Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
S Baroque
Non classifié
204
Piano & claviers
Piano seul
100
Piano, Voix
23
Orgue
17
Clavecin
4
Orgue, Piano (duo)
3
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 4 mains
1
Orgue, Trompette (duo)
1
1 Piano, 4 mains
1
Piano Facile
1
+ 5 instrumentations
Retracter
Guitares
Guitare
51
Guitare notes et tablatures
15
2 Guitares (duo)
4
Ukulele
1
Basse electrique
1
Voix
Chorale SATB
11
Chorale SSAA
1
Voix duo
1
Chorale 2 parties
1
Chorale
1
Voix Soprano, Piano
1
+ 1 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
21
Quatuor de Clarinettes: 4 clarinettes
18
Quintette de Saxophone: 5 saxophones
13
2 Clarinettes (duo)
13
Flûte traversière et Piano
13
Flûte traversière
11
2 Flûtes traversières (duo)
10
Flûte, Hautbois, Clarinette, Basson
10
3 Saxophones (trio)
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Clarinette
9
Clarinette et Piano
8
Saxophone Alto
7
3 Clarinettes (trio)
7
Ensemble de Clarinettes
7
Hautbois (partie séparée)
7
Saxophone (partie séparée)
6
2 Saxophones (duo)
5
Saxophone Alto et Piano
5
Quintette de Flûte : 5 flûtes
3
Saxophone Tenor
3
Saxophone Tenor et Piano
3
Cor anglais, Piano
3
Flûte, Clarinette et Basson
3
Flûte, Clarinette (duo)
3
Quintette de Clarinettes: 5 clarinettes
2
Hautbois, Clarinette, Basson (trio d'anches)
2
2 Hautbois (duo)
2
Saxophone, Clarinette (duo)
2
Flûte, Violoncelle, Guitare
2
Trio de Flûtes: 3 flûtes
2
Hautbois, Piano (duo)
1
Saxophone Soprano
1
Flûte, Hautbois, Basson
1
Flûte, Hautbois, Clarinette (trio)
1
2 Clarinettes, Piano
1
Quatuor de Flûtes : 4 flûtes
1
Flûte à bec Alto, Basse continue
1
Flûte, Saxophone (duo)
1
Cor Anglais
1
Clarinette, Basson (duo)
1
Ensemble de Flûtes
1
3 Hautbois
1
Hautbois, Clarinette (duo)
1
Saxophone Soprano et Piano
1
2 Flûte à bec (duo)
1
Clarinette Basse, Piano
1
+ 42 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
48
Ensemble de Trombones
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Trombone
16
Quatuor de cuivres: 4 trombones
12
Trompette
11
Cor
10
Tuba
9
Trompette (partie séparée)
8
Ensemble de Trompettes
7
Trombone et Piano
5
Trompette, Piano
5
Euphonium
5
Tuba et Piano
4
3 Trombones (trio)
4
3 Euphoniums
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
2 Trompettes, Clavier (piano ou orgue)
3
Euphonium, Piano (duo)
3
Cor anglais, Piano
3
Trombone basse
3
2 Trombones (duo)
3
2 Trompettes (duo)
3
Quatuor de cuivres: 4 trompettes
2
Quatuor de Cuivres
2
2 Cors (duo)
2
3 Trompettes (trio)
1
4 Tubas
1
Quatuor de cuivres: 4 cors
1
Cor Anglais
1
2 Tubas (duo)
1
3 Tubas (trio)
1
2 Euphoniums et 2 Tubas
1
Ensemble de Cors
1
+ 29 instrumentations
Retracter
Cordes
Violon
23
Quatuor à cordes: 2 violons, alto, violoncelle
22
Violon et Piano
17
Violoncelle
12
2 Violons (duo)
8
Trio à Cordes: violon, alto, violoncelle
8
Violoncelle, Piano
8
Alto seul
7
Alto, Piano
5
Violon, Alto (duo)
4
Violon, Violoncelle (duo)
3
Alto (partie séparée)
2
2 Violoncelles (duo)
2
Ensemble d'Altos
2
4 Violoncelles
2
Harpe
2
Quatuor à cordes: 4 violons
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 violins
2
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
Contre Basse
1
2 Altos (duo)
1
Ensemble de Violons
1
Violoncelle, Orchestre
1
Violoncelle, Contrebasse (duo)
1
Quatuor à cordes : 4 altos
1
4 Contrebasses
1
Trio à Cordes: 2 violons, violoncelle
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
29
Orchestre d'harmonie
23
Orchestre à Cordes
18
Orchestre
8
Orchestre de chambre
7
Ensemble Jazz
2
Orchestre, Violon
1
Xylophone
1
+ 3 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
FR
FR
EN
Se connecter
Partitions Gratuites
0
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
11
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale
1
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique
403
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
CUIVRE / VENT
|
NOËL
|
CORDES/TRAD.
|
R.AVANCÉE
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
S Baroque
expert
Chorale SATB
Partitions à imprimer
11 partitions trouvées
<
1
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Chorale SATB
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Chorale SATB
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
Royal Choir's Grace 232670
#
Chorale SATB
#
AVANCÉ
#
Ryan Benoist
#
Ryan Benoist
#
Royal Choir's Grace 232670
#
Ryan Benoist
#
SheetMusicPlus
Choral Choir,Choral (4-Part) - Level 5 - SKU: A0.1383371 Composed by Ryan Benoist. Arranged by Ryan Benoist. Baroque,Christian,Renaissance,Sacred,Spirit...
(+)
Choral Choir,Choral (4-Part) - Level 5 - SKU: A0.1383371 Composed by Ryan Benoist. Arranged by Ryan Benoist. Baroque,Christian,Renaissance,Sacred,Spiritual. 10 pages. Ryan Benoist #967809. Published by Ryan Benoist (A0.1383371). Choral Work: Soprano Alto Tenor and HarpComposed in Saint Louis Missouri 2024.
$1.99
St John's passion
#
Chorale SATB
#
AVANCÉ
#
Classique
#
Chidi Obijiaku
#
St John's passion
#
Obijiaku C.C
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1011020 Composed by Chidi Obijiaku. Baroque. Octavo. 116 pages. Obijiaku C.C #5726891. Published by Obiji...
(+)
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1011020 Composed by Chidi Obijiaku. Baroque. Octavo. 116 pages. Obijiaku C.C #5726891. Published by Obijiaku C.C (A0.1011020). The passion of Jesus Christ according to Saint John set for solos, duets, trios and choruses.
$25.05
Missa Solemnis, op. 27 (vocal score)
#
Chorale SATB
#
AVANCÉ
#
Adrian Gagiu
#
Missa Solemnis, op. 27
#
Adrian Gagiu
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Hush, Hush-a-by, Don't Cry
#
Chorale SATB
#
AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Hush, Hush-a-by, Don't Cry
#
Maury Franklin
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.983470 Composed by Johann Sebastian Bach. Arranged by Maury Franklin transcription, arrangement and lyrics. A Ca...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.983470 Composed by Johann Sebastian Bach. Arranged by Maury Franklin transcription, arrangement and lyrics. A Cappella,Baroque,Christian,Christmas,Sacred. Octavo. 8 pages. Maury Franklin #4362381. Published by Maury Franklin (A0.983470). Hush, Hush-a-by is a transcription of J. S. Bach's Sinfonia #11. Mr. Franklin arranged it for SATB quartet as a hauntingly beautiful lullaby to be sung a cappella. It works especially well for Christmas or general worship.
$4.75
Bach Little Fugue in G Minor for Double Reed Choir BWV 578
#
Chorale SATB
#
AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Stephanie Daige
#
Bach Little Fugue in G Minor f
#
Stephanie Daige
#
SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Steph...
(+)
Choral Choir (Mixed) - Level 5 - SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Stephanie Daige #3377603. Published by Stephanie Daige (A0.796870). This little fugue is one of Bach's most famous and beloved organ works. Re-imagined for double reed choir, it is a challenging and fun setting for this fugue. The different instruments take turns entering with the subject of the fugue, and interplay back and forth with the other instruments. The timbres of the different instruments adds a whole new textural dimension to this already fascinating work by J.S. Bach. I considered the need to breathe for each of these wind instruments, which obviously wasn't an issue for the original version intended for organ. This piece would be appropriate for advanced high school students, college students, or professionals. It would do well in a chamber music concert, in a church, or between acts of a larger ensemble concert, perhaps in another location of the auditorium while a (quiet!) set change is taking place. It would also work well as prelude or lobby music. The duration is just over three minutes (or longer if you prefer to take it slower). Each measure is numbered individually for convenience during rehearsals. I hope you will enjoy performing this piece as much as I have enjoyed arranging it! There are also versions of this piece available for wind and brass quintets. Please check out my other arrangements at: http://www.sheetmusicplus.com/publishers/stephanie-daige/6875
$17.99
Fac ut ardeat cor meum
#
Chorale SATB
#
AVANCÉ
#
Giovanni Battista Pergolesi
#
Luis Enrique Téllez
#
Fac ut ardeat cor meum
#
Luis Enrique Téllez
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1283585 Composed by Giovanni Battista Pergolesi. Arranged by Luis Enrique Téllez. A Cappella,Baroque,Religiou...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.1283585 Composed by Giovanni Battista Pergolesi. Arranged by Luis Enrique Téllez. A Cappella,Baroque,Religious. Octavo. 8 pages. Luis Enrique Téllez #874773. Published by Luis Enrique Téllez (A0.1283585). New version of Fac ut ardeat cor meum for Mixed Chorus a capella from the original No.8 part of Pergolesi's Stabat Mater.
$6.00
G. Fr. Handel: DIXIT DOMINUS
#
Chorale SATB
#
AVANCÉ
#
Musique Sacrée
#
George Frideric Handel
#
Marilena Zlatanou
#
G. Fr. Handel: DIXIT DOMINUS
#
Marilena Zlatanou
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.887072 Composed by George Frideric Handel. Arranged by Marilena Zlatanou. Baroque,Praise & Worship...
(+)
Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.887072 Composed by George Frideric Handel. Arranged by Marilena Zlatanou. Baroque,Praise & Worship. 419 pages. Marilena Zlatanou #3426785. Published by Marilena Zlatanou (A0.887072). G. Gr. Handel: DIXIT DOMINUS. Transposed to G (orig. B). Conductor's score, vocal, score, choir score and parts in one long pdf file.The original key is uninvitingly high for singers and my transposition of a minor third down has proved to be very successful indeed both for choir members and for audiences. I have had to make a few adjustments in the violin parts of the first movement by assigning the violas a few places, a solution that has worked seamlessly.Please visit website www.zlatanou.net for more information on the arranger who is a member of the Norwegian copyright org., TONO.
$40.00
His Yoke is Easy
#
Chorale SATB
#
AVANCÉ
#
Joy Simons
#
Joy Simons
#
His Yoke is Easy
#
Joy Simons
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1038351 By Joy Simons. By George Frideric Handel. Arranged by Joy Simons. Baroque,Christmas,Classical,Sacred. Oc...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.1038351 By Joy Simons. By George Frideric Handel. Arranged by Joy Simons. Baroque,Christmas,Classical,Sacred. Octavo. 8 pages. Joy Simons #643298. Published by Joy Simons (A0.1038351). While the complexities of Handel's rhythms remain, the runs have been modified for less flexible singers. The piano has also been simplified, although the voice parts will accommodate the original accompaniment. This arrangement will bring success to older or less experienced singers, while still maintaining the original feel.
$1.99
Chorale Partita with Seven Variations for 5-part Tuba Ensemble
#
Chorale SATB
#
AVANCÉ
#
Classique
#
Johann Pachelbel
#
Terrett, Keith
#
Chorale Partita with Seven Var
#
Gordon Cherry
#
SheetMusicPlus
Choral Choir (4-Part) - Level 5 - SKU: A0.792121 Composed by Johann Pachelbel. Arranged by Terrett, Keith. Baroque,Classical. Octavo. 19 pages. Gordon C...
(+)
Choral Choir (4-Part) - Level 5 - SKU: A0.792121 Composed by Johann Pachelbel. Arranged by Terrett, Keith. Baroque,Classical. Octavo. 19 pages. Gordon Cherry #3565739. Published by Gordon Cherry (A0.792121). Pachelbel's grand Chorale Partita with Seven Variations in G is based on the 17th Century Protestant German hymn tune Alle Menschen müssen sterben (All of Mankind is Mortal) by Jakob Hintze. The original form of the work was in C major with eight variations, composed for Organ. Bach, being greatly influenced by Pachelbel, later took up the melody for use in one of his Cantatas. Keith Terrett has done a great job arranging these elaborate variations of about 6 minutes in length for a Tuba Ensemble quintet of advanced performers.
$20.00
<
1
S Baroque