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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I See Red
Non classifié
66
Piano & claviers
Instruments en Do
129
Piano, Voix et Guitare
112
Piano seul
106
Piano, Voix
13
Orgue
4
Piano Facile
1
Orgue, Piano (duo)
1
+ 2 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
14
Guitare
13
Guitare notes et tablatures
5
4 Guitares (Quatuor)
3
Basse electrique
2
Ensemble de guitares
1
+ 1 instrumentations
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Voix
Chorale SATB
131
Chorale TTBB
5
Chorale 3 parties
5
Voix Soprano, Piano
4
Chorale SSAA
3
Voix duo
1
Voix duo, Piano
1
Chorale Unison
1
Voix seule
1
+ 4 instrumentations
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Vents
Flûte traversière et Piano
5
Quatuor de Saxophones: 4 saxophones
4
Clarinette et Piano
4
Saxophone Alto et Piano
3
Ensemble de Flûtes
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Quintette de Clarinettes: 5 clarinettes
2
Saxophone Tenor et Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Saxophone Soprano et Piano
1
Flûte traversière
1
Saxophone et Orgue
1
Saxophone
1
Ensemble De Flûte à bec
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone et Guitare
1
3 Saxophones (trio)
1
Hautbois, Guitare (duo)
1
Saxophone Tenor
1
Hautbois, Piano (duo)
1
Clarinette
1
Saxophone Alto
1
Trio de Flûtes: 3 flûtes
1
+ 18 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trombone et Piano
3
Cor et Piano
2
Trompette, Piano
2
Quatuor de cuivres: 4 trombones
2
Quatuor de Cuivres
1
Ensemble de Trombones
1
Trombone
1
Trompette (partie séparée)
1
Quatuor de cuivres: 4 cors
1
Trompette
1
+ 7 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
14
Violon et Piano
11
Violon, Violoncelle (duo)
6
Violoncelle, Piano
4
Harpe, Voix
3
Trio à Cordes: 2 violons, alto
2
Trio à Cordes: violon, alto, violoncelle
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Alto, Piano
1
Violon, Clarinette, Piano (trio)
1
Harpe
1
Violon
1
+ 8 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
21
Orchestre à Cordes
10
Orchestre de chambre
9
Orchestre
8
Ensemble de cuivres
5
Jazz combo
4
Ensemble Jazz
1
Ensemble de Percussions
1
Fanfare
1
+ 4 instrumentations
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Autres
Formation musicale - Solfège
1
Instruments
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ENFANTS : EVEIL - IN…
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Crtitères actifs :
I See Red
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Trombone et Piano
Partitions à imprimer
3 partitions trouvées
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1
High Flight
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Christian Morris
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High Flight
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Hoopla Sheet Music
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.1236631 Composed by Christian Morris. Contemporary. Score and part. 32 pages. Hoopla Sheet Music #832151. Published b...
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Piano,Trombone - Level 4 - SKU: A0.1236631 Composed by Christian Morris. Contemporary. Score and part. 32 pages. Hoopla Sheet Music #832151. Published by Hoopla Sheet Music (A0.1236631). An exciting concert piece inspired by U.S. WW2 pilot, John Gillespie Magee’s iconic poem ‘High Flight.’ In the opening he describes the the magnificent and exhilarating sensation of flying. In the more contemplative second section he seems to breach the veil between earth and heaven: Oh! I have slipped the surly bonds of EarthAnd danced the skies on laughter-silvered wings;Sunward I've climbed, and joined the tumbling mirthof sun-split clouds,—and done a hundred thingsYou have not dreamed of—wheeled and soared and swungHigh in the sunlit silence. Hov'ring there,I've chased the shouting wind along, and flungMy eager craft through footless halls of air ....Up, up the long, delirious, burning blueI've topped the wind-swept heights with easy graceWhere never lark nor ever eagle flew—And, while with silent lifting mind I've trodThe high untrespassed sanctity of space,Put out my hand, and touched the face of God.High Flight is part of a collection of pieces by Christian Morris entitled ‘A History of Powered Flight’:1. Kitty Hawk2. Dogfight3. Afterburner4. Holding Pattern5. Queen of the Skies6. High Flight.
$9.99
Too Much For Our Thirst (Trombone and Piano)
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Publishe...
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Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
Blue Skies
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Angela Stone and David Vincent
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John Fries
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Blue Skies
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John Fries
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.1102415 Composed by Angela Stone and David Vincent Bright. Arranged by John Fries. 20th Century,Blues,Jazz,Standards....
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Piano,Trombone - Level 4 - SKU: A0.1102415 Composed by Angela Stone and David Vincent Bright. Arranged by John Fries. 20th Century,Blues,Jazz,Standards. Score and part. 4 pages. John Fries #705825. Published by John Fries (A0.1102415). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. This is a Trombone Solo arrangement of this old standard. “Blue Skies†was composed by Irving Berlin in 1926. It made its debut in the Rodgers and Hart musical Betsy. According to Philip Furia and Michael Lasser, the song was added at the last minute, and it was thanks to a panicky phone call from vaudevillian Belle Baker to Berlin, who complained that the score lacked a ‘Belle Baker song.’ They also write: “Berlin resented the interpolation of songs by other composers into the score of his shows, but he must have been delighted at the chance to work one of his songs into a score by the young songwriting team who were already being compared to Gilbert and Sullivan.â€.
$4.99
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I See Red