor anglais, Piano
3
Ensemble de Clarinettes
2
Saxophone Baryton
2
Saxophone et Harpe
2
Hautbois
2
2 Clarinettes (duo)
1
Saxophone
1
Hautbois et alto (duo)
1
Clarinette, Basson (duo)
1
Flûte, Clarinette (duo)
1
Hautbois, Basson (duo)
1
Saxophone (partie séparée)
1
Clarinette, Guitare (duo)
1
Hautbois, Clarinette (duo)
1
Clarinette et Alto
1
Clarinette, Harpe (duo)
1
Flûte, Hautbois (duo)
1
Trio de Flûtes: 3 flûtes
1
Clarinette Basse, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Cor
10
Trompette
9
Trombone et Piano
6
Trompette, Piano
5
Cor et Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trombone
4
Tuba et Piano
3
Cor anglais, Piano
3
2 Cors (duo)
2
Tuba
2
Euphonium, Piano (duo)
1
Cor et Harpe
1
Trompette, Harpe
1
Instrumentations suivantes
Retracter
CORDES
Violon
26
Quatuor à cordes: 2 violons, alto, violoncelle
25
Violon et Piano
12
Harpe
11
Alto, Piano
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Violoncelle, Piano
5
Violoncelle
5
Violon, Violoncelle (duo)
4
Trio à Cordes: violon, alto, violoncelle
3
Alto seul
3
2 Violons (duo)
2
Contre Basse
2
Contrebasse, Piano (duo)
2
Alto et Harpe
1
Alto, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
Violon, Alto (duo)
1
Alto (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Violon (partie séparée)
1
Harpe, Flûte (duo)
1
2 Violoncelles (duo)
1
Harpe, Violon (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
28
Orchestre
27
Orchestre d'harmonie
15
Ensemble Jazz
11
Cloches
10
Ensemble de cuivres
6
Orchestre de chambre
5
Ensemble de Percussions
3
Jazz combo
3
Fanfare
3
Piano et Orchestre
1
Batterie
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Turn It Off
Alto, Piano
Partitions à imprimer
7 partitions trouvées
<
1
Korsakov: Flight of the Bumblebee for Viola & Piano
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreye…
(+)
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
29.53 €
#
Alto, Piano
#
Nikolay Andreyevich Rimsky-Korsakov
#
James M
#
Korsakov: Flight of the Bumblebee for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
Luther: Out of the Depths for Viola & Piano
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. …
(+)
Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411767. Published by jmsgu3 (A0.548726). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.36 €
#
Alto, Piano
#
Martin Luther
#
James M
#
Luther: Out of the Depths for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
Beauty And The Beast
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1396686 By Celine Dion & Peabo Bry…
(+)
Piano,Viola - Level 2 - Digital Download SKU: A0.1396686 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Glauco Fernandes. Broadway,Chamber,Film/TV,Musical/Show,Wedding. Score and part. 6 pages. Glauco Fernandes #980027. Published by Glauco Fernandes (A0.1396686). Discover the magic of music with our special arrangement of the classic Beauty and the Beast! This arrangement, at an intermediate easy level, is perfect for musicians of all levels, from students seeking challenging repertoire to teachers looking for engaging materials for their classes. The score has been carefully crafted, with clear and practical notation, making it easy for all instrumentalists to perform.Ideal for a variety of occasions, from recital performances to special events such as weddings, receptions, and parties, this arrangement will enchant your audience with its beauty and sophistication. Whether you're a professional musician, a dedicated student, or an enthusiastic teacher, this arrangement offers a unique opportunity to explore the charms of classical music in an accessible and engaging way.With its versatility, this arrangement is also an excellent choice for musicians looking to expand their repertoire for performances in diverse settings such as hotels, restaurants, and corporate events. The exceptional quality of the score ensures a memorable musical experience, capable of captivating and moving any audience.Don't miss the chance to add this charming arrangement to your repertoire and elevate your performances to a new level of excellence. Get your copy now and turn your next performance into a truly magical experience!Tags: Beauty and the Beast arrangement, music sheet, intermediate level, piano sheet music, piano, music education, wedding music, recital piece, classical music, engaging teaching material, versatile repertoire, memorable performance.
$6.99
6.26 €
#
Alto, Piano
#
Celine Dion & Peabo Bryson
#
Glauco Fernandes
#
Beauty And The Beast
#
Glauco Fernandes
#
SheetMusicPlus
Beauty And The Beast
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1396687 By Celine Dion & Peabo Bry…
(+)
Piano,Viola - Level 2 - Digital Download SKU: A0.1396687 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Glauco Fernandes. Broadway,Chamber,Film/TV,Musical/Show,Wedding. Score and part. 6 pages. Glauco Fernandes #980028. Published by Glauco Fernandes (A0.1396687). Discover the magic of music with our special arrangement of the classic Beauty and the Beast! This arrangement, at an intermediate easy level, is perfect for musicians of all levels, from students seeking challenging repertoire to teachers looking for engaging materials for their classes. The score has been carefully crafted, with clear and practical notation, making it easy for all instrumentalists to perform.Ideal for a variety of occasions, from recital performances to special events such as weddings, receptions, and parties, this arrangement will enchant your audience with its beauty and sophistication. Whether you're a professional musician, a dedicated student, or an enthusiastic teacher, this arrangement offers a unique opportunity to explore the charms of classical music in an accessible and engaging way.With its versatility, this arrangement is also an excellent choice for musicians looking to expand their repertoire for performances in diverse settings such as hotels, restaurants, and corporate events. The exceptional quality of the score ensures a memorable musical experience, capable of captivating and moving any audience.Don't miss the chance to add this charming arrangement to your repertoire and elevate your performances to a new level of excellence. Get your copy now and turn your next performance into a truly magical experience!Tags: Beauty and the Beast arrangement, music sheet, intermediate level, piano sheet music, piano, music education, wedding music, recital piece, classical music, engaging teaching material, versatile repertoire, memorable performance.
$6.99
6.26 €
#
Alto, Piano
#
Celine Dion & Peabo Bryson
#
Glauco Fernandes
#
Beauty And The Beast
#
Glauco Fernandes
#
SheetMusicPlus
Trois pièces : Andante, Sérénade et Chant Serbe
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1493034 Composed by Clémence de G…
(+)
Piano,Viola - Level 4 - Digital Download SKU: A0.1493034 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069724. Published by Musik Fabrik Music Publishing (A0.1493034). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
16.98 €
#
Alto, Piano
#
Clémence de Grandval
#
Paul Wehage
#
Trois pièces : Andante, Sérénade et Chant Serbe
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
(+)
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
29.53 €
#
Alto, Piano
#
Traditional Scottish
#
James M
#
The Water is Wide for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
