English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
8
Librairie
Musicale
0
Matériel
de Musique
833
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1669
PIANO & CLAVIERS
Piano seul
721
Piano, Voix
335
Orgue
135
Piano, Voix et Guitare
133
Piano Facile
125
Instruments en Do
77
Accompagnement Piano
46
Piano (partie séparée)
26
2 Pianos, 4 mains
24
1 Piano, 4 mains
19
Piano Trio: piano, violon, violoncelle
12
Orgue, Trompette (duo)
7
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano grosses notes
3
Clavier
3
Orgue, Piano (duo)
3
2 Pianos, 8 mains
1
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
100
Guitare
72
Guitare (partie séparée)
50
Ligne De Mélodie, (Paroles) et Accords
35
Basse électrique (partie séparée)
15
Basse electrique
12
Piano, Guitare (duo)
7
Ukulele
6
Paroles et Accords
4
Mandoline
4
2 Guitares (duo)
3
Banjo
2
4 Guitares (Quatuor)
2
Dulcimer
1
Ensemble de guitares
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
848
Chorale 3 parties
242
Chorale 2 parties
172
Chorale Unison
87
Voix duo, Piano
55
Chorale TTBB
44
Voix Soprano, Piano
36
Voix Baryton, Piano
32
Chorale SSAA
31
Voix Alto, Piano
29
Voix Tenor, Piano
28
Voix duo
23
Voix basse, Piano
10
Voix seule
9
Voix haute
8
Chorale
8
Voix moyenne, Piano
3
Chorale SSAATTBB
2
Voix basse
2
Voix Tenor
2
Voix, Guitare
1
Soli, choeur mixte et accompagnement
1
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATB
1
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
228
Clarinette (partie séparée)
89
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
74
Quatuor de Saxophones: 4 saxophones
68
Flûte traversière et Piano
65
Flute (partie séparée)
52
Flûte, Hautbois, Clarinette, Basson
48
Clarinette et Piano
45
Quatuor de Clarinettes: 4 clarinettes
44
Hautbois, Piano (duo)
44
Quintette de Saxophone: 5 saxophones
43
Saxophone Alto et Piano
42
Flûte traversière
39
Hautbois (partie séparée)
32
Clarinette
31
Saxophone Tenor et Piano
30
2 Saxophones (duo)
29
Ensemble de saxophones
26
Ensemble de Clarinettes
24
Saxophone Alto
23
Saxophone Tenor
22
Saxophone Soprano et Piano
17
Ensemble de Flûtes
15
Quintette de Clarinettes: 5 clarinettes
15
Quatuor de Flûtes : 4 flûtes
15
2 Flûtes traversières (duo)
14
Saxophone Soprano
11
3 Saxophones (trio)
11
Trio de Flûtes: 3 flûtes
10
2 Clarinettes (duo)
10
Quintette de Flûte : 5 flûtes
9
Ocarina
8
Cor anglais, Piano
7
Flûte à bec Soprano
7
Saxophone Baryton, Piano
7
2 Flûte à bec (duo)
6
Flûte à bec Alto
6
Saxophone, Clarinette (duo)
6
Clarinette Basse, Piano
6
Hautbois
6
Flûte, Clarinette (duo)
6
Hautbois, Clarinette, Basson (trio d'anches)
6
3 Clarinettes (trio)
6
Clarinette, Violon (duo)
4
Flûte, Hautbois, Clarinette (trio)
4
Harmonica
3
Flûte, Clarinette et Basson
3
Flûte et Guitare
3
3 Flûtes à bec (trio)
3
Saxophone et Orgue
2
2 Clarinettes, Piano
2
Ensemble De Flûte à bec
2
Flûte, Violoncelle
2
Flûte à Bec
2
Saxophone et Harpe
2
Flute, harpe et violon
2
Flûte irlandaise
2
Ensemble à vent
2
Flûte, Saxophone (duo)
2
Flûte, Violon, Violoncelle et Piano
2
Flûte, Violon
2
Clarinette, Trompette (duo)
2
Clarinette, Basson (duo)
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violon, Piano
2
Clarinette, Guitare (duo)
2
Hautbois, Basson (duo)
1
Clarinette, Orgue
1
Flûte traversière, Orgue (duo)
1
2 Clarinettes, Basson
1
Flûte, Harpe et Violoncelle
1
Flûte à bec Soprano, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte à Bec, Piano
1
Quatuor de Flûtes à bec
1
2 Hautbois (duo)
1
Flûte, Trompette (duo)
1
Flûte à bec Alto, Piano
1
Hautbois, Guitare (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Tenor
1
5 Flûtes à bec
1
Piccolo, Piano
1
Clarinette, Harpe (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone
1
Clarinette et Alto
1
Hautbois, Clarinette (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone (partie séparée)
206
Trompette (partie séparée)
185
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
102
Quatuor de Cuivres : 2 trompettes, trombone, tuba
79
Cor (partie séparée)
76
Tuba (partie séparée)
56
Trompette
54
Trombone et Piano
42
Trompette, Piano
34
Cor et Piano
29
Trombone
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Quatuor de cuivres: 4 trombones
19
Ensemble de Trompettes
12
Cor
12
Ensemble de Trombones
11
Tuba et Piano
10
2 Trompettes (duo)
8
Tuba
7
Cor anglais, Piano
7
Euphonium, Piano (duo)
6
Quatuor de Cuivres
6
4 Tubas
5
2 Trombones (duo)
5
Ensemble de Cors
4
2 Tubas (duo)
3
Quatuor de cuivres: 4 trompettes
3
Trompette, Trombone (duo)
2
Quatuor de cuivres: 4 cors
2
Trompette, Trombone, Piano
2
Trombone, Cor (duo)
2
3 Trombones (trio)
2
2 Cors (duo)
2
Cor et Harpe
2
Trompette, Saxophone (duo)
1
Trompette, Cor (duo)
1
2 Cors, Piano
1
Trompette, Harpe
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Orgue
1
2 Euphoniums et 2 Tubas
1
Trombone basse et Piano
1
Trompette, Euphonium (duo)
1
3 Tubas (trio)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
157
Violon et Piano
100
Violon (partie séparée)
95
Contrebasse (partie séparée)
67
Alto, Piano
67
Violon
55
Violoncelle, Piano
50
Violoncelle
41
Alto (partie séparée)
26
Trio à Cordes: violon, alto, violoncelle
23
Harpe
22
Violon, Violoncelle (duo)
21
Violoncelle (partie séparée)
20
Alto seul
19
2 Violons (duo)
19
2 Violoncelles (duo)
11
Violon, Alto (duo)
11
Contre Basse
11
Contrebasse, Piano (duo)
9
Trio à Cordes: 2 violons, violoncelle
8
Ensemble de Violons
6
2 Altos (duo)
6
2 Harpes (duo)
6
Harpe, Flûte (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Ensemble d'Altos
4
4 Violoncelles
3
Trio à Cordes: 3 violoncelles
3
Harpe, Voix
3
Trio à cordes: 3 violins
3
Piano Trio: Violon, Alto, Piano
2
Alto, Violoncelle (duo)
2
Alto et Harpe
2
Alto, Orgue
2
Quatuor à cordes : 4 altos
2
Violoncelle, Orgue
2
Quatuor à cordes: 4 violons
2
Trio à cordes: 3 altos
2
Trio à Cordes: 2 violons, alto
1
Harpe, Violoncelle (duo)
1
Harpe, Violon (duo)
1
Harpe et Piano
1
4 Contrebasses
1
Alto et orchestre
1
Violoncelle, Orchestre
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
3350
Orchestre
278
Orchestre à Cordes
228
Fanfare
101
Batterie (partie séparée)
98
Ensemble Jazz
90
Percussion (partie séparée)
70
Cloches
60
Orchestre de chambre
58
Ensemble de cuivres
47
Jazz combo
26
Ensemble de Percussions
11
Batterie
7
Timbales (partie séparée)
6
Percussion
4
Marimba
4
Vibraphone
4
Ensemble d'École
3
Piano et Orchestre
2
Instrumentation Flexible
2
Vibraphone et Marimba
1
Orchestre, Violon
1
Quintette de Cuivres: autres combinaisons
1
Caisse Claire
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
1
Vous avez sélectionné:
Red Pen Music
Voix haute
Partitions à imprimer
8 partitions trouvées
<
1
A New Theology, Edward Hirsch, poem. (Often paired with "The Sweetness."
Voix haute
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.989239 Composed by Mary …
(+)
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.989239 Composed by Mary Ann Joyce. Concert,Contemporary,Holiday. 5 pages. Mary Ann Joyce-Walter #6209129. Published by Mary Ann Joyce-Walter (A0.989239). A New Theology, Edward Hirsch,poem. God looks at Adam and Eve in the Garden of Paradise and....He couldn't bear their happiness when he saw them laughing together, eating pomegranates, and celebrating life.... The poet decides that thewhole shebang about the apple and the serpent was a set up because God couldn't stand being alone with his own creation....exactly like us, love. Exactly like us. A humorous, but serious poem and musical setting.
$4.99
4.46 €
#
Voix haute
#
Mary Ann Joyce
#
A New Theology, Edward Hirsch, poem.
#
Mary Ann Joyce-Walter
#
SheetMusicPlus
The Serpent’s Biggest Lie (High Voice)
Voix haute
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.947831 Composed by Eliza…
(+)
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.947831 Composed by Elizabeth Ragsdale. Christian,Sacred. 9 pages. Elizabeth Ragsdale #2548733. Published by Elizabeth Ragsdale (A0.947831). The lyrics of this sacred solo are based on a quote from Miscellaneous Writings 1883–1886 by Mary Baker Eddy: That man can break the forever-law of infinite Love, was, and is, the serpent’s biggest lie! The creative rhythmic and harmonic ideas in this piece engage musician and listener alike. Duration: 5:15. Vocal range: D4–F#5.
$4.79
4.28 €
#
Voix haute
#
Elizabeth Ragsdale
#
The Serpent’s Biggest Lie
#
Elizabeth Ragsdale
#
SheetMusicPlus
Pentecost Sequence (Vocal solo - High Key)
Voix haute
High Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.519053 By Stephen DeCesa…
(+)
High Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.519053 By Stephen DeCesare. By Stephen DeCesare. A Cappella,Classical,Easter,Sacred,Traditional. 3 pages. Exultet Music #129684. Published by Exultet Music (A0.519053). Sometimes called the Golden Sequence, is a sequence prescribed in the Roman Liturgy that is sung before the Gospel during the Pentecost Mass. Scored for a Vocal solo (with optional chords for an instrumentalist to accompany). Accessible and appropriate for any church setting.
$4.99
4.46 €
#
Voix haute
#
Stephen DeCesare
#
Pentecost Sequence
#
Exultet Music
#
SheetMusicPlus
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
Voix haute
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuar…
(+)
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
6.91 €
#
Voix haute
#
Stuart Brown
#
Idylls - five songs for solo high voice
#
Stuart Brown Music
#
SheetMusicPlus
CAVALLI Francesco: Peno languisco è moro, aria from the cantata, - Voice and Piano (A mi
Voix haute
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868772 Composed by Franc…
(+)
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868772 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4580879. Published by Really Good Music, LLC. (A0.868772). Peno languisco è moro is an aria from Solo cantata IV Credete voi, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A minor (G#4 – G5) for high voice.
$5.95
5.31 €
#
Voix haute
#
Francesco CAVALLI
#
Sergei PICHUGIN
#
CAVALLI Francesco: Peno languisco è moro, aria from the cantata, - Voice and Piano
#
Really Good Music, LLC.
#
SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
Voix haute
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
(+)
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.13 €
#
Voix haute
#
David Conte
#
The Unquiet Grave from American Death Ballads
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Come Lie with Me (King David and Bathsheba) from "The Kings" - ACT 2:Song 5
Voix haute
High Voice,Vocal Solo - Digital Download SKU: A0.784831 Composed by McCorkle, Denni…
(+)
High Voice,Vocal Solo - Digital Download SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBook Publications #11753. Published by DF McCorkle Music and eBook Publications (A0.784831). ACT TWO: Song 5. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:2-4… - And it came to pass at eventide, that David arose from off his bed, and walked upon the roof of the king's house; and from the roof he saw a woman bathing; and the woman was very beautiful to look upon. 3 And David sent and inquired after the woman. And one said: ‘Is not this Bath-sheba, the daughter of Eliam, the wife of Uriah the Hittite?’ 4 And David sent messengers, and took her; and she came in unto him, and he lay with her;…] Once settled into Jerusalem and after a tiff with MICHAL, DAVID looks around his magnificent palace and as he walks on his balcony, he sees a lovely young woman bathing herself in the moonlight. Giving in to his impulses, orders his men to have her brought to the palace on the pretense of speaking to her about her husband, URIAH who is in the field with the troops. DAVID, seeing her beauty and rationalizing his own importance, proceeds to seduce her and lies with her [Come Lie with Me – David and Bathsheba]. BATHSHEBA, also lonely is seduced by his presence and gives in to his wishes. Leaving before daylight to escape notice, DAVID goes about business as usual, trying to forget what has happened. A few weeks later, a messenger arrives with a note from BATHSHEBA, DAVID, I'm pregnant! Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.67 €
#
Voix haute
#
McCorkle, Dennis F
#
Come Lie with Me
#
DF McCorkle Music and eBook Publications
#
SheetMusicPlus
Amazing Grace—High-Range Vocal Solo, Fiddle, and Piano
Voix haute
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1074551 By Daniel Carter…
(+)
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1074551 By Daniel Carter. By William Walker. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred,Spiritual. 9 pages. Daniel Carter #678826. Published by Daniel Carter (A0.1074551). John Newton penned the words to “Amazing Grace†around 1764 after he survived a near-death experience on a slave-trading ship that nearly capsized, after which he became a priest. His words were set to music by William Walker who composed the hymn tune NEW BRITAIN, first published in “Southern Harmony in 1847. The hymn is extremely influential in religious and folk music, crossing over successfully into secular music. One of the most recognizable and beloved songs in history, Daniel Carter’s setting has a traditional southern folk song feel. Arranged for solo voice, fiddle obbligato, and piano and is suitable for worship, devotionals, concert settings, and music recitals. The fiddle part is included on the last page of the score. Available for both high-range and medium-range vocal solo, fiddle, and piano at danielcartermusic.com.
$5.99
5.35 €
#
Voix haute
#
Daniel Carter
#
Daniel Carter
#
Amazing Grace—High-Range Vocal Solo, Fiddle, and Piano
#
Daniel Carter
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
