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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
ARR
Non classifié
4 420
Piano & claviers
Piano seul
4 223
Piano, Voix
547
Orgue
197
Piano, Voix et Guitare
159
1 Piano, 4 mains
135
Instruments en Do
102
2 Pianos, 4 mains
97
Piano Trio: piano, violon, violoncelle
58
Accordéon
49
Piano Facile
43
Clavecin
29
Piano Quatuor: piano, violon, alto, violoncelle
24
Piano Quintette: piano, 2 violons, alto, violoncelle
18
Orgue, Trompette (duo)
13
Accompagnement Piano
11
Orgue, Piano (duo)
7
Clavier
6
Piano Quatuor: piano, 2 violons, violoncelle
5
2 Pianos, 8 mains
4
1 Piano, 6 mains
3
Accordéon et Orchestre
3
Accordéon, Voix
1
Orgue et Orchestre
1
Ensemble de Pianos
1
Ensemble d'Accordéons
1
+ 20 instrumentations
Retracter
Guitares
Guitare
724
Guitare notes et tablatures
496
Basse electrique
130
Ukulele
109
2 Guitares (duo)
89
4 Guitares (Quatuor)
30
Ligne De Mélodie, (Paroles) et Accords
22
3 Guitares (trio)
17
Dulcimer
15
Ensemble de guitares
7
Piano, Guitare (duo)
6
Mandoline, Piano (duo)
5
Mandoline
5
Banjo
5
Mandoline, Guitare (duo)
3
Paroles et Accords
2
Orchestre à Plectres
2
Bouzouki
1
Guitare, Flûte, Clarinette
1
2 Dulcimers (duo)
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
823
Chorale TTBB
528
Chorale SSAA
204
Chorale 3 parties
77
Voix Soprano, Piano
33
Chorale
27
Voix haute
21
Voix basse, Piano
11
Voix Alto, Piano
10
Chorale 2 parties
10
Voix duo, Piano
9
Voix Tenor, Piano
8
Voix duo
8
Voix Baryton, Piano
7
Voix seule
6
Chorale SSAATTBB
5
Voix, Guitare
4
Chorale Unison
3
Voix Soprano
2
Voix moyenne, Piano
2
Voix Mezzo-Soprano, Piano
2
Chorale SATBB
1
Chorale SSATB
1
Chorale SAATB A Cappella
1
Voix Baryton
1
Chorale SSATTB
1
Soli, choeur mixte et accompagnement
1
+ 22 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
350
Quatuor de Saxophones: 4 saxophones
272
Flûte traversière et Piano
259
Saxophone (partie séparée)
212
Ensemble de Clarinettes
160
Quatuor de Clarinettes: 4 clarinettes
157
Ensemble de saxophones
151
Flûte, Hautbois, Clarinette, Basson
148
Clarinette et Piano
134
Flûte traversière
127
Clarinette
114
Saxophone Alto
108
Saxophone Alto et Piano
104
Saxophone
94
Hautbois, Piano (duo)
92
Quintette de Saxophone: 5 saxophones
86
Saxophone Soprano et Piano
77
Hautbois (partie séparée)
69
Quintette de Clarinettes: 5 clarinettes
69
2 Saxophones (duo)
68
Saxophone Tenor et Piano
65
2 Clarinettes (duo)
62
Clarinette (partie séparée)
61
Saxophone Tenor
61
Quatuor de Flûtes : 4 flûtes
55
2 Flûtes traversières (duo)
55
Ensemble de Flûtes
46
Flute (partie séparée)
45
3 Saxophones (trio)
44
3 Clarinettes (trio)
43
Saxophone Baryton, Piano
31
Flûte et Guitare
28
Flûte à Bec
26
Clarinette Basse, Piano
20
Hautbois
16
Trio de Flûtes: 3 flûtes
14
Cor anglais, Piano
13
Saxophone Soprano
13
Quintette de Flûte : 5 flûtes
12
Flûte, Clarinette (duo)
11
Quatuor de Flûtes à bec
10
Flûte, Clarinette et Basson
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Flûte, Violon
9
Flûte, Violon, Piano
9
2 Hautbois (duo)
7
Flûte, Hautbois, Basson
7
Clarinette, Guitare (duo)
7
Flûte, Violoncelle, Piano (trio)
6
Clarinette, Violoncelle (duo)
6
Hautbois, Flûte
5
Flûte, Hautbois, Clarinette (trio)
5
5 Flûtes à bec
5
Flûte, Clarinette, Piano (trio)
5
Clarinette, Basson (duo)
5
Hautbois, Basson (duo)
5
2 Clarinettes, Piano
4
3 Hautbois
4
Cor Anglais
4
Ocarina
4
Flûte, Violoncelle
4
Saxophone, Clarinette (duo)
4
Clarinette, Violon (duo)
4
Hautbois, Guitare (duo)
3
Clarinette, Basson, Piano (trio)
3
Clarinette, Violoncelle, Piano (trio)
3
Harmonica
3
Saxophone Baryton
2
Flûte, Alto (duo)
2
Flûte à bec Alto
2
Flûte, Violoncelle, Guitare
2
Flûte à bec Alto, Piano
2
Clarinette, Orchestre
2
Saxophone et Orgue
2
Saxophone et violoncelle
2
Flûte, Basson et Piano
2
3 Flûtes à bec (trio)
2
Ensemble à vent
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Ensemble De Flûte à bec
2
4 Hautbois
2
2 Flûte à bec (duo)
1
Hautbois, Violoncelle
1
Hautbois, trombone (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violon, Guitare
1
2 Flûtes traversières, Piano
1
Flûte traversière, Basse continue
1
Flûte traversière, Orchestre
1
Flûte, Alto et Piano
1
Flûte à bec Alto, Basse continue
1
2 Saxophones, Piano
1
Flute, harpe et violon
1
Cornemuse
1
Flûte, Violon, Violoncelle et Piano
1
Ensemble de Hautbois
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Hautbois, Clarinette et Piano (Trio)
1
Hautbois, Clarinette (duo)
1
Flûte et Trio à cordes
1
Saxophone, Basson (duo)
1
Instruments en Mib
1
Flûte, Hautbois, Piano (trio)
1
Piccolo
1
Clarinette, Trombone (duo)
1
Piccolo, Piano
1
+ 102 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
608
Quatuor de Cuivres : 2 trompettes, trombone, tuba
237
Trompette (partie séparée)
201
Trombone et Piano
169
Trompette
163
Trombone (partie séparée)
160
Ensemble de Trombones
136
Quatuor de cuivres: 4 trombones
127
Trombone
99
Euphonium, Piano (duo)
90
Cor et Piano
88
Trompette, Piano
77
Tuba et Piano
77
Cor
75
Cor (partie séparée)
68
Quatuor de cuivres: 4 cors
67
Quatuor de Cuivres
54
Quatuor de Cuivres: 2 trompettes, Cor, trombone
45
2 Euphoniums et 2 Tubas
28
Ensemble de Cors
26
Tuba
26
2 Cors (duo)
25
2 Trombones (duo)
19
Euphonium
16
2 Trompettes (duo)
15
Ensemble de Trompettes
14
4 Tubas
13
Cor anglais, Piano
13
3 Trombones (trio)
12
Trompette, Trombone (duo)
11
Quatuor de cuivres: 4 trompettes
10
Trombone basse
9
2 Trompettes, Clavier (piano ou orgue)
9
Trompette, Cor (duo)
8
Tuba (partie séparée)
8
Trombone basse et Piano
7
Trombone, Tuba (duo)
6
Trompette, Orchestre
5
Cor Anglais
4
3 Cors (trio)
4
Trombone et orchestre
4
Trompette, violon (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trombone, Orgue
3
3 Trompettes (trio)
3
Euphonium, Tuba (duo)
3
3 Euphoniums
3
Euphonium (partie séparée)
2
Trompette, Saxophone (duo)
2
2 Tubas (duo)
2
Trompette, Trombone, Piano
2
Instruments en Sib
2
Trombone, Cor (duo)
2
Cor et Orgue
2
Cor, Violoncelle (duo)
2
3 Tubas (trio)
2
Cor et Basson (duo)
1
Trompette, Violoncelle (duo)
1
Trombone, Violon (duo)
1
Trompette, Basson (duo)
1
Trombone, Alto (duo)
1
Ensemble de Tubas
1
Trompette, Tuba (duo)
1
2 Euphoniums (duo)
1
Cor et Harpe
1
+ 60 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 094
Violon et Piano
393
Violon
305
Violon, Violoncelle (duo)
191
Violoncelle
152
Violoncelle, Piano
151
Harpe
118
Trio à Cordes: violon, alto, violoncelle
111
Alto seul
107
Alto, Piano
94
Violon, Alto (duo)
76
2 Violons (duo)
72
Trio à Cordes: 2 violons, violoncelle
64
4 Violoncelles
44
Violon, Guitare (duo)
43
2 Violoncelles (duo)
43
Alto (partie séparée)
36
2 Altos (duo)
35
Alto, Violoncelle (duo)
28
Contre Basse
24
Quintette à cordes: 2 violons, alto, violoncelle, basse
24
Violoncelle , Guitare (duo)
23
Harpe, Violon (duo)
18
Contrebasse, Piano (duo)
18
Violoncelle, Contrebasse (duo)
17
Trio à cordes: 3 violins
17
Trio à Cordes: 3 violoncelles
14
4 Contrebasses
13
Ensemble de Violoncelles
12
Quatuor à cordes: 4 violons
11
Trio à Cordes: 2 violons, alto
11
Violon (partie séparée)
9
2 Contrebasses (duo)
8
Harpe, Flûte (duo)
8
Trio à cordes
7
Contrebasse (partie séparée)
7
Quatuor à cordes : 4 altos
7
Trio à cordes: 3 altos
6
Alto et Harpe
5
Alto, Guitare (duo)
3
Harpe, Violoncelle (duo)
3
Violon, Orgue
3
Violoncelle, Orchestre
3
Harpe, Quatuor à cordes
3
Ensemble d'Altos
2
Violoncelle, Orgue
2
Ensemble de Violons
2
2 Violons, Piano
2
Piano Trio: Violon, Alto, Piano
2
Violon, Clarinette, Piano (trio)
1
3 Harpes
1
Harpe, Orchestre
1
Violoncelle (partie séparée)
1
Alto et Basson
1
Flûte, Contrebasse (duo)
1
Harpe et Piano
1
4 Harpes
1
Alto et orchestre
1
3 Contrebasses
1
Violon, Basson (duo)
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Orchestre
752
Orchestre d'harmonie
651
Ensemble Jazz
650
Jazz combo
435
Ensemble de cuivres
325
Orchestre à Cordes
303
Orchestre de chambre
221
Batterie
117
Fanfare
94
Cloches
64
Percussion (partie séparée)
35
Ensemble de Percussions
28
Marimba
12
Big band
9
Batterie (partie séparée)
7
Timbales (partie séparée)
7
Quintette à Vent
4
Orchestre, Violon
3
Piano et Orchestre
3
Vibraphone
2
Quatuor à Vent : 4 instruments à vents
1
Percussion
1
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
+ 19 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
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CLAIRON
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CLAVECIN
CLOCHES
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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PIANO
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Voix Soprano, Piano
Partitions à imprimer
33 partitions trouvées
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1
26
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
"Masa" Op. 17 for soprano y piano
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Voix Soprano, Piano
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AVANCÉ
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Manuel Carranza Cueto
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"Masa" Op. 17 for so
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Manuel Carranza Cueto
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1082367 Composed by Manuel Carranza Cueto. 20th Century,Classical,Multicultural,World. 14 pages. Manuel Car...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1082367 Composed by Manuel Carranza Cueto. 20th Century,Classical,Multicultural,World. 14 pages. Manuel Carranza Cueto #686519. Published by Manuel Carranza Cueto (A0.1082367). This is an original song for soprano and piano as a lied form. Lyrics by the Peruvian poet César Vallejo.
$25.00
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
SIX ASSORTED SONGS for Soprano and Piano
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Judith Cloud
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SIX ASSORTED SONGS for Soprano
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.981215 Composed by Judith Cloud. Contemporary. 44 pages. Judith Cloud #6689679. Published by Judith Cloud (...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.981215 Composed by Judith Cloud. Contemporary. 44 pages. Judith Cloud #6689679. Published by Judith Cloud (A0.981215). Judith Cloud (b. 1954)SIX ASSORTED SONGS for Soprano and Piano1. Alleluia2. You are tired, I think (e.e. cummings)3. Perplexed Music (Elizabeth Barrett Browning)4. Didn’t You Hear My Lord When He Called? (trad.)5. Lift Off (Janet Joyner)
$15.00
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Arietta: Da schlägt die Abschiedsstunde (lower key)
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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(Editor) Lee G
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Arietta: Da schlägt die A
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Bargraphica
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.812042 Composed by Wolfgang Amadeus Mozart. Arranged by (Editor) Lee G. Barrow. Classical,Opera,Standards. ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.812042 Composed by Wolfgang Amadeus Mozart. Arranged by (Editor) Lee G. Barrow. Classical,Opera,Standards. 6 pages. Bargraphica #4821511. Published by Bargraphica (A0.812042). From The Impresario (Die Schauspieldirektor). Madame Herz's arietta in a lower key (D#4-B5) with piano reduction. Original German text and new English translation.
$3.99
Squarciami pure il seno
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Antonio Vivaldi
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(Editor) Lee G
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Squarciami pure il seno
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Bargraphica
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.812056 Composed by Antonio Vivaldi. Arranged by (Editor) Lee G. Barrow. Baroque,Opera,Standards. 4 pages. B...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.812056 Composed by Antonio Vivaldi. Arranged by (Editor) Lee G. Barrow. Baroque,Opera,Standards. 4 pages. Bargraphica #6480987. Published by Bargraphica (A0.812056). Soprano aria from the opera Il Tigrane by Antonio Vivaldi. Original key, range C4-A5
$4.99
Poems of Queen Mary Stuart
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Voix Soprano, Piano
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AVANCÉ
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Robert Schumann
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Robert Schumann
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Aribert Reimann
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Poems of Queen Mary Stuart
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - advanced - SKU: S9.Q45888 By Robert Schumann (1852). Composed by Robert Schumann. Arranged by Aribert Reimann. This edi...
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Soprano voice and piano - advanced - SKU: S9.Q45888 By Robert Schumann (1852). Composed by Robert Schumann. Arranged by Aribert Reimann. This edition: single sheet. Downloadable, Separate edition. Op. 135. Duration 9 minutes. Schott Music - Digital #Q45888. Published by Schott Music - Digital (S9.Q45888). German • English • French • Italian.Two things in particular link Aribert Reimann with Robert Schumann, whom he much admires: their interest in the dark side of human existence and their great commitment to literature. The both took an interest in the poems by the Scottish queen Mary Stuart written at the end of her life during her imprisonment. For a long time, Reimann had cherished the wish to orchestrate the lieder by Schumann based on these poems, ‘but I always lacked in courage […] to break up the rather barren piano part which is formally self-contained and complete in itself’. But while working on Sieben Fragmente für Orchester in 1988, he decided to take the risk. And although Schumann‘s music is never really touched, Reimann succeeds in bringing the deeply moving expression of the lieder even closer to the listener.Seinen letzten Zyklus für Singstimme und Klavier komponierte Robert Schumann 1852 auf eine deutsche Übersetzung von Gisbert Freiherr von Vincke. Indem Aribert Reimann die Singstimme der fünf Gedichte mit ihren je unterschiedlichen Originalsprachen in Französisch, Italienisch, Englisch und Latein unterlegt, erscheint nicht nur die historische Figur der schottischen Königin Maria Stuart, sondern auch die Musik Schumanns in neuem, polyglotten Licht.
$15.99
Dopo notte, atra e funesta (original key)
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Musique Sacrée
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George Frideric Handel
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Dopo notte, atra e funesta
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Lee G. Barrow
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SheetMusicPlus
Composed by George Frideric Handel (1685-1759). For Voice,Soprano Voice. Baroque Period,Opera,Repertoire,Recital. Advanced. Piano Reduction. 10 pages. Published...
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Composed by George Frideric Handel (1685-1759). For Voice,Soprano Voice. Baroque Period,Opera,Repertoire,Recital. Advanced. Piano Reduction. 10 pages. Published by Lee G. Barrow
$3.99
Two Emily Dickinson Settings for soprano and piano
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Voix Soprano, Piano
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AVANCÉ
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Jay Vosk
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Two Emily Dickinson Settings f
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Jay Vosk
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.837021 Composed by Jay Vosk. Contemporary,Standards. 14 pages. Jay Vosk #35929. Published by Jay Vosk (A0.8...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.837021 Composed by Jay Vosk. Contemporary,Standards. 14 pages. Jay Vosk #35929. Published by Jay Vosk (A0.837021). Looking for fresh, melodious songs for the voice? Consider Two Emily Dickinson Settings.The songs are well crafted and a great deal of arrention is given to every nuance of the text.Perfect for upper level, graduate or faculty recitals. Duration:c. 10 minutes Contact: jvosk@cox.net Website: JayVosk.com.
$12.99
Fuoco e lagrime
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Voix Soprano, Piano
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AVANCÉ
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Anno Schreier
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Fuoco e lagrime
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - advanced to difficult - SKU: S9.Q52732 Canti per soprano e pianoforte. Composed by Anno Schreier. This edition: single ...
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Soprano voice and piano - advanced to difficult - SKU: S9.Q52732 Canti per soprano e pianoforte. Composed by Anno Schreier. This edition: single sheet. Downloadable, Separate edition. Duration 20 minutes. Schott Music - Digital #Q52732. Published by Schott Music - Digital (S9.Q52732). German • Italian.Im Jahr 2010 habe ich als Stipendiat der Villa Massimo in Rom gelebt. Während meiner Zeit dort bin ich auf ein paar Gedichte von Michelangelo gestoßen, die mich sehr berührt haben, und hatte bald den Plan, einige davon zu vertonen. Ich wollte sie aber mit etwas zeitgenössischem kombinieren – so wie ja auch in Rom dauernd das Alte und das Neue aufeinandertreffen. Der Lyriker Marcel Beyer, den ich in Rom kennengelernt habe, hat dann für mich den Gedichtzyklus Die Grillmeisterin geschrieben, der viele Motive aus den Michelangelo-Texten aufgreift (Feuer, Tränen, Verbranntwerden, Einsamkeit etc.). Ich habe dann diesen Gedichtzyklus abwechselnd mit den Michelangelo-Gedichten kombiniert. Die italienischen Lieder haben einen manchmal melancholischen, manchmal dramatischen Charakter, während die deutschen eher bizarr, manchmal sogar humoristisch sind. Trotz dieser Kontraste im Charakter gibt es aber auch viele musikalische Verknüpfungen zwischen den deutschen und den italienischen Liedern. Einzelne Motive und Akkordfolgen kehren manchmal in völlig anderen Zusammenhängen wieder, und zwischen dem ersten und letzten Lied gibt es sogar einen direkten Bezug, indem die selbe Gesangslinie jeweils mit einem völlig anderen Text unterlegt wird. So ensteht ein musikalischer Rahmen, der die sehr heterogene Textauswahl zusammenhält. Anno Schreier.
$21.99
No Hidin' Place
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Voix Soprano, Piano
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AVANCÉ
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Gospel Spirituel
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Musique Sacrée
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Roy Jennings
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No Hidin' Place
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Arch Angel
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.886383 Arranged by Roy Jennings. 20th Century,Contemporary,Spiritual. 7 pages. Arch Angel #4321809. Publish...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.886383 Arranged by Roy Jennings. 20th Century,Contemporary,Spiritual. 7 pages. Arch Angel #4321809. Published by Arch Angel (A0.886383). A fun-filled sprint through the horrors of sin and punishment. Solo arrangement of the African-American Spiritual; Solo arrangement of the Negro Spiritual; Concert MusicFor more information visit www.roy-jennings.com
$4.50
The Man I Love
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Voix Soprano, Piano
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AVANCÉ
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George Gershwin, Ira Gershwin
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Scott S
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The Man I Love
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Scott S. Stewart
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instruct...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instructional,Standards. 5 pages. Scott S. Stewart #6320277. Published by Scott S. Stewart (A0.955836). Classically trained singers are generally first contact for most elementary, middle school and high school students via in-school programs, out-reach programs, etc. For those YAP programs/Studio Artists programs popular music arrangements are needed, and those available leave the singer oft' times wanting something more... This arrangement of The Man I Love restores both verse and refrain, flushes out the accompaniment with Gershwin's own stylings in one complete performance package. The attempt is to create an equal ensemble of two, rather than singer and her accompanist.
$9.99
Jasmine Flowers for Low Voice
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Voix Soprano, Piano
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AVANCÉ
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Julia Tsien
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Jasmine Flowers for Low Voice
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Julia Tsien
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.944859 Arranged by Julia Tsien. Concert. 9 pages. Julia Tsien #6698049. Published by Julia Tsien (A0.944859...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.944859 Arranged by Julia Tsien. Concert. 9 pages. Julia Tsien #6698049. Published by Julia Tsien (A0.944859). This is an arrangement based on a Chinese traditional song. It was familiar to the western world because Puccini adopted it in his opera Turandot. This song is dedicated to Miss Chelsea Guo, the world class pianist and soprano. She performed this lovely song at New Jersey Symphony's Luna New Year Gala, 2022. In the YouTube attachment, you will enjoy her stunning performance, playing and singing just by herself. The colorful variations created from a simple melody will be a challenge to pianists and singers. There are two versions for higher and lower soprano voices for optimal singing.
$5.99
Two Hymns
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Voix Soprano, Piano
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AVANCÉ
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Musique Sacrée
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Maria Burke-Clark and Maria Th
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Two Hymns
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Maria Thompson Corley
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1297739 By Maria Burke-Clark and Maria Thompson Corley. By Civilla D. Martin and Charles H. Gabriel. Arrang...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1297739 By Maria Burke-Clark and Maria Thompson Corley. By Civilla D. Martin and Charles H. Gabriel. Arranged by Maria Thompson Corley and Maria Burke-Clark. Sacred. 14 pages. Maria Thompson Corley #887710. Published by Maria Thompson Corley (A0.1297739). These scores are transcriptions of improvisations recorded for Soul Sanctuary, a collection of my arrangements of hymns and spirituals released by Navona in 2022. They should be performed with great freedom and expression. The metronome marks are only for reference; these pieces should never sound metronomic.
$15.00
Jasmine Flowers for High Voice
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Voix Soprano, Piano
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AVANCÉ
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Julia Tsien
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Jasmine Flowers for High Voice
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Julia Tsien
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.944857 Arranged by Julia Tsien. Concert,Folk,World. 9 pages. Julia Tsien #6698017. Published by Julia Tsien...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.944857 Arranged by Julia Tsien. Concert,Folk,World. 9 pages. Julia Tsien #6698017. Published by Julia Tsien (A0.944857). This is an arrangement based on a Chinese traditional song. It was familiar to the western world because Puccini adopted it in his opera Turandot. This song is dedicated to Miss Chelsea Guo, the world class pianist and soprano. She performed this lovely song at New Jersey Symphony's Luna New Year Gala, 2022. In the YouTube attachment, you will enjoy her stunning performance, playing and singing just by herself. The colorful variations created from a simple melody will be a challenge to pianists and singers. There are two versions for higher and lower soprano voices for optimal singing.
$5.99
Silent Night, Holy Night
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Voix Soprano, Piano
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AVANCÉ
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Noël
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Davi Rocha Campos
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Davi Rocha Campos
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Silent Night, Holy Night
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Davi Rocha Campos
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1343782 By Davi Rocha Campos. By Franz Xaver Gruber (1787 - 1863). Arranged by Davi Rocha Campos. 19th Cent...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1343782 By Davi Rocha Campos. By Franz Xaver Gruber (1787 - 1863). Arranged by Davi Rocha Campos. 19th Century,Christian,Christmas,Holiday,Sacred. 2 pages. Davi Rocha Campos #929289. Published by Davi Rocha Campos (A0.1343782). A nice arrangement for the song Silent Night, Holy Night for soprano.
$1.99
Vocalise for soprano voice and piano
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Voix Soprano, Piano
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AVANCÉ
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Stefano Olcese
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Vocalise for soprano voice and
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Stefano Olcese
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.934331 Composed by Stefano Olcese. 20th Century,Contemporary,Wedding. 5 pages. Stefano Olcese #6381613. Pub...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.934331 Composed by Stefano Olcese. 20th Century,Contemporary,Wedding. 5 pages. Stefano Olcese #6381613. Published by Stefano Olcese (A0.934331). This is an arrangement for soprano voice and piano of my own composition for violin and orchestra Skåne, which you can listen to on YouTube. Feel free to contact me if you wish me to write an arrangement of this Vocalise for voice and orchestra :)I would like this piece to be sung on the vowel ah or the vowel oh.Voice range required: B3 - C6
$2.99
Six Songs
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Voix Soprano, Piano
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AVANCÉ
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Heinz Holliger
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Six Songs
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - advanced to difficult - SKU: S9.Q5809 After Poems of Christian Morgenstern. Composed by Heinz Holliger. This edition: S...
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Soprano voice and piano - advanced to difficult - SKU: S9.Q5809 After Poems of Christian Morgenstern. Composed by Heinz Holliger. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q5809. Published by Schott Music - Digital (S9.Q5809). German.Comparable to Alban Berg whose 'Seven Early Songs' show through in the music, Heinz Holliger has picked out some truly rapturous youth songs, set them up in easy arrangements and scored them for orchestra. Apart from being used as piano reduction, the original meaning of this edition remains evident: another piece in the great tradition of the German lied for voice and piano.
$19.99
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