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TRI ET FILTRES
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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Non classifié
8750
PIANO & CLAVIERS
Piano seul
4994
Piano Facile
1421
Piano, Voix
1373
Piano, Voix et Guitare
909
Instruments en Do
438
Orgue
338
1 Piano, 4 mains
203
Accompagnement Piano
105
Piano Trio: piano, violon, violoncelle
77
2 Pianos, 4 mains
66
Piano grosses notes
62
Accordéon
56
Piano Quatuor: piano, violon, alto, violoncelle
19
Piano (partie séparée)
19
Piano Quatuor: piano, 2 violons, violoncelle
10
Orgue, Trompette (duo)
10
Orgue, Piano (duo)
9
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Ligne De Mélodie, Piano
7
Accordéon, Voix
5
Clavecin
3
2 Pianos, 8 mains
2
1 Piano, 6 mains
1
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GUITARES
Guitare notes et tablatures
444
Guitare
387
Ligne De Mélodie, (Paroles) et Accords
237
Ukulele
85
2 Guitares (duo)
49
Guitare (partie séparée)
45
4 Guitares (Quatuor)
31
Mandoline
31
Basse electrique
30
Paroles et Accords
27
Piano, Guitare (duo)
20
Banjo
14
3 Guitares (trio)
13
Ensemble de guitares
10
Dulcimer
9
Basse électrique (partie séparée)
4
Mandoline, Guitare (duo)
3
2 Dulcimers (duo)
2
Mandoline, Piano (duo)
1
Partitions De Groupes
1
Guitare, Violon, Violoncelle (trio)
1
Ukulele Baryton
1
Guitare Pedal Steel
1
Instrumentations suivantes
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VOIX
Chorale SATB
1637
Chorale 3 parties
472
Chorale 2 parties
276
Chorale TTBB
237
Chorale SSAA
158
Chorale Unison
133
Voix seule
82
Voix Alto, Piano
77
Voix Soprano, Piano
58
Voix duo, Piano
56
Voix Baryton, Piano
51
Voix Tenor, Piano
49
Voix duo
42
Voix haute
32
Voix Tenor
27
Chorale
26
Voix Soprano
24
Voix moyenne, Piano
20
Voix basse, Piano
11
Chorale SSAATTBB
7
Voix basse
6
Chorale SSATB
5
Chorale SSATTB
3
Male Voice
2
Chorale SSAB, Piano
2
Voix Mezzo-Soprano, Piano
2
Chorale SSATBB
2
Chorale SATBB
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
699
Quatuor de Saxophones: 4 saxophones
677
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
630
Flûte, Hautbois, Clarinette, Basson
581
Flûte traversière et Piano
470
Quintette de Saxophone: 5 saxophones
465
Quatuor de Clarinettes: 4 clarinettes
440
Hautbois, Piano (duo)
364
Saxophone Alto et Piano
350
Clarinette et Piano
348
Flûte traversière
333
Clarinette
333
2 Clarinettes (duo)
329
2 Flûtes traversières (duo)
325
Saxophone, Clarinette (duo)
278
Saxophone (partie séparée)
262
Ensemble de Clarinettes
254
Saxophone Tenor et Piano
216
Saxophone Alto
212
Clarinette, Violon (duo)
200
Ensemble de saxophones
176
Clarinette, Trompette (duo)
172
Saxophone Tenor
164
2 Hautbois (duo)
152
Flûte, Clarinette (duo)
138
Hautbois, Basson (duo)
137
Quintette de Clarinettes: 5 clarinettes
136
Quatuor de Flûtes : 4 flûtes
120
Saxophone Baryton, Piano
115
Hautbois (partie séparée)
114
Hautbois, Clarinette (duo)
113
Flûte, Violon
107
Saxophone Soprano et Piano
107
Clarinette et Alto
101
Flûte, Saxophone (duo)
97
Flûte, Trompette (duo)
89
Hautbois, Flûte
87
3 Saxophones (trio)
84
Flûte, Alto (duo)
84
Quintette de Flûte : 5 flûtes
72
Flûte et Guitare
70
Clarinette (partie séparée)
65
3 Clarinettes (trio)
58
Hautbois
56
Saxophone
50
Trio de Flûtes: 3 flûtes
45
Ensemble de Flûtes
44
Flûte à bec Soprano
40
Clarinette, Basson (duo)
39
Cor anglais, Piano
35
Clarinette Basse, Piano
34
Flûte, Hautbois, Clarinette (trio)
33
Hautbois, Clarinette, Basson (trio d'anches)
28
Flûte à Bec
25
2 Flûte à bec (duo)
23
Flute (partie séparée)
23
Saxophone Soprano
23
Cor Anglais
23
Flûte, Violoncelle
21
Clarinette, Violoncelle (duo)
19
Hautbois, Violoncelle
18
Quatuor de Flûtes à bec
18
Saxophone Baryton
17
Flûte à bec Alto
16
Clarinette, Guitare (duo)
15
Flûte, Hautbois, Basson
14
Flûte, Hautbois (duo)
14
Flûte, Clarinette et Basson
14
Flûte, Violon, Piano
10
Flûte, Basson et Piano
9
Ocarina
9
Flûte traversière, Orgue (duo)
8
Hautbois, violon (duo)
8
Harmonica
8
Clarinette, Violoncelle, Piano (trio)
8
2 Saxophones, Piano
7
Flûte, Alto et Piano
6
Hautbois et alto (duo)
6
Flûte, Trombone (duo)
5
Instruments en Mib
5
Ensemble De Flûte à bec
5
5 Flûtes à bec
5
Piccolo
5
Hautbois, Guitare (duo)
5
Flûte, Clarinette, Cor, Basson (Quartet)
4
Clarinette, Basson, Piano (trio)
4
Saxophone et Orgue
4
Flûte, Clarinette, Piano (trio)
4
2 Flûtes traversières, Piano
4
3 Flûtes à bec (trio)
4
Saxophone et Harpe
3
Hautbois, Harpe
3
Flûte à bec Soprano, Piano
3
Flute, harpe et violon
3
2 Clarinettes, Piano
3
Flûte, Violoncelle, Piano (trio)
3
Flûte à bec Tenor
3
Clarinette, Trombone (duo)
3
Flûte irlandaise
3
Flûte à bec Alto, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Hautbois, Piano (trio)
2
Clarinette, Harpe (duo)
2
2 Hautbois, Piano
2
4 Hautbois
2
Cor anglais, Guitare (duo)
2
3 Hautbois
2
Ensemble à vent
2
Flûte traversière, Basse continue
2
Flûte, Violon, Violoncelle et Piano
2
Saxophone et Guitare
2
Flûte, Violon et Violoncelle
2
Clarinette Basse
2
Hautbois, Trompette (duo)
1
Flûte à bec, Guitare (duo)
1
Clarinette, Tuba
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois, Violon
1
Hautbois, Violoncelle et Piano
1
Hautbois, trombone (duo)
1
Flûte, Tuba (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte et Trio à cordes
1
2 Clarinettes, Basson
1
Ensemble de Hautbois
1
2 Flûtes, Basse continue
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
471
Quatuor de Cuivres : 2 trompettes, trombone, tuba
329
Trombone et Piano
263
Trompette
247
Trompette, Piano
241
Cor et Piano
218
Trompette, Saxophone (duo)
197
2 Trombones (duo)
169
Trombone
166
Trombone (partie séparée)
151
2 Trompettes (duo)
150
Trompette (partie séparée)
149
Cor
139
Trompette, Trombone (duo)
127
Tuba et Piano
114
Quatuor de Cuivres
99
Tuba
91
Euphonium, Piano (duo)
79
2 Cors (duo)
73
Quatuor de Cuivres: 2 trompettes, Cor, trombone
67
Ensemble de Trombones
58
Quatuor de cuivres: 4 trombones
43
Cor (partie séparée)
38
Cor anglais, Piano
35
Cor Anglais
23
Ensemble de Trompettes
22
Tuba (partie séparée)
22
Quatuor de cuivres: 4 cors
21
2 Tubas (duo)
18
Euphonium
17
Trio de Cuivres
13
Trombone, Tuba (duo)
12
Ensemble de Cors
8
2 Euphoniums et 2 Tubas
8
Quatuor de cuivres: 4 trompettes
8
3 Trompettes (trio)
7
Trompette, Cor (duo)
7
3 Trombones (trio)
7
Trompette, Violoncelle (duo)
7
Trombone basse et Piano
7
Cor, Violoncelle (duo)
6
4 Tubas
6
Instruments en Sib
5
Bass Clef Instruments
4
2 Euphoniums (duo)
4
Tuba ou Euphonium ou Saxhorn
3
2 Trompettes, Clavier (piano ou orgue)
3
Euphonium, Tuba (duo)
3
Trompette, Basson (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trombone, Orgue
3
Trombone basse
3
Trompette, Tuba (duo)
3
2 Cors, Piano
3
Cor et Basson (duo)
2
Trompette et Guitare
2
3 Euphoniums
2
Trombone, Cor (duo)
2
Cor anglais, Guitare (duo)
2
Trompette, Harpe
2
Tuba et Orgue
2
Trombone, Violon (duo)
1
Trompette, violon (duo)
1
Trompette, Orchestre
1
Cor et Orgue
1
3 Cors (trio)
1
Instruments en Fa
1
Cor et Harpe
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Ensemble de Tubas
1
Trombone et orchestre
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
2084
Harpe
884
Violon, Violoncelle (duo)
647
Violoncelle, Piano
646
Violon et Piano
573
Violoncelle
561
Violon
539
Trio à Cordes: violon, alto, violoncelle
462
Alto, Piano
415
Alto seul
277
2 Violoncelles (duo)
262
2 Violons (duo)
223
Violon, Alto (duo)
216
Quintette à cordes: 2 violons, alto, violoncelle, basse
204
2 Altos (duo)
180
Trio à Cordes: 2 violons, violoncelle
125
Violon (partie séparée)
112
Alto (partie séparée)
91
Contrebasse, Piano (duo)
91
Contre Basse
79
4 Violoncelles
66
Alto, Violoncelle (duo)
64
Contrebasse (partie séparée)
62
Trio à cordes: 3 violins
28
Trio à Cordes: 3 violoncelles
28
Violon, Guitare (duo)
27
Violon, Basson (duo)
26
2 Harpes (duo)
23
Violoncelle (partie séparée)
19
Trio à Cordes: 2 violons, alto
19
Trio à cordes: 3 altos
18
Quatuor à cordes: 4 violons
18
Violoncelle, Contrebasse (duo)
13
Quatuor à cordes : 4 altos
13
2 Contrebasses (duo)
12
Quintette à cordes: 2 violons, 2 altos, violoncelle
11
Violoncelle , Guitare (duo)
10
Ensemble de Violons
10
Violoncelle, Orgue
9
Piano Trio: Violon, Alto, Piano
9
Ensemble d'Altos
8
Violon, Orgue
8
Harpe, Flûte (duo)
7
Alto et Basson
7
Alto, Guitare (duo)
7
Ensemble de Violoncelles
7
Violoncelle, Orchestre
6
Flûte, Contrebasse (duo)
5
Harpe, Violoncelle (duo)
4
Violoncelle, Basse continue
4
Harpe, Voix
4
2 Violoncelles, Piano
4
Harpe, Violon (duo)
3
2 Violons, Piano
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Alto et Harpe
2
3 Harpes
2
Harpe et Orgue
2
5 Harpes
2
4 Contrebasses
2
Harpe, Trombone (duo)
2
Violon, Basse continue
1
Autoharp
1
Violon, Trompette et Piano
1
Violon, Tuba (duo)
1
4 Harpes
1
Alto, Orgue
1
Trio à cordes
1
Harpe et Piano
1
Harpe et mandoline
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
2106
Ensemble Jazz
752
Orchestre à Cordes
728
Orchestre
719
Cloches
223
Ensemble de cuivres
203
Orchestre de chambre
136
Jazz combo
99
Fanfare
65
Ensemble de Percussions
45
Percussion (partie séparée)
38
Batterie
35
Batterie (partie séparée)
31
Marimba
29
Percussion
13
Vibraphone
11
Xylophone
6
Ensemble d'École
6
Xylophone, Piano
5
Piano et Orchestre
3
Instrumentation Flexible
3
Timbales (partie séparée)
2
Big band
2
Quintette à Vent
2
Timbales
1
Quatuor à Vent : 4 instruments à vents
1
Caisse Claire
1
Conga
1
2 Marimbas
1
Marimba, Piano (duo)
1
Orchestre, Violon
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
1
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Voix Soprano, Piano
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Tasty Other: A Dramatic Song Cycle for Soprano and Piano
Voix Soprano, Piano
Instrumental Duet High Voice,Instrumental Duet,Piano - Level 3 - Digital Download SKU: …
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Instrumental Duet High Voice,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.844203 Composed by Victor Labenske. Arranged by Katie Manning, poet. 20th Century,Broadway,Contemporary,Jazz. Score and parts. 58 pages. Labenske Music Services #6285603. Published by Labenske Music Services (A0.844203). Veteran composer and arranger, Victor Labenske, (ASCAP), weaves together the award-winning poetry of Katie Manning to create a dramatic song cycle, with speaking and singing parts for both soloist and accompanist who serve as actors in a musical theatre inspired cycle that joins both classical and popular styles. The 22 minute work with 9 songs, explores feelings of a mother-to-be and young mother dealing with pregnancy and birth in both humorous and touching ways.Appropriate for recital settings; songs may be used independently of the cycle as well. YouTube playlist: https://youtube.com/playlist?list=PLeFVMSU4Y57wZ4lm-zl1_xpeNZKyNSSJ0 VictorLabenske.comKatieManningPoet.com
$19.99
17.92 €
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Voix Soprano, Piano
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Victor Labenske
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Katie Manning, poet
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Tasty Other: A Dramatic Song Cycle for Soprano and Piano
#
Labenske Music Services
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SheetMusicPlus
"Eulalie," for Soprano and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.834331 Composed by St…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.834331 Composed by Steven Shade. 20th Century,Romantic Period. 12 pages. Steve Shade #3240751. Published by Steve Shade (A0.834331). Eulalie is a poem written by Edgar Allan Poe. I have set it to a song for Soprano Voice and Piano. Due to the content of the poem, this piece allows the vocalist to get a chance to work on both expressive and dramatic singing. The vocalist gets a moment to truly shine during a mini cadenza. Although not the soloist, the pianist has interludes that will showoff the player's expressive abilities. Although not technically difficult, this piece does demand a fairly large range from the vocalist. This song would be a good expressive piece to add to a recital. Contents: Cover page, program notes, Eulalie poem in its entirety, full scoreSoprano Range: C4-Bb5Difficulty: Intermediate/Early AdvancedDuration: About 3 minutes
$1.99
1.78 €
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Voix Soprano, Piano
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Steven Shade
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"Eulalie," for Soprano and Piano
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Steve Shade
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SheetMusicPlus
Love is Like A Color Wheel
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1172580 Composed by C…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1172580 Composed by Clemencio M. Bascar. Arranged by Andres Montecillo Bascar, Jr. A Cappella,Christian,Country,Folk,Pop. 2 pages. Clem & Jun Bascar #772811. Published by Clem & Jun Bascar (A0.1172580). A song that describes what really love is like. A realistic, true to life piece written by a Filipino composer Mr. Clemencio M. Bascar. A song for the 2023 Valentine season.
$4.99
4.47 €
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Voix Soprano, Piano
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Clemencio M
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Andres Montecillo Bascar, Jr
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Love is Like A Color Wheel
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Clem & Jun Bascar
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SheetMusicPlus
Pictures at an exHERbition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
8.96 €
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Voix Soprano, Piano
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Alleluia
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.790335 Composed by Maurizio Chi…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.790335 Composed by Maurizio Chiavaroli. Christian. 1 pages. Maurizio Chiavaroli #3452183. Published by Maurizio Chiavaroli (A0.790335). Composizione originale per organo e soprano, estratto dall'opera Missa Brevis per organo e soprano solistaOriginal composition for organ and soprano voice, extracted from the opera Missa Brevis for organ and soprano voice.
$2.50
2.24 €
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Voix Soprano, Piano
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Maurizio Chiavaroli
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Alleluia
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Maurizio Chiavaroli
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SheetMusicPlus
My Soul Declares My Lord is Great (arranged for Soprano Solo)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1460446 Composed by R…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1460446 Composed by Robert E. Benton, Jr. Advent,Christmas,Contest,Festival,Holiday,Praise & Worship. 7 pages. Robert E. Benton, Jr. #1039377. Published by Robert E. Benton, Jr. (A0.1460446). This vocal soprano solo arrangement of the hymn reflects Mary’s song and reminds us that our Father cares for us. All of the treasures and honors of this world pale in comparison to the love of God.The soprano arrangement is appropriate for vocal performance at the advanced collegiate or professional level with piano accompaniment. The accompaniment provides a solid platform for the vocalist and builds intensity encouraging the vocalist and the audience to leap together into the graceful and mighty arms of our loving Savior. Vocal Range: Soprano: B3 – B5 For more information…Website: https://TRUSTHYMN.wordpress.comEmail: TRUSTHYMN@yahoo.comFacebook: https://www.facebook.com/TrustHymnInstagram: https://www.instagram.com/trust_hymn/.
$3.99
3.58 €
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Voix Soprano, Piano
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Robert E
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My Soul Declares My Lord is Great
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Robert E. Benton, Jr.
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SheetMusicPlus
Scarborough Fair - folk/jazz version for voice and piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.742265 Composed by Tr…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.742265 Composed by Traditional. Arranged by Chrissy Ricker. Concert,Contemporary,Folk,Jazz,Standards. 6 pages. Chrissy Ricker #4292387. Published by Chrissy Ricker (A0.742265). This updated version of the traditional folk song Scarborough Fair begins in folk style and quickly turns jazzy. This unique arrangement is appropriate for the developing singer and would be a fun recital or festival song.Chrissy Ricker is a Nationally Certified Teacher of Music (NCTM) with a Master's degree in piano performance and pedagogy. Chrissy enjoys composing and arranging music to motivate and challenge students of all ages. In addition to the works she publishes through SMP Press, Chrissy's piano music is also published by Neil A. Kjos Music Company and Piano Pronto Publishing. Her piano music has appeared on the contest lists of many state and national teaching associations, including the National Federation of Music Clubs. Visit Chrissy's website at www.chrissyricker.com
$3.99
3.58 €
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Voix Soprano, Piano
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Traditional
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Chrissy Ricker
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Scarborough Fair - folk/jazz version for voice and piano
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Chrissy Ricker
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SheetMusicPlus
Holy Holy Holy--vocal soprano solo
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786534 Composed by Re…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 6 pages. Beka Wilson #6246117. Published by Beka Wilson (A0.786534). Holy, Holy, Holy has long been a favorite hymn across many denominations, and this arrangement for vocal solo is a perfect calming special music piece for a church service. The piano accompaniment includes chording so the accompanist may ad lib as they wish. This arrangement is also available on Sheet Music Plus as a solo for alto voice (key of C/D), tenor voice (key of E flat/F), bass voice (key of C/D); as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello; and as an instrumental duet for harp/flute, harp/violin, harp/viola, and harp/cello.Length: approximately 4 minutes (85bpm)6 pages (includes score and separate melody/word sheet for the vocalist)Do you like this arrangement but want it in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
6.26 €
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Voix Soprano, Piano
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Reginald Heber, John B
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Beka Wilson
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Holy Holy Holy--vocal soprano solo
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Beka Wilson
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SheetMusicPlus
Star of the County Down
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.732142 Composed by Tr…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.732142 Composed by Traditional Irish/ lyrics Cathal Mc Garvey. Arranged by Thomas Quigley. Celtic,Concert,Folk,Holiday. 6 pages. Thomas Quigley #5178495. Published by Thomas Quigley (A0.732142). An attractive well-designed version of one of Ireland's most popular songs! Supported by a vibrant, energetic accompaniment, the vocal line has a dramatic augmented version of the tune in the middle verse. Suitable for a student, amateur or professional vocalist this is an excellent choice for a concert or competition. Highly recommended!
$4.99
4.47 €
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Voix Soprano, Piano
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Traditional Irish/ lyrics Cathal Mc Garvey
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Thomas Quigley
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Star of the County Down
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Thomas Quigley
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SheetMusicPlus
Into Your Hands
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.918158 Composed by Camille Sain…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.918158 Composed by Camille Saint Saens. Arranged by Christy L'Esperance. Christian,Romantic Period,Sacred,Wedding. 4 pages. Christy L'Esperance #5821773. Published by Christy L'Esperance (A0.918158). A beautiful musical prayer for any Christian celebration of marriage, Into Your Hands combines the melody of The Swan from Camille Saint-Sean's Carnival of the Animals with the Nuptial Blessing used in the Roman Catholic wedding ceremony. The vocal line has been altered slightly from the original in order to fit comfortably within a vocalist's range.
$5.00
4.48 €
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Voix Soprano, Piano
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Camille Saint Saens
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Christy L'Esperance
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Into Your Hands
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Christy L'Esperance
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SheetMusicPlus
The Meeting of the Waters
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1111413 Composed by I…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1111413 Composed by Irish Traditional / Words: Thomas Moore. Arranged by Thomas Quigley. Celtic,Contest,Festival,Irish,Traditional. 6 pages. Thomas Quigley #713700. Published by Thomas Quigley (A0.1111413). This fine, sensitively arranged Irish air with words by Thomas Moore is perfect for a concert of Irish music. A beautifully devised piano accompaniment brings an art song dimension and perhaps it would suit a trained vocalist. Carefully nuanced, with rich harmonies it is a rewarding song to perform and is a possible competition item. Impressive.
$5.99
5.37 €
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Voix Soprano, Piano
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Irish Traditional / Words: Thomas Moore
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Thomas Quigley
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The Meeting of the Waters
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Thomas Quigley
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SheetMusicPlus
My Mother's Hands - A Song for Mother's Day
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1240368 Composed by R…
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1240368 Composed by Rebecca Summers. Children,Contemporary,Holiday,Singer/Songwriter. 6 pages. Rebecca Summers #835745. Published by Rebecca Summers (A0.1240368). A great unison song for Choir or solo vocalist. This song was first performed for Mother's Day in a school setting and speaks of the love between child and mother throughout the ages.
$4.99
4.47 €
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Voix Soprano, Piano
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Rebecca Summers
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My Mother's Hands - A Song for Mother's Day
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Rebecca Summers
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SheetMusicPlus
Concentric Circles
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.980123 Composed by Ch…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.980123 Composed by Christy Miranda Kalfas. Contemporary,Jazz. 3 pages. Christy Kalfas #4783479. Published by Christy Kalfas (A0.980123). Solo soprano voice with piano accompaniment in a light jazz style. Includes a piano solo that can be played as written or replaced with the pianist's own improvisation using the chords given. The aim is to convey on the piano what the vocalist has just shared through the lyrics. Concentric Circles is track 3 on the album Blessed are the Ones (available on iTunes): https://www.nakedfishrecordings.com/blessed-are-the-ones
$1.99
1.78 €
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Voix Soprano, Piano
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Christy Miranda Kalfas
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Concentric Circles
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Christy Kalfas
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.5 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
9.81 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Existing
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.993468 Composed by Na…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.993468 Composed by Natalie Rebecca Lovejoy. Musical/Show,Pop,Rock. 7 pages. Natalie Rebecca Lovejoy #6475951. Published by Natalie Rebecca Lovejoy (A0.993468). Praised by military veterans as spot on, authentic, completely new, and a phenomenal piece, Home/Front is a new musical about an idealistic U.S. Army soldier set on serving his country whose principles are put to the test when his marries an ambitious, young dancer in pursuit of her own dream, amidst the Iraq war and an increasingly divided America. It first premiered Off-Off Broadway in 2014 at the Gene Frankel Theater.
$4.99
4.47 €
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Voix Soprano, Piano
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Natalie Rebecca Lovejoy
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Existing
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Natalie Rebecca Lovejoy
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.02 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
You Are Here
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1005731 Composed by P…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1005731 Composed by Paige B. L'Hommedieu. Arranged by Meral Guneyman. Broadway,Christmas,Jazz. 4 pages. Guneyman L'Hommedieu Music #6039565. Published by Guneyman L'Hommedieu Music (A0.1005731). Fans of the Great American Songbook will want to make room for You Are Here--one of four original love songs by Paige B. L'Hommedieu, arranged for piano and voice by celebrated pianist Meral Guneyman. This beautiful waltz captures all of the melodic beauty of a couple in love on a dance floor. The song strikes at the essence of what it means to be in the warm, sparkling, timeless space of a dance at an occasion that glistens with extra magic. .
$4.99
4.47 €
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Voix Soprano, Piano
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Paige B
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Meral Guneyman
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You Are Here
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Guneyman L'Hommedieu Music
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.02 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.02 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gi…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.02 €
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Voix Soprano, Piano
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Nicole Elyse DiPaolo
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SheetMusicPlus
Some World Far From Ours
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873021 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873021 Composed by Sally Whitwell. Contemporary. 8 pages. Sally Whitwell #3867171. Published by Sally Whitwell (A0.873021). Composer’s Note - Some World Far From OursA principle source of inspiration for composers is surely a performer of great talent and skill. Percy Bysshe Shelley proves that this is true not only for composers but for poets as well. His dear friend Jane Williams -- the never proven conjecture is that she was actually his lover -- could sing like a bird and also play flute, harp and guitar. In S​ ome World Far From Ours,​ I so enjoyed bringing some musical life to a text that praises a musician from a poet who understands how a singing voice can transport a listener in a was that speech cannot.-- Sally Whitwell
$1.99
1.78 €
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Voix Soprano, Piano
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Sally Whitwell
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Some World Far From Ours
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Sally Whitwell
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SheetMusicPlus
Poems of Queen Mary Stuart
Voix Soprano, Piano
Soprano voice and piano - advanced - Digital Download SKU: S9.Q45888 By Robert S…
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Soprano voice and piano - advanced - Digital Download SKU: S9.Q45888 By Robert Schumann (1852). Composed by Robert Schumann. Arranged by Aribert Reimann. This edition: single sheet. Downloadable, Separate edition. Op. 135. Duration 9 minutes. Schott Music - Digital #Q45888. Published by Schott Music - Digital (S9.Q45888). German • English • French • Italian.Two things in particular link Aribert Reimann with Robert Schumann, whom he much admires: their interest in the dark side of human existence and their great commitment to literature. The both took an interest in the poems by the Scottish queen Mary Stuart written at the end of her life during her imprisonment. For a long time, Reimann had cherished the wish to orchestrate the lieder by Schumann based on these poems, ‘but I always lacked in courage […] to break up the rather barren piano part which is formally self-contained and complete in itself’. But while working on Sieben Fragmente für Orchester in 1988, he decided to take the risk. And although Schumann‘s music is never really touched, Reimann succeeds in bringing the deeply moving expression of the lieder even closer to the listener.Seinen letzten Zyklus für Singstimme und Klavier komponierte Robert Schumann 1852 auf eine deutsche Übersetzung von Gisbert Freiherr von Vincke. Indem Aribert Reimann die Singstimme der fünf Gedichte mit ihren je unterschiedlichen Originalsprachen in Französisch, Italienisch, Englisch und Latein unterlegt, erscheint nicht nur die historische Figur der schottischen Königin Maria Stuart, sondern auch die Musik Schumanns in neuem, polyglotten Licht.
$15.99
14.33 €
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Voix Soprano, Piano
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Robert Schumann
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Robert Schumann
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Aribert Reimann
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Poems of Queen Mary Stuart
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Schott Music - Digital
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SheetMusicPlus
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