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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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XYLOPHONE
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327
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25
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18
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7
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3
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+ 12 instrumentations
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71
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52
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36
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22
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6
Cor
6
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5
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Tuba
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3
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Ensemble de Cors
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Ensemble de Trompettes
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2 Euphoniums (duo)
1
2 Cors (duo)
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Trio de Cuivres
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Trombone, Tuba (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
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59
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25
Violoncelle
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Violon
10
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2
2 Violoncelles (duo)
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2 Altos (duo)
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2 Harpes (duo)
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1
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1
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1
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1
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1
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1
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102
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52
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30
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24
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21
Ensemble Jazz
10
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7
Cloches
4
Fanfare
2
Vibraphone
1
Marimba
1
Batterie
1
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Hautbois, Piano (duo)
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7 partitions trouvées
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1
Craters of the Moon for Oboe, Clarinet, Bassoon, and Piano
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Hautbois, Piano (duo)
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AVANCÉ
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Contemporain
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Sy Brandon
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Craters of the Moon for Oboe,
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Sy Brandon
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SheetMusicPlus
Small Ensemble Clarinet,Oboe,Piano - Level 5 - SKU: A0.755293 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 101 pages. Sy Brandon ...
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Small Ensemble Clarinet,Oboe,Piano - Level 5 - SKU: A0.755293 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 101 pages. Sy Brandon #5770547. Published by Sy Brandon (A0.755293). This composition was composed for Trio De Bois (Oboe, Clarinet, Bassoon) and Piano. There are three movements that are inspired by Craters of the Moon National Monument and Preserve. It is especially appropriate during this 50th anniversary of the moon walk as the astronauts trained at this location. The first movement is called Violent Past. Much of this movement is built around the dissonant intervals of a half step and the tritone.These intervals are used both melodically and harmonically. The second movement is called Lunar Landscape and is more evocative rather than descriptive. It creates a feeling of vastness and openness.This movement is a tribute to the 50th anniversary of landing on the moon that is being celebrated at the same time that this movement was created. The Apollo 14 astronauts trained at Craters of the Moon in 1969 in order to learn more about volcanic geology. The movement is built around a walking passacaglia theme that is mainly in the left hand of the piano. After its initial statement, the passacaglia theme is accompanied by open 4ths and 5ths in the piano that later appear in the oboe and clarinet, and then in imitation between the piano and high winds. A more melodic variant of the passacaglia theme occurs in the bassoon over the original in the piano. All this material is developed before the opening material returns in the original key and tempo before eventually fading into the distance. Forces of Nature is the title of the third movement. There are five natural phenomena in the park that are represented musically, The Great Rift, Lava Flow, Vents, Cinder Cones, and Lava Tubes. Each of these have a motif that is descriptive and the motifs transform and combine as the movement progresses.
$14.99
Sonata Franckoniana
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Hautbois, Piano (duo)
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AVANCÉ
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Contemporain
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Cesar Auguste Franck
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Robert Fruehwald
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Sonata Franckoniana
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Robert Fruehwald
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemp...
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Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemporary. Score and parts. 39 pages. Robert Fruehwald #2165237. Published by Robert Fruehwald (A0.923701). I have a love-hate relationship with the Cesar Franck D Minor Symphony. It was the first large scale romantic work that I played as a member of a youth orchestra. I remember the thrill of being immersed in the overwhelming drama of the work. As I have returned to the piece over the years, I still love it, or rather I love parts of it. It is a very, very long work. It takes a while to get to the point. The point of the piece, to me, is the last movement. It is fast, exciting, maybe even joyous. The long, dark, angst-ridden build-up seemed profound to me as a teenager. I am less patient today. Now I wish Franck had simply started with the last movement. I decided to try rewriting the symphony myself. I would start with material from the last movement. I would use all of the basic musical material of the piece, but I would condense it down to ten to fifteen minutes of music. I had originally intended to leave the romantic character of the work intact. That intention didn't last very long. As I worked on the piece, it very quickly became more post-modern than romantic. I think that's fine. The profundity may be gone, but I think the piece is more fun this way. As I get older the scales of my life are tipping more and more toward fun and less and less toward profundity. It's kind of nice that, as I age, I see more fun ahead me even if that means I'm seeing profundity recede in the rear-view mirror.
$8.99
Impressions of Mount Greylock
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Hautbois, Piano (duo)
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AVANCÉ
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Moshe S
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Impressions of Mount Greylock
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ArtsAhimsa
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SheetMusicPlus
Instrumental Duet,Piano Bassoon,Instrumental Duet,Oboe,Piano - Level 5 - SKU: A0.950837 Composed by Moshe S. Knoll. 20th Century,Contemporary,Latin. Sco...
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Instrumental Duet,Piano Bassoon,Instrumental Duet,Oboe,Piano - Level 5 - SKU: A0.950837 Composed by Moshe S. Knoll. 20th Century,Contemporary,Latin. Score and parts. 69 pages. ArtsAhimsa #3638915. Published by ArtsAhimsa (A0.950837). This is a dark, turbulent, Neo-Romantic Fantasia quasi una Sonata, inspired by the great literary works of Nathaniel Hawthorne and Hermann Melville. It is known that both artists went for a hike on Mt. Greylock, located in Berkshires County, MA.A storm forced them to take refuge in a cave. It is certain that both men discussed literary matters that night.The piano part, far from being a mere accompaniment, is almost an entire composition in and of itself.The eight note push must remain constant throughout the changes in time signature.
$25.00
Short Hair
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Hautbois, Piano (duo)
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AVANCÉ
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Jean Ahn
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Short Hair
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Jean Ahn
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SheetMusicPlus
Oboe,Piano - Level 5 - SKU: A0.1073612 Composed by Jean Ahn. 20th Century,Classical,Contemporary,Multicultural,World. Score and part. 28 pages. Jean Ahn...
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Oboe,Piano - Level 5 - SKU: A0.1073612 Composed by Jean Ahn. 20th Century,Classical,Contemporary,Multicultural,World. Score and part. 28 pages. Jean Ahn #677851. Published by Jean Ahn (A0.1073612). This piece is about the New Women's movement in Korea in the 1930s. These women not only protested the confucius tradition but actively participated in the liberation of Korea from Japan. While researching the history, I felt inadequate to write about these women. In the end, I allowed myself to write this piece as an entrance to their world, as an introduction to myself. The first movement, “High Heels with Short Hair†is a quotation from the headlines of the newspaper. The most startling thing must have been the short hair, the outward signs of change. I then chose three distinctive women and wrote each movement about their character. Maria Kim, a religious educator who fought for the independence of Korea. Seunghee Choi, the international star dancer whose life was marked by the political tumult of her time. Myungsun Kim, one of the first female poets who was not afraid to write about her own agonizing experience as a woman. I named the last movement, OPEN, to remind myself that there are many more important, forgotten women. The piece does not have a conclusion. It merely opened the history of the New Women….
$10.00
O Come All Ye Faithful (Adeste Fidelis) - Theme and Variation for Oboe and Piano - Advanced Level
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Hautbois, Piano (duo)
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AVANCÉ
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FRANCIS WADE
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Raymond Fenech
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O Come All Ye Faithful
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Raymond Fenech
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SheetMusicPlus
Oboe,Piano - Level 5 - SKU: A0.760680 Composed by FRANCIS WADE. Arranged by Raymond Fenech. 20th Century,Christmas,Holiday,Praise & Worship,Traditional....
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Oboe,Piano - Level 5 - SKU: A0.760680 Composed by FRANCIS WADE. Arranged by Raymond Fenech. 20th Century,Christmas,Holiday,Praise & Worship,Traditional. Score and part. 10 pages. Raymond Fenech #5774345. Published by Raymond Fenech (A0.760680). O Come, All Ye Faithful (originally written in Latin as Adeste Fideles) is a Christmas carol that has been attributed to various authors, including John Francis Wade (1711–1786). This carol was arranged as a Theme and Variations, in fact there are two variations. The Duration is approx. 3.40 minutes and the level is Advanced. NB: I can send you backing mp3 with proof of buying any solo/duet piece with piano. Please contact me on rfenech58@gmail.com
$4.50
3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
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Hautbois, Piano (duo)
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AVANCÉ
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Robert Schumann
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Zellev
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3 Romances, Op. 94 for Oboe an
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Zellev Music
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SheetMusicPlus
Oboe,Piano - Level 5 - SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score ...
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Oboe,Piano - Level 5 - SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.
$20.00
Ravel - Pavane pour une infante défunte, oboe and piano
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Hautbois, Piano (duo)
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AVANCÉ
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Contemporain
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Len Rhodes
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Len Rhodes
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Ravel - Pavane pour une infant
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Len Rhodes Music
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SheetMusicPlus
Oboe,Piano - Level 5 - SKU: A0.1300249 By Len Rhodes. By Maurice Ravel. Arranged by Len Rhodes. 20th Century. Score and part. 10 pages. Len Rhodes Music...
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Oboe,Piano - Level 5 - SKU: A0.1300249 By Len Rhodes. By Maurice Ravel. Arranged by Len Rhodes. 20th Century. Score and part. 10 pages. Len Rhodes Music #889990. Published by Len Rhodes Music (A0.1300249). Ravel's original work for solo piano has been newly transcribed by Len Rhodes for oboe and piano. As is the case in the original, this transcription is not easy, but truly well worth the study and practice! Apparently, this was not one of Ravel's favorite compositions, however, it has become one of his best known works. Ravel made it clear that he did not want it to be played too slowly!Download contains part and score.
$5.95
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