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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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HARMONICA
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LIVRES
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Through The Years
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242
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136
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115
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44
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34
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32
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11
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5
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5
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3
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3
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2
Piano grosses notes
2
2 Pianos, 4 mains
2
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1
Clavier
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 11 instrumentations
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Guitares
Guitare
21
Ligne De Mélodie, (Paroles) et Accords
9
Ukulele
8
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7
Basse electrique
3
Paroles et Accords
2
Banjo
2
Mandoline
1
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1
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1
Dobro
1
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Voix
Chorale SATB
70
Chorale Unison
27
Chorale 3 parties
16
Voix Alto, Piano
9
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9
Chorale 2 parties
6
Voix duo, Piano
4
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4
Voix Tenor, Piano
2
Voix Tenor
1
Voix haute
1
Voix duo
1
Chorale
1
Voix Baryton, Piano
1
Voix basse
1
+ 10 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Flûte, Hautbois, Clarinette, Basson
13
Flûte traversière
10
Quatuor de Saxophones: 4 saxophones
9
Clarinette (partie séparée)
7
Saxophone Alto
7
Clarinette
7
Saxophone Tenor
6
Saxophone (partie séparée)
5
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5
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5
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4
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3
2 Saxophones (duo)
3
Hautbois (partie séparée)
3
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2
Saxophone Soprano et Piano
2
Saxophone Soprano
2
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2
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2
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1
Saxophone Alto et Piano
1
Ensemble de Clarinettes
1
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1
Flûte et Trio à cordes
1
Saxophone Baryton, Piano
1
3 Saxophones (trio)
1
Saxophone Tenor et Piano
1
+ 24 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
57
Ensemble de Trompettes
33
Trompette
15
Trombone (partie séparée)
13
Trompette (partie séparée)
13
Cor (partie séparée)
8
Trombone
7
Cor
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
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2
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2
Tuba
2
Trompette, Piano
2
3 Trompettes (trio)
2
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1
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1
Quatuor de cuivres: 4 trompettes
1
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1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 17 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
26
Violon
19
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14
Violoncelle
11
Alto seul
7
Harpe
6
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5
Alto, Piano
5
Violon, Alto (duo)
4
Violoncelle, Piano
4
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Piano Trio: Violon, Alto, Piano
3
4 Violoncelles
3
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3
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3
Contre Basse
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2
Trio à cordes: 3 violins
2
Violoncelle (partie séparée)
2
2 Violons (duo)
2
Harpe (partie séparée)
1
Trio à Cordes: violon, alto, violoncelle
1
Quatuor à cordes : 4 altos
1
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1
Quatuor à cordes: 4 violons
1
Violon, Clarinette, Piano (trio)
1
4 Harpes
1
Violoncelle, Orgue
1
2 Violoncelles (duo)
1
+ 25 instrumentations
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Orchestre à Cordes
71
Orchestre d'harmonie
46
Orchestre
32
Ensemble Jazz
25
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15
Orchestre de chambre
13
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5
Cloches
5
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2
Caisse Claire
1
Timbales (partie séparée)
1
Marimba
1
Jazz combo
1
Piano et Orchestre
1
Fanfare
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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LUTH
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Through The Years
Saxophone Tenor et Piano
Partitions à imprimer
1 partition trouvée
Mendelssohn: Wedding March for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
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