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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Clarinet Sonata
Non classifié
266
Piano & claviers
Piano seul
20
Accompagnement Piano
5
Piano Facile
1
2 Pianos, 4 mains
1
Guitares
Voix
Vents
Clarinette et Piano
224
Clarinette
124
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
112
3 Clarinettes (trio)
101
2 Clarinettes (duo)
94
Flûte, Hautbois, Clarinette (trio)
70
Flûte, Clarinette et Basson
62
Flûte, Hautbois, Clarinette, Basson
51
Quatuor de Clarinettes: 4 clarinettes
50
Clarinette Basse, Piano
31
Flûte, Clarinette (duo)
30
Ensemble de Clarinettes
29
2 Clarinettes, Basson
28
Clarinette et Alto
20
Clarinette (partie séparée)
20
Clarinette, Violoncelle (duo)
19
Quintette de Clarinettes: 5 clarinettes
19
Hautbois, Clarinette (duo)
18
Clarinette, Violon (duo)
18
Hautbois, Clarinette, Basson (trio d'anches)
17
Clarinette, Basson (duo)
17
Clarinette, Guitare (duo)
13
Quintette de Clarinette: Clarinette, Quatuor à Cordes
10
2 Saxophones (duo)
8
2 Flûtes traversières (duo)
8
Flûte traversière et Piano
7
Saxophone Alto et Piano
5
Saxophone, Clarinette (duo)
5
Trio de Flûtes: 3 flûtes
4
Saxophone Alto
4
Saxophone Tenor et Piano
3
Quintette de Saxophone: 5 saxophones
3
Clarinette, Violoncelle, Piano (trio)
3
Hautbois, Piano (duo)
3
Saxophone Soprano et Piano
2
Clarinette, Orchestre
2
2 Hautbois (duo)
2
Flûte, Violon
2
Clarinette, Trompette (duo)
2
Hautbois, Flûte
2
Clarinette, Harpe (duo)
2
Saxophone Baryton, Piano
1
Ensemble à vent
1
Hautbois, Basson (duo)
1
Saxophone Tenor
1
3 Saxophones (trio)
1
Cor anglais, Piano
1
Saxophone
1
Flûte, Saxophone (duo)
1
Flûte, Trompette (duo)
1
Flûte traversière
1
Flûte, Alto (duo)
1
2 Flûte à bec (duo)
1
+ 48 instrumentations
Retracter
Cuivres
Trompette
6
Euphonium, Piano (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Instruments en Sib
2
Trombone et Piano
2
Trompette, Piano
2
Trompette, Saxophone (duo)
2
2 Trombones (duo)
2
2 Trompettes (duo)
1
Cor anglais, Piano
1
Trompette, Trombone (duo)
1
3 Trombones (trio)
1
+ 7 instrumentations
Retracter
Cordes
Alto seul
10
Violon et Piano
10
Alto, Piano
6
Trio à Cordes: violon, alto, violoncelle
3
Violon, Alto (duo)
3
Violon
2
Violon, Clarinette, Piano (trio)
1
Violoncelle, Piano
1
2 Violons (duo)
1
Violon, Violoncelle (duo)
1
Violoncelle
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
2 Altos (duo)
1
2 Violoncelles (duo)
1
Harpe
1
+ 11 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
20
Orchestre
15
Orchestre d'harmonie
9
Orchestre à Cordes
2
Ensemble de Percussions
2
Ensemble de cuivres
1
+ 1 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
Clarinet Sonata
Hautbois, Piano (duo)
Partitions à imprimer
3 partitions trouvées
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Beethoven - Rondo Op.49 - Oboe, Clarinet, Bassoon & Piano Piano Quartet
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Tim TK Murray
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Beethoven - Rondo Op.49 - Oboe
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TK
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Oboe,Piano - Level 3 - SKU: A0.824094 Composed by Ludwig van Beethoven. Arranged by Tim TK Murray. Classical,Concert. Sc...
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Small Ensemble Bassoon,Clarinet,Oboe,Piano - Level 3 - SKU: A0.824094 Composed by Ludwig van Beethoven. Arranged by Tim TK Murray. Classical,Concert. Score and parts. 20 pages. TK (Tim) Murray #5722567. Published by TK (Tim) Murray (A0.824094). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Oboe, Clarinet, Bassoon & Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy! Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
Sonata Franckoniana
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Hautbois, Piano (duo)
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AVANCÉ
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Contemporain
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Cesar Auguste Franck
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Robert Fruehwald
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Sonata Franckoniana
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Robert Fruehwald
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemp...
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Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemporary. Score and parts. 39 pages. Robert Fruehwald #2165237. Published by Robert Fruehwald (A0.923701). I have a love-hate relationship with the Cesar Franck D Minor Symphony. It was the first large scale romantic work that I played as a member of a youth orchestra. I remember the thrill of being immersed in the overwhelming drama of the work. As I have returned to the piece over the years, I still love it, or rather I love parts of it. It is a very, very long work. It takes a while to get to the point. The point of the piece, to me, is the last movement. It is fast, exciting, maybe even joyous. The long, dark, angst-ridden build-up seemed profound to me as a teenager. I am less patient today. Now I wish Franck had simply started with the last movement. I decided to try rewriting the symphony myself. I would start with material from the last movement. I would use all of the basic musical material of the piece, but I would condense it down to ten to fifteen minutes of music. I had originally intended to leave the romantic character of the work intact. That intention didn't last very long. As I worked on the piece, it very quickly became more post-modern than romantic. I think that's fine. The profundity may be gone, but I think the piece is more fun this way. As I get older the scales of my life are tipping more and more toward fun and less and less toward profundity. It's kind of nice that, as I age, I see more fun ahead me even if that means I'm seeing profundity recede in the rear-view mirror.
$8.99
Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,...
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Oboe,Piano - Level 3 - SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499773. Published by jmsgu3 (A0.549470). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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Clarinet Sonata
