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MANDOLINE
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PERCU. ORCH…
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
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CONTEMPORAIN - NEW A…
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HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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SOUL - R&B - HIP HOP…
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Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
6775
PIANO & CLAVIERS
Piano seul
1718
Piano, Voix
1145
Piano, Voix et Guitare
1088
Piano Facile
765
Instruments en Do
258
Accompagnement Piano
212
Orgue
197
Piano grosses notes
150
1 Piano, 4 mains
117
Piano Trio: piano, violon, violoncelle
60
2 Pianos, 4 mains
48
Piano (partie séparée)
24
Piano Quatuor: piano, 2 violons, violoncelle
16
Accordéon
10
Piano Quatuor: piano, violon, alto, violoncelle
8
Orgue, Piano (duo)
6
2 Pianos, 8 mains
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
1 Piano, 6 mains
4
2 Accordéons
1
Clavecin
1
Clavier
1
Orgue, Trompette (duo)
1
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GUITARES
Guitare notes et tablatures
696
Guitare
361
Basse electrique
333
Guitare (partie séparée)
179
Ukulele
101
2 Guitares (duo)
63
Ligne De Mélodie, (Paroles) et Accords
61
4 Guitares (Quatuor)
32
Piano, Guitare (duo)
23
3 Guitares (trio)
20
Mandoline
10
Dulcimer
8
Ensemble de guitares
8
Banjo
7
Paroles et Accords
7
Ukulele Baryton
6
2 Dulcimers (duo)
3
Basse électrique (partie séparée)
3
Mandoline, Guitare (duo)
2
2 Ukuleles
1
Ensemble de Ukulélés
1
Guitare, Violon, Violoncelle (trio)
1
Instrumentations suivantes
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VOIX
Chorale SATB
955
Chorale 3 parties
391
Chorale 2 parties
281
Chorale TTBB
280
Chorale SSAA
177
Chorale Unison
144
Voix duo, Piano
93
Voix Baryton, Piano
55
Voix Soprano, Piano
44
Voix duo
38
Voix Tenor, Piano
22
Voix Alto, Piano
22
Voix haute
20
Voix seule
11
Voix Tenor
7
Voix moyenne, Piano
5
Voix Soprano
5
Voix basse, Piano
5
Voix basse
4
Chorale
4
Chorale SSAATTBB
3
Chorale SSATTB
3
Voix Mezzo-Soprano, Piano
2
Soli, choeur mixte et accompagnement
1
Chorale SSATB
1
Chorale SSAB, Piano
1
Voix Baryton
1
Chorale SAATB A Cappella
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
1307
Saxophone Alto et Piano
588
Quatuor de Saxophones: 4 saxophones
584
Saxophone (partie séparée)
492
Quintette de Saxophone: 5 saxophones
485
Saxophone Tenor et Piano
459
Saxophone, Clarinette (duo)
453
2 Clarinettes (duo)
390
Saxophone Alto
371
2 Flûtes traversières (duo)
349
Clarinette, Violon (duo)
318
Saxophone Soprano et Piano
276
Flûte, Hautbois, Clarinette, Basson
272
Saxophone Tenor
271
Clarinette, Trompette (duo)
261
Flûte traversière et Piano
253
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
247
Clarinette et Piano
245
Flûte, Clarinette (duo)
212
Hautbois, Piano (duo)
185
Hautbois, Basson (duo)
180
Hautbois, Clarinette (duo)
175
3 Saxophones (trio)
167
Clarinette et Alto
159
Ensemble de saxophones
159
Flûte, Saxophone (duo)
158
Flûte, Violon
152
Clarinette
146
Saxophone Baryton, Piano
139
2 Hautbois (duo)
135
Flûte traversière
135
Hautbois, Flûte
135
Flûte, Alto (duo)
129
Flûte, Trompette (duo)
123
Quatuor de Clarinettes: 4 clarinettes
113
Ensemble de Clarinettes
84
Hautbois (partie séparée)
82
Flûte et Guitare
65
Ensemble de Flûtes
62
Saxophone Soprano
61
Quatuor de Flûtes : 4 flûtes
57
2 Flûte à bec (duo)
56
3 Clarinettes (trio)
54
Saxophone Baryton
48
Quintette de Clarinettes: 5 clarinettes
46
Flûte à bec Soprano
45
Cor anglais, Piano
36
Quintette de Flûte : 5 flûtes
35
Hautbois
32
2 Flûtes traversières, Piano
29
Clarinette, Guitare (duo)
27
Flûte, Hautbois (duo)
24
Flute (partie séparée)
23
Quatuor de Flûtes à bec
22
Trio de Flûtes: 3 flûtes
22
Flûte, Violoncelle
21
Clarinette, Violoncelle (duo)
21
Ocarina
21
Saxophone
20
Clarinette Basse, Piano
19
Clarinette, Basson (duo)
19
Hautbois, Clarinette, Basson (trio d'anches)
19
Harmonica
19
Flûte, Hautbois, Clarinette (trio)
16
Saxophone et Guitare
16
Hautbois, violon (duo)
15
5 Flûtes à bec
15
Clarinette (partie séparée)
15
Hautbois, Violoncelle
14
Hautbois, Guitare (duo)
14
Flûte à Bec
13
Flûte à bec Alto
11
Clarinette, Trombone (duo)
10
Cor Anglais
10
Flûte à bec Tenor
9
Flûte à bec Alto, Piano
9
Flûte, Clarinette et Basson
8
Cor anglais, Guitare (duo)
8
3 Flûtes à bec (trio)
8
Flûte à bec Soprano, Piano
7
Ensemble De Flûte à bec
7
Flûte, Violon, Piano
6
Flûte, Hautbois, Basson
6
2 Saxophones, Piano
6
Saxophone et Orgue
5
Piccolo
4
Flûte à Bec, Piano
4
Flûte, Clarinette, Piano (trio)
4
2 Clarinettes, Piano
4
Piccolo, Piano
4
Ensemble à vent
3
Clarinette, Harpe (duo)
3
Flute, harpe et violon
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Basson et Piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte, Hautbois, Piano (trio)
2
Flûte irlandaise
2
Clarinette, Orgue
2
Saxophone et Harpe
2
Instruments en Mib
2
Clarinette Basse
2
2 Cors Anglais Et Pianoforte
1
Flûte, Violon et Violoncelle
1
Hautbois, Harpe
1
Ensemble de Hautbois
1
Flûte, Clarinette, Violon (trio)
1
Flûte, trombone et piano
1
2 Clarinettes, Basson
1
Flûte, Violoncelle, Piano (trio)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
680
Trombone et Piano
565
Quatuor de Cuivres : 2 trompettes, trombone, tuba
413
Trombone
354
Trombone (partie séparée)
321
Trompette, Saxophone (duo)
317
2 Trombones (duo)
312
Trompette, Trombone (duo)
235
Quatuor de Cuivres: 2 trompettes, Cor, trombone
196
Trompette
176
Trompette, Piano
166
2 Trompettes (duo)
157
Quatuor de Cuivres
147
Cor et Piano
117
Ensemble de Trompettes
114
Trompette (partie séparée)
106
Cor
90
Ensemble de Trombones
82
Tuba et Piano
78
Tuba
77
Quatuor de cuivres: 4 trombones
76
Euphonium, Piano (duo)
37
Cor anglais, Piano
36
Cor (partie séparée)
33
3 Trombones (trio)
28
Tuba (partie séparée)
26
2 Cors (duo)
25
Euphonium
21
Trio de Cuivres
19
Trombone, Tuba (duo)
18
2 Tubas (duo)
17
Quatuor de cuivres: 4 cors
17
Trompette, Cor (duo)
15
Quatuor de cuivres: 4 trompettes
13
Ensemble de Cors
12
Cor, Violoncelle (duo)
11
Trompette, Basson (duo)
11
Cor Anglais
10
3 Trompettes (trio)
9
Quatuor de cuivres: 2 trompettes, 2 trombones
9
2 Euphoniums (duo)
9
Cor anglais, Guitare (duo)
8
Trombone, Orgue
7
Trombone basse et Piano
7
Trompette, Violoncelle (duo)
7
Trombone basse
7
2 Euphoniums et 2 Tubas
7
4 Tubas
6
Cor et Basson (duo)
6
Bass Clef Instruments
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
5
Trombone, Cor (duo)
4
Cor, Tuba (duo)
4
Trompette et Guitare
4
Instruments en Sib
4
Trompette, Trombone, Piano
3
Tuba ou Euphonium ou Saxhorn
3
2 Trompettes, Clavier (piano ou orgue)
2
2 Trombones, Piano
2
Tuba et Orgue
2
Trompette, Tuba (duo)
2
Euphonium, Tuba (duo)
2
2 Cors Anglais Et Pianoforte
1
Trompette, Euphonium (duo)
1
Cor, Trompette, Trombone (trio)
1
Trompette, Violoncelle et Piano
1
3 Tubas (trio)
1
3 Euphoniums
1
Ensemble de Tubas
1
3 Cors (trio)
1
Cor et Harpe
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
853
Violon, Violoncelle (duo)
544
Violon
366
Violon et Piano
354
Trio à Cordes: violon, alto, violoncelle
317
Violoncelle, Piano
251
Harpe
243
Violon, Alto (duo)
234
2 Violons (duo)
226
Violoncelle
214
Alto, Piano
189
Quintette à cordes: 2 violons, alto, violoncelle, basse
162
2 Violoncelles (duo)
161
2 Altos (duo)
154
Alto seul
100
Trio à Cordes: 2 violons, violoncelle
88
Contrebasse, Piano (duo)
55
Contre Basse
51
Contrebasse (partie séparée)
46
Violon (partie séparée)
38
Alto, Violoncelle (duo)
36
Alto (partie séparée)
32
4 Violoncelles
28
Piano Trio: Violon, Alto, Piano
23
2 Harpes (duo)
22
Ensemble de Violons
22
Ensemble d'Altos
20
Violoncelle, Contrebasse (duo)
19
Violon, Guitare (duo)
18
Violoncelle , Guitare (duo)
17
Trio à cordes: 3 violins
15
Trio à Cordes: 3 violoncelles
12
Quatuor à cordes: 4 violons
12
Trio à cordes: 3 altos
11
Quatuor à cordes : 4 altos
10
Harpe, Voix
9
Violon, Basson (duo)
8
Alto et Basson
7
Violoncelle (partie séparée)
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
2 Contrebasses (duo)
5
Flûte, Contrebasse (duo)
5
Alto, Guitare (duo)
5
Harpe, Flûte (duo)
4
Trio à Cordes: 2 violons, alto
4
5 Harpes
2
Ensemble de Violoncelles
2
Harpe, Trombone (duo)
2
3 Harpes
2
4 Contrebasses
2
Alto et Harpe
1
2 Violoncelles, Piano
1
2 Violons, Piano
1
Autoharp
1
4 Harpes
1
Harpe (partie séparée)
1
Harpe et Piano
1
Violon, Clarinette, Piano (trio)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
2401
Orchestre à Cordes
445
Ensemble Jazz
371
Orchestre
313
Ensemble de cuivres
279
Fanfare
226
Cloches
205
Orchestre de chambre
87
Jazz combo
81
Ensemble de Percussions
49
Batterie
48
Batterie (partie séparée)
43
Marimba
24
Percussion (partie séparée)
21
2 Xylophones
7
Xylophone
6
Xylophone, Piano
6
Instrumentation Flexible
4
Xylophone ou Marimba ou Vibraphone
4
Vibraphone
3
Ensemble d'École
2
Quintette de Cuivres: autres combinaisons
2
Percussion
2
Marimba, Piano (duo)
1
Caisse Claire
1
Cajon
1
Big band
1
Orchestre, Violon
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
8
Théorie de la musique
1
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You are the One
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The Unquiet Grave from American Death Ballads (Downloadable)
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.14 €
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Voix haute
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Ice! from Songs from the High Sierra
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High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwynet…
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High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8318-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8318-4E). The five letters which provide the lyrics for the songs (adapted by the composer) were selected for their range of topics and sentiments. Some portray the wildlife in the mountains (“Glacier Birds...â€). Others extol the beauty of the Sierra (“Mountain Glory,†“Yosemite Fallsâ€). One expresses the whimsical/temperamental personality of the author (“Ice!â€). And the final letter (“Sequoiaâ€) speaks reverently of the great trees, in a language both naturalistic and sacred. They are the “greatest light in the woods, the greatest light in the world.†The musical settings, especially in the piano accompaniment, are quite programmatic. Glacier birds scamper up and down the keyboard in tone clusters. “Icy†glissandi float off. The great trees take root in large, block chords, and waterfalls cascade down in scales.There is personality in the letters. The bond between John Muir and Mrs. Carr (whom he addresses formally) is one of great kinship- a blending of the souls, a “spiritual romance.†As he marvels at the beauty of the wilderness, he writes ardently, “I wish that you could see this...†When he learns that Mrs. Carr, a botanist (whose plants suffer from the frost), dislikes ice, he chides her, and creates a “mock argument†over the value of glacial ice.The songs begin with an ascent into the mountains. They close with the return to the coast, to the magnificent Sequoia trees, where John Muir camps for the night, in the company of a squirrel. Charmingly, he writes “therefore, my Carr, goodnight.â€.
$7.25
6.5 €
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Voix haute
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Gwyneth W
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Ice! from Songs from the High Sierra
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Waltz of the Roses (Think of My Love As A Rose), for High Voice Piano, Theme from The Snow Queen, A
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730413 Composed by James…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730413 Composed by James Nathaniel Holland. Contemporary,Holiday,Wedding. 8 pages. James Nathaniel Holland #3369761. Published by James Nathaniel Holland (A0.730413). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged for high voice (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$4.95
4.44 €
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
I Dream of You, to Wake (Soprano or Tenor and Piano)
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1013578 Composed by Hunt…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1013578 Composed by Hunter A. Brown. Concert,Contemporary. 12 pages. Hunter A. Brown #6288243. Published by Hunter A. Brown (A0.1013578). I Dream of You, to Wake (soprano and piano) is an art song adaption of the sonnet by Christina Rossetti (1830-1894). The poem comes from her sonnet of sonnets - Monna Innominata (unknown lady) - in which she laments her lack of religious compatibility with the man she loves.With a duration of 4'00 - this song is perfect for the adept soprano, and would be ideal for a solo and ensemble contest or college recital.Key: B major, F-sharp minorRange: C#4 - G#5 I would love to hear from you! For questions, comments, or information about commissions, please reach out to me at hbrowncomp@gmail.comText: I dream of you to wake: would that I might Dream of you and not wake but slumber on. In happy dreams I hold you full in night. I blush again who waking look so wan; Brighter than sunniest day that ever shone, In happy dreams your smile makes day of night. Thus only in a dream we are at one, Thus only in a dream we give and take The faith that maketh rich who take or give; If thus to sleep is sweeter than to wake, To die were surely sweeter than to live, Though there be nothing new beneath the sun.
$9.99
8.95 €
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Hunter A
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I Dream of You, to Wake
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Hunter A. Brown
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SheetMusicPlus
23rd Psalm (Pastures of Green) (David) from "The Kings" ACT 1:Song 11
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784825 Composed by McCor…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784825 Composed by McCorkle, Dennis F. Christian,Jewish,Pop,Rock,Sacred. 10 pages. DF McCorkle Music and eBook Publications #11739. Published by DF McCorkle Music and eBook Publications (A0.784825). ACT ONE: Song 11. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 16:11 - And Samuel said to Jesse: ‘Are here all your children?’ And he said: ‘There remains yet the youngest, and, behold, he tends the sheep.’ And Samuel said unto Jesse: ‘Send and fetch him; for we will not sit down till he come here.’ [Psalm 23 Sacred Melody of David.YAHWEH is My Shepherd I shall not want]. SAMUEL leaves SAUL and goes to the house of Jesse in Bethlehem where he chooses DAVID and anoints him as king. DAVID returns to the field and his sheep, trying to understand the meaning of the previous events [Pastures of Green – David and Ensemble]. The next morning, his father Jessie sends one of his servants to ask DAVID to take provisions to his brothers who are on the front line with SAUL engaged in a fierce battle with the Philistines. David leaves the sheep with the servant and goes off to the battlefield. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.68 €
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McCorkle, Dennis F
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23rd Psalm
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
I'd Rather Have Jesus
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1115658 Composed by Geor…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1115658 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Century,Christian,Praise & Worship,Religious,Sacred. 6 pages. David Neff #717430. Published by David Neff (A0.1115658). Here’s a fresh high-voice arrangement of the classic gospel song written by bass-baritone George Beverly Shea. It is appropriate for any setting where sacred music is welcomed. This arrangement is also available on this site for medium voice. Shea wrote the tune for “I’d Rather Have Jesus†at age 23. He’d been offered a well-paying job as a singer on NBC’s Your Hit Parade, and he was struggling with whether to choose a secular singing career or to stick with singing in churches and on Christian radio. He turned down the job offer, stuck with sacred music, and eventually took a role as the main vocalist with the Billy Graham Evangelistic Crusades. “I’d Rather Have Jesus†became his signature tune. It was featured on his first release from RCA records, and because of his role with Billy Graham, it is thought that he sang live before more people than anyone else in history.
$4.99
4.47 €
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George Beverly Shea and Rhea F
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David Neff
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I'd Rather Have Jesus
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David Neff
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SheetMusicPlus
Song Of The Angel
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.915900 Composed by Judy …
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.915900 Composed by Judy Lane. Christian,Praise & Worship,Sacred. 8 pages. Judy Lane Music #5996469. Published by Judy Lane Music (A0.915900). Judy Lane's own words are used in this comforting and powerful song with a message. The song is for a solo performance at a praise and worship church service.The song of the Angel came clear in the night. Pray cease your worry and calm your fright. Our Lord left his footprints as clear as the day. Just follow them, follow them all of the way, But Lord though I try hard, I stray from your path. I slip when it's frosty and trip over stones. The wind blows me sideways, the fog clouds my eyes. Oh Lord I am lost, Lord I am lost, Lord I am lost. When I woke the next morning the world seemed more clear. Gone were my worries, more calm my fear. Those footprints were shining the way seemed more clear And the song of the Angel will forever with me stay.
$4.99
4.47 €
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Judy Lane
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Song Of The Angel
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Judy Lane Music
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SheetMusicPlus
"There is dew for the flowret..."
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High Voice,Vocal Solo - Digital Download SKU: A0.916018 Composed by William Kersten…
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High Voice,Vocal Solo - Digital Download SKU: A0.916018 Composed by William Kersten. 20th Century,Contemporary. 2 pages. William Kersten #3007559. Published by William Kersten (A0.916018). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten Poem by Thomas Hood (1799-1845) There is dew for the flowretAnd honey for the bee,And bowers for the wild bird,And love for you and me.There are tears for the manyAnd pleasures for the few;But let the world pass on, dear,There's love for me and you.
$3.99
3.58 €
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William Kersten
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"There is dew for the flowret..."
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William Kersten
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SheetMusicPlus
Over The Rainbow
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.773869 By Judy Garland. …
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.773869 By Judy Garland. By Harold Arlen and Pleasant Ann Gehman. Arranged by Anthony Giamanco. Contemporary. 6 pages. Whole Tone Press #5994675. Published by Whole Tone Press (A0.773869). This beautiful ballad from the beloved film The Wizard of Oz is arranged in an elegant jazz style for high voice solo with piano accompaniment (in the key of E-flat). The piano part is well-suited to the advanced intermediate player, and includes jazz voicings and chord symbols. A great piece for concert and recitals!Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com, https://www.anthonygiamanco.com,on SoundCloud (https://soundcloud.com/tony-giamanco),and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg)Contact info:tony@shalomlife.org.
$4.99
4.47 €
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Judy Garland
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Anthony Giamanco
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Over The Rainbow
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Whole Tone Press
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SheetMusicPlus
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuar…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
6.94 €
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Stuart Brown
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Idylls - five songs for solo high voice
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Stuart Brown Music
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SheetMusicPlus
AT THE CROSS
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.962905 Composed by R.E. …
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.962905 Composed by R.E. Hudson. Arranged by Sonny Rios. Christian,Gospel,Praise & Worship,Sacred. 6 pages. Sonny Rios #4277077. Published by Sonny Rios (A0.962905). AT THE CROSS: This popular public domain song, composed by R.E. Hudson and written by Isaac Watts, has been masterfully arranged by Sonny Rios for solo High Voice. The lyrics, in this arrangement, are in English, Spanish and Cherokee, and are a testimony of how one came to Christ for salvation. The song is ideal for Christian services, as well as religious and secular concerts. It has a range of Eb4-Bb5. This arrangement has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record this arrangement, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
5.37 €
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R
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Sonny Rios
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AT THE CROSS
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Sonny Rios
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
6.26 €
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
6.23 €
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Amazing Grace (high voice and piano)
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.773679 Arranged by Antho…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.773679 Arranged by Anthony Giamanco. Christian,Concert,Contemporary,Sacred. 8 pages. Whole Tone Press #3629835. Published by Whole Tone Press (A0.773679). This setting of Amazing Grace, arranged by Anthony Giamanco, is arranged in an art song style for high voice and piano. The vocal part is rather easy; the accompaniment is moderately advanced and quite independent. An ideal choice for church, contest and recital.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg.
$3.50
3.14 €
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Anthony Giamanco
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Amazing Grace
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Whole Tone Press
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SheetMusicPlus
Just Like That September 2011
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790016 Composed by Benj …
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790016 Composed by Benj Pasek and Justin Paul. Arranged by W. Brent Sawyer. Contemporary. 9 pages. Diamond S Music #3534827. Published by Diamond S Music (A0.790016). JUST LIKE THAT from A CHRISTMAS STORY the musical - Piano (keyboard) & Vocal Part Only . Arranged for Vocal Solo and 8 piece arrangement. This Keyboard part also contains the important cues for the other instrumentation. The beloved Christmas Classic film turned into a hit Broadway musical by the Tony Award and Academy Award winning team Benj Pasek & Justin Paul (Dear Evan Hansen, The Greatest Showman, La La Land). This 8 piece arrangement is for: Reed 1 (Flute), Reed 2 (Bb Clarinet), Trumpet, Trombone, Electronic Keyboard, Double Bass, Drum Set, Percussion (mallets & aux) - The Drums and Percussion can be played by the same player in this arrangement. Other 8 piece Orchestrations/Arrangements from A Christmas Story the musical by this publisher (Diamond S Music) available here are: Before The Old Man Comes Home, Just Like That, Ralph To The Rescue, Overture, Somewhere Hovering Over Indiana, When You're A Wimp, A Christmas Story, Counting Down To Christmas, Act 1 Finale, What A Mother Does, Parker Family Sing A-long, Sticky Situation, Up On Santa's Lap, You'll Shoot Your Eye Out, The Genius Of Cleveland Street, Red Ryder Carbine Action BB Gun. https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
8.95 €
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Benj Pasek and Justin Paul
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Vocal Part Only
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Just Like That September 2011
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Diamond S Music
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SheetMusicPlus
Du fatter ej Bølgernes evige Gang [High Voice; Key: Am]
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High Voice,Vocal Solo - Digital Download SKU: A0.795763 Composed by Edvard Grieg. A…
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High Voice,Vocal Solo - Digital Download SKU: A0.795763 Composed by Edvard Grieg. Arranged by Maxence Lasserre-Engberts. Concert,Romantic Period,Standards. 5 pages. Maxence Lasserre-Engberts #5772005. Published by Maxence Lasserre-Engberts (A0.795763). Hjertets melodier (English: Melodies of the Heart) is a very short song cycle, the original version lasting only 6 minutes. It is one of Grieg's first published works, and contains his most famous song, Jeg elsker Dig!, better known as Ich liebe dich. Dano-Norwegian (original), German and English lyrics are included.1. To brune Øjne / Zwei braune Augen / Two Brown Eyes 2. En Digters Bryst (Du fatter ej Bølgernes evige Gang) / Des Dichters Herz / The Poet's Heart 3. Jeg elsker Dig! / Ich liebe dich / I Love You 4. Min Tanke er et mægtigt Fjeld / Mein Sinn ist wie der mächt'ge Fels / My Mind is Like a Peak Snow-CrownedThis is an Urtext edition; the music is written as seen in the composer's unedited manuscript, transposition aside. Also available from the same publisher: whole song cycle (4 songs) for $5.99 (25% off) Range: D#4 - A5 (1 ½ tones higher)
$1.99
1.78 €
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Edvard Grieg
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Maxence Lasserre-Engberts
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Du fatter ej Bølgernes evige Gang [High Voice; Key: Am]
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Maxence Lasserre-Engberts
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SheetMusicPlus
Min Tanke er et mægtigt Fjeld [High Voice; Key: Em]
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High Voice,Vocal Solo - Digital Download SKU: A0.795774 Composed by Edvard Grieg. A…
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High Voice,Vocal Solo - Digital Download SKU: A0.795774 Composed by Edvard Grieg. Arranged by Maxence Lasserre-Engberts. Concert,Romantic Period,Standards. 5 pages. Maxence Lasserre-Engberts #5772147. Published by Maxence Lasserre-Engberts (A0.795774). Hjertets melodier (English: Melodies of the Heart) is a very short song cycle, the original version lasting only 6 minutes. It is one of Grieg's first published works, and contains his most famous song, Jeg elsker Dig!, better known as Ich liebe dich. Dano-Norwegian (original), German and English lyrics are included.1. To brune Øjne / Zwei braune Augen / Two Brown Eyes 2. En Digters Bryst (Du fatter ej Bølgernes evige Gang) / Des Dichters Herz / The Poet's Heart 3. Jeg elsker Dig! / Ich liebe dich / I Love You 4. Min Tanke er et mægtigt Fjeld / Mein Sinn ist wie der mächt'ge Fels / My Mind is Like a Peak Snow-CrownedThis is an Urtext edition; the music is written as seen in the composer's unedited manuscript, transposition aside. Also available from the same publisher: whole song cycle (4 songs) for $5.99 (25% off) Range: D#4 - G5 (2 tones higher)
$1.99
1.78 €
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Edvard Grieg
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Maxence Lasserre-Engberts
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Min Tanke er et mægtigt Fjeld [High Voice; Key: Em]
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Maxence Lasserre-Engberts
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SheetMusicPlus
To brune Øjne [High Voice; Key: Bb]
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High Voice,Vocal Solo - Digital Download SKU: A0.795761 Composed by Edvard Grieg. A…
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High Voice,Vocal Solo - Digital Download SKU: A0.795761 Composed by Edvard Grieg. Arranged by Maxence Lasserre-Engberts. Concert,Romantic Period,Standards. 3 pages. Maxence Lasserre-Engberts #5771955. Published by Maxence Lasserre-Engberts (A0.795761). Hjertets melodier (English: Melodies of the Heart) is a very short song cycle, the original version lasting only 6 minutes. It is one of Grieg's first published works, and contains his most famous song, Jeg elsker Dig!, better known as Ich liebe dich. Dano-Norwegian (original), German and English lyrics are included.1. To brune Øjne / Zwei braune Augen / Two Brown Eyes 2. En Digters Bryst (Du fatter ej Bølgernes evige Gang) / Des Dichters Herz / The Poet's Heart 3. Jeg elsker Dig! / Ich liebe dich / I Love You 4. Min Tanke er et mægtigt Fjeld / Mein Sinn ist wie der mächt'ge Fels / My Mind is Like a Peak Snow-CrownedThis is an Urtext edition; the music is written as seen in the composer's unedited manuscript, transposition aside. Also available from the same publisher: whole song cycle (4 songs) for $5.99 (25% off) Range: F4 – G5 (1 ½ tones higher)
$1.99
1.78 €
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Edvard Grieg
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Maxence Lasserre-Engberts
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To brune Øjne [High Voice; Key: Bb]
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Maxence Lasserre-Engberts
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SheetMusicPlus
To brune Øjne [High Voice; Key: A]
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High Voice,Vocal Solo - Digital Download SKU: A0.795760 Composed by Edvard Grieg. A…
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High Voice,Vocal Solo - Digital Download SKU: A0.795760 Composed by Edvard Grieg. Arranged by Maxence Lasserre-Engberts. Concert,Romantic Period,Standards. 3 pages. Maxence Lasserre-Engberts #5771913. Published by Maxence Lasserre-Engberts (A0.795760). Hjertets melodier (English: Melodies of the Heart) is a very short song cycle, the original version lasting only 6 minutes. It is one of Grieg's first published works, and contains his most famous song, Jeg elsker Dig!, better known as Ich liebe dich. Dano-Norwegian (original), German and English lyrics are included.1. To brune Øjne / Zwei braune Augen / Two Brown Eyes 2. En Digters Bryst (Du fatter ej Bølgernes evige Gang) / Des Dichters Herz / The Poet's Heart 3. Jeg elsker Dig! / Ich liebe dich / I Love You 4. Min Tanke er et mægtigt Fjeld / Mein Sinn ist wie der mächt'ge Fels / My Mind is Like a Peak Snow-CrownedThis is an Urtext edition; the music is written as seen in the composer's unedited manuscript, transposition aside. Also available from the same publisher: whole song cycle (4 songs) for $5.99 (25% off) Range: E4 – F#5 (1 tone higher)
$1.99
1.78 €
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Voix haute
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Edvard Grieg
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Maxence Lasserre-Engberts
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To brune Øjne [High Voice; Key: A]
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Maxence Lasserre-Engberts
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SheetMusicPlus
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