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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
2 . Light music
Non classifié
297
Piano & claviers
Piano seul
256
Piano, Voix
24
Orgue
20
Piano, Voix et Guitare
19
1 Piano, 4 mains
18
Instruments en Do
8
Piano Facile
7
Piano Quintette: piano, 2 violons, alto, violoncelle
3
2 Pianos, 4 mains
3
Orgue, Trompette (duo)
2
Piano Trio: piano, violon, violoncelle
2
Accordéon
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Accordéons
1
+ 9 instrumentations
Retracter
Guitares
Ukulele
65
Guitare
57
Guitare notes et tablatures
28
2 Guitares (duo)
9
Ligne De Mélodie, (Paroles) et Accords
5
Basse electrique
2
Ensemble de guitares
2
4 Guitares (Quatuor)
2
3 Guitares (trio)
1
Paroles et Accords
1
2 Dulcimers (duo)
1
Mandoline
1
+ 7 instrumentations
Retracter
Voix
Chorale 2 parties
136
Chorale SATB
73
Chorale
44
Chorale 3 parties
14
Chorale Unison
5
Chorale SSAA
4
Chorale TTBB
3
Voix Alto, Piano
2
Voix Soprano, Piano
1
Voix Soprano
1
+ 5 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
87
2 Saxophones (duo)
61
2 Clarinettes (duo)
32
Flûte, Hautbois, Clarinette, Basson
22
Flûte traversière
20
Quatuor de Flûtes : 4 flûtes
19
2 Hautbois (duo)
18
Quintette de Saxophone: 5 saxophones
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
3 Clarinettes (trio)
14
Quatuor de Clarinettes: 4 clarinettes
13
Quintette de Clarinettes: 5 clarinettes
13
Clarinette
12
Flûte traversière et Piano
11
Saxophone Tenor
11
Clarinette (partie séparée)
11
Saxophone (partie séparée)
10
2 Flûte à bec (duo)
10
Quatuor de Saxophones: 4 saxophones
10
Trio de Flûtes: 3 flûtes
10
Clarinette et Piano
9
Saxophone Alto
9
Flute (partie séparée)
8
Saxophone Soprano
7
3 Saxophones (trio)
7
Ensemble de Clarinettes
7
Hautbois, Piano (duo)
6
Saxophone Baryton, Piano
6
Saxophone Alto et Piano
6
Hautbois
6
Saxophone Tenor et Piano
6
2 Flûtes traversières, Piano
6
Clarinette Basse, Piano
5
2 Clarinettes, Piano
5
Flûte, Clarinette (duo)
5
Ensemble de Flûtes
5
5 Flûtes à bec
4
Quatuor de Flûtes à bec
4
Saxophone Baryton
4
Hautbois (partie séparée)
4
Saxophone Soprano et Piano
4
Ensemble de saxophones
3
Hautbois, Clarinette (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Quintette de Flûte : 5 flûtes
3
2 Saxophones, Piano
2
Flûte, Violon et Violoncelle
2
Flûte, Violon, Piano
2
Flûte, Hautbois, Basson
1
Flûte, Saxophone (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Flûte
1
Cor anglais, Piano
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte, Hautbois (duo)
1
2 Clarinettes, Basson
1
2 Hautbois, Piano
1
+ 52 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
101
Quatuor de Cuivres : 2 trompettes, trombone, tuba
37
Quatuor de Cuivres: 2 trompettes, Cor, trombone
32
Trompette (partie séparée)
28
2 Trompettes (duo)
20
2 Trombones (duo)
19
Cor (partie séparée)
16
Trombone (partie séparée)
14
Trombone et Piano
13
Trompette
13
2 Cors (duo)
13
Trompette, Piano
12
Trombone
11
Cor
10
Tuba
8
Cor et Piano
8
2 Euphoniums et 2 Tubas
6
2 Tubas (duo)
6
Euphonium, Piano (duo)
4
Tuba et Piano
4
3 Trompettes (trio)
3
Tuba (partie séparée)
2
Instruments en Sib
2
Quatuor de cuivres: 4 trompettes
2
2 Euphoniums (duo)
2
3 Cors (trio)
1
3 Trombones (trio)
1
3 Tubas (trio)
1
Trompette, Trombone (duo)
1
Trompette, Cor (duo)
1
Ensemble de Cors
1
2 Cors, Piano
1
4 Tubas
1
Quatuor de Cuivres
1
Quatuor de cuivres: 4 trombones
1
Euphonium
1
Cor anglais, Piano
1
Trio de Cuivres
1
Quatuor de cuivres: 4 cors
1
Ensemble de Trompettes
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
251
Quintette à cordes: 2 violons, alto, violoncelle, basse
34
Violon
30
2 Violons (duo)
28
2 Violoncelles (duo)
22
Violon et Piano
21
Trio à Cordes: violon, alto, violoncelle
20
Trio à Cordes: 2 violons, violoncelle
19
Violoncelle
18
2 Altos (duo)
17
2 Harpes (duo)
12
Alto seul
10
Alto, Piano
10
Contre Basse
10
Violon, Violoncelle (duo)
9
Violon, Alto (duo)
7
Harpe
7
Violon (partie séparée)
6
Violoncelle, Piano
6
Trio à cordes: 3 violins
4
Alto (partie séparée)
3
4 Violoncelles
2
Contrebasse, Piano (duo)
2
2 Altos, Piano
2
2 Contrebasses (duo)
2
Harpe, Flûte (duo)
2
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes: 4 violons
2
2 Violoncelles, Piano
1
Contrebasse (partie séparée)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Violoncelle, Clarinette
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto, Violoncelle (duo)
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
115
Orchestre
25
Cloches
20
Percussion (partie séparée)
20
Orchestre à Cordes
15
Ensemble de cuivres
11
Ensemble Jazz
6
Jazz combo
6
Orchestre de chambre
4
Timbales (partie séparée)
4
Marimba
3
Xylophone
2
Fanfare
1
3 Percussions
1
Xylophone, Piano
1
+ 10 instrumentations
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FLUTE A BEC
FLUTE A DIX…
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Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Crtitères actifs :
2 . Light music
intermédiaire
Euphonium, Piano (duo)
Partitions à imprimer
4 partitions trouvées
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1
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
(+)
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Bohm: Calm as the Night for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
#
Carl Bohm
#
James M
#
Bohm: Calm as the Night for Ba
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549416 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score a...
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Euphonium,Piano - Level 3 - SKU: A0.549416 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493731. Published by jmsgu3 (A0.549416). Duration: ca. 4:00, Score: 7 pages, solo part: 2 pages, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular. His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be! Contact www.jamesguthrie.com to register for free lifetime upgrades and revisions of this product.
$26.95
Bohm: Calm as the Night for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
#
Carl Bohm
#
James M
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Bohm: Calm as the Night for Eu
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549414 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score a...
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Euphonium,Piano - Level 3 - SKU: A0.549414 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493723. Published by jmsgu3 (A0.549414). Duration: ca. 4:00, Score: 7 pages, solo part: 2 pages, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular.  His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be!
$26.95
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1
2 . Light music
