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11 partitions trouvées
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1
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
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Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
The Leaves of the Fall
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Chorale TTBB
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FACILE
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John van Gulik
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John van Gulik
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The Leaves of the Fall
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John van Gulik
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall  Leaves of autumn, leaves of the fall  Millions of discarded parts of us all  Time will forget them, forget them it will  And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
Deep In The Heart Of Texas
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Chorale TTBB
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FACILE
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Alvino Rey & His Orchestra
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D
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Deep In The Heart Of Texas
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Tully Road Music
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1346931 By Alvino Rey & His Orchestra. By Don Swander and June Hershey. Arranged by D. Jason Bishop. 20th...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1346931 By Alvino Rey & His Orchestra. By Don Swander and June Hershey. Arranged by D. Jason Bishop. 20th Century,Country,Pop,Standards. 8 pages. Tully Road Music #931718. Published by Tully Road Music (A0.1346931). The 1941 classic “Deep in the Heart of Texas†is an American popular song about the state of Texas with lyrics by June Hershey and music by Don Swander. It has been recorded in multiple versions, five of which were on the Billboard charts in 1942. Several university bands in Texas perform the song before football games including the University of Texas Longhorn Band and the Texas Christian University Horned Frog Marching Band, and country music singer and native Texan George Strait has the song played before he takes the stage at concerts. This simple version for TTBB voices and piano was arranged by D. Jason Bishop for the Texas Boys Choir.
$2.00
Somewhere Down The Road
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Chorale TTBB
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FACILE
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Barry Manilow
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Matt Astle Music
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Somewhere Down The Road
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Matt Astle Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.891485 By Barry Manilow. By Cynthia Weil and Tom Snow. Arranged by Matt Astle Music. Contemporary,Rock. Octavo. ...
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Choral Choir (TTBB) - Level 2 - SKU: A0.891485 By Barry Manilow. By Cynthia Weil and Tom Snow. Arranged by Matt Astle Music. Contemporary,Rock. Octavo. 6 pages. Matt Astle Music #6063739. Published by Matt Astle Music (A0.891485). A smooth ballad of heartache and hope, this Barry Manilow classic is now arranged for barbershop quartet.In this quartet version, one purchase entitles you to four copies for the quartet.More information and custom arrangements available at facebook.com/mattastlemusic.
$12.99
I'll Be Waiting
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Chorale TTBB
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FACILE
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Cian Ducrot
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Dustin S
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I'll Be Waiting
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Dustin S Cates
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1475739 By Cian Ducrot. By Cian Ducrot and Lauren Frawley. Arranged by Dustin S. Cates. Pop,Rock,Sin...
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1475739 By Cian Ducrot. By Cian Ducrot and Lauren Frawley. Arranged by Dustin S. Cates. Pop,Rock,Singer/Songwriter. 15 pages. Dustin S Cates #1053296. Published by Dustin S Cates (A0.1475739). I’ll Be Waiting was released as a single in 2022 by Irish singer-songwriter Cian Ducrot. Despite its catchy chorus, the piece addresses the often complex nature of human relationships. The contrasting themes of loss, regret, hope and love are all part of the story of the song. A story that the singer describes as the emotions involved in, “waiting for someone you love to show up.” Ducrot, who also studied flute performance at the Royal Academy of Music in London, is one of a growing number of musicians gaining popularity through leveraging the power of social media, in particular TikTok, to share their music with the world. I’ll Be Waiting went viral as Ducrot posted videos of flash mob performances of the song taking place in subway trains, shopping malls and even on NBC’s Today Show.
$2.50
Lil Boo Thang
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Chorale TTBB
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FACILE
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Albert Phillip Mc Kay, Maurice
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Jacob Klingsten
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Lil Boo Thang
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Jacob Klingsten
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1346944 Composed by Albert Phillip Mc Kay, Maurice White, Paul Russell, and Sean Cook. Arranged by Jacob ...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1346944 Composed by Albert Phillip Mc Kay, Maurice White, Paul Russell, and Sean Cook. Arranged by Jacob Klingsten. 21st Century,A Cappella,Broadway,Contemporary,Hip-Hop,Musical/Show. 12 pages. Jacob Klingsten #931731. Published by Jacob Klingsten (A0.1346944). Lil Boo Thang by Paul Russell is a 2023 top track with a positive, energetic atittude. This arrangement is for TTBB acapella groups, and sits at an easy difficulty for high school/collegiate groups. While there isn’t a vocal percussionist part in the score, it is recommended to perform this arrangement with one.This arrangement features a hype-up kind of energy like no other while being quite repetitive and fun to sing with doubled spoken parts. Additionally, there are multiple opportunities for the ensemble to get the crowd excited, with suggestions such as freestyle dancing and clapping in the score. This piece is a great way to start or end your program or even a set within your repertoire!Additional Details: Key: C Major 12 Pages Length: 1m 55s Ranges Soloist: C3-C4 (E4) T1: G3-A4 T2: G3-F4 B1: E3-C4 B2: G2-G3 If you would like the score changed to fit your ensemble's needs, the practice tracks to this piece once purchased, or if you are looking to have a new arrangement commissioned for your ensemble, please let Jacob Klingsten, the arranger, know at jacobkarranging@gmail.com. He will change the score to your needs (within reason) and provide practice tracks at no additional charge to your purchase, and he typically charges $50-75 per commissioned arrangement. Jacob would love to work with you and your ensemble!
$1.99
I'll Take You Home Again, Kathleen
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Chorale TTBB
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FACILE
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Folklorique/Traditionel
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Thomas P
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Jim Shubert
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I'll Take You Home Again, Kath
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James W. Shubert
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.971393 Composed by Thomas P. Westendorf. Arranged by Jim Shubert. Traditional. Octavo. 3 pages. James W. Shubert...
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Choral Choir (TTBB) - Level 2 - SKU: A0.971393 Composed by Thomas P. Westendorf. Arranged by Jim Shubert. Traditional. Octavo. 3 pages. James W. Shubert #6521483. Published by James W. Shubert (A0.971393). 4 part Male Barbershop Arrangement (TTBB) A different look at a barbershop classic. This wouldn't work with a chorus of older, experienced barber shoppers; they've probably spent years singing the original Society arrangement. However, if you're willing to experiment a little, this might work well for you.
$7.99
Christmas Vacation
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Chorale TTBB
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FACILE
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Various Artists
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Bert Phillips
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Christmas Vacation
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Bert Phillips
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SheetMusicPlus
TTBB Chorus,Voice - Level 2 - SKU: A0.1452056 By Various Artists. By Barry Mann and Cynthia Weil. Arranged by Bert Phillips. A Cappella,Barbershop,Chris...
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TTBB Chorus,Voice - Level 2 - SKU: A0.1452056 By Various Artists. By Barry Mann and Cynthia Weil. Arranged by Bert Phillips. A Cappella,Barbershop,Christmas. Barbershop Quartet. 9 pages. Bert Phillips #1031372. Published by Bert Phillips (A0.1452056). This is an fun a cappella (barbershop-ish) TTBB version of Christmas Vacation from the movie National Lampoon's Christmas Vacation. The lead voice has the melody for most of the song. Make sure you keep the rhythm constant throughout. This should be an easy, fun chart for your chorus or quartet. There is an optional sliegh bell part and a fun, optional outro chorus. I hope you enjoy this chart! Follow me on facebook at Bert's Music.The pricing for this chart is for a quartet.
$12.99
Christmas Vacation
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Chorale TTBB
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FACILE
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Various Artists
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Bert Phillips
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Christmas Vacation
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Bert Phillips
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1452052 By Various Artists. By Barry Mann and Cynthia Weil. Arranged by Bert Phillips. A Cappella,Ba...
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1452052 By Various Artists. By Barry Mann and Cynthia Weil. Arranged by Bert Phillips. A Cappella,Barbershop,Christmas. 9 pages. Bert Phillips #1031368. Published by Bert Phillips (A0.1452052). This is an fun a cappella (barbershop-ish) TTBB version of Christmas Vacation from the movie National Lampoon's Christmas Vacation. The lead voice has the melody for most of the song. Make sure you keep the rhythm constant throughout. This should be an easy, fun chart for your chorus or quartet. There is an optional sliegh bell part and a fun, optional outro chorus. I hope you enjoy this chart! Follow me on facebook at Bert's Music.The pricing for this chart is for a chorus.
$1.99
Ain't Got Rhythm
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Chorale TTBB
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FACILE
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Dan Povenmire, Danny Jacob, Je
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Christopher Alexander
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Ain't Got Rhythm
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1412111 Composed by Dan Povenmire, Danny Jacob, Jeff Swampy Marsh, Martin Olson, and Robert Hughes. ...
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1412111 Composed by Dan Povenmire, Danny Jacob, Jeff Swampy Marsh, Martin Olson, and Robert Hughes. Arranged by Christopher Alexander. Film/TV,Funk. 20 pages. Christopher Alexander #994347. Published by Christopher Alexander (A0.1412111). NEW GENERATION CHORAL SERIESThis groovy song from the hit Disney® TV series Phineas and Ferb will have your singers and audiences dancing in the aisles at your next performance.  In the episode, the school librarian (a former rock band drummer) argues he is not able to make music anymore unbeknowningly rapping and creating a stomp-like rhythm groove, inspiring the students in the library to erupt into excited mayhem.  This message of hope and changing one’s self view should be the focus of your singers…and having fun!Also available in SATB.
$2.25
Pretty Paper
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Chorale TTBB
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FACILE
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Kenny Chesney featuring Willie
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Bert Phillips
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Pretty Paper
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Bert Phillips
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.844176 By Kenny Chesney featuring Willie Nelson. By Willie Nelson. Arranged by Bert Phillips. A Cappella,Barbers...
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Choral Choir (TTBB) - Level 2 - SKU: A0.844176 By Kenny Chesney featuring Willie Nelson. By Willie Nelson. Arranged by Bert Phillips. A Cappella,Barbershop,Christmas,Country,Holiday. Octavo. 5 pages. Bert Phillips #3362759. Published by Bert Phillips (A0.844176). This work is a barbershop (TTBB) arrangement of Pretty Paper written by Willie Nelson and performed by various artists such as Roy Orbison and Willie Nelson. Because this arrangement is barbershop, the melody is primarily in the lead (Tenor II) voice with short passages by the bass and the tenor. This arrangement is written in G major, but it could probably be pitched up a half step or whole step depending on your quartet or chorus.Purchasing one copy of this score at $12.99 allows you four legal copies. I composed the intro to the song. I hope you like it.Follow me on facebook @bertschartsLearning tracks are available here: https://www.kksounds.com/learning-track-post/pretty-paper/
$1.99
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At The Hop