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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
2 and Trombone 1
Non classifié
4 448
Piano & claviers
Accompagnement Piano
31
Piano (partie séparée)
27
Piano Facile
27
Piano, Voix
21
Instruments en Do
18
Orgue
14
Piano seul
12
Piano, Voix et Guitare
9
Orgue, Piano (duo)
1
+ 4 instrumentations
Retracter
Guitares
Guitare (partie séparée)
70
Guitare
5
Basse electrique
2
2 Guitares (duo)
1
Voix
Pack Instrumental pour Chorale
793
Chorale SATB
149
Chorale 3 parties
17
Chorale TTBB
15
Chorale Unison
13
Chorale 2 parties
7
Chorale SSAA
1
Chorale
1
Soli, choeur mixte et accompagnement
1
Voix haute
1
Voix seule
1
Voix duo, Piano
1
+ 7 instrumentations
Retracter
Vents
Saxophone (partie séparée)
191
Flûte, Hautbois, Clarinette, Basson
145
Flute (partie séparée)
32
Clarinette (partie séparée)
14
Quatuor de Clarinettes: 4 clarinettes
7
Hautbois (partie séparée)
6
Flûte, Trombone (duo)
5
Quatuor de Saxophones: 4 saxophones
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Quintette de Saxophone: 5 saxophones
3
Ensemble de Clarinettes
3
2 Flûtes traversières (duo)
3
Clarinette
3
Quatuor de Flûtes : 4 flûtes
3
Saxophone Alto et Piano
2
Clarinette et Piano
2
2 Saxophones (duo)
2
Saxophone Alto
1
Cor Anglais
1
Quintette de Clarinettes: 5 clarinettes
1
Ensemble à vent
1
Saxophone Tenor et Piano
1
Saxophone Tenor
1
Trio de Flûtes: 3 flûtes
1
3 Clarinettes (trio)
1
Clarinette, Trombone (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Ensemble de Flûtes
1
2 Clarinettes, Piano
1
Flûte, Clarinette (duo)
1
Ensemble de saxophones
1
2 Saxophones, Piano
1
+ 27 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
2 636
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 364
Quatuor de Cuivres : 2 trompettes, trombone, tuba
939
Trombone
843
Trombone et Piano
439
2 Trombones (duo)
417
Quatuor de Cuivres: 2 trompettes, Cor, trombone
247
Quatuor de cuivres: 4 trombones
167
Trompette (partie séparée)
159
Trompette, Trombone (duo)
153
Quatuor de Cuivres
147
3 Trombones (trio)
81
Ensemble de Trombones
50
Trio de Cuivres
39
Cor (partie séparée)
26
Trombone basse
24
Tuba (partie séparée)
20
Trombone basse et Piano
19
Quatuor de cuivres: 2 trompettes, 2 trombones
16
Trombone, Cor (duo)
9
Tuba et Piano
8
Euphonium, Tuba (duo)
8
Cor
8
2 Cors (duo)
5
Trombone, Orgue
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
5
Quatuor de cuivres: 4 cors
4
Tuba
4
Trompette
4
Trompette, Euphonium (duo)
3
Trombone et orchestre
3
Trombone, Tuba (duo)
3
2 Tubas (duo)
3
Trombone, violoncelle (duo)
2
2 Euphoniums et 2 Tubas
2
Cor et Piano
2
Trompette, Saxophone (duo)
2
Tuba et Orgue
2
2 Trombones, Piano
2
Trompette, Cor (duo)
2
Instruments en Sib
2
4 Tubas
2
2 Trompettes (duo)
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
Cor Anglais
1
Ensemble de Trompettes
1
Euphonium, Piano (duo)
1
Euphonium
1
Trompette, Trombone, Piano
1
Bass Clef Instruments
1
Trompette, Piano
1
Cor, Trompette, Trombone (trio)
1
+ 47 instrumentations
Retracter
Cordes
Contrebasse (partie séparée)
33
2 Violoncelles (duo)
8
Violon et Piano
7
Quatuor à cordes: 2 violons, alto, violoncelle
3
Violon
3
Trio à Cordes: 3 violoncelles
2
4 Violoncelles
2
Violoncelle, Piano
2
Violoncelle (partie séparée)
1
Alto seul
1
Violoncelle
1
2 Contrebasses (duo)
1
Contre Basse
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 9 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
3 074
Ensemble Jazz
1 162
Orchestre
567
Fanfare
419
Ensemble de cuivres
380
Jazz combo
96
Orchestre de chambre
73
Batterie (partie séparée)
33
Batterie
9
Cloches
9
Ensemble de Percussions
9
Percussion (partie séparée)
9
Orchestre à Cordes
8
Quintette de Cuivres: autres combinaisons
8
Ensemble d'École
5
Piano et Orchestre
2
Big band
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PERCU. ORCH…
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VIELLE A RO…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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LATIN - BOSSA - WORL…
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METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
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POP ROCK - ROCK CLAS…
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Crtitères actifs :
2 and Trombone 1
Ensemble de Percussions
Partitions à imprimer
9 partitions trouvées
<
1
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
#
AVANCÉ
#
Antonio J
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Two Dreams for solo Trombone a
#
Gordon Cherry
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
I'm Still Standing
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Ensemble de Percussions
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DÉBUTANT
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Rock
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Elton John
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Russell Ward
#
#
I'm Still Standing
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Russell Ward
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.999566 By Elton John. By Bernie Taupin and Elton John. Arranged by Russell Ward. Pop,Rock. Score and parts. 2 pa...
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Percussion Ensemble - Level 1 - SKU: A0.999566 By Elton John. By Bernie Taupin and Elton John. Arranged by Russell Ward. Pop,Rock. Score and parts. 2 pages. Russell Ward #6056913. Published by Russell Ward (A0.999566). Tuned percussion edition of the Mix n' Match trio arrangement of Elton John's I'm Still Standing. This tune makes a great statement about resilience in these COVID19 times. An Ideal selection for your School Music program in these times when full band rehearsals are not possible due to various social distancing guidelines. Mix n' Match trio arrangements are designed for use by school ensembles and are fully interchangeable with other editions of the same arrangement, so long as 3 parts are covered. Can be played by virtually any three instruments of your music program. Other editions available at https://www.sheetmusicplus.com/publishers/russell-ward/17598 include: · Flute · Bb Clarinet · Eb Saxophones (Alto/Bari) · Bb Saxophones (Ten/Sop) · Bb Trumpet · Trombone (B.C) · Tuned percussion · Bass (optional/additional part 3) · Tuba (optional/additional part 3) · Drumkit (optional)
$12.99
< Guide to Band Instruments Part 2 > Oh! Susanna
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Ensemble de Percussions
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FACILE
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Stephen Collins Foster
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Tsuyoshi Yoroiguma
#
< Guide to Band Instruments
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Tsuyoshi Yoroiguma
#
SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.711305 Composed by Stephen Collins Foster. Arranged by Tsuyoshi Yoroiguma. 20th Century,Instructional,Standards,...
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Percussion Ensemble - Level 2 - SKU: A0.711305 Composed by Stephen Collins Foster. Arranged by Tsuyoshi Yoroiguma. 20th Century,Instructional,Standards,Traditional. Score and parts. 10 pages. Tsuyoshi Yoroiguma #4412733. Published by Tsuyoshi Yoroiguma (A0.711305). This is a special arrangement for educational concert to introduce Brass and Percussion Instruments in the band.Also this set is good for ensemble activity for school band student.Instrumentation of Guide to Band Instruments Part 2 :3 Bb Trumpets / 2 F Horns / 2 Trombones / Euphonium / 2 Tubas / Glocken / Snere DrumPDF file includes 4 pages of score and 6 pages of parts.Playing time is 1min 45sec.You can also add < Guide to Band Instruments Part 1 > Old Black Joe to introduce woodwind and string Instruments.
$14.00
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Dr. Who
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Ensemble de Percussions
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FACILE
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Film/TV
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Theme
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Bayden Adams
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Dr. Who
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Bayden Adams Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba, B-Flat trombone, Baritone Horn TC/Euphonium, Bass Trombone, E-Flat Cornet, E-Flat Tenor Horn, E-Flat Tuba TC, Flugelhorn...
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Mixed Percussion B-Flat Tuba, B-Flat trombone, Baritone Horn TC/Euphonium, Bass Trombone, E-Flat Cornet, E-Flat Tenor Horn, E-Flat Tuba TC, Flugelhorn, Percussion 1, Percussion 2, Tenor Trombone - Level 2 - By Theme. By John Cardon Debney. Arranged by Bayden Adams. Film/TV. Brass Band. 57 pages. Bayden Adams Music #880228. Published by Bayden Adams Music
$24.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
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Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Edelweiss
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Ensemble de Percussions
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DÉBUTANT
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Comédie Musicale
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Film/TV
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Richard Rodgers
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Tsuyoshi Yoroiguma
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Edelweiss
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.710912 Composed by Richard Rodgers. Arranged by Tsuyoshi Yoroiguma. Broadway,Film/TV. Score and parts. 16 pages....
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Percussion Ensemble - Level 1 - SKU: A0.710912 Composed by Richard Rodgers. Arranged by Tsuyoshi Yoroiguma. Broadway,Film/TV. Score and parts. 16 pages. Tsuyoshi Yoroiguma #2002971. Published by Tsuyoshi Yoroiguma (A0.710912). This is a well known musical number. And people loves the simple melody. Teachers can choose it for a music class,band or orchestra. Students will enjoy it. This PDF file includes 8 types of short quartet arrangement. Score #1 : 4 Flutes Score #2 : 4 Bb Clarinets Score #3 : 2 Alt./Ten./Bar.Saxophones Score #4 : 2 Trumpets/2 Trombones(or Euphoniums) Score #5 : 2 F Horns /Euphonium / Tuba Score #6 : Glocken 2 players / Vibraphone 2 players Score #7 : 2 Sop./ Alt./Ten. Recorders Score #8 : 2 Violines / Viola /Cello(or Contra Bass) Playing time is 1min 5sec. When you play this quartet,please use a score. Visit arranger's sample. https://youtu.be/acnoMKemslM.
$32.00
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