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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Omen
Non classifié
2 452
Piano & claviers
Piano seul
3 043
Piano, Voix et Guitare
560
Piano, Voix
542
Piano Facile
401
Orgue
123
Instruments en Do
92
1 Piano, 4 mains
48
2 Pianos, 4 mains
48
Accompagnement Piano
40
Piano Trio: piano, violon, violoncelle
37
Piano grosses notes
22
Piano Quatuor: piano, violon, alto, violoncelle
17
Accordéon
7
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Orgue, Piano (duo)
5
Piano (partie séparée)
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Clavecin
3
Ligne De Mélodie, Piano
3
Orgue, Trompette (duo)
2
Instrument seul et Orgue
2
1 Piano, 6 mains
2
Fake Book
1
Ensemble d'Accordéons
1
+ 19 instrumentations
Retracter
Guitares
Guitare
310
Guitare notes et tablatures
153
Ligne De Mélodie, (Paroles) et Accords
128
Paroles et Accords
57
Ukulele
42
2 Guitares (duo)
37
Basse electrique
20
3 Guitares (trio)
7
4 Guitares (Quatuor)
6
Piano, Guitare (duo)
6
Guitare (partie séparée)
6
2 Ukuleles
5
Mandoline
4
Guitare, Orchestre
3
Basse électrique (partie séparée)
1
Ensemble de guitares
1
Guitare, Violon, Violoncelle (trio)
1
+ 12 instrumentations
Retracter
Voix
Chorale SSAA
1 122
Chorale SATB
1 112
Chorale 3 parties
747
Chorale 2 parties
237
Chorale TTBB
171
Voix seule
90
Chorale Unison
55
Voix duo, Piano
45
Pack Instrumental pour Chorale
43
Voix Soprano, Piano
30
Chorale
28
Voix duo
22
Voix haute
13
Voix Alto, Piano
10
Voix moyenne, Piano
6
Chorale SSAATTBB
6
Voix Tenor, Piano
4
Chorale SSATTB
3
Chorale SSATB
3
Chorale SSAB, Piano
2
Voix Tenor
2
Voix Mezzo-Soprano, Piano
2
Soli, choeur mixte et accompagnement
2
Voix Baryton, Piano
2
Chorale SAATB A Cappella
1
Chorale, Orgue
1
Voix, Guitare
1
Voix Soprano
1
Voix basse, Piano
1
+ 24 instrumentations
Retracter
Vents
2 Saxophones (duo)
175
Flûte traversière et Piano
171
Clarinette et Piano
169
Hautbois, Piano (duo)
168
Flûte traversière
161
Quatuor de Saxophones: 4 saxophones
154
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
152
Clarinette
150
Saxophone
122
Saxophone Alto et Piano
117
Flûte, Hautbois, Clarinette, Basson
111
Saxophone Alto
103
Quintette de Saxophone: 5 saxophones
79
Saxophone (partie séparée)
76
2 Flûtes traversières (duo)
73
Saxophone Soprano et Piano
72
Saxophone Tenor et Piano
72
Saxophone Tenor
69
2 Clarinettes (duo)
61
Hautbois (partie séparée)
52
Saxophone Baryton, Piano
48
Quatuor de Clarinettes: 4 clarinettes
44
Clarinette (partie séparée)
43
2 Hautbois (duo)
38
Hautbois
38
3 Saxophones (trio)
36
Saxophone Soprano
31
Saxophone Baryton
25
Flûte et Guitare
24
Quatuor de Flûtes : 4 flûtes
24
Flute (partie séparée)
23
Ensemble de Flûtes
22
Flûte, Clarinette (duo)
21
Ensemble de Clarinettes
19
Flûte, Hautbois, Clarinette (trio)
18
Hautbois, Clarinette, Basson (trio d'anches)
17
3 Clarinettes (trio)
17
2 Flûte à bec (duo)
15
Hautbois, Violoncelle
13
Quatuor de Flûtes à bec
13
Flûte à Bec
13
Quintette de Clarinettes: 5 clarinettes
12
Flûte, Trombone (duo)
12
Hautbois, Clarinette (duo)
12
Ensemble de saxophones
11
Cor anglais, Piano
11
Clarinette Basse, Piano
11
Flûte, Clarinette et Basson
9
Hautbois, Basson (duo)
9
Trio de Flûtes: 3 flûtes
8
Quintette de Flûte : 5 flûtes
6
Flûte à bec Tenor
6
Saxophone, Clarinette (duo)
6
Clarinette, Basson (duo)
5
Flûte, Hautbois (duo)
5
Flûte à bec Soprano
5
5 Flûtes à bec
5
Flûte, Violoncelle, Piano (trio)
5
Flûte, Violon et Violoncelle
5
Piccolo, Piano
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Flûte à bec Alto
4
Hautbois, Flûte
4
Flûte, Clarinette, Piano (trio)
4
Clarinette, Trompette (duo)
4
Clarinette, Violon (duo)
4
Flûte, Hautbois, Piano (trio)
4
Flûte, Violon, Piano
4
Instruments en Mib
4
Flûte, Violon
3
2 Flûtes traversières, Piano
3
2 Clarinettes, Piano
3
Ocarina
3
Cor Anglais
3
Clarinette Basse
2
Flûte, Alto et Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Clarinette, trompette et piano
2
Clarinette et Alto
2
Flûte, Alto (duo)
2
Flûte, trombone et piano
2
Flûte à bec Alto, Piano
2
Saxophone et Piano
2
Flûte et Quatuor à Cordes
2
2 Saxophones, Piano
2
Clarinette, Violoncelle (duo)
2
Ensemble De Flûte à bec
2
Flûte, Violoncelle
2
Flûte, Saxophone (duo)
2
Flûte, Trompette (duo)
2
Clarinette, Guitare (duo)
2
Flûte à bec Soprano, Piano
2
3 Flûtes à bec (trio)
2
Hautbois et alto (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
3 Hautbois
1
Ensemble à vent
1
Hautbois, Trompette (duo)
1
Flûte, alto et harpe
1
Flûte et Trio à cordes
1
Flûte à Bec, Piano
1
Cor anglais, Guitare (duo)
1
Flute, harpe et violon
1
Flûte traversière, Orgue (duo)
1
+ 100 instrumentations
Retracter
Cuivres
Trompette
149
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
135
Trombone
122
Cor et Piano
120
Trompette, Piano
119
Trombone et Piano
85
Cor
84
Tuba et Piano
66
Tuba
54
Quatuor de Cuivres : 2 trompettes, trombone, tuba
53
Quatuor de Cuivres: 2 trompettes, Cor, trombone
48
Trompette (partie séparée)
47
2 Trompettes (duo)
43
2 Trombones (duo)
42
Trombone (partie séparée)
40
2 Cors (duo)
31
Cor (partie séparée)
21
Trompette, Trombone (duo)
19
2 Tubas (duo)
16
Quatuor de Cuivres
15
Ensemble de Trombones
12
Tuba (partie séparée)
12
Cor anglais, Piano
11
Euphonium, Piano (duo)
11
Quatuor de cuivres: 4 trombones
11
Quatuor de cuivres: 4 cors
8
Bass Clef Instruments
6
Trompette, Cor (duo)
6
Trompette, Saxophone (duo)
5
Trombone basse et Piano
4
2 Euphoniums et 2 Tubas
4
4 Tubas
4
Instruments en Sib
4
Trompette, Tuba (duo)
3
Quatuor de cuivres: 4 trompettes
3
Ensemble de Trompettes
3
Cor Anglais
3
Trombone, Tuba (duo)
3
Cor, Violoncelle (duo)
3
Trompette, Violoncelle (duo)
2
Cor et Orgue
2
Cor, Tuba (duo)
2
Trio de Cuivres
2
3 Trompettes (trio)
2
3 Trombones (trio)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Violoncelle et Piano
1
3 Cors (trio)
1
Cor et Basson (duo)
1
Tuba et Orgue
1
Euphonium
1
Cor anglais, Guitare (duo)
1
Trompette, Basson (duo)
1
Ensemble de Tubas
1
Trombone, Orgue
1
Instruments en Fa
1
Ensemble de Cors
1
Tuba ou Euphonium ou Saxhorn
1
2 Euphoniums (duo)
1
+ 54 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
436
Violon et Piano
246
Violoncelle, Piano
173
Alto, Piano
154
Violon
153
Violoncelle
124
Alto seul
91
Quintette à cordes: 2 violons, alto, violoncelle, basse
79
2 Violons (duo)
65
Harpe
62
Contre Basse
59
Trio à Cordes: violon, alto, violoncelle
59
Violon, Violoncelle (duo)
57
2 Violoncelles (duo)
55
Contrebasse, Piano (duo)
52
Violon (partie séparée)
43
2 Altos (duo)
39
Violon, Alto (duo)
38
Alto (partie séparée)
33
2 Contrebasses (duo)
27
Trio à Cordes: 2 violons, violoncelle
18
Contrebasse (partie séparée)
14
Violon, Basson (duo)
11
Violoncelle (partie séparée)
11
Violon, Guitare (duo)
9
4 Violoncelles
8
Alto, Violoncelle (duo)
7
Trio à cordes: 3 violins
6
Piano Trio: Violon, Alto, Piano
5
Quatuor à cordes: 4 violons
5
Violoncelle , Guitare (duo)
5
Quatuor à cordes : 4 altos
3
Harpe, Voix
2
Alto, Orgue
2
Violoncelle, Contrebasse (duo)
2
Harpe, Flûte (duo)
2
Violon, Orgue
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle, Orgue
2
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: 2 violons, alto
2
Violon, Clarinette, Piano (trio)
2
Trio à cordes
2
2 Harpes (duo)
1
2 Violons, Piano
1
Violon, Violoncelle, Clarinette
1
Violon, Trompette et Piano
1
2 Violoncelles, Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Alto, Guitare (duo)
1
Alto et Harpe
1
2 Altos, Piano
1
Harpe, Quatuor à cordes
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 244
Orchestre
231
Orchestre à Cordes
199
Fanfare
131
Cloches
118
Ensemble Jazz
96
Orchestre de chambre
53
Ensemble de cuivres
51
Batterie
25
Jazz combo
22
Percussion (partie séparée)
20
Percussion
19
Ensemble de Percussions
12
Timbales
6
Marimba
5
Xylophone
4
Xylophone, Piano
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Timbales (partie séparée)
4
Batterie (partie séparée)
3
Vibraphone
2
Piano et Orchestre
2
Quintette à Vent
2
Instrumentation Flexible
1
Quintette de Cuivres: autres combinaisons
1
Bongos
1
+ 21 instrumentations
Retracter
Autres
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FORMATION M…
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HARMONICA
HARPE
HAUTBOIS
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LUTH, THEOR…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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FUNK
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MEDIEVAL - RENAISSAN…
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Omen
Ensemble de Percussions
Partitions à imprimer
12 partitions trouvées
<
1
Gravity for Septet
#
Ensemble de Percussions
#
AVANCÉ
#
Contemporain
#
MohammadHadi Ayanbod
#
Gravity for Septet
#
Rimorarte Edition
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Gontinhães - Score Only
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Ensemble de Percussions
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FACILE
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Rudesindo Soutelo
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Gontinhães - Score Only
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1148985 Composed by Rudesindo Soutelo. Children,Contemporary. Score and parts. 27 pages. Publisher by Rudesindo ...
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Percussion Ensemble - Level 2 - SKU: A0.1148985 Composed by Rudesindo Soutelo. Children,Contemporary. Score and parts. 27 pages. Publisher by Rudesindo Soutelo #749030. Published by Publisher by Rudesindo Soutelo (A0.1148985). Gontinhães (2022) for Orff instruments [ca. 4' 40] ISWC: T-310.170.220-5 ISMN: 979-0-707704-05-9 --- The musical quality of the Instrumental Group of the Vila Praia de Âncora Basic School (Portugal) made me write this piece for Orff instruments and, as a tribute to the Group, I entitled the piece with the old name of the village. All the parameters of the work start from a generator complex {3, 2, 3, 2} taken from the number of letters that contain the four syllables of the title. --- A qualidade musical do Grupo Instrumental da Escola Básica de Vila Praia de Âncora (Portugal) fez que eu escrevesse esta obra para instrumentos Orff e, em homenagem ao Grupo, intitulasse a peça com o antigo nome da Vila. Todos os parâmetros da obra partem dum complexo geratriz {3, 2, 3, 2} retirado do número de letras que contêm as quatro sÃlabas do tÃtulo.
$7.00
The Escape (medium/big percussion ensemble)
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Frits Renting
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The Escape
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Frits_Renting
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SheetMusicPlus
Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,...
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Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - Level 4 - SKU: A0.1274188 Composed by Frits Renting. Film/TV. 51 pages. Frits_Renting #866319. Published by Frits_Renting (A0.1274188). Side note: This version is for medium/big percussion ensemblesEN:This composition was written for one of the parts of the D exam by Frits Renting. The starting point of the composition was: film music. Inspired by well-known works by Hans Zimmer, Brian Tyler, John Williams and works by De Efteling. The composition starts in a fairly small composition in which, with the help of crescendos and several instruments, it works towards a strong, but above all open and cheerful part. This is followed by a short untuned percussion solo. After this, theme A is closed in a calm, non-violent manner. Immediately theme B comes in which is built up through crescendos and multiple instruments over time. Theme B also comes to a quiet end afterwards. After this theme A and B return at the same time, which builds up and closes in a grandiose way.NL:Deze compositie is geschreven voor één van de onderdelen van het D examen van Frits Renting. Het uitgangsdoel van de compositie was: filmmuziek. Geïnspireerd door bekende werken van Hans Zimmer, Brian Tyler, John Williams en werken van De Efteling. De compositie begint in een vrij kleine samenstelling waarbij, met behulp van crescendo's en meerdere instrumenten, het zich toewerkt naar een sterk, maar vooral open en vrolijk gedeelte. Dit wordt opgevolgd door een korte ongestemde slagwerk solo. Hierna wordt thema A op een rustige, geweldloze manier afgesloten. Direct komt thema B binnenvallen wat word opgebouwd door middel van crescendo's en meerdere instrumenten in loop van de tijd. Ook komt thema B daarna tot rustig einde. Hierna komen thema A en B tegelijkertijd terug wat zich opbouwt en op een grandioze manier, zich afsluit.
$80.00
Eleanor Rigby
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Ensemble de Percussions
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INTERMÉDIAIRE
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Rock
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David Cook
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Dorothea Liana
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Eleanor Rigby
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Dolly Liana
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1035230 By David Cook. By Domenico Bucchino, John Lennon, and Paul McCartney. Arranged by Dorothea Liana. Rock. ...
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Percussion Ensemble - Level 3 - SKU: A0.1035230 By David Cook. By Domenico Bucchino, John Lennon, and Paul McCartney. Arranged by Dorothea Liana. Rock. Score and parts. 14 pages. Dolly Liana #6603465. Published by Dolly Liana (A0.1035230). A fast and energetic arrangment of this beautiful song for Mallet Percussion Ensemble.Useful for student bands but also as an encore for professional Ensembles.Duration 1,55'.
$12.99
Quartet #1
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Jeff Tincher
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Quartet #1
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Jeff Tincher
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.584689 Composed by Jeff Tincher. Contemporary. Score and parts. 21 pages. Jeff Tincher #6019457. Published by Je...
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Percussion Ensemble - Level 3 - SKU: A0.584689 Composed by Jeff Tincher. Contemporary. Score and parts. 21 pages. Jeff Tincher #6019457. Published by Jeff Tincher (A0.584689). This begins with a 7/4 time signature in A minor. The initial passage was created to sound like an industrial region in a run-down town. The machines continue to progress until the complete building is running like a well-oiled machine, to quote a anecdote. As it continues the business runs smooth like a waltz in 3/4 time. For a moment the initial passage returns before a climax in A major. The finale concludes as the day ends with the original passage returning in 7/4 time as the business closes for the day. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 4:00. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Professor Burble's fourth invention
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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Professor Burble's fourth inve
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David Warin Solomons
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.576482 Composed by David Warin Solomons. 20th Century,Contemporary,Jazz. Score and parts. 27 pages. David Warin ...
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Percussion Ensemble - Level 4 - SKU: A0.576482 Composed by David Warin Solomons. 20th Century,Contemporary,Jazz. Score and parts. 27 pages. David Warin Solomons #26925. Published by David Warin Solomons (A0.576482). A mad professor I invented during my childhood has been given fictional responsibility for some of my more outside the box compositions. I called him Professor Burble; he was probably inspired by TV cartoons in the 1960s.... The first Invention was for guitar solo (published by Productions d'Oz), the third one one was for two wind instruments (published by Musik Fabrik), and this one - number 4 - is for piano, strings, gong, cymbal, bass drum and side drum. It is in a relentless 5/4 rhythm and starts with a fugato idea on piano and strings (including several divisi moments), with gongs, cymbal and snare drums beginning about a minute into the piece.
$12.00
ANANGULA - an Australian Piece
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Ensemble de Percussions
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FACILE
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Contemporain
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E Riley
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ANANGULA - an Australian Piece
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E Riley
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1025837 Composed by E Riley. 20th Century,Contemporary. Score and parts. 11 pages. E Riley #5298347. Published b...
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Percussion Ensemble - Level 2 - SKU: A0.1025837 Composed by E Riley. 20th Century,Contemporary. Score and parts. 11 pages. E Riley #5298347. Published by E Riley (A0.1025837). ANANGULA - an Australian pieceAnangula is Aboriginal for Australia. This Ross Edwards-inspired piece takes you on a journey through Australia's marvellous Daintree Rainforest as you experience the echoes of the infamous Green Tree Frog and it's mates (imitated by the Marimba),the ostinato hum of Australian crickets (imitated by the Wood Blocks) and delicate glimpses of surrounding insects (imitated by the Xylophone). The Alto flute is to be played meditatively calm with lots of expressive vibrato and a few energetic moments.
$10.50
Sweet Dreams (are Made Of This)
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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The Eurythmics
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David R
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Sweet Dreams
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Bluesilhouettes Music
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1324084 By The Eurythmics. By Annie Lennox and David Stewart. Arranged by David R. Peoples. Classical,Contempora...
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Percussion Ensemble - Level 4 - SKU: A0.1324084 By The Eurythmics. By Annie Lennox and David Stewart. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 100 pages. Bluesilhouettes Music #912276. Published by Bluesilhouettes Music (A0.1324084). Annie Lennox and David Stewart had recently ended their relationship and disbanded their band. They still worked together - and built this song in a tiny warehouse using whatever technology they could get their hands on. In a day where most music was produced in the large studios backed by industry money - they pioneered a hit without the big studio. Securing a loan, they procured essential equipment—a compact setup comprising an 8-track tape recorder, mixer, effects processors, synthesizers, a drum computer, and a compact dynamic microphone. Some of the emotions from their lives went into the song - a fresh start on the heels of emotional events. Reflecting on that period, Lennox candidly remarked, “I was feeling very vulnerable. The song was an expression of how I felt: hopeless and nihilistic.â€This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Listen to mockup offsite
$34.99
Black Hole Sun
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Soundgarden
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David R
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Black Hole Sun
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Bluesilhouettes Music
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1345315 By Soundgarden. By Chris Cornell. Arranged by David R. Peoples. Classical,Contemporary,Grunge,Rock. 68 p...
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Percussion Ensemble - Level 4 - SKU: A0.1345315 By Soundgarden. By Chris Cornell. Arranged by David R. Peoples. Classical,Contemporary,Grunge,Rock. 68 pages. Bluesilhouettes Music #930151. Published by Bluesilhouettes Music (A0.1345315). What I really like about this song is its uniqueness... is it grunge? Psychedelic? Alternative? Hard Rock? Contemporary chamber music? Theoretically - is it some sort of jazz-fuzed harmonic progression or a clever soundscape of melody notes outside of chords? This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of rock, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Hear full digital audio mockup offsite
$34.99
Come To Me
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Bjork Gudmundsdottir
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David R
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Come To Me
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Bluesilhouettes Music
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 page...
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Percussion Ensemble - Level 4 - SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 pages. Bluesilhouettes Music #935388. Published by Bluesilhouettes Music (A0.1350568). If you had a day, and all you listened to was Björk, you’d have a fascinating day. The experience would be marked by a kaleidoscope of varying styles from pop, avant-garde, or jazz. Is it mainstream - probably not. But, the artist is definitely recognizable (as a name), appearing across multiple genres. As a source of background to her song ‘Come to Me,’ I borrowed a palindromic idea exploited by Radiohead in their ‘Pyramid song...’ if we truly expand a swing feel to a twelve-eight meter and extend the pattern across two measures - the eighth notes would provide a total of twenty-four possibilities - and as in this work you get four, five, six, five, four a palindrome on 45654 that (when added) equals twenty-four.This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Full mock-up digital audio: available here
$34.99
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