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El Aventurero - Ensamble para Coro de Clarinetes
Ensemble de Clarinettes
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Downloa…
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1240964 Composed by Everardo GarcÃa Vargas. Chamber,Classical,Holiday,Multicultural,Traditional,World. 62 pages. Everardo GarcÃa Vargas #836358. Published by Everardo GarcÃa Vargas (A0.1240964). El Aventurero - Ensamble para Coro de ClarinetesEn abril de 2022, se lanzó esta nueva versión oficial definitiva de la composición Nº 07 “El Aventureroâ€, un ensamble para coro de clarinetes. Esta actualización fue posible gracias a la valiosa retroalimentación proporcionada por maestros, compañeros, alumnos y público en general, quienes solicitaron la incorporación de nuevos temas y una mayor duración de la obra para satisfacer la demanda de una experiencia auditiva más completa. Los aspectos más destacados y significativos de esta nueva versión radica en la incorporación de nuevos temas inéditos, tales como dos estribillos, un trÃo y un montuno extendido en forma de improvisación. Este último elemento fue fundamental para desarrollar, expandir y aventurarme nuevamente en la obra. A través de él, pude plasmar los ciclos de mi vida y transportar el pasado hacia el presente. Asimismo, se incorporó un desenlace explÃcito y coherente para garantizar que el oyente comprenda de manera inequÃvoca la conclusión de la obra. Esto contrasta con la versión anterior, que dejaba cierta ambigüedad sobre si la pieza continuaba o habÃa llegado a su fin. Además de los nuevos temas, se realizaron mejoras en los ya existentes ampliando algunas frases y motivos y se añadieron puentes para facilitar la unión y repetición, y también se introdujeron cambios en los contrapuntos y armonÃas en frases especÃficas. En su obra “El Aventureroâ€, el compositor mexicano comparte su historia personal a través de las distintas etapas que ha experimentado a lo largo de su vida. Originario de la comunidad de Tlahuitoltepec Mixe, Oaxaca, el autor creció hablando la lengua mixe y se sumergió en las tradiciones, usos y costumbres de una comunidad rica en cultura. Desde temprana edad, estuvo expuesto a bandas filarmónicas con repertorios de sones y jarabes. A la edad de diez años, tuvo su primer acercamiento a la música a través de lecciones impartidas por su padre. Posteriormente, continuó su aprendizaje de manera autodidacta y se unió a la banda municipal del pueblo. Con el paso del tiempo, la banda municipal, ahora conocida como BASTLAM, alcanzó su máximo potencial en la década de los 90. Fue entonces cuando comenzaron las giras musicales y el autor tuvo la oportunidad de visitar las ciudades de Oaxaca, México y Veracruz. Quedó impresionado por la belleza de las grandes ciudades y sus distintas tradiciones, pero sobre todo por su rica cultura musical. Posteriormente, se trasladó a la Ciudad de México para residir allà temporalmente. Sus viajes musicales continuaron por casi todos los estados de la República Mexicana. Durante estos viajes, adquirió experiencias y conocimientos valiosos, maravillándose ante la magnificencia de las diferentes culturas, tradiciones y estilos musicales de cada estado. En conclusión: “El Aventurero†es una obra fascinante en la que el compositor mexicano relata su historia personal a través de las distintas etapas de su vida. Desde sus orÃgenes en la comunidad de Tlahuitoltepec Mixe, Oaxaca, hasta sus viajes musicales por la República Mexicana, el autor ha tenido la oportunidad de experimentar y aprender de las ricas culturas y tradiciones de su paÃs. Su pasión por la música lo ha llevado a lugares y experiencias inolvidables, y esta obra es un testimonio conmovedor de su viaje. La nueva versión de “El Aventurero†representa una evolución enriquecedora de la obra original. Gracias a la incorporación de nuevos temas y desarrollos que invita al oyente a sumergirse en un emocionante viaje musical. Las sugerencias y comentarios recibidos permitieron mejorar y expandir esta composición para ofrecer una experiencia única.
$70.50
63.18 €
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Ensemble de Clarinettes
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Everardo GarcÃa Vargas
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El Aventurero - Ensamble para Coro de Clarinetes
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Everardo GarcÃa Vargas
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SheetMusicPlus
"Jacaranda" Original Tango for Clarinet Choir
Ensemble de Clarinettes
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downloa…
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1215195 Composed by Grant Horsley. Contest,Festival,Folk,Latin,Multicultural,Patriotic,World. 34 pages. Grant Horsley #812067. Published by Grant Horsley (A0.1215195). Jacaranda is a very tall tree with a purple bloom which is native to South America. This tree lines the streets of Buenos Aires which is considered by many to be the birthplace of the Argentinian Tango.This original Tango has two main sections- a passionate and animated section to begin with which clearly states the rhythms associated with the Tango, followed by a contrasting more wistful romantic middle section, which has the Cuban habanera elements present, from which a Tango is derived. Then the piece returns to the first section taking it to a conclusionJacaranda is scored for E flat Clarinet, 3 B flat Clarinets, Alto and Bass Clarinet and is in the key of B flat minor (concert) with the middle section in B flat major. The range is around two octaves for all players, and I have tried to keep all parts interesting with shared moments of melodic and rhythmic interest. It also has wide dynamic contrasts and heavy accents, along with legato and staccato phrasing, all of which are effectively used in this genre.It is set to Intermediate level- it is 4 mins 40 in length and would make a lovely addition to any programme.The youtube link has the full score so you can assess suitability. Price is for the full score and all parts.NB There are also 2 different flute choir versions available.
$14.50
13 €
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Ensemble de Clarinettes
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Grant Horsley
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"Jacaranda" Original Tango for Clarinet Choir
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Grant Horsley
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SheetMusicPlus
Alchemy for Clarinet Ensemble (Clarinet Choir)
Ensemble de Clarinettes
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Down…
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1234303 By Salvador Rojo Gamón. By Salvador Rojo Gamón. 21st Century,Chamber,Contest,Festival,Instructional. 105 pages. Salvador Rojo-Gamon #829847. Published by Salvador Rojo-Gamon (A0.1234303). This is a commission of “Ensemble de Clarinetes del CSM Badajoz Bonifacio Gilâ€The instrumentation is for Clarinet Eb, 4 clarinets in Bb, Alto Clarinet, Bass Clarinet, and Contrabass Clarinet. Its duration is about 12 minutes and the language is traditional. About difficulty, it would be grade 4.It’s composed in just one movement but it’s full of contrasting parts.
$60.00
53.77 €
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Ensemble de Clarinettes
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Salvador Rojo Gamón
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Alchemy for Clarinet Ensemble
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Salvador Rojo-Gamon
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by …
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
42.97 €
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Ensemble de Clarinettes
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by …
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
42.97 €
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Ensemble de Clarinettes
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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jmsgu3
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SheetMusicPlus
Never Gonna Give You Up
Ensemble de Clarinettes
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clar…
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1500810 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by David Boyd. Pop. 30 pages. David Boyd #1076879. Published by David Boyd (A0.1500810). IntroductionNever Gonna Give You Up, a classic pop anthem by Rick Astley, has been reimagined for clarinet choir, bringing its infectious melody and driving rhythm into a new, sonorous setting. This arrangement captures the essence of the original while exploring the rich timbral possibilities of the clarinet family. It aims to provide a fun and engaging performance experience for players and an entertaining piece for audiences.Instrumentation:E-flat ClarinetB-flat Clarinet 1B-flat Clarinet 2B-flat Clarinet 3B-flat Clarinet 4B-flat Clarinet 5B-flat Clarinet 6 (Alternate E-flat Clarinet)B-flat Clarinet 7 (Alternate E-flat Alto Clarinet)Basset Horn in F (Alternate E-flat Alto Clarinet)E-flat Alto ClarinetB-flat Bass Clarinet 1B-flat Bass Clarinet 2B-flat Bass Clarinet 3E-flat Contra Alto ClarinetB-flatContrabass ClarinetDrum Kit (optional)I encourage you to adapt this instrumentation to your ensemble as needed. Alternate B-flat parts are provided. The alto clarinet solo is cued in both the Basset Horn and Clarinet 7 part. The Clarinet 1 solo is cued an octave lower in Clarinet 2.Structure and FormThe arrangement retains much of the original song's form in a condensed format, including the iconic intro, verse, and chorus. It omits the bridge entirely. Careful attention has been given to the balance and texture, ensuring each section of the clarinet choir contributes to the overall sound.Performance ConsiderationsDynamics and Articulation: Players should pay close attention to the dynamic contrasts throughout the arrangement. The verses should be lighter and more articulate, while the chorus demands a fuller, more resonant sound. Articulations are marked to mimic the vocal phrasing of the original song, so accents and staccatos should be crisp and well-defined.Balance and Blend: Given the diverse range of voices in the clarinet choir, balance is crucial. The melody must always be prominent, particularly in the chorus where it may be in unison across several voices. Ensure that the supporting lines do not overpower the melody, especially in the lower clarinets.Technical Challenges: While the arrangement is accessible to intermediate players, some sections, particularly in the Eb Clarinet and 1st Bb Clarinet parts, may require attention to finger dexterity and breath control. Encourage players to practise these passages slowly, focusing on evenness of tone and clarity.
$19.99
17.92 €
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Ensemble de Clarinettes
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Rick Astley
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David Boyd
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Never Gonna Give You Up
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David Boyd
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SheetMusicPlus
Nightscape. Original Tango for Clarinet Choir.
Ensemble de Clarinettes
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downloa…
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1380741 Composed by Grant Horsley. Contest,Festival,Film/TV,Latin,Multicultural,Wedding,World. 35 pages. Grant Horsley #965526. Published by Grant Horsley (A0.1380741). An original Tango in concert C minor. Scored for E flat Clarinet, 3 B flat Clarinets, Alto and Bass Clarinet,Nightscape has a dark mysterious feel- it has 3 distinct sections. The first two sections are typical of the tango rhythms you would expect to hear- very syncopated in all parts against a strong melodic line. The 3rd section by contrast is more lyrical in nature, but the underlying tango rhythms present light punctuations in support. The final section is a return of the main theme-then onto a short coda to finish.Aimed at the intermediate player, the full score is 15 pages- parts 3 pages, and it is nearly 4 minutes long.Price is for the full score and parts.Great for concerts, events, contests etc.
$13.99
12.54 €
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Ensemble de Clarinettes
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Grant Horsley
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Nightscape. Original Tango for Clarinet Choir.
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Grant Horsley
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SheetMusicPlus
The Court Jester. Original for Clarinet Choir.
Ensemble de Clarinettes
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Down…
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1363830 Composed by Grant Horsley. Classical,Comedy,Contest,Festival. 42 pages. Grant Horsley #948228. Published by Grant Horsley (A0.1363830). The Court Jester is intended as a descriptive piece. The Jester was a member of the household of a nobleman or a monarch employed to entertain guests during royal court. Jesters were also traveling performers who entertained common folk at fairs and town markets, and the discipline continues into the modern day, where jesters perform at historical-themed events.This piece is in ternary form. The outer sections are to represent the general clowning around and playing pranks as a mischievous Jester does. The middle section by contrast is more lyrical to demonstrate a softer side to the personality, however this quickly transcends back to the final section where jokes, pranks and laughs have their way! It should be performed very briskly and lightly to capture the overall feel of the piece. The range in total is two and a half octaves and it is 4.00 minutes in length- Set at Intermediate level, but lots of areas are less so. The whole score is on the youtube link for you to assess suitability.Price is for the full score and all parts.A great addition to the repertoire.
$14.50
13 €
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Ensemble de Clarinettes
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Grant Horsley
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The Court Jester. Original for Clarinet Choir.
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Grant Horsley
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SheetMusicPlus
I was Glad
Ensemble de Clarinettes
Cl. Ens - Easy - Digital Download SKU: F2.FM415 Composed by CH Parry. Arranged by M…
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Cl. Ens - Easy - Digital Download SKU: F2.FM415 Composed by CH Parry. Arranged by Marina van E Kummer. Clarinet Ensemble. Score and parts. 17 pages. Forton Music - Digital #FM415. Published by Forton Music - Digital (F2.FM415). ISBN 9790570483143.Generally straightforward, with dotted rhythms contrasting with more lyrical and flowing melodies. I often do arrangements for twelve Bb clarinets simply because I love the term dodecet! And the sonorities are amazing.
$17.95
16.09 €
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Ensemble de Clarinettes
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CH Parry
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Marina van E Kummer
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I was Glad
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Forton Music - Digital
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SheetMusicPlus
Monteverdi - The Fifth Book of Madrigals (1605) - 19. Questi vaghi
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.767258 Composed by …
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Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.767258 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. 62 pages. Lyons Music Services #3121649. Published by Lyons Music Services (A0.767258). The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible. The final song from book 5 shows quite an advance on the previously (relatively) simple writing. Here we have a full SATB ensemble plus a quite detailed continuo. Questi vaghi (These wandering little birds) also has a more complex structure, being, by itself a scena, split into sections by ritornelli which he calls Sinfonias. At this stage, they are by no means substantial enough to be considered preludes or interludes, but merely dances between the sections of the song. Because of this added complexity, I have had to arrange the piece for a 9-part brass choir. There is some overlap and crossover between the continuo and choral parts to accommodate the different groupings needed for each section. The ritornello sections need to be played more lightly and in a skipping style to add contrast between the 'vocal sections'.
$8.99
8.06 €
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Ensemble de Clarinettes
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Fifth Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
We Three Kings of Orient Are (Clarinet Ensemble)
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 2 - Digital Download SKU: A0.995335 Composed by …
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Woodwind Ensemble Clarinet - Level 2 - Digital Download SKU: A0.995335 Composed by John Henry Hopkins. Arranged by D. Berry. Christmas. 13 pages. D. Berry #4995241. Published by D. Berry (A0.995335). Arrangement for clarinet quartet or clarinet ensemble. This arrangement makes the most of the contrast between the solemn verse and lively chorus. Each verse has its own unique character. Suitable for school concerts, parties, or church service. .
$3.99
3.58 €
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Ensemble de Clarinettes
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John Henry Hopkins
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D
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We Three Kings of Orient Are
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D. Berry
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SheetMusicPlus
Scherzo from Quartet Hob. III: 38
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1130675 Composed by…
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1130675 Composed by Franz Joseph Haydn. Arranged by James Mark. Chamber,Classical,Contest,Festival. 13 pages. JMarkMusic #730938. Published by JMarkMusic (A0.1130675). This sprightly scherzo is arranged for 4 equal intermediate clarinets. It has a lovely contrasting trio section.
$11.99
10.75 €
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Ensemble de Clarinettes
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Franz Joseph Haydn
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James Mark
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Scherzo from Quartet Hob. III: 38
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JMarkMusic
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SheetMusicPlus
"Christmas Waltz" Original for Clarinet Choir. Early Intermediate
Ensemble de Clarinettes
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Downloa…
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1291975 Composed by Grant Horsley. Christmas,Classical,Film/TV,Holiday,Standards. 22 pages. Grant Horsley #882595. Published by Grant Horsley (A0.1291975). Christmas Waltz is a short gentle waltz for Clarinet choir scored for E flat Clarinet, 3 B flat Clarinets, Alto and Bass Clarinet. I wanted this piece to convey the feeling of the shared warmth of having family and friends meeting over the festive season when everything is done, and now it’s time to enjoy! Written in Concert E flat major the introduction begins with a bell- like Christmas chime settling into the main theme which is almost like a verse and chorus. The piece has two of these sections with a link between the two. The second section is a different treatment to the first as some of the bell like figurations of the opening are incorporated. There is also a mix of staccato and legato phrasing to give contrast. The Chorus part is repeated before a short quiet reflective ending. The range is two octaves at most and there is nothing more complicated than an eighth note- hence it has been set in early intermediate level. The whole piece is on the youtube link for you to assess suitability. Ideal to be added to a Christmas concert list! It is 3 minutes 15 in length.Price is for score and all parts.
$12.99
11.64 €
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Ensemble de Clarinettes
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Grant Horsley
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"Christmas Waltz" Original for Clarinet Choir. Early Intermediate
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Grant Horsley
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SheetMusicPlus
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