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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Bass parts.
Non classifié
1 724
Piano & claviers
Piano, Voix
5
Piano seul
5
Instruments en Do
4
1 Piano, 4 mains
4
2 Pianos, 4 mains
3
Piano, Voix et Guitare
2
Orgue, Trompette (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Basse electrique
4
Ensemble de guitares
2
2 Guitares (duo)
1
Voix
Chorale SATB
29
Chorale SSAA
11
Chorale TTBB
8
Chorale 3 parties
3
Voix basse, Piano
1
Voix Alto, Piano
1
Voix Soprano, Piano
1
Voix duo, Piano
1
Chorale SSAATTBB
1
+ 4 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
194
Flûte, Hautbois, Clarinette, Basson
72
Quatuor de Clarinettes: 4 clarinettes
38
Ensemble de Clarinettes
38
Ensemble de Flûtes
15
Flûte, Clarinette et Basson
12
Hautbois, Clarinette, Basson (trio d'anches)
10
Ensemble de saxophones
9
2 Clarinettes (duo)
9
Hautbois, Piano (duo)
8
3 Clarinettes (trio)
8
2 Saxophones (duo)
7
Clarinette Basse, Piano
7
Quintette de Clarinettes: 5 clarinettes
7
Quatuor de Flûtes : 4 flûtes
4
Clarinette, Basson (duo)
4
Flûte traversière et Piano
4
Quatuor de Saxophones: 4 saxophones
4
Saxophone Alto et Piano
4
Clarinette, Basson, Piano (trio)
3
Hautbois, Basson et Piano
3
Quintette de Saxophone: 5 saxophones
3
Hautbois, Basson (duo)
3
Flûte, Basson et Piano
3
2 Flûtes traversières (duo)
3
Clarinette, Violoncelle (duo)
2
Clarinette
2
2 Clarinettes, Piano
1
Flûte, Violon, Piano
1
Quatuor de Flûtes à bec
1
5 Flûtes à bec
1
Flûte à bec Alto, Basse continue
1
Flûte et Guitare
1
Clarinette et Piano
1
Instruments en Mib
1
Flûte, Clarinette (duo)
1
+ 31 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
45
Ensemble de Trombones
31
Quatuor de cuivres: 4 trombones
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Trombone et Piano
12
Euphonium, Piano (duo)
12
Trombone, Tuba (duo)
5
Trombone basse
5
3 Trombones (trio)
4
2 Euphoniums et 2 Tubas
3
Quatuor de cuivres: 4 cors
3
Tuba et Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Quatuor de Cuivres
3
Trombone et orchestre
2
2 Tubas (duo)
2
Euphonium
2
4 Tubas
2
3 Tubas (trio)
1
Ensemble de Trompettes
1
2 Cors (duo)
1
Trompette
1
Ensemble de Tubas
1
Trombone
1
Trompette, Trombone (duo)
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Piano
1
2 Trombones (duo)
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
53
Violoncelle, Contrebasse (duo)
21
4 Contrebasses
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
2 Contrebasses (duo)
8
Trio à Cordes: violon, alto, violoncelle
5
Contrebasse, Piano (duo)
5
Harpe, Violon (duo)
4
Alto et Harpe
4
Harpe, Flûte (duo)
4
Violon, Violoncelle (duo)
3
Violoncelle, Piano
3
Harpe
3
Violon et Piano
3
Alto, Piano
3
Harpe, Violoncelle (duo)
3
Contre Basse
2
Alto, Violoncelle (duo)
2
4 Violoncelles
2
Flûte, Contrebasse (duo)
2
Violon
2
Violon (partie séparée)
1
Harpe, Trombone (duo)
1
Violon, Alto (duo)
1
Violoncelle
1
Violoncelle, Orchestre
1
2 Violons (duo)
1
Violon, Violoncelle, Clarinette
1
Trio à cordes: 3 violins
1
3 Contrebasses
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre
226
Ensemble Jazz
162
Orchestre à Cordes
66
Orchestre d'harmonie
59
Ensemble de cuivres
58
Orchestre de chambre
52
Jazz combo
42
Fanfare
9
Ensemble de Percussions
9
Big band
8
Batterie
5
Piano et Orchestre
3
Cloches
3
Marimba
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIOLON
VIOLONCELLE
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NOËL
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Flûte traversière et Piano
Partitions à imprimer
4 partitions trouvées
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1
Flûte en suite
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Flûte traversière et Piano
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AVANCÉ
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Joerg Widmann
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Flûte en suite
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Schott Music - Digital
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SheetMusicPlus
Flute and orchestra - difficult - SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with s...
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Flute and orchestra - difficult - SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).
$55.99
Five English Carols
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Flûte traversière et Piano
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AVANCÉ
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Evelyn R
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Evelyn Larter Music
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Five English Carols
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Evelyn R Larter
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.749862 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Christmas,Concert. Score and part...
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Flute,Piano - Level 5 - SKU: A0.749862 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Christmas,Concert. Score and part. 43 pages. Evelyn R Larter #5648677. Published by Evelyn R Larter (A0.749862). This Christmas collection contains mostly settings already published individually on Sheet Music Press, but here usefully compiled as a set. For more advanced performers, the styles vary from traditional to jazz. They are suitable for Christmas recitals, church services, or just for personal pleasure. The flute parts are appended to the full score.The titles include What Child Is This, Ding, Dong - Past Three O'Clock!, The Sussex Carol, The Holly, The Ivy And The Three Ships, and O Little Town Of Bethlehem. A separate part for upright bass is available for The Holly, The Ivy And The Three Ships - please contact me for details. More information on my music may be found at www.evelynlartermusic.com or at my Facebook page for Evelyn Larter Music. Feedback always welcome!
$12.95
Sonata for Flute and Piano, Op. 12
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Flûte traversière et Piano
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AVANCÉ
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Tyler J
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Sonata for Flute and Piano, Op
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TJHoltMusic
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. ...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00
Friction
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Flûte traversière et Piano
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AVANCÉ
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Contemporain
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Panayiotis Kokoras
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Friction
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Panayiotis Kokoras
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - SKU: A0.1002844 Composed by Panayiotis Kokoras. Contemporary. Score and parts. With Moreover, elec...
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Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - SKU: A0.1002844 Composed by Panayiotis Kokoras. Contemporary. Score and parts. With Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments couple. 37 pages. Panayiotis Kokoras #431113. Published by Panayiotis Kokoras (A0.1002844). Friction was composed at the beginning for the 8th International Academy for New Composition and Audio Art Avantgarde Schwaz 2000 (Tirol/ Austria), during the Summer 2000. The initial line up adjusted to the Academie’s ensemble in residence Het trio (Flute, Bass Clarinet, Piano) plus Alto Saxophone. Almost One year later I revised the piece and slightly changed the instrumentation, using Violoncello instead of Alto Sax. That gave to the piece more timbral variety with better balance as well as expressed better the work’s musical idea. The starting point of the work is the characteristics of Friction a real world sounding event, which then is abstracted and applied to form the idea for the compositional process. The work has three main sections. The first section is quite homophonic and harmonic; the middle one is inharmonic and energetic and works as crossfade to the last section, which is characterized as a more linear with repeated patterns. The transformation from one section to another is the most important and long part of the composition. It is a kind of transformation of the sound itself, a timbral exploration of the characteristics of the initial idea. Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments coupled with the use of unconventional objects treated as musical instruments or extensions of them (boxes, plastic or metal cards etc). That allows a better development, control and transformation of the sound. Friction was awarded the Second Prize at The Second Seoul International Competition for Composers in Seoul/ Korea and was Finalist at The Ensemble Eleven Young Composers Competition 2002 in Manchester/ United Kingdom. - Panayiotis Kokoras, York 2001-.
$20.00
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1
Bass parts. 
