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TRI ET FILTRES
TRI ET FILTRES
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21
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Piano Trio: piano, violon, violoncelle
11
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7
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Basse electrique
232
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103
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76
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64
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1
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1
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1
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Quatuor de Saxophones: 4 saxophones
117
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77
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68
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54
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53
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51
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48
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42
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36
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35
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31
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25
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24
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21
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21
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19
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14
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14
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13
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12
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10
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1
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68
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51
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25
Cor
19
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16
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Tuba
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11
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9
2 Trompettes (duo)
8
Quatuor de Cuivres
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7
2 Cors (duo)
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2 Trombones (duo)
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3 Trompettes (trio)
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2 Tubas (duo)
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Cor (partie séparée)
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CORDES
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203
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84
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56
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Alto seul
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2 Violons (duo)
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11
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Contre Basse
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8
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7
Trio à Cordes: 2 violons, violoncelle
7
2 Altos (duo)
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Contrebasse (partie séparée)
5
Harpe, Voix
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2 Contrebasses (duo)
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4 Violoncelles
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Alto et Harpe
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Trio à Cordes: 3 violoncelles
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Harpe, Violon (duo)
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2 Harpes (duo)
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4 Contrebasses
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3 Harpes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
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150
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102
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47
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Cloches
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Batterie
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Fanfare
7
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3
Marimba
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Piano et Orchestre
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Percussion
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ME AND MY MUSIC
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The Unquiet Grave from American Death Ballads (Downloadable)
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.16 €
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Irving Berlin: I've Got My Love To Keep Me Warm [Jazz Version] (arr. Brent Edstrom) - voice & piano (High Voice)
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Instantly printable sheet music by Irving Berlin for voice & piano (High Voice) of MED…
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Instantly printable sheet music by Irving Berlin for voice & piano (High Voice) of MEDIUM skill level. / christmas,jazz,standards,advent,carol,festival
$6.97
6.29 €
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Irving Berlin
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Virtualsheetmusic
Song Of The Angel
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.915900 Composed by Judy …
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.915900 Composed by Judy Lane. Christian,Praise & Worship,Sacred. 8 pages. Judy Lane Music #5996469. Published by Judy Lane Music (A0.915900). Judy Lane's own words are used in this comforting and powerful song with a message. The song is for a solo performance at a praise and worship church service.The song of the Angel came clear in the night. Pray cease your worry and calm your fright. Our Lord left his footprints as clear as the day. Just follow them, follow them all of the way, But Lord though I try hard, I stray from your path. I slip when it's frosty and trip over stones. The wind blows me sideways, the fog clouds my eyes. Oh Lord I am lost, Lord I am lost, Lord I am lost. When I woke the next morning the world seemed more clear. Gone were my worries, more calm my fear. Those footprints were shining the way seemed more clear And the song of the Angel will forever with me stay.
$4.99
4.5 €
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Voix haute
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Judy Lane
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Song Of The Angel
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Judy Lane Music
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SheetMusicPlus
Remember
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.874489 Composed by Cynth…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.874489 Composed by Cynthia Weil and James Horner. Arranged by Gavin Koh. Contemporary. 16 pages. Gavin Koh #5199919. Published by Gavin Koh (A0.874489). Here is my arrangement for piano + vocal (tenor & soprano) for Remember. The music is taken from the movie Troy and was composed by James Horner with lyrics by Cynthia Weil. The original song was sung by James Groban with additional vocals by Tanja Carovska. Hope you enjoy it.You can listen to Remember on my Soundcloud channel at https://soundcloud.com/gavinkoh/james-horner-remember-meListen to the composer's works and other arrangements at https://soundcloud.com/gavinkoh[Updated on 20 Jan 2020]
$5.95
5.37 €
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Voix haute
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Cynthia Weil and James Horner
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Gavin Koh
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soprano) for Remember
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Remember
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Gavin Koh
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SheetMusicPlus
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