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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Standard Time
Non classifié
848
Piano & claviers
Piano seul
444
Piano, Voix et Guitare
106
Piano, Voix
85
1 Piano, 4 mains
35
Piano Facile
32
Instruments en Do
32
Accompagnement Piano
28
Orgue
8
Piano Trio: piano, violon, violoncelle
6
Accordéon
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Orgue, Piano (duo)
1
2 Pianos, 4 mains
1
Clavecin
1
+ 9 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
123
Guitare notes et tablatures
71
Guitare
69
Ukulele
32
Basse electrique
10
Paroles et Accords
9
Piano, Guitare (duo)
7
Dulcimer
6
Banjo
4
Mandoline
4
Ensemble de guitares
4
2 Guitares (duo)
3
2 Dulcimers (duo)
2
2 Ukuleles
1
Mandoline, Guitare (duo)
1
Ensemble de Ukulélés
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
82
Chorale 3 parties
26
Chorale TTBB
16
Chorale SSAA
14
Voix seule
9
Voix duo, Piano
8
Chorale Unison
7
Chorale 2 parties
5
Chorale
5
Voix Alto, Piano
4
Voix haute
3
Voix duo
3
Chorale SSAB, Piano
1
Voix Soprano
1
Voix moyenne, Piano
1
Voix basse, Piano
1
+ 11 instrumentations
Retracter
Vents
2 Saxophones (duo)
270
Saxophone, Clarinette (duo)
136
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
121
2 Clarinettes (duo)
110
Flûte traversière et Piano
103
2 Flûtes traversières (duo)
101
Clarinette, Violon (duo)
91
Clarinette, Trompette (duo)
85
Clarinette et Piano
82
Flûte irlandaise
77
Saxophone Alto et Piano
76
Quintette de Saxophone: 5 saxophones
70
Hautbois, Piano (duo)
70
Quatuor de Saxophones: 4 saxophones
63
Saxophone Soprano et Piano
57
Flûte, Clarinette (duo)
54
Saxophone Tenor et Piano
54
2 Hautbois (duo)
51
Flûte, Saxophone (duo)
50
Flûte, Violon
49
Quatuor de Clarinettes: 4 clarinettes
48
Hautbois, Clarinette (duo)
48
Hautbois, Flûte
44
Clarinette et Alto
44
Hautbois, Basson (duo)
43
Clarinette
38
Flûte, Trompette (duo)
37
Flûte, Hautbois, Clarinette, Basson
35
Flûte, Alto (duo)
35
Saxophone Baryton, Piano
33
Quatuor de Flûtes : 4 flûtes
31
Flûte traversière
26
Saxophone Alto
24
Cor anglais, Piano
23
Clarinette Basse, Piano
22
Flûte à bec Soprano
20
Saxophone Tenor
18
Ensemble de Clarinettes
18
Saxophone (partie séparée)
16
Cor Anglais
14
Quintette de Clarinettes: 5 clarinettes
14
Hautbois (partie séparée)
13
3 Clarinettes (trio)
11
Flûte, Hautbois, Clarinette (trio)
11
Ensemble de saxophones
9
Quintette de Flûte : 5 flûtes
8
2 Flûte à bec (duo)
7
Ensemble de Flûtes
6
Trio de Flûtes: 3 flûtes
6
Flûte et Guitare
4
Flûte, Hautbois (duo)
3
3 Saxophones (trio)
3
2 Clarinettes, Piano
3
Piccolo, Piano
3
Instruments en Mib
3
Flûte à Bec
3
Hautbois, violon (duo)
3
Flûte, Clarinette et Basson
2
Flûte, Basson et Piano
2
Clarinette, Guitare (duo)
2
Quatuor de Flûtes à bec
2
Ocarina
2
Harmonica
2
Flûte à bec Soprano, Piano
2
Clarinette, Trombone (duo)
2
Saxophone et Piano
2
Flûte, Violon, Piano
2
Flûte, Violoncelle
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Clarinette, Basson (duo)
2
Flûte, Violon, Violoncelle et Piano
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Alto et Piano
1
Flûte, Hautbois, Piano (trio)
1
2 Saxophones, Piano
1
Clarinette, Harpe (duo)
1
Flûte à bec Alto
1
Flute (partie séparée)
1
Clarinette (partie séparée)
1
Saxophone
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois, Basson
1
Hautbois
1
Hautbois, Guitare (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette Basse
1
+ 84 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
99
Quatuor de Cuivres : 2 trompettes, trombone, tuba
88
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
56
Trompette, Trombone (duo)
54
2 Trombones (duo)
51
2 Trompettes (duo)
46
Trombone et Piano
40
Trompette, Piano
39
Euphonium, Piano (duo)
36
Cor et Piano
33
Trompette
25
Cor anglais, Piano
23
Trombone
22
Ensemble de Trompettes
20
Cor Anglais
14
Trompette (partie séparée)
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Ensemble de Trombones
10
Cor
9
Euphonium
8
Quatuor de Cuivres
8
Trombone (partie séparée)
6
Bass Clef Instruments
3
Instruments en Sib
3
Tuba et Piano
1
Tuba
1
Trompette, Euphonium (duo)
1
Cor et Harpe
1
Trompette et Guitare
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
103
Violon et Piano
90
Alto, Piano
73
Violoncelle, Piano
59
2 Altos (duo)
57
Violon, Alto (duo)
56
2 Violons (duo)
56
Violon, Violoncelle (duo)
55
2 Violoncelles (duo)
52
Trio à Cordes: violon, alto, violoncelle
38
Violon
38
Violoncelle
27
Harpe
25
Alto seul
15
2 Harpes (duo)
14
Alto (partie séparée)
10
Ensemble de Violons
8
Trio à Cordes: 2 violons, violoncelle
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Ensemble d'Altos
6
Trio à Cordes: 2 violons, alto
4
4 Violoncelles
4
Harpe, Flûte (duo)
4
Trio à Cordes: 3 violoncelles
3
Piano Trio: Violon, Alto, Piano
3
Violoncelle, Orgue
2
Violon, Guitare (duo)
2
Violoncelle , Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Alto, Violoncelle (duo)
1
Contrebasse, Piano (duo)
1
Harpe, Voix
1
Alto, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Violon (partie séparée)
1
Trio à cordes: 3 altos
1
Harpe, Violon, Violoncelle
1
Trio à cordes: 3 violins
1
Harpe, Violoncelle (duo)
1
Alto, Orgue
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
101
Orchestre à Cordes
65
Orchestre d'harmonie
53
Ensemble de cuivres
25
Jazz combo
18
Orchestre
15
Orchestre de chambre
11
Cloches
9
Ensemble de Percussions
8
Batterie
7
Fanfare
3
Xylophone
2
Xylophone, Piano
2
Vibraphone et Marimba
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
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Crtitères actifs :
Standard Time
intermédiaire
Saxophone Alto et Piano
Partitions à imprimer
76 partitions trouvées
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76
It's Been A Long, Long Time
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Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Contemporain
#
Jule Styne
#
David McKeown
#
It's Been A Long, Long Time
#
David McKeown
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.592548 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.592548 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366359. Published by David McKeown (A0.592548). It’s Been a Long Long Time is arranged as a solo for one Alto Saxophone with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Valse Sentimentale for Alto Saxophone and Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
P
#
Diego Marani
#
Valse Sentimentale for Alto Sa
#
Diego Marani
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.528575 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period...
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Alto Saxophone,Piano - Level 3 - SKU: A0.528575 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 10 pages. Diego Marani #6212997. Published by Diego Marani (A0.528575). Valse Sentimentale (Sentimental Waltz) is a composition of P. I. Tchaikovsky written in 1882 and is a part of the collection 6 Pieces, Op. 51 for piano. This arrangement for Eb Alto Sax with Piano Accompaniment reflects faithfully the original.
$6.99
I’ll Be With You in Apple Blossom Time (Alto Saxophone Solo, Chords, Piano Accompaniment)
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Albert Von Tilzer and Neville
#
Cathy Stamegna
#
I’ll Be With You in Appl
#
Cathy Stamegna
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Piano - Level 3 - SKU: A0.780770 Composed by Albert Von Tilzer and Neville Fleeson. Arranged by Cathy Stamegna. Film/TV,Pa...
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Large Ensemble Alto Saxophone,Piano - Level 3 - SKU: A0.780770 Composed by Albert Von Tilzer and Neville Fleeson. Arranged by Cathy Stamegna. Film/TV,Patriotic,Pop,Standards,Wedding. Score and part. 10 pages. Cathy Stamegna #5319695. Published by Cathy Stamegna (A0.780770). I’ll Be With You in Apple Blossom Time (Alto Saxophone Solo, Chords, Piano Accompaniment). This standard tune from 1920 begins in 3/4, as recorded by Connie Francis, and changes to an up tempo 4/4 with rhythmic, melodic, harmonic variations. Also recorded by The Andrews Sisters, Dame Vera Lynn, The Four Aces, Barry Manilow, Emmy Rossum to name a few. A good selection to showcase two different playing styles. Addition of chord symbols allows for a guitar, harp, or mallet instrument to join in! A fun tongue-in-cheek wedding number, too. Set of Parts. Piano Accompaniment mp3 available separately. Performance Time: 2:29
$4.99
My One And Only Love
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Jazz
#
Oscar Peterson Trio
#
Debra E
#
My One And Only Love
#
Standard Time
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1318439 By Oscar Peterson Trio. By Guy Wood and Robert Mellin. Arranged by Debra E. Stempien, Gregory H. Turner...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1318439 By Oscar Peterson Trio. By Guy Wood and Robert Mellin. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Pop,Standards. Score and part. 6 pages. Standard Time #907103. Published by Standard Time (A0.1318439). This well-known standard is arranged as an alto sax solo with piano accompaniment, including a brief piano solo. Please note that the audio uses the soprano sax version of this arrangement, which is in a different key.
$7.99
Danny Boy
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Celtique/Irlandais
#
Traditional
#
Debra E
#
Danny Boy
#
Standard Time
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1369128 Composed by Traditional. Arranged by Debra E. Stempien, Gregory H. Turner. Celtic,Holiday,Irish,Multicu...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1369128 Composed by Traditional. Arranged by Debra E. Stempien, Gregory H. Turner. Celtic,Holiday,Irish,Multicultural,Standards,Traditional,World. Score and part. 3 pages. Standard Time #953476. Published by Standard Time (A0.1369128). This traditional Irish tune is arranged in the key of D-flat for alto sax solo with piano accompaniment. Â The solo part includes idiomatic Irish embellishments, while extended harmonies lend a lush setting for the accompaniment. Â A live recording will be added soon.
$7.99
Charade
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Henry Mancini
#
Debra E
#
Charade
#
Standard Time
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1364458 By Henry Mancini. By Henry Mancini and Johnny Mercer. Arranged by Debra E. Stempien, Gregory H. Turner....
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Alto Saxophone,Piano - Level 3 - SKU: A0.1364458 By Henry Mancini. By Henry Mancini and Johnny Mercer. Arranged by Debra E. Stempien, Gregory H. Turner. Film/TV,Jazz,Standards. Score and part. 6 pages. Standard Time #948750. Published by Standard Time (A0.1364458). This haunting theme song from the 1963 film, Charade, starring Cary Grant and Audrey Hepburn, is arranged as a jazz waltz for alto sax solo with piano accompaniment.
$7.99
Maria Elena
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Indios Trabajaras
#
Debra E
#
Maria Elena
#
Standard Time
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.761676 By Indios Trabajaras. By Lorenzo Barcelata. Arranged by Debra E. Stempien, Gregory H. Turner. Country,Ja...
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Alto Saxophone,Piano - Level 3 - SKU: A0.761676 By Indios Trabajaras. By Lorenzo Barcelata. Arranged by Debra E. Stempien, Gregory H. Turner. Country,Jazz,Pop,Standards. Score and part. 5 pages. Standard Time #4571351. Published by Standard Time (A0.761676). This classic Spanish waltz is arranged for alto sax solo with piano accompaniment. Â The original melody remains intact while the harmonies have been modernized. Â Play along with the accompaniment at the link provided!
$7.99
Smoke Gets In Your Eyes
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
The Platters
#
Debra E
#
Smoke Gets In Your Eyes
#
Standard Time
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.761746 By The Platters. By Jerome Kern. Arranged by Debra E. Stempien, Gregory H. Turner. Broadway,Jazz,Musical...
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Alto Saxophone,Piano - Level 3 - SKU: A0.761746 By The Platters. By Jerome Kern. Arranged by Debra E. Stempien, Gregory H. Turner. Broadway,Jazz,Musical/Show,Standards. Score and part. 5 pages. Standard Time #6205051. Published by Standard Time (A0.761746). This classic song is arranged for alto sax solo with piano accompaniment. Â The sax carries the melody through the A sections and provides harmonic lines while the piano takes over the melody during the bridge. Â Please note that the recording features the soprano sax version of this arrangement, which is in a different key. Â Play along with the accompaniment at the link provided.
$7.99
Blue Bayou
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Linda Ronstadt
#
Debra E
#
Blue Bayou
#
Standard Time
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1316277 By Linda Ronstadt. By Joe Melson and Roy Orbison. Arranged by Debra E. Stempien, Gregory H. Turner. Jaz...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1316277 By Linda Ronstadt. By Joe Melson and Roy Orbison. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Latin,Pop,Rock,Standards. Score and part. 7 pages. Standard Time #905019. Published by Standard Time (A0.1316277). Blue Bayou is arranged here in the key of D-flat for alto sax with piano accompaniment (a Fender Rhodes sound or electronic equivalent is ideal).
$9.99
Blue Bayou
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Linda Ronstadt
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Debra E
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Blue Bayou
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Standard Time
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1316272 By Linda Ronstadt. By Joe Melson and Roy Orbison. Arranged by Debra E. Stempien, Gregory H. Turner. Jaz...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1316272 By Linda Ronstadt. By Joe Melson and Roy Orbison. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Latin,Pop,Rock,Standards. Score and part. 7 pages. Standard Time #905013. Published by Standard Time (A0.1316272). Blue Bayou is arranged here in the key of C for alto sax with piano accompaniment (a Fender Rhodes sound or electronic equivalent is ideal). Â Please note that the audio uses the D-flat version of this arrangement.
$9.99
Till There Was You
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Rock
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The Beatles
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Gregory H
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Till There Was You
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Standard Time
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.761767 By The Beatles. By Meredith Willson. Arranged by Gregory H. Turner, Debra E. Stempien. Broadway,Jazz,Lat...
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Alto Saxophone,Piano - Level 3 - SKU: A0.761767 By The Beatles. By Meredith Willson. Arranged by Gregory H. Turner, Debra E. Stempien. Broadway,Jazz,Latin,Musical/Show,Pop,Rock. Score and part. 9 pages. Standard Time #6349913. Published by Standard Time (A0.761767). This classic song from the Broadway show, The Music Man, is arranged for alto sax and piano in a Bossanova style. The piano part features jazz voicings and a composed solo on the melody with alto sax backgrounds.
$7.99
Tennessee Waltz
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Country
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Patty Page
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Debra E
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Tennessee Waltz
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Standard Time
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.761617 By Patty Page. By Pee Wee King and Redd Stewart. Arranged by Debra E. Stempien, Gregory H. Turner. Count...
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Alto Saxophone,Piano - Level 3 - SKU: A0.761617 By Patty Page. By Pee Wee King and Redd Stewart. Arranged by Debra E. Stempien, Gregory H. Turner. Country. Score and part. 4 pages. Standard Time #3125983. Published by Standard Time (A0.761617). This classic waltz made famous by Patti Page is arranged as a waltz ballad for alto sax with piano accompaniment. .
$7.99
Grieg: Ase's Death from Peer Gynt Suite for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549533 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacr...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549533 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505785. Published by jmsgu3 (A0.549533). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549578 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sta...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549578 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509393. Published by jmsgu3 (A0.549578). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore!Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549555 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sta...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549555 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507663. Published by jmsgu3 (A0.549555). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Bagels
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Matthew Reid
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Bagels
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Playing with Fire Entertainment
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.995871 Composed by Matthew Reid. Instructional,Ragtime,Standards. Score and part. 8 pages. Playing with Fire En...
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Alto Saxophone,Piano - Level 3 - SKU: A0.995871 Composed by Matthew Reid. Instructional,Ragtime,Standards. Score and part. 8 pages. Playing with Fire Entertainment #4641273. Published by Playing with Fire Entertainment (A0.995871). If you are a classical alto saxophone player of an intermediate standard you may enjoy this jaunty ragtime performance piece. Check out my jazz waltzes and other short pieces for woodwinds.
$5.99
Vivaldi: Sonata No. 6 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 6 for Alto
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.550531 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Sc...
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Alto Saxophone,Piano - Level 3 - SKU: A0.550531 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 23 pages. Jmsgu3 #4727129. Published by jmsgu3 (A0.550531). Sonata da Chiesa No. 6 in Bb Major for Alto Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 2 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Alto
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.550431 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score and...
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Alto Saxophone,Piano - Level 3 - SKU: A0.550431 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score and part. 18 pages. Jmsgu3 #4633089. Published by jmsgu3 (A0.550431). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 5 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 5 for Alto
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.550508 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Sc...
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Alto Saxophone,Piano - Level 3 - SKU: A0.550508 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4717197. Published by jmsgu3 (A0.550508). Sonata da Chiesa No. 5 in E Minor for Alto Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Grieg: Morning Mood from Peer Gynt Suite for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549511 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Stan...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549511 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502277. Published by jmsgu3 (A0.549511). Duration: ca. 4:00, Score: 9 pages, solo prt: 3 pages, piano part: 4 pages. Super-famous Instantly recognizable tune, not very difficult - suitable for a recital or church meditation.  Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
Vivaldi: Sonata No. 3 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 3 for Alto
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.550457 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Sc...
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Alto Saxophone,Piano - Level 3 - SKU: A0.550457 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4638455. Published by jmsgu3 (A0.550457). Sonata da Chiesa No. 3 in A Minor for Alto Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 4 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Alto
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.550483 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Sc...
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Alto Saxophone,Piano - Level 3 - SKU: A0.550483 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4641559. Published by jmsgu3 (A0.550483). Sonata da Chiesa No. 4 in Bb Major for Alto Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Mendelssohn: Wedding March for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$32.95
Jingle Bells for Solo Alto Saxophone
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Noël
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James Pierpont
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Lawrence H
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Jingle Bells for Solo Alto Sax
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Lawrence H Underwood
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.967659 Composed by James Pierpont. Arranged by Lawrence H. Underwood. Children,Christmas,Pop,Ragtime. Score and...
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Alto Saxophone,Piano - Level 3 - SKU: A0.967659 Composed by James Pierpont. Arranged by Lawrence H. Underwood. Children,Christmas,Pop,Ragtime. Score and part. 9 pages. Lawrence H Underwood #6189225. Published by Lawrence H Underwood (A0.967659). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fifth installment in his A Christmas Portfolio series, this brand new setting of Jingle Bells is destined to be a new favorite! This Jingle Bells has been given the ragtime treatment. . .opening in standard 2/4 ragtime, moving into a ragtime waltz in the middle of the piece, before once again revisiting 2/4 - but with the piano part covering the melody and the soloist playing countermelody lines until final reclaiming the theme for the final rousing statement of the chorus. Suitable as a showpiece or encore in any winter or holiday setting!
$5.99
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
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