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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
BANJO
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101
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85
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43
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38
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22
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21
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11
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10
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8
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6
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6
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5
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4
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3
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3
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3
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3
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3
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3
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3
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2
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2
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2
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2
Clarinette
2
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2
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2
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1
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1
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1
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1
Flûte à bec Alto, Piano
1
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1
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1
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1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
44
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8
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7
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6
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5
Ensemble de Cors
5
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4
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4
Trompette, Piano
4
Trio de Cuivres
3
Cor
3
Trompette, Tuba (duo)
2
2 Trombones (duo)
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 trombones
2
Cor, Tuba (duo)
2
Trombone, Cor (duo)
2
Tuba
2
4 Tubas
2
2 Cors (duo)
2
Trombone
2
Cor et Piano
2
Cor anglais et Harpe (duo)
1
Trompette (partie séparée)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
35
Trio à Cordes: violon, alto, violoncelle
12
Violoncelle
6
Violoncelle, Piano
6
Violon et Piano
6
Violoncelle , Guitare (duo)
5
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5
Alto, Violoncelle (duo)
4
Violon, Alto (duo)
4
Violon
4
Alto, Piano
4
Contre Basse
3
2 Violoncelles (duo)
3
Alto seul
3
Contrebasse, Piano (duo)
3
2 Violons (duo)
2
2 Altos (duo)
2
Harpe, Flûte (duo)
2
2 Harpes (duo)
2
2 Contrebasses (duo)
2
Violoncelle, Contrebasse (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Violoncelle (duo)
1
Harpe
1
2 Violoncelles, Piano
1
2 Altos, Piano
1
Trio à cordes: 3 violins
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
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PERCUSSIONS & ORCHESTRES
Ensemble de cuivres
37
Orchestre à Cordes
31
Orchestre d'harmonie
8
Marimba
3
Orchestre
3
Orchestre de chambre
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Ensemble Jazz
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Xylophone
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Fanfare
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AUTRES
Vous avez sélectionné:
SAM Renaissance
Piano seul
Partitions à imprimer
6 partitions trouvées
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Piano Accompaniment String Sampler
Piano seul
Piano Solo - Digital Download SKU: A0.902211 Arranged by Robin Kay Deverich. Contem…
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Piano Solo - Digital Download SKU: A0.902211 Arranged by Robin Kay Deverich. Contemporary. Score. 173 pages. Global Music School String Publications #5355075. Published by Global Music School String Publications (A0.902211). Violin Online String Sampler Piano Accompaniment features the piano accompaniment to Violin Online String Sampler Violin Sheet Music. 54 pieces are included in this collection, representing a variety of styles and music history periods and cultures, including Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. As an added bonus, sound files of each piece and a study guide are currently available on the website ViolinOnline.com* as a self-guided class specifically designed to accompany this music: https://www.violinonline.com/stringclass.html The study guide explains the history and musical form of the selected pieces, and includes violin technique tips for each piece of music. Let the music begin!*No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-TyÄgarÄja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$4.99
4.47 €
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Piano seul
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Robin Kay Deverich
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Piano Accompaniment String Sampler
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Global Music School String Publications
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SheetMusicPlus
Renaissance Dances for Recorder and Piano
Piano seul
Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.1228118 Composed by Va…
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Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.1228118 Composed by Various and compiled by Michael Praetorius (1612). Arranged by Colin Kirkpatrick. Instructional,Renaissance. Score and individual part. 17 pages. Colin Kirkpatrick Publications #824216. Published by Colin Kirkpatrick Publications (A0.1228118). Dances from Terpsichore (Michael Praetorius)These are eleven of the most well-known dances of the Renaissance, selected from the famous collection entitled Terpsichore, pubished in 1612 by Michael Praetorius. They are sure to be a welcome addition to the recorder player's repertoire. The notes of the recorder part have been kept well within the intermediate range.By the time Michael Praetorius published his dance collection, he was one of the most famous musicians in Germany. The name is pronounced “terp-SI-cory†and rhymes with the word “hickoryâ€. The original publication consisted of 312 dances in four, five and six parts. Although the dances were probably conceived for string ensemble Praetorius was well aware that in practice, they would be played by any instruments that happened to be available.These arrangements for recorder (or recorders) and keyboard are based on the original 1612 publication. The music sounds more authentic using a harpsichord rather than a piano, or the harpsichord sound of a digital keyboard. The keyboard part may be interpreted quite freely with ornamentation added as appropriate. During the Renaissance, it was common practice to combine separate dances to create something of more substantial duration. A similar practice is used in these arrangements which are as follows: 1. Three Gavottes; 2. Two Ballets; 3. Two Bourées; 4. Two Courantes and 5. Two Voltas. The audio sample contains numbers 1, 2, 3 and 5.
$11.95
10.71 €
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Piano seul
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the time Michael Praetorius published his dance collection, he was one of the most famous musicians in Germany
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Various and compiled by Michael Praetorius
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Colin Kirkpatrick
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2. Two Ballets
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Renaissance Dances for Recorder and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Theme and variation on "Une Jeune Fillette"
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.927358 Composed by popular renaissa…
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Piano Solo - Level 1 - Digital Download SKU: A0.927358 Composed by popular renaissance song. Arranged by Bastien Milanese. Renaissance. Score. 1 pages. Bastien Milanese #3586163. Published by Bastien Milanese (A0.927358). Very easy piano two voices arrangement, fingered, especially for beginners. Same bass pour theme and the variation.
$1.99
1.78 €
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Piano seul
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popular renaissance song
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Bastien Milanese
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Theme and variation on "Une Jeune Fillette"
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Bastien Milanese
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SheetMusicPlus
Seven Pieces in Twentieth-Century Styles
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 2…
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Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00
4.48 €
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Piano seul
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James Siddons
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Seven Pieces in Twentieth-Century Styles
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James Siddons Music and Writings
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SheetMusicPlus
It Is Well With My Soul - Easy Piano Solo
Piano seul
Easy Piano - Level 3 - Digital Download SKU: A0.821241 Composed by Tune: Philip P. …
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Easy Piano - Level 3 - Digital Download SKU: A0.821241 Composed by Tune: Philip P. Bliss / Words: Horatio G. Spafford. Arranged by Judith L. Maggs. Christian,Instructional,Renaissance,Sacred. Score. 3 pages. Maggs #5771287. Published by Maggs (A0.821241). This arrangement of the beloved hymn It Is Well With My Soul is written for an intermediate level pianist. It would be very appropriate for a short church prelude or offertory. (I also have an advance arrangement of this same hymn: https://www.sheetmusicplus.com/title/21718104 )
$2.99
2.68 €
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Piano seul
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Tune: Philip P
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Judith L
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It Is Well With My Soul - Easy Piano Solo
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Maggs
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SheetMusicPlus
Chopin, Frédéric : Prélude `La goutte d'eau` Opus 28 n°15 (Collection Anacrouse)
Piano seul
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d…
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.<br><br>Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>Ce Prélude, surnommé « gouttes d’eau », est tiré du recueil des 24 préludes opus 28 de Chopin. Quinzième pièce en ordre d’apparition, il est le plus long mais surtout le plus populaire. Très proche de l’atmosphère d’un Nocturne, il égrène ses notes répétées à la main gauche qui finissent par hypnotiser l’auditeur. Pour certains, cette répétition interminable de mêmes notes symbolise les gouttes de pluie qui frappaient pesamment le toit de la chartreuse de Valdemosa, lieu de retraite de Chopin et Georges Sand. La partie centrale du Prélude, dans le ton de do dièse mineur, s’enfle peu à peu, s’agite et aboutit à un fortissimo inconsolable, point culminant de l’œuvre. La fin réexpose le thème initial et retourne brièvement à une certaine clarté, non dénuée d’accablement et de tristesse. Partition + Biographie + Notes sur l'oeuvre
3.30 €
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Piano seul
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Chopin, Frédéric
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Prélude `La goutte d'eau` Opus 28 n°15
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Note4Piano
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