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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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EUPHONIUM
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271
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101
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23
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22
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16
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14
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8
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2
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2
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1
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1
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37
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3
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2
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1
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7
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3
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3
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2
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2
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2
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2
Voix Baryton, Piano
2
+ 11 instrumentations
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Vents
2 Saxophones (duo)
36
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24
Clarinette
24
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24
Clarinette et Piano
23
Saxophone Alto et Piano
19
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15
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15
2 Flûtes traversières (duo)
14
Hautbois, Piano (duo)
13
2 Clarinettes (duo)
12
Flûte traversière
12
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12
Saxophone, Clarinette (duo)
12
Flûte, Hautbois, Clarinette, Basson
11
2 Hautbois (duo)
11
Clarinette, Violon (duo)
10
Saxophone Alto
10
Clarinette, Trompette (duo)
9
Hautbois (partie séparée)
9
Saxophone Tenor et Piano
9
Cor anglais, Piano
8
Quatuor de Flûtes : 4 flûtes
8
Ensemble de saxophones
7
Quintette de Saxophone: 5 saxophones
6
Flûte, Saxophone (duo)
6
Saxophone Baryton, Piano
5
Flûte, Clarinette (duo)
5
Quintette de Clarinettes: 5 clarinettes
5
Clarinette et Alto
4
Hautbois, Basson (duo)
4
Flûte, Alto (duo)
4
Flûte, Trompette (duo)
4
Hautbois, Clarinette (duo)
4
Flûte, Violon
4
Ensemble de Clarinettes
4
Flute, harpe et violon
4
Saxophone (partie séparée)
3
Clarinette Basse, Piano
3
Saxophone
3
Ocarina
3
Hautbois, Flûte
2
Flûte, Harpe et Violoncelle
2
Saxophone Tenor
2
Flûte, Hautbois (duo)
2
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2
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2
Quatuor de Flûtes à bec
2
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2
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2
Ensemble de Flûtes
2
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1
Flûte à bec Alto, Basse continue
1
Flûte à bec Alto, Piano
1
Clarinette, Harpe (duo)
1
Flûte à bec Soprano
1
Clarinette Basse
1
5 Flûtes à bec
1
Flûte, Clarinette, Piano (trio)
1
Quintette de Flûte : 5 flûtes
1
2 Clarinettes, Piano
1
2 Flûtes traversières, Harpe
1
+ 57 instrumentations
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20
Trompette, Saxophone (duo)
13
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13
Cor et Piano
13
Trompette, Piano
12
Trombone et Piano
10
2 Trombones (duo)
10
Trompette
10
Cor
9
Trompette (partie séparée)
9
Cor anglais, Piano
8
Trombone
8
Trombone (partie séparée)
8
Tuba
7
2 Trompettes (duo)
6
Trompette, Trombone (duo)
4
2 Cors (duo)
4
Euphonium, Piano (duo)
4
2 Euphoniums (duo)
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 trompettes
2
Tuba et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone, Orgue
1
Quatuor de Cuivres
1
Ensemble de Trompettes
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Euphonium, Tuba (duo)
1
Ensemble de Trombones
1
Ensemble de Cors
1
2 Cors, Piano
1
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Quatuor à cordes: 2 violons, alto, violoncelle
89
Violon et Piano
25
Harpe
21
Violon
18
Violoncelle
17
2 Violoncelles (duo)
16
Alto, Piano
15
Trio à Cordes: violon, alto, violoncelle
15
Violoncelle, Piano
14
2 Violons (duo)
10
Violon, Violoncelle (duo)
10
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10
Violon, Alto (duo)
9
Contre Basse
6
Alto seul
6
2 Harpes (duo)
4
4 Violoncelles
4
Violon (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
2
Quatuor à cordes: 4 violons
2
Trio à Cordes: 2 violons, alto
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe et Piano
1
Harpe, Violon (duo)
1
Alto (partie séparée)
1
Alto, Violoncelle (duo)
1
Contrebasse, Piano (duo)
1
+ 22 instrumentations
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Orchestre d'harmonie
160
Orchestre
30
Ensemble Jazz
29
Orchestre à Cordes
27
Ensemble de cuivres
17
Orchestre de chambre
13
Cloches
10
Fanfare
4
Batterie
4
Jazz combo
3
Ensemble de Percussions
2
Vibraphone
1
Batterie (partie séparée)
1
Ensemble d'École
1
Marimba
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
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