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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Chamber Symphony
Non classifié
34
Piano & claviers
Piano seul
13
Orgue
1
Piano Trio: piano, violon, violoncelle
1
Piano, Voix et Guitare
1
Guitares
Guitare
1
Voix
Vents
Flûte traversière et Piano
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Hautbois, Piano (duo)
5
Quatuor de Saxophones: 4 saxophones
5
Ensemble de Clarinettes
5
Quintette de Saxophone: 5 saxophones
4
Saxophone Alto et Piano
4
Flûte, Hautbois, Clarinette, Basson
4
Clarinette et Piano
4
Saxophone Soprano et Piano
3
2 Clarinettes (duo)
3
Ensemble de saxophones
3
Clarinette
2
2 Flûtes traversières (duo)
2
Saxophone Baryton, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Quatuor de Clarinettes: 4 clarinettes
2
2 Saxophones (duo)
2
Ensemble de Flûtes
2
Cor anglais, Piano
2
Quintette de Flûte : 5 flûtes
1
Flûte, Clarinette et Basson
1
Clarinette Basse
1
Ensemble De Flûte à bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette Basse, Piano
1
Flûte, Clarinette (duo)
1
Quatuor de Flûtes à bec
1
Saxophone Tenor et Piano
1
+ 25 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Euphonium, Piano (duo)
2
Cor et Piano
2
Ensemble de Cors
2
Cor anglais, Piano
2
2 Trompettes (duo)
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Trompettes
1
Trompette
1
Trompette, Piano
1
Trombone et Piano
1
4 Tubas
1
2 Cors (duo)
1
Quatuor de cuivres: 4 trombones
1
Tuba et Piano
1
Quatuor de cuivres: 4 cors
1
+ 12 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
8
Violon et Piano
7
2 Violons (duo)
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Trio à Cordes: violon, alto, violoncelle
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Violoncelle
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Alto, Piano
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Violoncelle, Piano
2
4 Violoncelles
1
Quatuor à cordes: 4 violons
1
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1
Trio à Cordes: 2 violons, alto
1
Alto seul
1
Harpe
1
Violon, Violoncelle (duo)
1
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7
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14
▽ INSTRUMENTS
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BANJO
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BASSON
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BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
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CONTREBASSE
COR
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CORNET
DOBRO - GUIT.…
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FANFARE - BAN…
FLUTE
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HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
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ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
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SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLONCELLE
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|
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|
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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Flûte traversière et Piano
Partitions à imprimer
6 partitions trouvées
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1
Symphony no.2 in C major - Flute and Piano
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Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Porpora Nicola Antonio
#
Santino Cara
#
Symphony no.2 in C major - Flu
#
Santino Cara
#
SheetMusicPlus
Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.516763 Composed by Porpora Nicola Antonio. Arranged by Santino Cara. Baroque. Score and individual par...
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Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.516763 Composed by Porpora Nicola Antonio. Arranged by Santino Cara. Baroque. Score and individual part. 16 pages. Santino Cara #2043915. Published by Santino Cara (A0.516763). Version for flute and piano of the Symphony no.2 in C major from Six Chamber Symphonies op.2 for two violins and continuo trasncribed by Santino Cara. In the PDF files, it is also inserted the separate part for flute. Movements: 1. Adagio 2. Allegro 3. Affettuoso 4. Allegro.
$8.40
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
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Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
(+)
Flute,Piano - Level 3 - SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500637. Published by jmsgu3 (A0.549486). CONCERT FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
(+)
Flute,Piano - Level 3 - SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500855. Published by jmsgu3 (A0.549493). ALTO FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Saint-Saëns: The Swan for Flute & Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,His...
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Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
'Cradle song' (for flute and piano)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Vasil Belezhkov
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orchestra written in 2011
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'Cradle song'
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Vasil Belezhkov
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.1015016 Composed by Vasil Belezhkov. Contemporary,Folk,World. Score and part. 6 pages. Vasil Belezhkov #5041133. Publish...
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Flute,Piano - Level 3 - SKU: A0.1015016 Composed by Vasil Belezhkov. Contemporary,Folk,World. Score and part. 6 pages. Vasil Belezhkov #5041133. Published by Vasil Belezhkov (A0.1015016). 'Cradle song' is the 4th movement of 'The Gold-fingered' Suite for kaval & orchestra written in 2011. The composition won 2nd award at the 11th 'International composition competition for symphonic work in 7/8' where it was premiered by soloist Kiril Belezhkov (the composer's brother) and New Symphony Orchestra in Sofia (see the YouTube link). It was also one of the works by Belezhkov for which he had won the 'Creative activity' cathegory of the 'Musician of the year 2011' vote of the Bulgarian National Radio. At the ceremony held at the National Palace of Culture it was performed again but in chamber version - kaval (Kiril Belezhkov again), 2 guitars (one of them performed by Vasil Belezhkov) and string quartet (consisted of NSO members who already had played the original orchestral score). Later the composer did this one version for flute and piano and Kiril (who is flutist as well) edited the ornaments in the solo part. This version is yet to be performed.
$6.99
Bruckner 1887 The Eight Adagio Flute and Piano Score and Parts
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Rainer's Rainbow
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R G Roth
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Bruckner 1887 The Eight Adagio
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Rainer's Rainbow
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1368251 By Rainer's Rainbow. By Anton Bruckner 1824-1896. Arranged by R G Roth. 19th Century,Baroque,Chamber,Cla...
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Piano,Soprano Flute - Level 3 - SKU: A0.1368251 By Rainer's Rainbow. By Anton Bruckner 1824-1896. Arranged by R G Roth. 19th Century,Baroque,Chamber,Classical,Romantic Period. Score and part. 10 pages. Rainer's Rainbow #952581. Published by Rainer's Rainbow (A0.1368251). The Adagio from Bruckner's 8th Symphony was composed in 1887. It has often been arranged for various types of ensembles. The most popular version in recent years is that of Zamfir where he plays it on pan flute. It is arranged here for Flute with Piano Accompaniment for the first time since 1887.
$5.91
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Chamber Symphony