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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Tea For Two
Non classifié
34
Piano & claviers
Piano seul
18
Orgue
4
2 Pianos, 4 mains
3
1 Piano, 4 mains
1
Piano, Voix et Guitare
1
Guitares
Guitare
1
Guitare notes et tablatures
1
Voix
Chorale SATB
4
Chorale SSAATTBB
1
Voix Soprano, Piano
1
Chorale 2 parties
1
Voix Alto, Piano
1
Voix duo, Piano
1
Chorale TTBB
1
+ 2 instrumentations
Retracter
Vents
2 Saxophones (duo)
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Ensemble de Clarinettes
2
Saxophone et Orgue
2
Quatuor de Saxophones: 4 saxophones
2
Clarinette
2
3 Clarinettes (trio)
1
Hautbois (partie séparée)
1
Saxophone Tenor
1
Saxophone Soprano et Piano
1
Saxophone Alto et Piano
1
2 Clarinettes (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Saxophone Alto
1
Flûte traversière
1
+ 10 instrumentations
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Trombone
2
Euphonium, Piano (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
2 Euphoniums et 2 Tubas
1
Trompette, Piano
1
2 Trombones (duo)
1
Trompette (partie séparée)
1
Trombone, Tuba (duo)
1
Trompette
1
Quatuor de cuivres: 4 trombones
1
Trombone basse et Piano
1
2 Cors (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
+ 9 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
7
Alto seul
4
Violon
4
Trio à Cordes: 2 violons, violoncelle
4
2 Altos (duo)
3
Violoncelle
2
Violon, Alto (duo)
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Contre Basse
1
Violoncelle, Orgue
1
Violon et Piano
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1
Contrebasse, Piano (duo)
1
2 Violoncelles (duo)
1
Harpe
1
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--INSTRUMENTS--
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Chorale SATB
Partitions à imprimer
4 partitions trouvées
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1
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Chorale SATB
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Chorale SATB
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
Uefa Champions League Team
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Chorale SATB
#
AVANCÉ
#
Contemporain
#
Anthony Christopher Britten
#
Josué MarÃn
#
Uefa Champions League Team
#
Josue Marin
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - SKU: A0.920181 Composed by Anthony Christopher Britten. Arranged by Josué MarÃn. Contemporary. 18 pages. Jo...
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Choral Choir,Choral (SATB) - Level 5 - SKU: A0.920181 Composed by Anthony Christopher Britten. Arranged by Josué MarÃn. Contemporary. 18 pages. Josue Marin #5222251. Published by Josue Marin (A0.920181). The UEFA Champions League Anthem, officially titled simply as Champions League, is the official anthem of the UEFA Champions League, written by English composer Tony Britten in 1992, and based on George Frideric Handel's Zadok the Priest. The complete anthem is about three minutes long, and has two short verses and the chorus. The chorus is in UEFA's three official languages: English, French, and German. The climactic moment is set to the exclamations Die Meister! Die Besten! Les grandes équipes! The champions!The anthem is played inside the stadium before the start of each UEFA Champions League match, in addition to the beginning and end of television broadcasts of the games. Special vocal versions of the anthem have been performed live at the UEFA Champions League Final. UEFA's official website states, the anthem is now almost as iconic as the trophy.
$20.99
Decora Lux Aeternitatis
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Chorale SATB
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AVANCÉ
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Nicholas White
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Decora Lux Aeternitatis
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Nicholas White Music
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1253228 Composed by Nicholas White. 21st Century,Classical,Sacred. Octavo. 12 pages. Nicholas White Music...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.1253228 Composed by Nicholas White. 21st Century,Classical,Sacred. Octavo. 12 pages. Nicholas White Music #846862. Published by Nicholas White Music (A0.1253228). A choral setting of the ancient vesper hymn for choir and organ, composed for the choir of St. John Cantius Parish, Chicago, and dedicated to the memory of Gordon McMillan. This was recorded on Saturday, June 29, 2019, in the glorious surroundings of St. John Cantius, and was premiered at Mass on Sunday, June 30, 2019.Decóra lux æternitátis, áureamDiem beátis irrigávit Ãgnibus,Apostolórum quæ corónat PrÃncipes,ReÃsque in astra lÃberam pandit viam.Mundi MagÃster atque cæli Iánitor,Romæ paréntes arbitrÃque géntium,Per énsis ille, hic per crucis victor necem,Vitæsenátum laureáti póssident.O Roma felix, quæ duórum PrÃncipumEs consecráta glorióso sánguine!Hórum cruóre purpuráta céterasExcéllis orbis una pulchritúdines.Sit Trinitáti sempitérna glória,Honor, potéstas atque iubilátio,In unitáte, quæ gubérnat ómnia,Per univérsa sæculórum sǽcula.Amen.The beauteous light of God's eternal majestyStreams down in golden rays to grace this holy dayWhich crowned the princes of the Apostles' glorious choir,And unto guilty mortals showed the heavenward way.The teacher of the world and keeper of heaven's gate,Rome's founders twain and rulers too of every land,Triumphant over death by sword and shameful cross,With laurel crowned are gathered to the eternal band.O happy Rome! who in thy martyr princes' blood,A twofold stream, art washed and doubly sanctified.All earthly beauty thou alone outshinest far,Empurpled by their outpoured life-blood's glorious tide.All honour, power, and everlasting jubileeTo him who all things made and governs here below,To God in essence One, and yet in persons Three,Both now and ever, while unending ages flow.Amen.(Hymn from the Office of Vespers for SS Peter and Paul).
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