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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
and
Non classifié
6 729
Piano & claviers
Piano seul
8 005
Piano, Voix
576
Accordéon
278
Orgue
241
1 Piano, 4 mains
196
Piano, Voix et Guitare
195
2 Pianos, 4 mains
128
Instruments en Do
97
Piano Trio: piano, violon, violoncelle
87
Piano Quatuor: piano, violon, alto, violoncelle
37
Clavecin
34
Piano Quintette: piano, 2 violons, alto, violoncelle
21
Piano Facile
20
Orgue, Trompette (duo)
16
2 Pianos, 8 mains
12
Accompagnement Piano
11
Piano Quatuor: piano, 2 violons, violoncelle
10
Orgue, Piano (duo)
10
Ensemble d'Accordéons
5
1 Piano, 6 mains
5
Clavier
4
Accordéon et Orchestre
3
Accordéon, Corde(s)
2
Accordéon, Voix
1
Ensemble de Pianos
1
Orgue et Orchestre
1
+ 21 instrumentations
Retracter
Guitares
Guitare
906
Guitare notes et tablatures
695
Basse electrique
312
4 Guitares (Quatuor)
70
2 Guitares (duo)
69
Ukulele
43
3 Guitares (trio)
27
Ligne De Mélodie, (Paroles) et Accords
24
Ensemble de guitares
22
Piano, Guitare (duo)
17
Mandoline
15
Mandoline, Piano (duo)
14
Mandoline, Guitare (duo)
9
Orchestre à Plectres
5
Banjo
4
Dulcimer
4
2 Guitares et Orchestre
3
Paroles et Accords
3
Guitare, Flûte, Clarinette
2
Guitare, Orchestre
2
Luth
2
Guitare, Quatuor à cordes
2
2 Dulcimers (duo)
1
+ 18 instrumentations
Retracter
Voix
Chorale SATB
1 106
Chorale TTBB
455
Chorale SSAA
170
Chorale 3 parties
83
Voix Soprano, Piano
70
Voix haute
48
Voix seule
37
Voix Baryton, Piano
28
Chorale
27
Chorale SSAATTBB
27
Voix moyenne, Piano
24
Voix Tenor, Piano
23
Voix basse, Piano
19
Chorale 2 parties
17
Voix Alto, Piano
14
Voix Mezzo-Soprano, Piano
12
Voix duo, Piano
11
Voix duo
11
Chorale SSATTB
6
Voix, Guitare
4
Chorale Unison
4
Soli, choeur mixte et accompagnement
3
Voix basse
3
Voix Soprano
3
Chorale SSATB
2
Voix Tenor
2
Voix duo, Orgue
1
Voix Baryton
1
Chorale SAATB A Cappella
1
Voix Soprano, Orchestre
1
+ 25 instrumentations
Retracter
Vents
Saxophone
3 228
Flûte traversière
1 488
Clarinette
1 406
Flûte traversière et Piano
400
Saxophone (partie séparée)
361
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
325
Saxophone Alto
267
Quatuor de Saxophones: 4 saxophones
246
Clarinette et Piano
239
Saxophone Tenor
203
Saxophone Alto et Piano
178
Clarinette (partie séparée)
162
Hautbois (partie séparée)
150
Quatuor de Clarinettes: 4 clarinettes
150
Flûte, Hautbois, Clarinette, Basson
148
Hautbois, Piano (duo)
139
Saxophone Soprano
121
Flute (partie séparée)
114
Saxophone Soprano et Piano
109
Ensemble de Clarinettes
109
Saxophone Tenor et Piano
86
Quintette de Saxophone: 5 saxophones
73
Ensemble de saxophones
72
Flûte et Guitare
70
2 Saxophones (duo)
66
Hautbois
63
2 Flûtes traversières (duo)
59
Saxophone Baryton, Piano
49
2 Clarinettes (duo)
48
Quatuor de Flûtes : 4 flûtes
46
3 Clarinettes (trio)
46
Flûte à Bec
44
Quintette de Clarinettes: 5 clarinettes
44
3 Saxophones (trio)
36
Ensemble de Flûtes
35
Clarinette Basse, Piano
30
Cor anglais, Piano
17
Trio de Flûtes: 3 flûtes
16
Flûte, Violon, Piano
15
Hautbois, Clarinette, Basson (trio d'anches)
15
Flûte, Clarinette et Basson
15
Flûte, Clarinette (duo)
15
Flûte à Bec, Piano
13
Flûte, Violoncelle, Piano (trio)
13
Clarinette, Guitare (duo)
12
Quatuor de Flûtes à bec
11
Quintette de Flûte : 5 flûtes
11
Flûte à bec Alto, Piano
10
Flûte, Violon
10
Flûte, Clarinette, Piano (trio)
9
2 Hautbois (duo)
8
Quintette de Clarinette: Clarinette, Quatuor à Cordes
8
Flûte, Violoncelle
7
Clarinette, Violoncelle, Piano (trio)
7
Flûte, Hautbois, Clarinette (trio)
7
Clarinette, Violoncelle (duo)
7
Cor Anglais
7
3 Flûtes à bec (trio)
7
Flûte, Hautbois, Basson
6
Hautbois, Flûte
6
Clarinette, Basson (duo)
6
Hautbois, Basson (duo)
6
Flûte traversière, Orchestre
5
2 Clarinettes, Piano
5
2 Flûtes traversières, Piano
5
Flûte à bec Alto, Basse continue
5
Clarinette, Violon (duo)
5
2 Saxophones, Piano
5
Flûte, Violon, Violoncelle et Piano
4
Saxophone, Clarinette (duo)
4
Hautbois, Basson et Piano
4
Hautbois, Guitare (duo)
4
Flûte à bec Alto
4
Flûte, Saxophone (duo)
4
Harmonica
4
Flûte, Basson et Piano
4
Clarinette, Orchestre
4
Flûte traversière, Orgue (duo)
4
Flûte, Alto et Piano
3
Clarinette, Basson, Piano (trio)
3
Flûte, Hautbois, Piano (trio)
3
4 Hautbois
3
Clarinette et Alto
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
5 Flûtes à bec
3
3 Hautbois
3
Flûte à bec Soprano
3
Clarinette, Orgue
3
Saxophone et Guitare
3
Piccolo
2
Ensemble à vent
2
Flûte, Alto (duo)
2
Hautbois, Orgue
2
Hautbois et Orchestre
2
Saxophone et Orgue
2
Clarinette, Contrebasse (duo)
2
Flûte, Violon et Violoncelle
2
Flûte, alto et harpe
2
Flûte, Trombone (duo)
2
Flûte à bec Tenor
2
Hautbois, Violoncelle
2
Saxophone et violoncelle
2
Ocarina
2
2 Flûte à bec (duo)
2
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette Basse
1
Flute, harpe et violon
1
Flûte, Violon, Guitare
1
Flûte irlandaise
1
Flûte, Clarinette, Violon (trio)
1
2 Flûtes, Basse continue
1
Hautbois, trombone (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Trompette (duo)
1
Flûte, Tuba (duo)
1
Clarinette, Trombone (duo)
1
2 Clarinettes, Basson
1
Instruments en Mib
1
Piccolo, Piano
1
Clarinette, Alto et Piano (trio)
1
Flûte à bec Soprano, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte et Quatuor à Cordes
1
Harmonica, Piano
1
Ensemble de Hautbois
1
Flûte, Hautbois (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Alto et Violoncelle
1
Flûte traversière, Basse continue
1
2 Flûtes à bec, Piano
1
Flûte et Trio à cordes
1
Flûte, Violoncelle, Guitare
1
Cornemuse
1
Saxophone, Basson (duo)
1
Ensemble De Flûte à bec
1
+ 130 instrumentations
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Cuivres
Trompette
1 320
Trombone
1 217
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
578
Trompette (partie séparée)
367
Trombone (partie séparée)
316
Quatuor de Cuivres : 2 trompettes, trombone, tuba
265
Trombone et Piano
218
Cor (partie séparée)
186
Ensemble de Trombones
145
Cor et Piano
136
Quatuor de cuivres: 4 trombones
126
Trompette, Piano
122
Tuba et Piano
118
Cor
115
Euphonium, Piano (duo)
113
Quatuor de cuivres: 4 cors
58
Quatuor de Cuivres: 2 trompettes, Cor, trombone
46
Tuba
46
Quatuor de Cuivres
42
2 Trombones (duo)
34
2 Euphoniums et 2 Tubas
32
Euphonium
25
2 Cors (duo)
25
2 Trompettes (duo)
25
Ensemble de Cors
21
Tuba (partie séparée)
17
Cor anglais, Piano
17
Ensemble de Trompettes
15
Trompette, Trombone (duo)
15
4 Tubas
15
3 Trombones (trio)
14
Trombone basse
14
Trombone basse et Piano
12
2 Trompettes, Clavier (piano ou orgue)
10
Quatuor de cuivres: 4 trompettes
10
Trombone, Tuba (duo)
8
Euphonium, Tuba (duo)
7
Cor Anglais
7
Trombone, Orgue
6
Trompette, Cor (duo)
5
2 Tubas (duo)
5
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Trombone et orchestre
4
3 Cors (trio)
4
Euphonium (partie séparée)
4
Trompette, Orchestre
4
3 Euphoniums
3
Trompette, Tuba (duo)
3
Trompette, violon (duo)
3
3 Trompettes (trio)
3
Trompette, Saxophone (duo)
3
Cor, Violoncelle (duo)
2
Cor et Orgue
2
Instruments en Sib
2
Trompette, Trombone, Piano
2
Tuba et Orgue
2
3 Tubas (trio)
2
Trombone, Cor (duo)
2
Cor et Harpe
2
2 Euphoniums (duo)
2
Cor, Orchestre
1
Ensemble de Tubas
1
Cor et Basson (duo)
1
Trio de Cuivres
1
Trompette, Basson (duo)
1
Trombone, Alto (duo)
1
Trombone, Violon (duo)
1
Clarinette, Cor (duo)
1
Trompette, Violoncelle (duo)
1
+ 64 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 393
Violon
903
Violon et Piano
765
Violoncelle
486
Violoncelle, Piano
312
Alto seul
274
Violon, Violoncelle (duo)
197
Alto, Piano
170
Trio à Cordes: violon, alto, violoncelle
149
Harpe
113
Violon, Alto (duo)
84
Violon, Guitare (duo)
74
2 Violons (duo)
70
Contre Basse
65
Trio à Cordes: 2 violons, violoncelle
62
Alto (partie séparée)
61
Violon (partie séparée)
44
Contrebasse, Piano (duo)
43
2 Violoncelles (duo)
41
4 Violoncelles
41
Alto, Violoncelle (duo)
36
Violoncelle , Guitare (duo)
33
2 Altos (duo)
33
Quintette à cordes: 2 violons, alto, violoncelle, basse
24
Violoncelle, Contrebasse (duo)
22
Harpe, Violon (duo)
21
Harpe, Flûte (duo)
18
Contrebasse (partie séparée)
17
Trio à cordes: 3 violins
17
Trio à Cordes: 3 violoncelles
14
4 Contrebasses
14
Trio à Cordes: 2 violons, alto
13
Ensemble de Violoncelles
12
Violoncelle (partie séparée)
10
Violoncelle, Orchestre
8
2 Contrebasses (duo)
8
Quatuor à cordes: 4 violons
8
Violoncelle, Orgue
7
Trio à cordes
6
Violon, Orgue
6
Quatuor à cordes : 4 altos
6
Alto et Harpe
5
Trio à cordes: 3 altos
5
Alto, Guitare (duo)
5
Harpe, Violoncelle (duo)
4
Alto et orchestre
4
Violon, Clarinette, Piano (trio)
4
Piano Trio: Violon, Alto, Piano
4
Harpe, Quatuor à cordes
3
2 Violons, Piano
3
Flûte, Contrebasse (duo)
2
Harpe, Violon, Violoncelle
2
Ensemble d'Altos
2
Ensemble de Violons
2
Harpe, Orchestre
2
Violon, Violoncelle, Clarinette
2
Violon, Basson (duo)
1
Violon, Basse continue
1
2 Harpes (duo)
1
Harpe (partie séparée)
1
3 Contrebasses
1
4 Harpes
1
Violoncelle, Basse continue
1
Harpe et Piano
1
Violon, Clarinette et Guitare
1
Alto et Basson
1
2 Altos, Piano
1
Harpe, Trombone (duo)
1
+ 63 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 554
Orchestre
1 341
Batterie
1 145
Ensemble Jazz
740
Orchestre à Cordes
484
Jazz combo
461
Ensemble de cuivres
416
Orchestre de chambre
388
Fanfare
106
Percussion (partie séparée)
99
Cloches
90
Ensemble de Percussions
84
Timbales (partie séparée)
16
Percussion
14
Piano et Orchestre
14
Marimba
12
Big band
9
Batterie (partie séparée)
7
Orchestre, Violon
6
Vibraphone
5
Xylophone
2
Xylophone (partie séparée)
1
Instrumentation Flexible
1
Marimba et Orgue
1
Voix Mezzo-Soprano, Orchestre
1
Quintette de Cuivres: autres combinaisons
1
Conga
1
Caisse Claire
1
2 Marimbas
1
Marimba, Piano (duo)
1
Quintette à Vent
1
Orchestre Symphonique
1
+ 27 instrumentations
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Autres
Formation musicale - Solfège
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Théorie de la musique
2
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
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NOUVEAUTÉS
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GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
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Flamenco
Folk
Japonais
March
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Hassidique
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Hymnes Africains
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|
Débutant
Facile
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Intermédiaire/avancé
Avancé
TOP
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Partitions Numériques
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ACCUEIL
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NOUVEAUTÉS
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PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
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|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale
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NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
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Piano Seul
PVG
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GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
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Nouveautes
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|
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Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
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INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
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EUPHONIUM
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TROMPETTE
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FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
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LUTH, THEORBE
MANDOLINE
PERCUSSIONS
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CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
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PARTITIONS VIERGES
INSTRUMENTATIONS
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GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
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Voix Soprano, Piano
Partitions à imprimer
70 partitions trouvées
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My Grandma: There Never Was a Dearer Friend to Me, Aria for Soprano
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Voix Soprano, Piano
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AVANCÉ
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James Nathaniel Holland
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My Grandma: There Never Was a
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James Nathaniel Holland
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. Jame...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. James Nathaniel Holland #37197. Published by James Nathaniel Holland (A0.730210). There Never Was a Dearer Friend to Me (My Grandma) Aria for Soprano (Coloratura) From the 21st Century, American opera The One Upstairs Music and Libretto by James Nathaniel Holland Website: http://lacoronadelossantos.net/jamesnathanielholland.html YouTube video presentation: https://www.youtube.com/watch?v=mTdPgcQqf90 Entire Opera at: https://www.youtube.com/watch?v=AiZ3kGBkFEA SYNOPSIS: Setting: NYC. An unsuspecting woman moves into a volatile apartment situation with a crazy neighbor above who keeps banging on the floor at the slightest provocation. It's war! Find out who wins and how in the end. In this aria, our protaganist, Loie (soprano), has had enough with her upstairs neighbor. After banging on the neighbor's door, she quiets down to sing this aria.
$3.99
THE BELLS. For voice and piano. High voice.
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Gabriel Ruiz-Bernal
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THE BELLS. For voice and piano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.893949 Composed by Gabriel Ruiz-Bernal. Contemporary. 32 pages. Gabriel Ruiz-Bernal #6320899. Published by ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.893949 Composed by Gabriel Ruiz-Bernal. Contemporary. 32 pages. Gabriel Ruiz-Bernal #6320899. Published by Gabriel Ruiz-Bernal (A0.893949). Music set to the poem 'THE BELLS by Edgar Allan Poe (public domain).Award nominated at the 2019 International Edgar Allan Poe Festival. Baltimore, Maryland.1- Silver Bells2- Golden Bells3- Brazen Bells4- Iron BellsMore information about the composition, original poem, perusal score, and The making of 'The Bells' at:https://www.gabrielruizbernal.com/the-bells.html
$9.99
Ave Maria - Bach/Timofeev (for Soprano and Piano)
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Johann Sebastian Bach, Alexa
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Ave Maria - Bach/Timofeev
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Timofeev.org
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SheetMusicPlus
Composed by Johann Sebastian Bach, Alexander Timofeev. Romantic Period, Baroque Period, Spiritual, Sacred. 5 pages. Published by Timofeev.org ...
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Composed by Johann Sebastian Bach, Alexander Timofeev. Romantic Period, Baroque Period, Spiritual, Sacred. 5 pages. Published by Timofeev.org
$4.50
Andalusiana
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Voix Soprano, Piano
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AVANCÉ
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Hermann Reutter
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Andalusiana
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - advanced - SKU: S9.Q45887 Arien und Intermezzi. Composed by Hermann Reutter. This edition: Sheet music. Downloadable. D...
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Soprano voice and piano - advanced - SKU: S9.Q45887 Arien und Intermezzi. Composed by Hermann Reutter. This edition: Sheet music. Downloadable. Duration 26 minutes. Schott Music - Digital #Q45887. Published by Schott Music - Digital (S9.Q45887). German.2 (2. auch Picc.) * 1 * Engl. Hr. * 2 (2. auch Bassklar.) * Altsax. * 2 (2. auch Kontrafag.) - 4 * 2 * 0 * 0 - P. S. (Trgl. * Beck. * Tamt. * Tamb. * Ruhrtr. * kl. Tr. * gr. Tr. * Glspl. * Xyl.) (3 Spieler) - Hfe. * Klav. (auch Cel.) - Str. (12 * 10 * 8 * 6 * 4)2 (2. auch Picc.) · 1 · Engl. Hr. · 2 (2. auch Baßklar.) · Altsax. · 2 (2. auch Kontrafag.) - 4 · 2 · 0 · 0 - P. S. (Trgl. · Beck. · Tamt. · Tamb. · Rührtr. · kl. Tr. · gr. Tr. · Glspl. · Xyl.) (3 Spieler) - Hfe. · Klav. (auch Cel.) - Str. (12 · 10 · 8 · 6 · 4).
$15.99
"Annabel Lee," for Soprano and Piano
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Voix Soprano, Piano
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AVANCÉ
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Steven Shade
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"Annabel Lee," for S
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Steve Shade
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.834328 Composed by Steven Shade. Concert,Instructional,Romantic Period,Standards. 17 pages. Steve Shade #32...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.834328 Composed by Steven Shade. Concert,Instructional,Romantic Period,Standards. 17 pages. Steve Shade #3210489. Published by Steve Shade (A0.834328). Annabel Lee is a song composed for Soprano Voice and Piano. Poe's heart wrenching poem, Annabel Lee, is set to music in the dramatic key of E minor. This purchase includes a cover page, program notes, the complete Annabel Lee poem, and the full score to the piece. Duration: About 4 minutesDifficulty: AdvancedScored for: Soprano Voice and Piano
$1.99
Two Emily Dickinson Settings for soprano and piano
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Voix Soprano, Piano
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AVANCÉ
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Jay Vosk
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Two Emily Dickinson Settings f
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Jay Vosk
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.837021 Composed by Jay Vosk. Contemporary,Standards. 14 pages. Jay Vosk #35929. Published by Jay Vosk (A0.8...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.837021 Composed by Jay Vosk. Contemporary,Standards. 14 pages. Jay Vosk #35929. Published by Jay Vosk (A0.837021). Looking for fresh, melodious songs for the voice? Consider Two Emily Dickinson Settings.The songs are well crafted and a great deal of arrention is given to every nuance of the text.Perfect for upper level, graduate or faculty recitals. Duration:c. 10 minutes Contact: jvosk@cox.net Website: JayVosk.com.
$12.99
Quasi Un Madrigale for soprano and piano
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Robert M
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Quasi Un Madrigale for soprano
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Robert M. Greenberg
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.987854 Composed by Robert M. Greenberg. 20th Century. 44 pages. Robert M. Greenberg #115419. Published by R...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.987854 Composed by Robert M. Greenberg. 20th Century. 44 pages. Robert M. Greenberg #115419. Published by Robert M. Greenberg (A0.987854). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 23 minutes Year of composition: 1999 Program Note: Quasi Un Madrigale sets the poetry of three 20th century Italian poets: Salvatore Quasimodo, Aldo Palazzeschi and Corrado Govoni. These expressive, evocative poems deal variously with states of memory, nostalgia, and longing. The four songs are conceived as a cycle. The first three songs are true duets, with the piano a full partner of the soprano. The fourth and final song, from which the cycle draws its name, constitutes the emotional core of the set. It is at once a resigned lament of personal loss and an affirmation of new life. Quasi Un Madrigale was composed between February and September 1985. All poems used with permission.
$28.00
Shimmerwords and Idle Songs
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Voix Soprano, Piano
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AVANCÉ
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Kenneth Hesketh
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Shimmerwords and Idle Songs
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6613 (Selected Poems of the Tang Dynasty). Composed by Kenneth Hesketh. This edition: Sheet music....
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Soprano voice and piano - difficult - SKU: S9.Q6613 (Selected Poems of the Tang Dynasty). Composed by Kenneth Hesketh. This edition: Sheet music. Downloadable. Duration 18 minutes. Schott Music - Digital #Q6613. Published by Schott Music - Digital (S9.Q6613). English.Composed in 2007 for the Leeds Lieder festival, Hesketh's Shimmerwords and Idle Songs for soprano and piano is a 18 minute song cycle made up of six songs in four sections. The text is taken from a collection of Chinese poetry from the 8th and 9th centuries which cover various subjects from nature and travel to life itself. The music is both colourful and direct with an abundance of humour and clarity.
$25.99
Vocalise for soprano voice and piano
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Voix Soprano, Piano
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AVANCÉ
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Stefano Olcese
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Vocalise for soprano voice and
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Stefano Olcese
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.934331 Composed by Stefano Olcese. 20th Century,Contemporary,Wedding. 5 pages. Stefano Olcese #6381613. Pub...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.934331 Composed by Stefano Olcese. 20th Century,Contemporary,Wedding. 5 pages. Stefano Olcese #6381613. Published by Stefano Olcese (A0.934331). This is an arrangement for soprano voice and piano of my own composition for violin and orchestra Skåne, which you can listen to on YouTube. Feel free to contact me if you wish me to write an arrangement of this Vocalise for voice and orchestra :)I would like this piece to be sung on the vowel ah or the vowel oh.Voice range required: B3 - C6
$2.99
This Earth Was Once a Garden Place—High Range Solo Voice, Fiddle, and Piano
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Voix Soprano, Piano
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AVANCÉ
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Musique Sacrée
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Anonymous
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Daniel Carter
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This Earth Was Once a Garden P
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Daniel Carter
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1047252 Composed by Anonymous. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred. 6 pages. ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1047252 Composed by Anonymous. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred. 6 pages. Daniel Carter #651799. Published by Daniel Carter (A0.1047252). Based on the anonymous pioneer hymn tune PROSPECT OF HEAVEN, first published in Southern Harmony in 1835, this tune was combined with pioneer LDS poet, William W. Phelps' text about the Garden of Eden with the future hope of Christ's Second Coming to the valley of Adam-ondi-Ahman, which the LDS faith believes is the original location of the Garden. Arranged with a dance-like piano accompaniment and complimentary fiddle obbligato of Jesu, Joy of Man's Desiring, a delightful special musical number for worship, concert settings, historical music and hymn studies. Arranged as high-range and medium-range vocal solos. Obbligato part included on the last page.
$5.99
Six Songs for Soprano and Piano after Poems by Kenneth Patchen
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Voix Soprano, Piano
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AVANCÉ
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Richard St
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Six Songs for Soprano and Pian
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.939816 Composed by Richard St. Clair. 20th Century,Contemporary. 29 pages. Richard St. Clair #4777713. Publ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.939816 Composed by Richard St. Clair. 20th Century,Contemporary. 29 pages. Richard St. Clair #4777713. Published by Richard St. Clair (A0.939816). Six dynamically expressionist and expressive songs on the modernist poems by Kenneth Patchen, total duration ca 10 minutes.
$24.95
SIX ASSORTED SONGS for Soprano and Piano
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Judith Cloud
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SIX ASSORTED SONGS for Soprano
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.981215 Composed by Judith Cloud. Contemporary. 44 pages. Judith Cloud #6689679. Published by Judith Cloud (...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.981215 Composed by Judith Cloud. Contemporary. 44 pages. Judith Cloud #6689679. Published by Judith Cloud (A0.981215). Judith Cloud (b. 1954)SIX ASSORTED SONGS for Soprano and Piano1. Alleluia2. You are tired, I think (e.e. cummings)3. Perplexed Music (Elizabeth Barrett Browning)4. Didn’t You Hear My Lord When He Called? (trad.)5. Lift Off (Janet Joyner)
$15.00
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Fuoco e lagrime
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Voix Soprano, Piano
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AVANCÉ
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Anno Schreier
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Fuoco e lagrime
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - advanced to difficult - SKU: S9.Q52732 Canti per soprano e pianoforte. Composed by Anno Schreier. This edition: single ...
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Soprano voice and piano - advanced to difficult - SKU: S9.Q52732 Canti per soprano e pianoforte. Composed by Anno Schreier. This edition: single sheet. Downloadable, Separate edition. Duration 20 minutes. Schott Music - Digital #Q52732. Published by Schott Music - Digital (S9.Q52732). German • Italian.Im Jahr 2010 habe ich als Stipendiat der Villa Massimo in Rom gelebt. Während meiner Zeit dort bin ich auf ein paar Gedichte von Michelangelo gestoßen, die mich sehr berührt haben, und hatte bald den Plan, einige davon zu vertonen. Ich wollte sie aber mit etwas zeitgenössischem kombinieren – so wie ja auch in Rom dauernd das Alte und das Neue aufeinandertreffen. Der Lyriker Marcel Beyer, den ich in Rom kennengelernt habe, hat dann für mich den Gedichtzyklus Die Grillmeisterin geschrieben, der viele Motive aus den Michelangelo-Texten aufgreift (Feuer, Tränen, Verbranntwerden, Einsamkeit etc.). Ich habe dann diesen Gedichtzyklus abwechselnd mit den Michelangelo-Gedichten kombiniert. Die italienischen Lieder haben einen manchmal melancholischen, manchmal dramatischen Charakter, während die deutschen eher bizarr, manchmal sogar humoristisch sind. Trotz dieser Kontraste im Charakter gibt es aber auch viele musikalische Verknüpfungen zwischen den deutschen und den italienischen Liedern. Einzelne Motive und Akkordfolgen kehren manchmal in völlig anderen Zusammenhängen wieder, und zwischen dem ersten und letzten Lied gibt es sogar einen direkten Bezug, indem die selbe Gesangslinie jeweils mit einem völlig anderen Text unterlegt wird. So ensteht ein musikalischer Rahmen, der die sehr heterogene Textauswahl zusammenhält. Anno Schreier.
$21.99
Two Poems of Emily Dickinson for mezzo soprano and piano
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Loretta Mento
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Two Poems of Emily Dickinson f
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Steven R Mento
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.982768 Composed by Loretta Mento. Contemporary. 4 pages. Steven R Mento #10307. Published by Steven R Mento...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.982768 Composed by Loretta Mento. Contemporary. 4 pages. Steven R Mento #10307. Published by Steven R Mento (A0.982768). Dedicated to Cynthia Brassington.
$3.99
MOABIT LIEDERBUCH, 9 Lieder for Soprano and Piano (New Edition 2020)
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Voix Soprano, Piano
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AVANCÉ
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Richard St
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MOABIT LIEDERBUCH, 9 Lieder fo
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.939834 Composed by Richard St. Clair. 20th Century,Contemporary. 34 pages. Richard St. Clair #5215959. Publ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.939834 Composed by Richard St. Clair. 20th Century,Contemporary. 34 pages. Richard St. Clair #5215959. Published by Richard St. Clair (A0.939834). These songs are settings of 9 powerful sonnets by Albrecht Haushofer, who wrote them while interned at Moabit, a Nazi prison for political prisoners, for his activities in the Resistance during World War II. All songs are set in the original German, with English translations appended. Total performance time: ca. 20 minutes. For a soprano with a wide range. The tonal language is mostly traditional, but with intense chromaticism alternating with simple harmonies.
$25.00
Two Songs of Experience for Soprano Voice and Piano
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Rose & Tyger Musick
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Two Songs of Experience for So
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Rose & Tyger Musick
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1023137 Composed by Rose & Tyger Musick. 20th Century,Contemporary. 8 pages. Rose & Tyger Musick #4716225. ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1023137 Composed by Rose & Tyger Musick. 20th Century,Contemporary. 8 pages. Rose & Tyger Musick #4716225. Published by Rose & Tyger Musick (A0.1023137).
$5.99
Drei Arietten
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Voix Soprano, Piano
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AVANCÉ
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Peter Michael Braun
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Drei Arietten
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - advanced - SKU: S9.Q25046 Nach der „Schönen Lau - Märchen in Musik. Composed by Peter Michael Braun. This e...
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Soprano voice and piano - advanced - SKU: S9.Q25046 Nach der „Schönen Lau - Märchen in Musik. Composed by Peter Michael Braun. This edition: score for voice and/or instruments. Downloadable, Vocal and performing score. Duration 17 minutes. Schott Music - Digital #Q25046. Published by Schott Music - Digital (S9.Q25046). German.In vier Liedern für Sopran und Klavier verarbeitet Peter Michael Braun das Märchen um die „Schöne Lau von Eduard Mörike – jeder Teil ist einer anderen Figur zugeordnet und hat einen eigenen musikalischen Charakter.
$16.99
Chansons de Verlaine
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Voix Soprano, Piano
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AVANCÉ
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John Casken
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Chansons de Verlaine
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Dura...
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Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
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