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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
for KING
Non classifié
12 489
Piano & claviers
Piano seul
28 099
Piano, Voix
3 291
Piano, Voix et Guitare
3 042
Piano Facile
2 801
Accordéon
2 310
Instruments en Do
1 070
Orgue
838
Accompagnement Piano
344
1 Piano, 4 mains
244
Piano Trio: piano, violon, violoncelle
203
Piano grosses notes
157
2 Pianos, 4 mains
54
Piano Quatuor: piano, violon, alto, violoncelle
35
Piano Quatuor: piano, 2 violons, violoncelle
22
Piano (partie séparée)
18
Clavecin
16
Piano Quintette: piano, 2 violons, alto, violoncelle
14
Orgue, Piano (duo)
12
Orgue, Trompette (duo)
10
1 Piano, 6 mains
7
Accordéon, Voix
7
2 Pianos, 8 mains
4
Ligne De Mélodie, Piano
4
Clavier
4
Ensemble d'Accordéons
1
Fake Book
1
+ 21 instrumentations
Retracter
Guitares
Guitare
5 224
Basse electrique
3 782
Guitare notes et tablatures
3 734
Ukulele
908
Ligne De Mélodie, (Paroles) et Accords
676
Mandoline
314
Paroles et Accords
261
Dulcimer
83
2 Guitares (duo)
79
Guitare (partie séparée)
39
4 Guitares (Quatuor)
34
Piano, Guitare (duo)
31
Banjo
31
Ensemble de guitares
17
3 Guitares (trio)
11
2 Dulcimers (duo)
9
Ukulele Baryton
9
2 Ukuleles
8
Guitare Pedal Steel
5
Partitions De Groupes
4
Ensemble de Ukulélés
2
Guitare, Violon, Violoncelle (trio)
1
Basse électrique (partie séparée)
1
+ 18 instrumentations
Retracter
Voix
Voix seule
5 769
Chorale SATB
3 194
Chorale 3 parties
1 058
Chorale 2 parties
715
Chorale TTBB
580
Chorale SSAA
391
Chorale Unison
306
Voix duo, Piano
169
Voix Soprano, Piano
143
Chorale
127
Voix Alto, Piano
111
Voix Tenor, Piano
108
Voix Baryton, Piano
65
Voix duo
64
Voix haute
31
Voix moyenne, Piano
21
Pack Instrumental pour Chorale
20
Voix basse, Piano
13
Voix Tenor
13
Chorale SSATB
8
Chorale SSAATTBB
8
Male Voice
7
Voix Soprano
6
Voix Mezzo-Soprano, Piano
6
Voix, Guitare
4
Soli, choeur mixte et accompagnement
4
Chorale SSAB a cappella
3
Voix Soprano, Orchestre
2
Chorale SSATTB
2
Chorale SSAB, Piano
2
Chorale, Orgue
2
Voix haute, Piano
1
Chorale SATTBB, Clavier
1
Chorale SSATBB
1
Voix basse
1
+ 30 instrumentations
Retracter
Vents
Saxophone
16 635
Flûte traversière
8 205
Clarinette
7 615
Saxophone Alto
1 842
Saxophone Tenor
1 630
Flûte à Bec
1 257
Flûte traversière et Piano
966
Clarinette et Piano
904
2 Saxophones (duo)
901
Hautbois
890
Quatuor de Saxophones: 4 saxophones
884
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
713
Saxophone Alto et Piano
711
Saxophone Soprano
686
Hautbois, Piano (duo)
659
Flûte, Hautbois, Clarinette, Basson
617
Saxophone Tenor et Piano
568
2 Flûtes traversières (duo)
528
Quintette de Saxophone: 5 saxophones
496
Saxophone (partie séparée)
433
Saxophone Soprano et Piano
399
2 Clarinettes (duo)
390
Quatuor de Clarinettes: 4 clarinettes
360
Flûte à bec Soprano
338
Ocarina
288
Hautbois (partie séparée)
279
3 Saxophones (trio)
245
Quatuor de Flûtes : 4 flûtes
244
Saxophone Baryton, Piano
244
Flûte à bec Alto
233
Harmonica
218
Flûte, Clarinette (duo)
192
2 Hautbois (duo)
189
Hautbois, Basson (duo)
155
3 Clarinettes (trio)
149
Clarinette (partie séparée)
126
Trio de Flûtes: 3 flûtes
120
Ensemble de saxophones
113
Saxophone Baryton
110
2 Flûte à bec (duo)
109
Ensemble de Clarinettes
108
Ensemble de Flûtes
104
Quintette de Clarinettes: 5 clarinettes
102
Hautbois, Clarinette (duo)
101
Saxophone, Clarinette (duo)
94
Clarinette, Violon (duo)
91
Clarinette, Basson (duo)
80
Cor anglais, Piano
79
Flûte, Violoncelle
73
Flûte, Violon, Piano
68
Clarinette Basse, Piano
67
Flûte, Hautbois, Clarinette (trio)
67
Flute (partie séparée)
66
Hautbois, Violoncelle
65
Flûte, Violon
64
Clarinette, Violoncelle (duo)
62
Quatuor de Flûtes à bec
60
Quintette de Flûte : 5 flûtes
59
Clarinette et Alto
57
Flûte et Guitare
54
Flûte, Alto (duo)
50
Clarinette, Trompette (duo)
46
Hautbois, Clarinette, Basson (trio d'anches)
45
Flûte à bec Alto, Piano
45
Hautbois, Flûte
44
Cor Anglais
44
Flûte, Clarinette et Basson
42
Flûte, Hautbois (duo)
41
Ensemble De Flûte à bec
39
Flûte, Hautbois, Basson
34
Flûte, Saxophone (duo)
33
Flûte, Trompette (duo)
33
Flûte, Clarinette, Piano (trio)
27
Flûte, Trombone (duo)
25
Flûte, Hautbois, Piano (trio)
24
Clarinette, Guitare (duo)
23
5 Flûtes à bec
22
Flûte à bec Tenor
22
Clarinette Basse
21
Hautbois et alto (duo)
21
Hautbois, violon (duo)
19
Clarinette, Harpe (duo)
17
2 Saxophones, Piano
16
Instruments en Mib
15
Flûte, Violoncelle, Piano (trio)
15
Flûte, Basson et Piano
14
Piccolo
14
Piccolo, Piano
14
3 Flûtes à bec (trio)
13
Clarinette, Trombone (duo)
12
Flûte, Clarinette, Cor, Basson (Quartet)
11
Flûte, Violon et Violoncelle
11
Clarinette, Violoncelle, Piano (trio)
10
Flûte à bec Soprano, Piano
9
Flûte à Bec, Piano
8
2 Flûtes traversières, Piano
8
Clarinette, Contrebasse (duo)
8
Clarinette, Basson, Piano (trio)
7
Flûte, Alto et Piano
7
Saxophone et Harpe
7
Hautbois, Clarinette et Piano (Trio)
7
Hautbois, Harpe
7
Flûte, Harpe et Violoncelle
7
Hautbois, Guitare (duo)
6
Flute, harpe et violon
6
Flûte, Clarinette, Violon (trio)
5
2 Clarinettes, Piano
5
Clarinette, Alto et Piano (trio)
5
Hautbois, Basson et Piano
5
Flûte, Tuba (duo)
4
Clarinette, Tuba
4
3 Hautbois
4
Flûte irlandaise
4
4 Hautbois
4
2 Clarinettes, Basson
4
Hautbois, Violon, Piano
4
Saxophone et Guitare
3
Flûte et Trio à cordes
3
Saxophone, Basson (duo)
3
Hautbois, trombone (duo)
3
Saxophone et Orgue
3
Hautbois, Violoncelle et Piano
3
Flûte, Violoncelle, Guitare
3
Saxophone, Violon (duo)
3
Cor anglais, Guitare (duo)
2
Clarinette, Orgue
2
2 Flûtes à bec, Piano
1
Clarinette, trompette et piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Cornemuse
1
2 Flûtes traversières, Harpe
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, trombone et piano
1
Flûte à bec, Guitare (duo)
1
Saxophone et Piano
1
2 Cors Anglais Et Pianoforte
1
Flute, alto, violoncelle et guitare
1
Flute, Cor (duo)
1
Harmonica, Piano
1
Flûte, Hautbois, Violon
1
Ensemble de Hautbois
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone et violoncelle
1
Hautbois, Trompette (duo)
1
Flûte de Pan
1
Flûte à bec Alto, Basse continue
1
2 Hautbois, Piano
1
Ensemble à vent
1
Flûte traversière, Orgue (duo)
1
+ 145 instrumentations
Retracter
Cuivres
Trompette
6 744
Trombone
6 222
Cor
870
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
816
Trompette, Piano
713
Trombone et Piano
642
Tuba
597
Cor et Piano
512
Euphonium
412
Tuba et Piano
337
Quatuor de Cuivres : 2 trompettes, trombone, tuba
335
2 Trompettes (duo)
262
2 Trombones (duo)
252
Quatuor de Cuivres: 2 trompettes, Cor, trombone
223
Quatuor de Cuivres
215
Trombone (partie séparée)
184
2 Cors (duo)
172
Trompette (partie séparée)
170
Trompette, Trombone (duo)
146
Euphonium, Piano (duo)
104
Quatuor de cuivres: 4 trombones
89
Trompette, Saxophone (duo)
85
Cor anglais, Piano
79
Cor (partie séparée)
72
2 Tubas (duo)
66
Ensemble de Trompettes
61
Tuba (partie séparée)
57
Trompette, Cor (duo)
55
Quatuor de cuivres: 4 cors
51
Cor Anglais
44
Trio de Cuivres
42
Ensemble de Trombones
41
4 Tubas
33
3 Trombones (trio)
32
Quatuor de cuivres: 4 trompettes
31
Tuba et Orgue
21
Cor, Violoncelle (duo)
21
Ensemble de Cors
21
Trombone basse
18
Trombone, Cor (duo)
17
Bass Clef Instruments
17
Instruments en Sib
17
Trompette, Tuba (duo)
16
3 Trompettes (trio)
16
Trombone basse et Piano
15
Trompette, Violoncelle (duo)
14
Cor, Tuba (duo)
14
Cor et Basson (duo)
13
Trombone, Tuba (duo)
12
Trompette, violon (duo)
11
Trompette, Basson (duo)
11
Cor et Harpe
10
3 Cors (trio)
9
Quatuor de cuivres: 2 trompettes, 2 trombones
9
2 Euphoniums et 2 Tubas
9
Euphonium, Tuba (duo)
9
Trompette, Trombone, Piano
9
Trombone, Violon (duo)
8
3 Tubas (trio)
8
Trompette, Harpe
7
Instruments en Fa
5
2 Euphoniums (duo)
5
Trompette et Guitare
3
Trombone, Orgue
3
Cornet A Pistons
3
2 Trompettes, Clavier (piano ou orgue)
3
Ensemble de Tubas
2
Cor anglais, Guitare (duo)
2
Cor et Orgue
2
Trompette, Violoncelle et Piano
2
2 Trombones, Piano
2
Cor, Trompette, Trombone (trio)
2
Clarinette, Cor (duo)
1
Trombone, Alto (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trombone et orchestre
1
2 Cors Anglais Et Pianoforte
1
2 Cors, Piano
1
Tuba ou Euphonium ou Saxhorn
1
Trompette, Euphonium (duo)
1
3 Euphoniums
1
Euphonium Ou Saxhorn Et Piano
1
+ 77 instrumentations
Retracter
Cordes
Violon
5 127
Violoncelle
3 443
Alto seul
2 767
Quatuor à cordes: 2 violons, alto, violoncelle
2 163
Violon et Piano
1 335
Violoncelle, Piano
871
Alto, Piano
813
Contre Basse
492
Violon, Violoncelle (duo)
446
2 Violons (duo)
444
Harpe
378
Quintette à cordes: 2 violons, alto, violoncelle, basse
345
Trio à Cordes: violon, alto, violoncelle
345
2 Violoncelles (duo)
297
Contrebasse, Piano (duo)
296
Violon, Alto (duo)
262
2 Altos (duo)
235
Alto, Violoncelle (duo)
116
Trio à Cordes: 2 violons, violoncelle
116
Alto (partie séparée)
102
Violon (partie séparée)
99
Trio à cordes: 3 violins
65
2 Harpes (duo)
62
Contrebasse (partie séparée)
62
2 Contrebasses (duo)
58
4 Violoncelles
53
Piano Trio: Violon, Alto, Piano
52
Violon, Basson (duo)
49
Violoncelle, Contrebasse (duo)
48
Trio à Cordes: 3 violoncelles
44
Quatuor à cordes: 4 violons
41
Violoncelle (partie séparée)
33
Violon, Guitare (duo)
33
Alto et Basson
31
Trio à cordes: 3 altos
30
Harpe, Flûte (duo)
30
Quatuor à cordes : 4 altos
26
Trio à Cordes: 2 violons, alto
22
2 Violons, Piano
22
Violoncelle , Guitare (duo)
21
Flûte, Contrebasse (duo)
20
Harpe, Violon (duo)
17
Violon, Clarinette, Piano (trio)
16
Quintette à cordes : 2 violons, alto et 2 violoncelles
13
Trio à cordes
12
Alto, Guitare (duo)
12
Quintette à cordes: 2 violons, 2 altos, violoncelle
12
Harpe, Violoncelle (duo)
12
Ensemble d'Altos
11
Ensemble de Violons
10
Harpe, Voix
9
Alto et Harpe
8
Violoncelle, Orgue
5
Violon, Tuba (duo)
5
4 Contrebasses
5
Ensemble de Violoncelles
4
Harpe, Trombone (duo)
4
2 Violoncelles, Piano
4
Harpe, Violon, Violoncelle
4
2 Altos, Piano
3
Alto, Orgue
3
Harpe (partie séparée)
2
4 Harpes
2
Violon, Orgue
2
Violon, Violoncelle, Clarinette
2
Violoncelle, Basse continue
2
Harpe et Piano
1
Autoharp
1
Harpe, Quatuor à cordes
1
3 Harpes
1
+ 65 instrumentations
Retracter
Orchestre & Percussions
Batterie
6 071
Orchestre d'harmonie
2 390
Orchestre
1 862
Orchestre à Cordes
724
Ensemble Jazz
547
Cloches
485
Ensemble de cuivres
290
Orchestre de chambre
183
Percussion
168
Jazz combo
137
Fanfare
135
Percussion (partie séparée)
79
Ensemble de Percussions
74
Marimba
54
Xylophone, Piano
44
Xylophone
32
Timbales (partie séparée)
24
Batterie (partie séparée)
23
2 Xylophones
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
10
Vibraphone
8
Instrumentation Flexible
6
Timbales
6
Vibraphone, Piano
3
Piano et Orchestre
3
Caisse Claire
3
Quintette de Cuivres: autres combinaisons
3
Orchestre, Violon
2
2 Marimbas
1
Quatuor à Vent : 4 instruments à vents
1
2 Caisses Claires (duo)
1
Marimba, Piano (duo)
1
Vibraphone et Marimba
1
3 Marimbas
1
Ensemble d'École
1
Quintette à Vent
1
+ 31 instrumentations
Retracter
Autres
Formation musicale - Solfège
40
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIOLON
VIOLONCELLE
XYLOPHONE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Crtitères actifs :
for KING
Euphonium, Piano (duo)
Partitions à imprimer
104 partitions trouvées
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101
Grieg: Hall of the Mountain King from Peer Gynt Suite for Euphonium & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549589 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standard...
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Euphonium,Piano - Level 3 - SKU: A0.549589 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511299. Published by jmsgu3 (A0.549589). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Peer Gynt Suite Complete for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.551497 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.551497 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306299. Published by jmsgu3 (A0.551497). DESCRIPTION1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Grieg: Peer Gynt Suite Complete for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.551502 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.551502 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306329. Published by jmsgu3 (A0.551502). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Grieg: Ase's Death from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549547 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,St...
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Euphonium,Piano - Level 3 - SKU: A0.549547 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506343. Published by jmsgu3 (A0.549547). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549568 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standard...
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Euphonium,Piano - Level 3 - SKU: A0.549568 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508187. Published by jmsgu3 (A0.549568). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Morning Mood from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards...
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Euphonium,Piano - Level 3 - SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3505231. Published by jmsgu3 (A0.549524). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sc...
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Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Wachet auf for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  .
$24.95
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  .
$24.95
I Saw Three Ships for Euphonium or Baritone
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Noël
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Traditional
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Lawrence H
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I Saw Three Ships for Euphoniu
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Lawrence H Underwood
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.967671 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score an...
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Euphonium,Piano - Level 3 - SKU: A0.967671 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 8 pages. Lawrence H Underwood #6189263. Published by Lawrence H Underwood (A0.967671). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fourth installment in his A Christmas Portfolio series, this brand new setting of I Saw Three Ships is as much fun to play as it is to hear! The arrangement opens with a jaunty, nautical 6/8 feel before entering a lyrical section. The piece then shifts gears momentarily, heading into a 4/4 march feel before evoking a feel of the highlands as we return to 6/8, building in intensity until its dramatic conclusion. Suitable for use in church or as a showpiece in any holiday setting, this piece is sure to be an audience and performer favorite!
$5.99
Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888357. Published by jmsgu3 (A0.550927). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
16 Favourite Easter Hymns for Solo Euphonium and Piano
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Euphonium, Piano (duo)
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FACILE
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Musique Sacrée
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Various
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David McKeown
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16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.587890 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKe...
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Euphonium,Piano - Level 2 - SKU: A0.587890 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKeown #5037731. Published by David McKeown (A0.587890). 16 Favourite Easter Hymns for Solo Euphonium in Bb and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Euphonium part are included in the single PDF file.16 Favourite Easter Hymns for Solo Euphonium in Bb and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Euphonium in Bb and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
$7.60
Eight Swinging Christmas Carols for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Noël
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traditional Christmas music
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Keith Terrett
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Good King Wenceslas. 
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Eight Swinging Christmas Carol
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Gordon Cherry
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet,Piano - Level 5 - SKU: A0.792571 Composed by traditional Christmas music. Arranged by Keith Terrett. 20th ...
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Instrumental Duet Euphonium,Instrumental Duet,Piano - Level 5 - SKU: A0.792571 Composed by traditional Christmas music. Arranged by Keith Terrett. 20th Century,Christian,Christmas,Jazz. Score and parts. 29 pages. Gordon Cherry #5008611. Published by Gordon Cherry (A0.792571). A wonderful collection of Traditional Christmas Carols in a jazz style for Euphonium and Piano arranged by British arranger and Trumpeter, Keith Terrett. The Carols included are: Ding Dong Merrily On High, Silent Night, We Three Kings, Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas. The Euphonium part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is moderate. Parts are included for bass and treble clef versions.
$20.00
Bach-Gounod: Ave Maria for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Eup
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score an...
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Euphonium,Piano - Level 2 - SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491309. Published by jmsgu3 (A0.549370). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano, S0.661829. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Festival Piece in Classical Style for Euphonium
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Kenneth Baird
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Festival Piece in Classical St
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Kenneth Baird Music
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1311839 Composed by Kenneth Baird. Classical,Contest,Festival. Score and part. 13 pages. Kenneth Baird Music #900185...
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Euphonium,Piano - Level 3 - SKU: A0.1311839 Composed by Kenneth Baird. Classical,Contest,Festival. Score and part. 13 pages. Kenneth Baird Music #900185. Published by Kenneth Baird Music (A0.1311839). The beloved classical trumpet concertos of Haydn and Hummel, and the horn concertos of Mozart, are performed more often than any other concertos for brass instruments. Young euphonium and baritone students may hear these works and aspire to perform them or something in a similar style, but may have difficulty finding something suitable. Festive Piece in Classical Style may be just what they're looking for. While composed in 2023, every effort has been made to compose this in a true classical style. Memorable lyrical melodies, legato, staccato, and marcato passages, dynamic variety, and traditional harmonies, while requiring only limited range demands, make this an outstanding choice for someone seeking to perform an intermediate-level classical-style solo. The top note is a concert G that occurs only once and an optional lower note is provided for any who might need it. While composed originally for trumpet, the composer feels this works equally well on euphonium. The piano accompaniment is accessible to advanced intermediate pianists. Bass Clef and Treble Clef solo parts are provided. This solo would likely be classified on the easier side of a 4.
$10.99
Maple Leaf Rag, by Scott Joplin, for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1112417 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. Dav...
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Euphonium,Piano - Level 4 - SKU: A0.1112417 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714451. Published by David McKeown (A0.1112417). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Euphonium and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
O Salutaris (Pessard arr. for Euphonium Solo)
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Emile Pessard
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Andrew Lamb
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O Salutaris
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Andrew Lamb
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1317702 By Emile Pessard. By Emile Pessard. Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship,Romantic ...
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Euphonium,Piano - Level 3 - SKU: A0.1317702 By Emile Pessard. By Emile Pessard. Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship,Romantic Period,Sacred. Score and part. 26 pages. Andrew Lamb #906382. Published by Andrew Lamb (A0.1317702). 🎺 Immerse yourself in the divine sounds of Émile Pessard's sacred hymn O Salutaris with our exquisite Brass Solo adaptation! 🎶 Crafted for Euphonium (both Bass Clef and Treble Clef), this arrangement resonates with the soulful essence of the original composition. 🇫🇷✨🌈 Experience versatility as the Euphonium part effortlessly transitions to Trombone or Baritone. 🎺 The inclusion of a Trumpet transposition and a Soprano Cornet substitution adds a harmonious twist, providing you with unmatched flexibility. 🎼🤔 Curious about the difficulty level? This arrangement sits comfortably at a Medium level, making it accessible for intermediate musicians seeking a captivating challenge. 🎵👠Whether you're planning a concert that leaves a lasting impression or aiming to elevate a religious service, this arrangement is your key to a harmonious experience. ðŸ™ðŸ”¥ Unleash the power of Pessard's hymn with this arrangement, designed to captivate audiences and create an unforgettable musical journey. 🌟👉 This arrangement, your way to blend tradition and innovation! 🎺✨🌟 Level of Difficulty: Medium🎠Potential Uses: Ideal for concerts and religious services📌 Please like and subscribe for more videos and music arrangements. 🎶✨.
$5.00
Five Ragtime Solos by Scott Joplin for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Scott Joplin
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David McKeown
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Five Ragtime Solos by Scott Jo
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1118306 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. Da...
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Euphonium,Piano - Level 3 - SKU: A0.1118306 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719824. Published by David McKeown (A0.1118306). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Euphonium with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Dying and Dancing for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Russell Scarbrough
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Dying and Dancing for Euphoniu
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. ...
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Euphonium,Piano - Level 5 - SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. Published by Gordon Cherry (A0.792567). As the title suggests the work dying and dancing for Euphonium solo and Piano accompaniment is in two parts, which are played without a pause between the two. The first part, an adagio, is not necessarily meant to be evocative of the actual act of passing away, but more perhaps of the contemplation and reflection upon one’s life as that time approaches, and particularly of sorrow over regret and disappointment. The unsettled mood of the music reflects this bitterness, and stands in contrast to the expansive peace of the grave, heard at the beginning and end of the adagio. Dance, with ironic wit, the second part, is the other side of the same coin; perhaps humor of the gallows describes its spirit. At once fatalist and mocking, it brings to mind the words of the ancient teacher Koheleth, The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth. I was pleased to compose dying and dancing in 2013 for Mark Kellogg, a superb Euphonium artist and my former trombone professor at the Eastman School of Music.
$27.50
Quando Me'n Vo for C Low Brass & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Keith Terrett
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Keith Terrett
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Quando Me'n Vo for C Low Brass
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Keith Terrett
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1046450 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score and ...
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Euphonium,Piano - Level 4 - SKU: A0.1046450 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score and part. 5 pages. Keith Terrett #650972. Published by Keith Terrett (A0.1046450). Arranged for C Euphonium/ C Baritone, C Trombone & PianoQuando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater.
$4.99
Jingle Bells for Euphonium & Piano
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Euphonium, Piano (duo)
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DÉBUTANT
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Noël
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James Pierpont
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James M
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Jingle Bells for Euphonium &am
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 1 - SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #...
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Euphonium,Piano - Level 1 - SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408515. Published by jmsgu3 (A0.548660). Jingle Bells arranged for euphonium & piano. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Four Songs for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Charles Ives
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Sauer, Ralph
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Four Songs for Euphonium &
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.811048 Composed by Charles Ives. Arranged by Sauer, Ralph. 20th Century,Contemporary,Folk. Score and part. 22 pages....
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Euphonium,Piano - Level 4 - SKU: A0.811048 Composed by Charles Ives. Arranged by Sauer, Ralph. 20th Century,Contemporary,Folk. Score and part. 22 pages. Gordon Cherry #4803933. Published by Gordon Cherry (A0.811048). Charles Ives was one of the first American composers to gain international recognition, although most of his music was unperformed during his lifetime. Ives wrote 114 songs including these four: 1. Memories, 2. The Side Show, 3. Dreams and 4. War Song No. 2. The songs include quotes of American folk songs, with whistling, singing and more making for a lively experience for performers and listeners. Mr. Sauer once again has edited a brilliant new transcription, bringing Ive's music to life for the Euphonium world. For moderately advanced performers, all in bass clef.
$20.00
Franz Schubert | Moment Musical | for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Franz Schubert
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Andrew Lamb
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Franz Schubert | Moment Musica
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Andrew Lamb
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.1399002 By Franz Schubert. By Franz Schubert. Arranged by Andrew Lamb. 19th Century. Score and part. 13 pages. Andre...
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Euphonium,Piano - Level 5 - SKU: A0.1399002 By Franz Schubert. By Franz Schubert. Arranged by Andrew Lamb. 19th Century. Score and part. 13 pages. Andrew Lamb #982275. Published by Andrew Lamb (A0.1399002). 🎶 Dive into the captivating world of Franz Schubert with this 🌟 mesmerizing 🌟 Euphonium Solo adaptation of Musical Moment, No. 3! 🎵 Transcend boundaries as you explore the intricate melodies and profound emotions of Schubert's timeless masterpiece.  🎹 This arrangement, crafted for Euphonium (Treble Clef and Bass Clef) and Piano, promises a challenge with its hard difficulty level, making it perfect for advanced players seeking a thrilling performance experience.  🎼 Originally composed in 1828, this arrangement breathes new life into Schubert's classic, offering a fresh perspective on its depth and complexity. 🌟 Whether for a concert, recital, or personal enjoyment, this arrangement is sure to captivate audiences and players alike. 🎺 Immerse yourself in the rich tapestry of Schubert's music and let this arrangement transport you to new musical heights! 🚀  ✨ Please like and subscribe for more videos and music arrangements.
$5.00
Four Rags for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Ragtime
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Scott Joplin
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Ralph Sauer
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Four Rags for Euphonium and Pi
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792735 Composed by Scott Joplin. Arranged by Ralph Sauer. 20th Century,Blues,Jazz,Ragtime. Score and part. 24 pages....
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Euphonium,Piano - Level 5 - SKU: A0.792735 Composed by Scott Joplin. Arranged by Ralph Sauer. 20th Century,Blues,Jazz,Ragtime. Score and part. 24 pages. Gordon Cherry #6121509. Published by Gordon Cherry (A0.792735). Ralph Sauer has brilliantly arranged Four Rags for Euphonium and Piano by the great American King of Ragtime, Scott Joplin. They are:1. The Entertainer, 2. Reflection Rag, 3. Pleasant Moments, and 4. The CascadesThese works are so pleasant to perform and to listen to. They are appropriate for advanced performers and include about 15 minutes of music.
$22.50
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