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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
S Baroque
Non classifié
1 063
Piano & claviers
Piano seul
408
Piano, Voix
248
Orgue
64
Piano Trio: piano, violon, violoncelle
25
Piano Facile
15
Piano Quatuor: piano, violon, alto, violoncelle
12
Orgue, Trompette (duo)
10
Accompagnement Piano
10
Clavecin
8
1 Piano, 4 mains
8
Piano Quintette: piano, 2 violons, alto, violoncelle
7
2 Pianos, 4 mains
7
Piano, Voix et Guitare
5
Orgue, Piano (duo)
3
1 Piano, 6 mains
3
Piano (partie séparée)
2
Fake Book
1
Instruments en Do
1
+ 13 instrumentations
Retracter
Guitares
2 Guitares (duo)
89
Guitare notes et tablatures
74
Guitare
71
4 Guitares (Quatuor)
9
Piano, Guitare (duo)
6
Ukulele
6
3 Guitares (trio)
6
Basse electrique
2
Ensemble de guitares
1
Banjo
1
Mandoline, Guitare (duo)
1
Dulcimer
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
75
Chorale 3 parties
23
Chorale TTBB
17
Voix duo, Piano
10
Chorale SSAA
7
Voix haute
6
Voix Soprano, Piano
6
Voix Alto, Piano
4
Voix moyenne, Piano
4
Voix duo
3
Chorale 2 parties
2
Chorale
2
Voix Tenor, Piano
2
Chorale Unison
2
Voix basse, Piano
1
Chorale SSAATTBB
1
Voix basse
1
Voix Baryton, Piano
1
Chorale SSAB, Piano
1
Voix, Guitare
1
Voix seule
1
+ 16 instrumentations
Retracter
Vents
Flûte et Guitare
160
2 Flûtes traversières (duo)
126
2 Saxophones (duo)
104
Flûte traversière et Piano
92
Quatuor de Clarinettes: 4 clarinettes
82
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
82
Flûte, Hautbois, Clarinette, Basson
82
Quatuor de Saxophones: 4 saxophones
81
Clarinette et Piano
77
2 Clarinettes (duo)
76
3 Saxophones (trio)
65
Hautbois, Piano (duo)
56
3 Clarinettes (trio)
51
Saxophone Alto et Piano
47
Clarinette
41
Flûte, Clarinette (duo)
39
Flûte, Clarinette et Basson
37
Flûte, Hautbois, Clarinette (trio)
37
Flûte traversière
33
Quintette de Saxophone: 5 saxophones
32
Saxophone Tenor et Piano
32
Flûte, Hautbois, Basson
29
Saxophone Soprano et Piano
27
Quatuor de Flûtes : 4 flûtes
24
Ensemble De Flûte à bec
24
2 Hautbois (duo)
24
Hautbois (partie séparée)
23
2 Flûte à bec (duo)
22
Saxophone (partie séparée)
20
Trio de Flûtes: 3 flûtes
19
Hautbois, Basson (duo)
19
Saxophone Alto
19
2 Clarinettes, Basson
16
Ensemble de Flûtes
15
Quintette de Clarinettes: 5 clarinettes
15
Hautbois, Clarinette, Basson (trio d'anches)
15
Ensemble de Clarinettes
14
Saxophone Baryton, Piano
14
2 Flûtes traversières, Piano
12
Flûte, Violon
12
Clarinette, Basson (duo)
12
Hautbois, Clarinette (duo)
12
Flûte, Violon et Violoncelle
11
Cor anglais, Piano
11
Flûte, Violoncelle
11
Hautbois
10
Saxophone Tenor
10
Clarinette, Violon (duo)
10
Flûte, Alto (duo)
9
Hautbois, Harpe
8
Clarinette, Harpe (duo)
8
Clarinette Basse, Piano
8
2 Saxophones, Piano
8
Flûte, Clarinette, Piano (trio)
7
Clarinette et Alto
7
Flûte, Violon, Piano
6
Ensemble de saxophones
6
Clarinette, Violoncelle (duo)
6
Hautbois, Flûte
5
Saxophone et Harpe
5
Flûte à Bec, Piano
5
Clarinette, Violoncelle, Piano (trio)
5
Quintette de Flûte : 5 flûtes
5
Flûte irlandaise
5
Saxophone, Clarinette (duo)
5
Saxophone et Guitare
4
Hautbois, Violoncelle
4
Quatuor de Flûtes à bec
4
Flûte, Saxophone (duo)
4
Flûte, Hautbois, Violon
3
Flûte, Hautbois (duo)
3
Flûte, Trompette (duo)
3
Hautbois, violon (duo)
3
Flûte, Trombone (duo)
3
Flûte à Bec
3
Ocarina
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Flûte, Violoncelle, Piano (trio)
3
Flûte et Trio à cordes
3
Saxophone Soprano
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Basson et Piano
2
Flute, harpe et violon
2
Flûte, Violoncelle, Guitare
2
Flûte, Clarinette, Violon (trio)
2
Piccolo, Piano
2
Saxophone Baryton
2
Flûte à bec, Guitare (duo)
2
Clarinette, Trompette (duo)
2
Clarinette, Guitare (duo)
2
Saxophone et Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte à bec Alto
1
Flûte à bec Tenor
1
Saxophone, Basson (duo)
1
Piccolo
1
Flûte, Violon, Guitare
1
Cor Anglais
1
Clarinette Basse
1
Clarinette, trompette et piano
1
Flute (partie séparée)
1
Hautbois et alto (duo)
1
Cor anglais, Guitare (duo)
1
Flûte et Quatuor à Cordes
1
Clarinette (partie séparée)
1
2 Clarinettes, Piano
1
4 Hautbois
1
2 Flûtes traversières, Harpe
1
Flûte, trombone et piano
1
Flûte, Alto et Piano
1
Saxophone et violoncelle
1
3 Flûtes à bec (trio)
1
Saxophone
1
Clarinette, Trombone (duo)
1
2 Hautbois, Piano
1
Flûte à bec Soprano, Piano
1
Flûte à bec Soprano
1
Flûte traversière, Orgue (duo)
1
Flûte à bec Alto, Piano
1
+ 114 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
93
2 Trompettes (duo)
54
Ensemble de Trompettes
52
Trompette, Piano
51
Trompette
43
Trombone et Piano
38
Quatuor de Cuivres: 2 trompettes, Cor, trombone
30
2 Trombones (duo)
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Cor et Piano
29
Trombone
24
Trompette, Trombone (duo)
23
Tuba et Piano
18
Euphonium, Piano (duo)
17
2 Cors (duo)
16
Cor
15
Tuba
13
Cor anglais, Piano
11
Quatuor de cuivres: 4 trombones
9
Quatuor de cuivres: 4 trompettes
8
2 Tubas (duo)
8
Quatuor de cuivres: 4 cors
7
Cor et Harpe
6
Cor, Tuba (duo)
5
Trompette, Trombone, Piano
5
Trompette, Harpe
5
Trompette (partie séparée)
4
Quatuor de Cuivres
4
Trompette, Saxophone (duo)
3
3 Trompettes (trio)
3
Trompette, Cor (duo)
3
4 Tubas
3
Ensemble de Cors
3
Trombone, violoncelle (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone, Violon (duo)
2
Ensemble de Trombones
2
Cor, Violoncelle et Piano
2
Trio de Cuivres
2
Trombone basse et Piano
1
Trompette, Basson (duo)
1
Cor Anglais
1
Trompette, Violoncelle (duo)
1
3 Trombones (trio)
1
Cor anglais, Guitare (duo)
1
Euphonium, Tuba (duo)
1
2 Cors, Piano
1
Cor et Orgue
1
+ 43 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
281
Violon et Piano
111
Violon, Violoncelle (duo)
93
Trio à Cordes: violon, alto, violoncelle
93
2 Violons (duo)
88
Violoncelle, Piano
84
Violon
70
Alto, Piano
63
Harpe
46
Violon, Alto (duo)
46
Violoncelle
44
2 Violoncelles (duo)
42
2 Altos (duo)
32
Trio à Cordes: 2 violons, violoncelle
25
Alto (partie séparée)
23
Alto seul
23
Quintette à cordes: 2 violons, alto, violoncelle, basse
23
2 Harpes (duo)
22
4 Violoncelles
15
Contrebasse, Piano (duo)
12
Violon (partie séparée)
11
Harpe, Violon (duo)
11
Trio à cordes: 3 violins
10
Piano Trio: Violon, Alto, Piano
10
Violoncelle , Guitare (duo)
10
Alto, Violoncelle (duo)
10
Harpe, Flûte (duo)
9
Trio à Cordes: 3 violoncelles
9
Contre Basse
9
Violoncelle, Contrebasse (duo)
8
Harpe, Violoncelle (duo)
7
Trio à Cordes: 2 violons, alto
7
Quatuor à cordes: 4 violons
7
2 Contrebasses (duo)
7
Violon, Guitare (duo)
6
Flûte, Contrebasse (duo)
5
Alto, Guitare (duo)
5
Alto et Harpe
4
Violoncelle, Orgue
3
2 Violoncelles, Piano
3
Contrebasse (partie séparée)
2
2 Altos, Piano
2
Harpe, Violon, Violoncelle
2
Violon, Clarinette, Piano (trio)
2
Harpe, Trombone (duo)
2
Violon, Basse continue
2
Violoncelle (partie séparée)
2
Violon, Orgue
2
Quatuor à cordes : 4 altos
2
Violon, Basson (duo)
2
2 Violons, Piano
2
Violon, Violoncelle, Clarinette
1
Ensemble de Violoncelles
1
Trio à cordes: 3 altos
1
Harpe et Piano
1
+ 50 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
113
Ensemble de cuivres
80
Orchestre de chambre
37
Orchestre d'harmonie
25
Orchestre
12
Cloches
6
Ensemble de Percussions
4
Ensemble Jazz
4
Quintette de Cuivres: autres combinaisons
1
Percussion (partie séparée)
1
Xylophone
1
+ 6 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
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FLUTE A BEC
FLUTE A DIX…
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Partitions Gratuites
3
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
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NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
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Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
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Chorale
SATB
TTBB
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3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
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|
20eme siecle
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Méthodes
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New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
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Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale
0
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
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|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
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|
Tout Chorale & Voix
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Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
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INSTRUMENTS
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FLUTE
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Halloween
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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UKULELE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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Ensemble de Flûtes
Partitions à imprimer
15 partitions trouvées
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a Theme by Bach ( excerpt from St. Matthew's Passion ) for flute choir / ensemble
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Johann Sebastion Bach , J S Ba
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Ray-Michael Kauffman
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a Theme by Bach
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as do Ray meflute studio production
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.874240 Composed by Johann Sebastion Bach , J S Bach. Arranged by Ray-Michael Kauffman. Baroque,Contemporary,Eas...
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Choral Choir (Mixed) - Level 3 - SKU: A0.874240 Composed by Johann Sebastion Bach , J S Bach. Arranged by Ray-Michael Kauffman. Baroque,Contemporary,Easter,Spiritual,Standards. Octavo. 28 pages. As do Ray meflute studio production #3483869. Published by as do Ray meflute studio production (A0.874240). https://www.youtube.com/watch?v=i-KERymlx1M&feature=youtu.behttps://www.youtube.com/watch?v=IoQTyU-V3H4by J S Bach, this theme is an excerpt from St. Matthews Passion for flute choir / ensemble. Beautiful, simple, but complex textures and colors . Would make a great addition to you choir's library whether for church, Easter, Good Friday, Psalm Sunday, Concert setting , or any performance. Bach goes well with everything!!doraymeflute.com
$14.00
The Lily of the Valley (with Vivaldi's "Spring")
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Vivaldi, William S
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Beka Wilson
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The Lily of the Valley
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Beka Wilson
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SheetMusicPlus
Composed by Vivaldi, William S. Hays. Arranged by Beka Wilson. Classical Period, Baroque Period, Christian, Sacred, General Worship. Score, Set of Par...
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Composed by Vivaldi, William S. Hays. Arranged by Beka Wilson. Classical Period, Baroque Period, Christian, Sacred, General Worship. Score, Set of Parts. 20 pages. Published by Beka Wilson
$14.99
Bach's Badinerie from Suite n°2 - for Solo Flute and Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Fabio Barnaba
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Bach's Badinerie from Suite n&
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Fabio Barnaba
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1240242 Composed by Johann Sebastian Bach. Arranged by Fabio Barnaba. Baroque,Cl...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1240242 Composed by Johann Sebastian Bach. Arranged by Fabio Barnaba. Baroque,Classical. 9 pages. Fabio Barnaba #835612. Published by Fabio Barnaba (A0.1240242). The world famous Badinerie from Suite n°2 BWV 1067 by Johann Sebastian Bach in an arrangement for Solo Flute and Flute Choir (2 C Flutes, Alto Flute, Bass Flute and optional Contrabass Flute - an optional third C Flute part is included as alternative to Alto Flute). The arrangement uses the original key so the Solo Flute part is the same of the original score.
$7.99
Still Still Still - Christmas song - 7 Parts - Flute Ensemble
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Noël
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Thomas Graf
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Still Still Still - Christmas
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Arranged by Thomas Graf. Classical Period, Baroque Period, Neo-Classical, Christmas. Score, Set of Parts. 29 pages. Published by Thomas Graf - the-hit-factory.c...
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Arranged by Thomas Graf. Classical Period, Baroque Period, Neo-Classical, Christmas. Score, Set of Parts. 29 pages. Published by Thomas Graf - the-hit-factory.com (S0.163995). - Score,Set of Parts - Classical Period,Baroque Period,Neo-Classical,Christmas - Thomas Graf - the-hit-factory.com
Polyphonic arrangement of the famous Austrian Christmas Carol and lullaby. The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Süß (1802-1868), founder of the Salzburg Museum, it has changed slightly over the years but remains attributed to G. Götsch. Instrumentation: Part I (Fl./Pic.), Part II/III (Fl.), Part IV/V (Fl./Alto Fl.), Part VI (Alto Fl./Bass Fl.), Part XII (Bass Fl.) Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412 1303131?N... Any individual arrangement and substitute parts are available on request. Call 49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalog included
$19.99
Behold the Lamb of God from The Messiah for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Behold the Lamb of God from Th
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Lisa Ochoco
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SheetMusicPlus
Flute Choir - Intermediate - Composed by George Frideric Handel (1685-1759). Arranged by Lisa Ochoco. Baroque Period, Christian, Easter, Recital. Sc...
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Flute Choir - Intermediate - Composed by George Frideric Handel (1685-1759). Arranged by Lisa Ochoco. Baroque Period, Christian, Easter, Recital. Score, Set of Parts. 16 pages. Published by Lisa Ochoco
This is the first movement of Part 2, Christ's Passion, of Handel's oratorio, The Messiah.
Flutes 1 - 4 represent the SATB chorus, and the lower parts represent the orchestral parts. That said, Flutes 5 and 6 are more diffcult because they are playing the violin parts, which include more ornamentation than the voice parts.
Scored for 6 C, alto, bass, and optional contrabass flutes.
This is a powerful piece to add to your Easter recital program.
Behold the Lamb of God, that taketh away the sins of the world.
$10.00
Pastoral Symphony from Messiah for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Lisa Ochoco
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Pastoral Symphony from Messiah
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1137187 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Chr...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1137187 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Christmas,Sacred. 12 pages. Lisa L Ochoco #737388. Published by Lisa L Ochoco (A0.1137187). Pastoral Symphony is the 13th movement in Handel's Messiah. This is the beginning of Scene 4 of the oratorio, The Annunciation to the Shepherds, after the birth of Jesus. The word pastorale in baroque music is a melody in thirds over a drone bass. Originally called Pifa, this movement was named after the shepherd bagpipers - pifferari - who used to play their instruments in the streets of Rome at Christmastime. Scored for 2 C, alto, and bass flute. If your choir has a contrabass flute, it can double the bass part. There is an optional cello part that doubles the bass an octave lower. Duration: 2.5 minutes.
$5.00
Pastoral Symphony from Messiah for Low Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Lisa Ochoco
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Pastoral Symphony from Messiah
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1164626 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Chr...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1164626 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Christmas,Sacred. 14 pages. Lisa L Ochoco #764960. Published by Lisa L Ochoco (A0.1164626). Pastoral Symphony is the 13th movement in Handel's Messiah.  This is the beginning of Scene 4 of the oratorio, The Annunciation to the Shepherds, after the birth of Jesus.  The word pastorale in baroque music is a melody in thirds over a drone bass.  Originally called Pifa, this movement was named after the shepherd bagpipers - pifferari -  who used to play their instruments in the streets of Rome at Christmastime.  Scored for 2 altos, bass, optional contra alto in G, and contrabass flutes.  There is an optional cello part that doubles the contrabass.Duration: 2.5 minutes.
$5.00
Sheep May Safely Graze " The Birthday Cantata " by Bach for flute choir / ensemble
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Musique Sacrée
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Johann Sebastion Bach , J S Ba
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Sheep May Safely Graze "
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as do Ray meflute studio production
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SheetMusicPlus
Large Ensemble Alto Flute,Bass Flute,Choir,Orff Instrument,Piccolo,Soprano Flute - Level 3 - SKU: A0.874253 Composed by Johann Sebastion Bach , J S Bach...
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Large Ensemble Alto Flute,Bass Flute,Choir,Orff Instrument,Piccolo,Soprano Flute - Level 3 - SKU: A0.874253 Composed by Johann Sebastion Bach , J S Bach. Arranged by a do Ray me flute studio production , Ray-Michael Kauffman. Baroque,Easter,Holiday,Praise & Worship,Sacred. Score and parts. 36 pages. As do Ray meflute studio production #4573517. Published by as do Ray meflute studio production (A0.874253). Https://www.youtube.com/watch?v=05dsgxhs9qM&feature=youtu.beSheep May Safely Graze Sheep may safely graze (German: Schafe können sicher weiden) is a soprano aria by Johann Sebastian Bach setting words by Salomon Franck. The piece was written in 1713 and is part of the cantata Was mir behagt, ist nur die muntre Jagd, BWV 208. The cantata's title translates The lively hunt is all my heart's desire, and it is also known as the Hunting Cantata. Like the same composer´s Jesu, Joy of Man's Desiring, it is frequently played at weddings.[1] However, it was originally written for a birthday celebration, that of Christian, Duke of SaxeWeissenfels. Bach was based at the nearby court of Weimar, and musicians from both courts appear to have joined together in the first performance in Weißenfels. Bach is known to have used the music again for other celebrations, but it remained unpublished until after his death. Perfect for church, religious holidays, weddings, Easter, Birthdays , concerts, program performances, themed performances, recital, you name it.. this arrangement is a must.Score for a larger nsemble , Piccolo, G soprano flute or 1st c flute , 2nd flute, 3rd flute, 4th flute, 5th flute, 6 th flute , Alto flute in g , Bass flute and contrabass flute . Definiately a piece that will get used many times for many occasionals.also, check out my other arrangements! Real flute choir / ensemble arrangements for real flutes, and real parts ( no piano funny business ) for real performances. **ALSO check out my other arrangemnts - https://www.sheetmusicplus.com/publishers/a-do-ray-me-flute-studio-production/7545
$15.99
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Bach: Wachet auf for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Flute Cho
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
Air from Suite in D by Bach for flute choir / flute ensemble
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Johann Sebastion Bach , J S Ba
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Ray-Michael Kauffman
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Air from Suite in D by Bach fo
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as do Ray meflute studio production
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.874245 Composed by Johann Sebastion Bach , J S Bach. Arranged by Ray-Michael Kauffman. Baroque,Concert,Sacre...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.874245 Composed by Johann Sebastion Bach , J S Bach. Arranged by Ray-Michael Kauffman. Baroque,Concert,Sacred,Standards,Wedding. 17 pages. As do Ray meflute studio production #3591641. Published by as do Ray meflute studio production (A0.874245). https://www.youtube.com/watch?v=EKPo0RPP-E4&feature=youtu.beAir from Suite in D by J. S. Bacharranged for flute choir / ensemble by me Ray-Michael Kauffman. I know there is a lot of versions of this , but unhappy with most of them and lack of over all music musicality I decided to create one that was interesting to play and hear a swell as make good musical sense. After much debate, I decided changing the key to E flat would be most appropriate for either small group of players ( minimum 7) or larger groups . In the piece there is even additional divisions to help create more texture and colors in parts 3 & 4, yet remaining simple and true but sounding beautiful , what flutes should sound like.Great for studying flutist, to high school and college students. Flute choir groups, etcwould be a great addition for your ensemble, whether playing at a recital, concert, church and other spiritual events, graduation, weddings, etc. This would also be a great tool or warm up for balance and shaping sound, volume, color, blending, phrasing and other important technique builders for your group.You'll love this arrangement ,and so will the flutists and your audience!
$13.99
Hallelujah
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Andrea Bocelli
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Kim Sheard
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Hallelujah
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Kim Sheard
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1292219 By Andrea Bocelli. By Leonard Cohen. Arranged by Kim Sheard. Bar...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1292219 By Andrea Bocelli. By Leonard Cohen. Arranged by Kim Sheard. Baroque,Christian,Contemporary,Pop,Sacred. 29 pages. Kim Sheard #882826. Published by Kim Sheard (A0.1292219). Two Hallelujahs includes Handel's Hallelujah Chorus and Leonard Cohen's classic Hallelujah in one arrangement for piccolo, 5 C flutes, alto flute, and bass flute. Fans of both classical music and pop music will find something to enjoy in this piece. 3:15.More flute choir arrangements at www.kimsheardauthor.com.
$20.00
Crucifixus a 8 for flute choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Antonio Lotti
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David Warin Solomons
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Crucifixus a 8 for flute choir
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.579267 Composed by Antonio Lotti. Arranged by David Warin Solomons. Baroque,Easter,Renaissance,Sacred. 11 pa...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.579267 Composed by Antonio Lotti. Arranged by David Warin Solomons. Baroque,Easter,Renaissance,Sacred. 11 pages. David Warin Solomons #2911909. Published by David Warin Solomons (A0.579267). Arrangement for piccolo, 4 flutes, 2 alto flutes and bass flute of Antonio Lotti's Crucifixus
$8.00
He Shall Feed His Flock Like a Shepherd for Low Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Lisa Ochoco
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He Shall Feed His Flock Like a
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.560116 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Chri...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.560116 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Christmas,Sacred. 18 pages. Lisa L Ochoco #6450809. Published by Lisa L Ochoco (A0.560116). This is one of my favorite movements of Handel's Messiah and it turns out that it makes a great flute choir piece too. The 1st alto flute gets to shine here, and the part can be done as a group or just a solo, as long as the melody can be heard well above the rest of the choir.
$12.00
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