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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For King
Non classifié
12 511
Piano & claviers
Piano seul
28 091
Piano, Voix
3 291
Piano, Voix et Guitare
3 042
Piano Facile
2 801
Accordéon
2 310
Instruments en Do
1 070
Orgue
837
Accompagnement Piano
344
1 Piano, 4 mains
244
Piano Trio: piano, violon, violoncelle
203
Piano grosses notes
157
2 Pianos, 4 mains
54
Piano Quatuor: piano, violon, alto, violoncelle
35
Piano Quatuor: piano, 2 violons, violoncelle
22
Piano (partie séparée)
18
Clavecin
16
Piano Quintette: piano, 2 violons, alto, violoncelle
14
Orgue, Piano (duo)
12
Orgue, Trompette (duo)
10
1 Piano, 6 mains
7
Accordéon, Voix
7
Ligne De Mélodie, Piano
4
2 Pianos, 8 mains
4
Clavier
4
Fake Book
1
Ensemble d'Accordéons
1
+ 21 instrumentations
Retracter
Guitares
Guitare
5 224
Basse electrique
3 784
Guitare notes et tablatures
3 734
Ukulele
907
Ligne De Mélodie, (Paroles) et Accords
675
Mandoline
314
Paroles et Accords
261
Dulcimer
83
2 Guitares (duo)
79
Guitare (partie séparée)
39
4 Guitares (Quatuor)
34
Piano, Guitare (duo)
31
Banjo
30
Ensemble de guitares
17
3 Guitares (trio)
11
Ukulele Baryton
9
2 Dulcimers (duo)
9
2 Ukuleles
8
Guitare Pedal Steel
5
Partitions De Groupes
4
Ensemble de Ukulélés
2
Guitare, Violon, Violoncelle (trio)
1
Basse électrique (partie séparée)
1
+ 18 instrumentations
Retracter
Voix
Voix seule
5 769
Chorale SATB
3 195
Chorale 3 parties
1 059
Chorale 2 parties
714
Chorale TTBB
581
Chorale SSAA
391
Chorale Unison
306
Voix duo, Piano
169
Voix Soprano, Piano
143
Chorale
127
Voix Alto, Piano
111
Voix Tenor, Piano
108
Voix Baryton, Piano
65
Voix duo
64
Voix haute
31
Voix moyenne, Piano
21
Pack Instrumental pour Chorale
20
Voix Tenor
13
Voix basse, Piano
13
Chorale SSAATTBB
8
Chorale SSATB
8
Male Voice
7
Voix Mezzo-Soprano, Piano
6
Voix Soprano
6
Voix, Guitare
4
Soli, choeur mixte et accompagnement
4
Chorale SSAB a cappella
3
Chorale, Orgue
2
Voix Soprano, Orchestre
2
Chorale SSAB, Piano
2
Chorale SSATTB
2
Chorale SATTBB, Clavier
1
Voix haute, Piano
1
Voix basse
1
Chorale SSATBB
1
+ 30 instrumentations
Retracter
Vents
Saxophone
16 640
Flûte traversière
8 202
Clarinette
7 613
Saxophone Alto
1 843
Saxophone Tenor
1 628
Flûte à Bec
1 257
Flûte traversière et Piano
966
Clarinette et Piano
903
2 Saxophones (duo)
901
Hautbois
889
Quatuor de Saxophones: 4 saxophones
882
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
713
Saxophone Alto et Piano
710
Saxophone Soprano
686
Hautbois, Piano (duo)
659
Flûte, Hautbois, Clarinette, Basson
617
Saxophone Tenor et Piano
568
2 Flûtes traversières (duo)
528
Quintette de Saxophone: 5 saxophones
496
Saxophone (partie séparée)
433
Saxophone Soprano et Piano
400
2 Clarinettes (duo)
390
Quatuor de Clarinettes: 4 clarinettes
361
Flûte à bec Soprano
338
Ocarina
288
Hautbois (partie séparée)
279
3 Saxophones (trio)
245
Quatuor de Flûtes : 4 flûtes
244
Saxophone Baryton, Piano
243
Flûte à bec Alto
234
Harmonica
218
Flûte, Clarinette (duo)
191
2 Hautbois (duo)
189
Hautbois, Basson (duo)
156
3 Clarinettes (trio)
149
Clarinette (partie séparée)
126
Trio de Flûtes: 3 flûtes
120
Ensemble de saxophones
113
Saxophone Baryton
110
2 Flûte à bec (duo)
108
Ensemble de Clarinettes
108
Ensemble de Flûtes
104
Quintette de Clarinettes: 5 clarinettes
102
Hautbois, Clarinette (duo)
101
Saxophone, Clarinette (duo)
94
Clarinette, Violon (duo)
91
Clarinette, Basson (duo)
80
Cor anglais, Piano
79
Flûte, Violoncelle
73
Flûte, Violon, Piano
68
Flûte, Hautbois, Clarinette (trio)
67
Clarinette Basse, Piano
67
Flute (partie séparée)
66
Hautbois, Violoncelle
65
Flûte, Violon
64
Clarinette, Violoncelle (duo)
62
Quatuor de Flûtes à bec
60
Quintette de Flûte : 5 flûtes
59
Clarinette et Alto
57
Flûte et Guitare
54
Flûte, Alto (duo)
49
Clarinette, Trompette (duo)
46
Hautbois, Clarinette, Basson (trio d'anches)
46
Flûte à bec Alto, Piano
45
Cor Anglais
44
Hautbois, Flûte
44
Flûte, Clarinette et Basson
42
Flûte, Hautbois (duo)
41
Ensemble De Flûte à bec
39
Flûte, Hautbois, Basson
34
Flûte, Saxophone (duo)
33
Flûte, Trompette (duo)
33
Flûte, Clarinette, Piano (trio)
27
Flûte, Trombone (duo)
25
Flûte, Hautbois, Piano (trio)
24
Clarinette, Guitare (duo)
23
5 Flûtes à bec
22
Flûte à bec Tenor
22
Clarinette Basse
21
Hautbois et alto (duo)
21
Hautbois, violon (duo)
19
Clarinette, Harpe (duo)
17
2 Saxophones, Piano
16
Flûte, Violoncelle, Piano (trio)
15
Instruments en Mib
15
Piccolo, Piano
14
Piccolo
14
Flûte, Basson et Piano
14
3 Flûtes à bec (trio)
13
Clarinette, Trombone (duo)
12
Flûte, Clarinette, Cor, Basson (Quartet)
11
Flûte, Violon et Violoncelle
11
Clarinette, Violoncelle, Piano (trio)
10
Flûte à bec Soprano, Piano
9
Clarinette, Contrebasse (duo)
8
Flûte à Bec, Piano
8
2 Flûtes traversières, Piano
8
Flûte, Harpe et Violoncelle
7
Hautbois, Harpe
7
Flûte, Alto et Piano
7
Clarinette, Basson, Piano (trio)
7
Hautbois, Clarinette et Piano (Trio)
7
Saxophone et Harpe
7
Flute, harpe et violon
6
Hautbois, Guitare (duo)
6
Hautbois, Basson et Piano
5
2 Clarinettes, Piano
5
Flûte, Clarinette, Violon (trio)
5
Clarinette, Alto et Piano (trio)
5
Hautbois, Violon, Piano
4
Clarinette, Tuba
4
Flûte, Tuba (duo)
4
2 Clarinettes, Basson
4
Flûte irlandaise
4
4 Hautbois
4
3 Hautbois
4
Saxophone et Guitare
3
Saxophone, Violon (duo)
3
Saxophone, Basson (duo)
3
Flûte et Trio à cordes
3
Hautbois, trombone (duo)
3
Flûte, Violoncelle, Guitare
3
Saxophone et Orgue
3
Hautbois, Violoncelle et Piano
3
Clarinette, Orgue
2
Cor anglais, Guitare (duo)
2
Hautbois, Trompette (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Cornemuse
1
Flute, Cor (duo)
1
Flute, alto, violoncelle et guitare
1
Flûte à bec, Guitare (duo)
1
Flûte à bec Alto, Basse continue
1
Flûte, Hautbois, Violon
1
Clarinette, trompette et piano
1
Saxophone et Piano
1
Flûte traversière, Orgue (duo)
1
Ensemble de Hautbois
1
Flûte de Pan
1
2 Flûtes à bec, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Harmonica, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Saxophone et violoncelle
1
2 Cors Anglais Et Pianoforte
1
Ensemble à vent
1
2 Hautbois, Piano
1
2 Flûtes traversières, Harpe
1
Flûte, trombone et piano
1
+ 145 instrumentations
Retracter
Cuivres
Trompette
6 745
Trombone
6 220
Cor
870
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
815
Trompette, Piano
714
Trombone et Piano
642
Tuba
597
Cor et Piano
512
Euphonium
412
Tuba et Piano
337
Quatuor de Cuivres : 2 trompettes, trombone, tuba
335
2 Trompettes (duo)
262
2 Trombones (duo)
253
Quatuor de Cuivres: 2 trompettes, Cor, trombone
223
Quatuor de Cuivres
214
Trombone (partie séparée)
184
2 Cors (duo)
172
Trompette (partie séparée)
170
Trompette, Trombone (duo)
145
Euphonium, Piano (duo)
104
Quatuor de cuivres: 4 trombones
89
Trompette, Saxophone (duo)
85
Cor anglais, Piano
79
Cor (partie séparée)
72
2 Tubas (duo)
66
Ensemble de Trompettes
61
Tuba (partie séparée)
57
Trompette, Cor (duo)
55
Quatuor de cuivres: 4 cors
51
Cor Anglais
44
Trio de Cuivres
42
Ensemble de Trombones
41
4 Tubas
33
3 Trombones (trio)
32
Quatuor de cuivres: 4 trompettes
31
Cor, Violoncelle (duo)
21
Tuba et Orgue
21
Ensemble de Cors
21
Trombone basse
18
Bass Clef Instruments
17
Trombone, Cor (duo)
17
Instruments en Sib
17
Trompette, Tuba (duo)
16
3 Trompettes (trio)
16
Trombone basse et Piano
15
Cor, Tuba (duo)
14
Trompette, Violoncelle (duo)
14
Cor et Basson (duo)
13
Trombone, Tuba (duo)
12
Trompette, violon (duo)
11
Trompette, Basson (duo)
11
Cor et Harpe
10
3 Cors (trio)
9
Quatuor de cuivres: 2 trompettes, 2 trombones
9
Trompette, Trombone, Piano
9
Euphonium, Tuba (duo)
9
2 Euphoniums et 2 Tubas
9
3 Tubas (trio)
8
Trombone, Violon (duo)
8
Trompette, Harpe
7
2 Euphoniums (duo)
5
Instruments en Fa
5
Trompette et Guitare
3
Cornet A Pistons
3
Trombone, Orgue
3
2 Trompettes, Clavier (piano ou orgue)
3
Cor, Trompette, Trombone (trio)
2
2 Trombones, Piano
2
Cor anglais, Guitare (duo)
2
Trompette, Violoncelle et Piano
2
Ensemble de Tubas
2
Cor et Orgue
2
2 Cors, Piano
1
Euphonium Ou Saxhorn Et Piano
1
Trompette, Euphonium (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Clarinette, Cor (duo)
1
3 Euphoniums
1
Trombone et orchestre
1
2 Cors Anglais Et Pianoforte
1
Tuba ou Euphonium ou Saxhorn
1
Trombone, Alto (duo)
1
+ 77 instrumentations
Retracter
Cordes
Violon
5 127
Violoncelle
3 442
Alto seul
2 766
Quatuor à cordes: 2 violons, alto, violoncelle
2 163
Violon et Piano
1 335
Violoncelle, Piano
871
Alto, Piano
813
Contre Basse
492
Violon, Violoncelle (duo)
446
2 Violons (duo)
444
Harpe
378
Quintette à cordes: 2 violons, alto, violoncelle, basse
345
Trio à Cordes: violon, alto, violoncelle
345
2 Violoncelles (duo)
297
Contrebasse, Piano (duo)
296
Violon, Alto (duo)
262
2 Altos (duo)
235
Alto, Violoncelle (duo)
116
Trio à Cordes: 2 violons, violoncelle
116
Alto (partie séparée)
102
Violon (partie séparée)
99
Trio à cordes: 3 violins
65
2 Harpes (duo)
62
Contrebasse (partie séparée)
62
2 Contrebasses (duo)
58
4 Violoncelles
53
Piano Trio: Violon, Alto, Piano
52
Violon, Basson (duo)
49
Violoncelle, Contrebasse (duo)
48
Trio à Cordes: 3 violoncelles
44
Quatuor à cordes: 4 violons
41
Violon, Guitare (duo)
33
Violoncelle (partie séparée)
33
Alto et Basson
31
Harpe, Flûte (duo)
30
Trio à cordes: 3 altos
30
Quatuor à cordes : 4 altos
26
2 Violons, Piano
22
Trio à Cordes: 2 violons, alto
22
Violoncelle , Guitare (duo)
21
Flûte, Contrebasse (duo)
20
Harpe, Violon (duo)
17
Violon, Clarinette, Piano (trio)
16
Quintette à cordes : 2 violons, alto et 2 violoncelles
13
Alto, Guitare (duo)
12
Harpe, Violoncelle (duo)
12
Trio à cordes
12
Quintette à cordes: 2 violons, 2 altos, violoncelle
12
Ensemble d'Altos
11
Ensemble de Violons
10
Harpe, Voix
9
Alto et Harpe
8
4 Contrebasses
5
Violon, Tuba (duo)
5
Violoncelle, Orgue
5
2 Violoncelles, Piano
4
Harpe, Violon, Violoncelle
4
Harpe, Trombone (duo)
4
Ensemble de Violoncelles
4
2 Altos, Piano
3
Alto, Orgue
3
4 Harpes
2
Harpe (partie séparée)
2
Violon, Violoncelle, Clarinette
2
Violon, Orgue
2
Violoncelle, Basse continue
2
Harpe et Piano
1
Autoharp
1
3 Harpes
1
Harpe, Quatuor à cordes
1
+ 65 instrumentations
Retracter
Orchestre & Percussions
Batterie
6 073
Orchestre d'harmonie
2 390
Orchestre
1 861
Orchestre à Cordes
723
Ensemble Jazz
547
Cloches
485
Ensemble de cuivres
290
Orchestre de chambre
183
Percussion
168
Jazz combo
137
Fanfare
135
Percussion (partie séparée)
79
Ensemble de Percussions
74
Marimba
54
Xylophone, Piano
44
Xylophone
32
Timbales (partie séparée)
24
Batterie (partie séparée)
23
2 Xylophones
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
10
Vibraphone
8
Timbales
6
Instrumentation Flexible
6
Caisse Claire
3
Piano et Orchestre
3
Vibraphone, Piano
3
Quintette de Cuivres: autres combinaisons
3
Orchestre, Violon
2
Quintette à Vent
1
Ensemble d'École
1
Quatuor à Vent : 4 instruments à vents
1
Marimba, Piano (duo)
1
2 Caisses Claires (duo)
1
3 Marimbas
1
Vibraphone et Marimba
1
2 Marimbas
1
+ 31 instrumentations
Retracter
Autres
Formation musicale - Solfège
40
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Crtitères actifs :
For King
Trombone et Piano
Partitions à imprimer
642 partitions trouvées
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626
Grieg: Hall of the Mountain King from Peer Gynt Suite for Trombone & Piano
#
Trombone et Piano
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549588 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Multicultural,Romantic Period,Sta...
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Piano,Trombone - Level 3 - SKU: A0.549588 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Multicultural,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511293. Published by jmsgu3 (A0.549588). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.  Â
$24.95
Grieg: Peer Gynt Suite Complete for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.551509 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Halloween,Instructional,Romantic Period,Standards....
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Piano,Trombone - Level 4 - SKU: A0.551509 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306349. Published by jmsgu3 (A0.551509). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain King  Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Grieg: Ase's Death from Peer Gynt Suite for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549546 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Sta...
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Piano,Trombone - Level 3 - SKU: A0.549546 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506339. Published by jmsgu3 (A0.549546). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Morning Mood from Peer Gynt Suite for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549525 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards....
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Piano,Trombone - Level 3 - SKU: A0.549525 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3504701. Published by jmsgu3 (A0.549525). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone et Piano
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AVANCÉ
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
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Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
Bach: Bist du bei mir BWV 508 for Trombone & Piano
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Trombone et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sco...
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Piano,Trombone - Level 2 - SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468176. Published by jmsgu3 (A0.549221). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Pomp and Circumstance March No. 1 for Trombone (Euphonium) and Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Diego Marani
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Pomp and Circumstance March No
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Diego Marani
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.1043239 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standar...
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Piano,Trombone - Level 3 - SKU: A0.1043239 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 18 pages. Diego Marani #647927. Published by Diego Marani (A0.1043239). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for trombone or euphonium (C and Bb) with piano is suitable for classroom, repertoire and recital.
$9.99
Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano
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Trombone et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.550934 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. S...
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Piano,Trombone - Level 2 - SKU: A0.550934 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888761. Published by jmsgu3 (A0.550934). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
In the Hall of the Mountain King - Trombone & Piano
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Trombone et Piano
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FACILE
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Classique
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Halloween
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Edvard Grieg
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Glauco Fernandes
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In the Hall of the Mountain Ki
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Glauco Fernandes
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SheetMusicPlus
Piano,Tenor Trombone - Level 2 - SKU: A0.1387609 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Film/TV,Romantic Period,Weddi...
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Piano,Tenor Trombone - Level 2 - SKU: A0.1387609 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Film/TV,Romantic Period,Wedding. Score and part. 4 pages. Glauco Fernandes #971465. Published by Glauco Fernandes (A0.1387609). Discover the magic and enchantment of classical music with our exclusive sheet music arrangement of the famous composition In the Hall of the Mountain King by Edvard Grieg. This arrangement has been meticulously crafted to suit musicians of easy to intermediate levels, ensuring a rewarding and enjoyable learning experience. Perfect for students looking to enhance their musical skills, teachers in search of inspiring didactic material, and professionals wishing to add an impressive piece to their repertoire for various events, including weddings.Our sheet music is the ideal choice for those who value convenience without compromising on quality. With clear and easy-to-follow formatting, musicians of all levels can benefit, making the learning of this classical work accessible and gratifying. Whether you are a student honing your techniques, a teacher looking for resources that captivate and motivate your students, or a professional seeking to diversify your repertoire with a classical piece that is sure to be a hit at any event, our sheet music is the solution you've been searching for.In the Hall of the Mountain King is one of the most recognized and beloved pieces in the classical repertoire, known for its ability to capture the listener's imagination, taking them on an emotional journey through music. Our sheet music facilitates the execution of this iconic piece, preserving the essence and dynamics of Grieg's original composition, but adapted to be more accessible to non-advanced musicians.In addition to being an excellent addition to the repertoire of musicians performing at weddings and various events, this sheet music serves as a valuable didactic resource, aiding in the development of technical and expressive skills in music students. Through this piece, students can explore themes such as dynamics, articulation, and musical expression, while becoming acquainted with one of the most thrilling works in the classical repertoire.Purchase your sheet music arrangement of In the Hall of the Mountain King today and dive into the beauty of this timeless composition. We offer an unforgettable musical experience, combining convenience, accessibility, and the highest quality. Ideal for musicians looking to enrich their musical journey, whether in educational settings, professional environments, or during memorable performances.
$6.99
In the Hall of the Mountain King - Trombone & Piano with Chord Notation
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Trombone et Piano
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FACILE
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Classique
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Halloween
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Edvard Grieg
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Glauco Fernandes
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In the Hall of the Mountain Ki
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Glauco Fernandes
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SheetMusicPlus
Piano,Tenor Trombone - Level 2 - SKU: A0.1387607 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Film/TV,Romantic Period,Weddi...
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Piano,Tenor Trombone - Level 2 - SKU: A0.1387607 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Film/TV,Romantic Period,Wedding. Score and part. 4 pages. Glauco Fernandes #971463. Published by Glauco Fernandes (A0.1387607). Discover the magic and enchantment of classical music with our exclusive sheet music arrangement of the famous composition In the Hall of the Mountain King by Edvard Grieg. This arrangement has been meticulously crafted to suit musicians of easy to intermediate levels, ensuring a rewarding and enjoyable learning experience. Perfect for students looking to enhance their musical skills, teachers in search of inspiring didactic material, and professionals wishing to add an impressive piece to their repertoire for various events, including weddings.Our sheet music is the ideal choice for those who value convenience without compromising on quality. With clear and easy-to-follow formatting, musicians of all levels can benefit, making the learning of this classical work accessible and gratifying. Whether you are a student honing your techniques, a teacher looking for resources that captivate and motivate your students, or a professional seeking to diversify your repertoire with a classical piece that is sure to be a hit at any event, our sheet music is the solution you've been searching for.In the Hall of the Mountain King is one of the most recognized and beloved pieces in the classical repertoire, known for its ability to capture the listener's imagination, taking them on an emotional journey through music. Our sheet music facilitates the execution of this iconic piece, preserving the essence and dynamics of Grieg's original composition, but adapted to be more accessible to non-advanced musicians.In addition to being an excellent addition to the repertoire of musicians performing at weddings and various events, this sheet music serves as a valuable didactic resource, aiding in the development of technical and expressive skills in music students. Through this piece, students can explore themes such as dynamics, articulation, and musical expression, while becoming acquainted with one of the most thrilling works in the classical repertoire.Purchase your sheet music arrangement of In the Hall of the Mountain King today and dive into the beauty of this timeless composition. We offer an unforgettable musical experience, combining convenience, accessibility, and the highest quality. Ideal for musicians looking to enrich their musical journey, whether in educational settings, professional environments, or during memorable performances.
$6.99
Bach: Wachet auf for Trombone & Piano
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Trombone et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trombone
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standard...
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Piano,Trombone - Level 2 - SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555091. Published by jmsgu3 (A0.549853). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
I Saw Three Ships for Solo Trombone
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Trombone et Piano
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INTERMÉDIAIRE
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Noël
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Traditional
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Lawrence H
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I Saw Three Ships for Solo Tro
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Lawrence H Underwood
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.967603 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and...
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Piano,Trombone - Level 3 - SKU: A0.967603 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 8 pages. Lawrence H Underwood #6167765. Published by Lawrence H Underwood (A0.967603). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fourth installment in his A Christmas Portfolio series, this brand new setting of I Saw Three Ships is as much fun to play as it is to hear! The arrangement opens with a jaunty, nautical 6/8 feel before entering a lyrical section. The piece then shifts gears momentarily, heading into a 4/4 march feel before evoking a feel of the highlands as we return to 6/8, building in intensity until its dramatic conclusion. Suitable for use in church or as a showpiece in any holiday setting, this piece is sure to be an audience and performer favorite!
$5.99
Schubert: Ave Maria for Trombone & Piano
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Trombone et Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Trombo
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.548699 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4...
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Piano,Trombone - Level 1 - SKU: A0.548699 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411147. Published by jmsgu3 (A0.548699). A Trombone Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Trombone part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
16 Favourite Easter Hymns for Solo Trombone and Piano
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Trombone et Piano
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FACILE
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Musique Sacrée
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Various
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David McKeown
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16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.587895 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKeo...
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Piano,Trombone - Level 2 - SKU: A0.587895 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKeown #5037741. Published by David McKeown (A0.587895). 16 Favourite Easter Hymns for Solo Trombone and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Trombone part are included in the single PDF file.16 Favourite Easter Hymns for Solo Trombone and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Trombone and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
$7.60
Illusion for Trumpet, Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Elizabeth Raum
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Illusion for Trumpet, Trombone
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Gordon Cherry
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SheetMusicPlus
Instrumental Duet,Piano C Trumpet,Instrumental Duet,Piano,Trombone - Level 5 - SKU: A0.1206435 Composed by Elizabeth Raum. Chamber,Contemporary. 36 page...
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Instrumental Duet,Piano C Trumpet,Instrumental Duet,Piano,Trombone - Level 5 - SKU: A0.1206435 Composed by Elizabeth Raum. Chamber,Contemporary. 36 pages. Gordon Cherry #804638. Published by Gordon Cherry (A0.1206435). Below are the program notes for Illusion for Trumpet, Bass Trombone & Piano by Elizabeth Raum.Illusion, is a general commentary to the fact that life is mysterious and generally, uncertain, constantly shifting. We try to influence what happens but usually, outside forces determine the direction of our lives. Sometimes it’s hard to distinguish between illusion and reality, and, in fact, often people much prefer illusion to reality. Mv. 1 - Illusion starts out with an obscure time signature and is constantly shifting tonalities so for a while, you aren’t quite sure where you are. Life is full of such deceptions.Mv. 2 - Fill the Wine Cup is a series of drinking songs with a lot of gayety and rollocking humour as the party gets more raucous, but eventually things get a little blurry and bombastic and the party winds down. The trombone, due to its ability to imitate drunken reeling with glissandos, is often cast in this role. M. 3 - Destiny seems to march on and on, with mankind hoping to control their future, but the implication is that fate is more powerful than one can control.M. 4 - The ultimate illusion: a Political Debate. The trombone starts out as the first candidate, and the saxophone is the other. The music is circus-like as befits many heated debates.Illusion was commissioned by Lucas Kaspar and JD Little. The original version was written for Alto Sax and Bass TromboneThe work of about 10 minutes in length is appropriate for advanced performers and may also be performed on a Trombone with an f-attachment.This work can be performed on a Trombone with an f-attachment and is appropriate for advanced performers.
$37.50
O Come All Ye Faithful (for trombone and piano accompaniment)
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Trombone et Piano
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DÉBUTANT
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Anonymous
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Rodrigo Faleiros
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O Come All Ye Faithful
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.1336313 Composed by Anonymous. Arranged by Rodrigo Faleiros. Children,Christmas,Holiday,Traditional. Score and part. ...
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Piano,Trombone - Level 1 - SKU: A0.1336313 Composed by Anonymous. Arranged by Rodrigo Faleiros. Children,Christmas,Holiday,Traditional. Score and part. 3 pages. Rodrigo Faleiros #922026. Published by Rodrigo Faleiros (A0.1336313). Celebrate the joy of the season with our heartwarming trombone and piano arrangement of the timeless Christmas carol, O Come All Ye Faithful. This enchanting rendition is expertly crafted for beginners, making it perfect for students making their way into the magical world of music.Key Features: Beginner-Friendly trombone Part: Dive into the beauty of O Come All Ye Faithful with a trombone arrangement designed specifically for those beginning their musical journey. Piano Accompaniment: The piano part provides a delightful backdrop for the soloist to play along with ease and joy. Instant : Access your trombone and piano sheet music effortlessly with our convenient PDF download. Ideal for holiday performances, family gatherings, or personal enjoyment, this arrangement captures the spirit of Christmas with its accessible trombone melodies and harmonically rich piano accompaniment.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$2.99
O Come All Ye Faithful (for trombone and piano accompaniment)
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Trombone et Piano
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DÉBUTANT
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Noël
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Anonymous
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Rodrigo Faleiros
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O Come All Ye Faithful
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.1336163 Composed by Anonymous. Arranged by Rodrigo Faleiros. Children,Christmas,Holiday,Traditional. Score and part. ...
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Piano,Trombone - Level 1 - SKU: A0.1336163 Composed by Anonymous. Arranged by Rodrigo Faleiros. Children,Christmas,Holiday,Traditional. Score and part. 3 pages. Rodrigo Faleiros #921990. Published by Rodrigo Faleiros (A0.1336163). Celebrate the joy of the season with our heartwarming trombone and piano arrangement of the timeless Christmas carol, O Come All Ye Faithful. This enchanting rendition is expertly crafted for beginners, making it perfect for students making their way into the magical world of music.Key Features: Beginner-Friendly trombone Part: Dive into the beauty of O Come All Ye Faithful with a trombone arrangement designed specifically for those beginning their musical journey. Piano Accompaniment with Chord Symbols: The piano part not only provides a delightful backdrop but also includes chord symbols, offering the opportunity to explore harmonies and play along with ease. Instant : Access your trombone and piano sheet music effortlessly with our convenient PDF download. Ideal for holiday performances, family gatherings, or personal enjoyment, this arrangement captures the spirit of Christmas with its accessible trombone melodies and harmonically rich piano accompaniment.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$2.99
Eight Swinging Christmas Carols for Trombone & Piano
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Trombone et Piano
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AVANCÉ
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Noël
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traditional Christmas music
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Keith Terrett
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Good King Wenceslas.
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Eight Swinging Christmas Carol
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Gordon Cherry
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SheetMusicPlus
Piano,Tenor Trombone - Level 5 - SKU: A0.792569 Composed by traditional Christmas music. Arranged by Keith Terrett. Christmas,Jazz. Score and part. 23 p...
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Piano,Tenor Trombone - Level 5 - SKU: A0.792569 Composed by traditional Christmas music. Arranged by Keith Terrett. Christmas,Jazz. Score and part. 23 pages. Gordon Cherry #5008609. Published by Gordon Cherry (A0.792569). A wonderful collection of Traditional Christmas Carols in a jazz style for Trombone and Piano arranged by British arranger and Trumpeter, Keith Terrett. The Carols included are: Ding Dong Merrily On High, Silent Night, We Three Kings, Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas. The Trombone part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is moderate. Mr. Terrett makes use of different mutes for a wide range of colors.
$25.00
O Come All Ye Faithful for Trombone & Piano
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Trombone et Piano
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Tro
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.548514 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3...
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Piano,Trombone - Level 1 - SKU: A0.548514 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388129. Published by jmsgu3 (A0.548514). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Too Much For Our Thirst (Trombone and Piano)
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Publishe...
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Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
Bach-Gounod: Ave Maria for Trombone & Piano
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Trombone et Piano
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Tro
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549368 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and...
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Piano,Trombone - Level 2 - SKU: A0.549368 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3491299. Published by jmsgu3 (A0.549368). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano - S0.662021. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Maple Leaf Rag, by Scott Joplin, for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.1112427 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. Davi...
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Piano,Trombone - Level 4 - SKU: A0.1112427 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714461. Published by David McKeown (A0.1112427). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Trombone and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Bridal March, "Here Comes The Bride", for Solo Trombone (Bb, Treble Clef) and Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Richard Wagner
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David McKeown
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Bridal March, "Here Comes
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David McKeown
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.587583 Composed by Richard Wagner. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards,Wedding...
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Piano,Trombone - Level 3 - SKU: A0.587583 Composed by Richard Wagner. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 5 pages. David McKeown #4365490. Published by David McKeown (A0.587583). The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since. This version is arranged as a solo for Trombone (Treble Clef) and Piano.Musicians at an intermediate level and above will find this ideal for formal and informal performances, especially at weddings. The melody is mainly in the solo part. The performance time is a little more than one minute. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are unexpected accidentals in the middle section which might pose a challenge for finger coordination and reading. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
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