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Hautbois, Piano (duo)
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2 partitions trouvées
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Fauré: Élégie Op. 24 for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.549726 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standar...
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Oboe,Piano - Level 4 - SKU: A0.549726 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531383. Published by jmsgu3 (A0.549726). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral.Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
Sextet for Oboes and Piano
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Hautbois, Piano (duo)
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AVANCÉ
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Contemporain
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Paul SanGregory
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Sextet for Oboes and Piano
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Distant Engraver Music
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SheetMusicPlus
Small Ensemble Oboe,Piano - Level 5 - SKU: A0.977043 Composed by Paul SanGregory. Contemporary. Score and parts. 45 pages. Distant Engraver Music #35446...
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Small Ensemble Oboe,Piano - Level 5 - SKU: A0.977043 Composed by Paul SanGregory. Contemporary. Score and parts. 45 pages. Distant Engraver Music #3544695. Published by Distant Engraver Music (A0.977043). (The score and all parts are contained in one PDF download)Each movement of this lighthearted piece has its own special character and texture, and each requires careful attention be paid to a different ensemble technique. The first movement has sharply articulated chords played by piano, with oboes sustaining some of the notes as long quiet reverberations. Then, performers take turns playing melodic phrases in and around that atmosphere of changing harmonic colors. The second movement is called Chant because the lyrical melody seems somewhat austere, perhaps like a ritualistic chant, and because it is performed by two voices in a quasi organum-like style. Unlike a religious ceremony, though, the accompaniment for this melody is a brightly busy texture of chattering oboes with warmly articulated piano chords and occasional sparkles added. It uses a process technique borrowed from minimalist music, but a strong melodic and harmonic sweep gently carries it through to its delicate ending.
$10.00
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